Even before visiting Richard Hartlage’s luscious, eclectic garden in Seattle, I felt I’d known him for years. In fact, every time I turned a corner at the Toronto Botanical Garden in June, he was there in the beautiful flowers of the shrub that greeted me, Calycanthus x raulstonii ‘Hartlage Wine’.
That plant was the result of a cross made by Richard Hartlage in 1991, while an undergrad student at North Carolina State University, between white-flowered Chinese sweetshrub Calycanthus chinensis with its large tepals and camellia-like blooms and the American native Carolina allspice C. floridus, with its strap-like tepals and strawberry-grapefruit scent. (At one time, it was considered a bigeneric cross, since the Chinese species, originally named Calycanthus chinensis in 1963 was renamed Sinocalycanthus in 1964, but in 1979 it was moved back into Calycanthus.) The hybrid name honours the late J.C. Raulston (1940-1996) who was then director of the NCSU Arboretum, later named the JC Raulston Arboretum. (I photographed C. chinensis at the Morris Arboretum in Philadelphia and C. floridus at the Royal Botanical Garden in Burlington, Ontario.)
A beautifully-rounded shrub, the flowers are sterile, so new plants must be made through layering or softwood cuttings. Though not as perfumed as Carolina allspice, ‘Hartlage Wine’ has a slight fragrance. The leathery leaves turn yellow in fall.
More than 30 years later, Richard Hartlage is still in love with plants of all kinds. That much was clear, arriving at his house, below, in the Montake area of Seattle as I did this July with my fellow gardeners on our annual Garden Fling. He calls his house colour ‘vermilion’ and I love it; there is much-too-much conformity and conservatism in the world of exterior colour choices. (I read in a Seattle Times story by Lorene Edwards Forkner that the hue is echoed in a massive spring tulip display.) An indigo-purple portico with a bold street number frames the front door. And those steps? Chunky granite slabs, then aluminum tread!
Who’s heard of using aluminum in a residential setting? So it’s clear that there’s an innovative hardscaping mind at work here, even as the diverse plant palette suggests someone who is enamored with flora, fragrance… and fun.
And, of course, as the CEO and President of the 12-person design firm (not counting his 4 schanuzers) Land Morphology, Hartlage’s home garden is his experimental laboratory. His history in gardening and design is deep. In the late 80s, he was plant propagator at North Carolina’s famous Montrose Garden, followed by stints at other NC gardens. He was Morris County Parks Commissioner in Morristown New Jersey in charge of two arboretums before moving to Seattle in 1996 to become Director/Curator of the Elisabeth C. Miller Botanical Garden, where he introduced the Great Plant Picks program during his 7-year tenure there. Beginning in 2003, he spent 10 years with the large design/engineering firm AHBL as an associate principle managing the landscape architecture group before launching Land Morphology in 2013. Projects include numerous residential designs (including Stephen Colbert and other New Jersey clients like the Mountsier Estate); Chihuly Garden and Glass in Seattle; the new Herb Garden at the Brooklyn Botanic Garden; and a new Castle Garden at Yew Dell Botanical Garden down the street from Hartlage’s Crestwood, Kentucky childhood home. Just completed is the impressive planting design for Seattle’s new 26-block Waterfront Park, in collaboration with architect Field Operations (High Line-NY, Navy Pier-Chicago), featuring more than 124,000 plants representing over 500 varieties of natives and ornamentals.
A few months after our visit, there were railings on those aluminum stairs above and an airy, iron arbor over the upper walkway (more vertical gardening opportunity) – topped by heraldic schnauzers in the place of lions!
Design by Richard Hartlage, Land Morphology – photo courtesy Land Morphology
Richard’s beloved schnauzers have been worked into the back garden’s design as well!
Design by Richard Hartlage, Land Morphology – Photo courtesy Land Morphology
Back to my July visit now, on either side of the steps that lead to the house on the steeply-sloped property is a serpentine hedge of Korean boxwood (Buxus sinica var. insularis ‘Wintergreen’). Suffice to say I’ve photographed countless boxwood hedges over the decades – including the spectacular potager at France’s Villandry – but this is the only one I’ve seen that meanders like an undulating green paintbrush across a slope. In its midst are lilies, alliums, ornamental grasses, persicaria and perennial geranium.
Small matching trees emerge from the serpentine hedge.
Spent allium seedheads are left to create texture and interest, along with deep-purple drumstick alliums (A. sphaerocephalon).
Scented lilies, alstroemeria and hydrangeas are part of the summer plant palette, along with perfumed Gladiolus murielae in the clay pot.
A spectacular lily that might be the Orienpet (Oriental x Trumpet) hybrid ‘Debby’.
A massive terracotta pot serves as focal point on the slope terrace.
Spears of gladiolus pop up here and there. These ones look like direct descendants of G. dalenii.
Luscious, light-blue mophead hydrangeas (H. macrophylla) partner with Taiwanese schefflera (Heptapleurum taiwanianum) and lilies in front of the house.
The bracts on this dogwood were still beautiful.
The back garden, though small, was filled to the gills with interesting and textural plants, myriad containers, whimsical furnishings…. and loads of people! So if my photos tend to be vignettes, be assured that the overall view was fabulous. I noticed that metal grid screens and hanging basket frames seemed to be occuping an aerial dimension – in part, perhaps, to screen out the view of neighbours.
As someone who has painted her neighbour’s property-line garage wall (with permission) to become her own garden backdrop, I liked that the same arrangement seems to have happened here, with interesting materials. And amidst myriad containers, an attractive rectangular trough brings the reflective magic of water to the garden, including waterlilies and….
…. a retro spring-rider playground duck configured as a fountain peeking out of the sedges and rushes!
Nearby is a spring rider seahorse, its platinum finish reminding me of the silvery Adonis mannequin in Andrew Bunting’s Swarthmore garden which I wrote about last year. The hardscape in the Hartlage back garden is a mixture of rectangular granite pavers and grit forming walkways amidst planting beds and containers crammed with plants of all kinds.
Yuccas mix with sedums and an interesting campanula, possibly C. incurva?
A very happy moon carrot (Seseli gummiferum) was in full bloom in another crevice container.
Erigeron, irises and phlox grew in a glazed blue container.
Comfy saucer chairs provide seating amidst the plantings.
And what is the unconquered, unplanted frontier in almost every garden? That’s right: the driveway. So leave it to Richard Hartlage to boldly go where few have ventured – right down the middle of his concrete driveway. I love this idea.
As usual, I could have spent hours in this garden capturing the small nuances and plant combinations. My friend Pam Penick did a great job on her blog, so give it a read. And Seattle photographer Miranda Estes has a beautiful gallery from 2019 of the garden as it was then. Thank you, Richard Hartlage, for sharing your lovely, eclectic, leafy home sanctuary with us.
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Read more of my blogs on beautiful summer gardens of the Puget Sound and Seattle:
If you’ve been writing about gardening for almost 40 years, like me, the name “Nancy Heckler” rings all kinds of bells. In the early 2000s she was a west coast garden maven whose massive edibles garden on the Hood Canal in Washington State was featured in a cover story of Martha Stewart Living magazine and on her television show, as well as in other magazines. Old columns in the Seattle Times list her favourite cultivars of the 140 kinds of vegetables and fruit she grew in her 5000-square-foot (!!) vegetable garden. In 2008, when she moved to this 1/3-acre forested property in Indianola on the Kitsap Peninsula (where she was garden manager of the resurrected Heronswood for a few years in 2013-14), vegetables would not be part of the equation, though she tried for a while in raised beds. “But there wasn’t enough sun,it was a bust”, she told Times writer Valerie Easton. Enter woodland gardening and hydrangeas, like the one bursting with frilly-pink flowers, below….
….. against the wall of Heckler’s lovely, soft-gray-green, 1940s house.
The wall is lined with containers of choice shrubs in that same gray-green palette and adorned with a raven plaque, keepsake art from the much-loved former studio of Bainbridge Island sculptors George and David Lewis.
My visit to the Little & Lewis Garden Gallery – on a misty September day in 2005 – is one of my fondest memories of the Pacific Northwest. (Their exquisite chanterelle fountain for Heronswood is featured in my blog on that famous garden, link below.) But I digress…
The side porch, flanked by a gorgeous Cryptomeria japonica and flowering Schizophragma, has a little tableau that will be familiar to all real gardeners – boots left on an angle to dry all the coated mud!
A deck at the back of the house is a leafy sanctuary and features a few of the 100-plus hydrangeas Nancy grows in the garden.
I could imagine sitting in this chair, surrounded by textural, verdant plants. As Nancy wrote in the text of our guide: “I planted every shade tolerant woodland plant I could get my hands on, anything with TEXTURE. That is what my garden is to me—form, texture, layers and all shades of green with very few flowers. Perhaps not enough color for many folks, but it’s a very relaxing palette.”
A gate leading into the garden passes what was originally an old out-building that Nancy turned into her lamp design studio.
In front is a container with Japanese umbrella pine (Sciadopitys verticillata), one of many conifers planted in pots in the garden. When the outgrow their container, Nancy digs them up and gives them away.
I was allowed a peek inside Nancy’s lamp-making studio, Luminola, to see her exquisite, one-of-a-kind, vintage creations. She finds old lamps at antique malls, estate sales, flea markets and garage sales, then rebuilds them completely. There is something so wonderful about unusual lighting (says this woman who’s painted lots of lampshades in her time!)
Then it was into the garden itself, down a path past a rhododendron with silvery new foliage underplanted with ferns, hostas and other woodland treasures….
…. and more hydrangeas, including this beautiful lacecap.
If someone said, I’d like a ‘quiet green garden with touches of brown’, most people would furrow their brow and wonder how that could be artfully done. Voilà…. (And now I want a brown glass garden lamp!)
Paths wind through Nancy’s garden – and I confess I was using both camera and cellphone to capture it, and going back and forth myself – so if I’m travelling in the wrong direction on occasion, forgive me. That fabulous blue-flowered lacecap hydrangea is….
…. Hydrangea macrophylla ‘Izu-No-Hana’, underplanted with ‘All Gold’ Japanese forest grass (Hakonechloa macra ).
Nancy’s path though the plantings illustrates a simple bit of geometry: turn boring square flagstones on the diagonal and you have diamonds! Much more interesting!
In the centre of the big trees and dense understory of choice woodlanders is a patch of lawn, creating a welcome bit of negative space.
I liked the simple artfulness of the twig spheres.
And I loved the two-tone speckled lilies, adding just a touch of colour to this green setting.
Nancy herself was graciously answering questions here.
Perhaps the most charming and surprising features of the garden were colourful, cotton-and-bamboo parasols poised above hydrangeas to serve as temporary shade structures during extreme summer heat. I believe this double-flowered variety is ‘Miss Saori’.
The parasols seem to have done their job well.
Bigleaf hydrangeas, of course, are native to cool, mountainous regions of Japan, and the parasols, rather than looking out of place, seemed to be an integral part of the theme.
Or perhaps I’ve just seen too many Japanese woodblock prints with lovely women in kimonos carrying bamboo umbrellas, like these 18th century ukiyo-e paintings.
Scenting the air under the big trees was Harlequin glorybower (Clerodendrum trichotomum).
A skirt of driftwood adorned the trunk of a big conifer – found sculpture from Indianola’s beach.
This clever pairing echoed the dark foliage of Hydrangea Eclipse® in the veins of the Japanese painted fern (Athyrium nipponicum var. pictum ‘Regal Red’).
Everywhere there were little vignettes that commanded attention – and much more time than we had!
When it was almost time to leave, I headed to the front of the house where the door was graced with the perfect aquamarine pot to show off the swirls of the Rex begonia ‘Escargot’. Has a snail ever looked this lovely?
A gate at the front led into the woodland via a different path – I think? Pretty sure I hadn’t seen that Podophyllum ‘Spotty Dotty’ before….
It is always a treat to visit a garden where the artful touches are as important to the gardener as the sophistication of the plants.
The path wound around toward the lawn at the back with yet more hydrangeas and shade-loving perennials….
…. including these gorgeous Rodgersia seedheads.
As usual, in looking at my friends Pam Penick’s and Loree Bohl’s blogs, I see that regrettably I didn’t get to all the corners of Nancy Heckler’s beautiful 1/3-acre in the big trees of the Kitsap Peninsula. Be sure to have a look at their photos, too. And thank you Nancy, for sharing with us the wonders of your woodland.
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Read more of my recent blogs on beautiful summer gardens of the Puget Sound:
The organizers of our Puget Sound Garden Fling this July chose the perfect garden in which to let us gather as a group, feet tired from a day of touring, glasses of wine in hand, to marvel at a textural, art-filled garden sculpted from a steep hillside and appointed with sleek, beautiful outdoor furnishings. As a lover of colour, I was wowed by the garden of Mac Gray and Meagan Foley overlooking Tacoma’s Commencement Bay — and I loved everything about this dramatic, chartreuse-black combination on the terrace.
It made for a very convivial setting!
Though black as an attractive finish for fences and decorative features is now being seen more often, this garden used it in diverse ways, like this sleek wall fountain adding its own splashing soundtrack to our party.
Black continues to be a unifying theme in the pool at the base of the hillside garden where a herd of hippos meander along the shore and a sculptural black fountain creates its own music beneath a massive gunnera, its strong stems echoed in orange spikes.
The plant colour palette is mostly restricted to greens with chartreuse Japanese forest grass (Hakonechloa macra ‘All Gold’) creating luminous leafy fountains here and there. Pieces of art are nestled into the rocks that form the hillside landscape while also retaining the steep slope. At the top of the hill near a copse of white-trunked birches is a massive Stonehenge-like sculpture.
Black planters add to the garden’s dark touches.
‘All Gold’ Japanese forest grass (Hakonechloa macra) is one of the best grasses for all-season chartreuse colour. It prefers damp soil and is perfect for a pondside planting.
Flowers come and go, say seasoned garden designers, but foliage is king. Here we see a compact Japanese maple adding a note of wine to the many greens.
Hostas and sedges (Carex spp.) enjoy the moist conditions in the lower slope.
Higher up, a chartreuse pot lifts colourful shade-lovers above the green foliage plants.
Everywhere are touches of chartreuse and black, like these glazed garden balls tucked below ferns.
The motif seems to be plants + art, including these interesting scrolls in the tile below the shield ferns (Polystichum spp.).
Standing on the terrace sipping my wine, I was transfixed by a semi-circular black sculpture glimpsed through the pendulous boughs of a weeping willow. When I asked Meagan Foley about it, she said she had looked at that part of the hillside and felt it needed a strong piece of art – and this was the beautiful result.
Focusing in on the sculpture, I saw that it was cut out to perfectly frame the yellow spikes of ligularia up the slope.
Not all the artistic touches are one-of-a-kind sculpture, however. There is space in the garden for pure fun, too.
Heading to the front of the house and a balcony overlooking the front garden and Puget Sound, I found more nods to black and chartreuse in the ceramic bamboo culms and furnishings. I imagine this is a wonderful spot for a morning coffee, gazing at the hummingbirds under the Japanese maple and watching the trains pass by on the shore of Commencement Bay. Thank you Meagan and Mac, for sharing it with us.
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Do you love charteuse plants too? Here’s a blog I did with lots of ideas for splashing a little of that sunshine-green hue in your garden: Cordial Charteuse on the Garden Menu
And here are my previous blogs on Puget Sound Gardens:
The Wonders of Windcliff – the Indianola garden of famed plant explorer Dan Hinkley and architect Robert Jones
A Return to Heronswood – nineteen years later, I returned to this resurrected oasis on Kitsap
Two of the major reasons I wanted to participate in this year’s Garden Fling in Washington State’s Puget Sound region – to leave behind the July meadows at my cottage on Ontario’s Lake Muskoka when the wild beebalm is coming into bloom – were, quite simply, Heronswood and Windcliff. All of the gardens we visited held their share of magic and heaps of horticultural expertise, but the chance to visit these two related Kitsap Peninsula garden meccas made the decision for me.
In 2000, when Dan and Robert were still at Heronswood, they found this property on a small lane in the village of Indianola, as Dan said in a speech at the New York Botanical Garden some years ago. It was 6-1/2 acres on a 200-foot bluff above Puget Sound and “the complete opposite of what I was gardening with at Heronswood.” Windcliff had been given its name by its then-owners, Peg and Mary, who had been raising German shepherds here while regularly mowing acres of summer-browned lawn. As Dan says, this part of the Pacific Northwest averages just 28 inches of rain per year with little measurable rain between spring and fall. So for him, a lawn was out of the question. “I’m not a friend of this whole concept of throwing water and fertilizer on something to make it grow, so we can then cut it on a weekly basis. What an amazing waste of energy.”
I wrote about Heronswood in my last blog – now let’s head down the long driveway toward the house at Windcliff.
There are 4 acres of treasures on this side of the house under the big forest trees, including an arboretum of rare trees and shrubs with a rich ground layer of unusual plants, many also sold in the on-site nursery. Be sure to check out the colourful bamboos, including Fargesia robusta ‘Campbell’, an eye-catching clumping species with its white sheaths.
There are bamboo tunnels, too.
At Heronswood, I saw a single plant of Alstroemeria isabellana; here it grows in a generous drift.
Nearby is Alstroemeria ‘Indian Summer’, a hardy, clumping form of Peruvian lily with purplish foliage that tops out at 3-feet (1 m) in height.
Flame nasturtium (Tropaeolum speciosum) clambers through shrubs and trees, already forming its beautiful, dangling fruit.
I snap photos as I walk and recognize this small, elegant tree as a podocarp. But its identity is confirmed when I find John Grimshaw’s erudite page on Podocarpus salignus, including his photo of this very tree at Windcliff.
Japanese clethra (C. barbinervis) is showing off its scented, spiky, white flowers above a trunk with handsome, exfoliating bark.
At the bottom of the driveway we arrive at the house: a low-slung, Asian-inspired building in three connected pavilions designed and built by Robert and clad in aubergine-purple shakes. (Even the chimney stones are colour-coordinated!) Stretching across the front is an architectural assemblage of fibre-clay pots. Wreathed around the front door is a perfumed, narrow-leafed sausage vine (Holboellia angustifolia) grown from seed Dan collected on one of his twenty exploring trips to the north part of Vietnam. That particular collection took the form of Dan’s guide eating the sweet fruit, then spitting the dark seeds into a zip-lock bag. Like all seeds he collects, permits must be issued by the host country, then the seeds are sent for inspection directly to the USDA office in Seattle which is now very familiar with his work.
“We wanted to plant woodland treasures outside the front door at ground level,” said Dan, “but it was impossible with our dogs, all those things I wanted to baby along. So we decided to do a pot wall to lift all those treasures off the ground. Robert took this project on. We found some inexpensive fibre pots, knocked the bottoms out, stained them, then erected about a 25-foot-wide wall.” A cluster of brown toothed lancewood trees (Pseudopanax ferox) from New Zealand grow here in their Dr. Seuss juvenile form.
I love the way this cubist container garden fits together, unifying the habitat for the plant treasures.
Dan meets us in the front, giving us an overall description of Windcliff and relating how the January 2024 freeze devastated parts of the garden, causing the loss of countless plants and necessitating the current replanting of certain areas.
Moving west around the house I pass a bamboo-fenced, shady alcove garden with windows into the dining room and beyond that, windows facing south to Puget Sound. As Dan has acknowledged, it was a rare opportunity to design both a garden and house at the same time. The light fixture visible through the window was inspired by the long tentacles of the giant Pacific octopus, the largest octopus species on the planet with a 20-foot arm-span, a creature that lives in the waters just off the bluff. To see a photo of the fixture from the inside, have a peek at Andrew Ritchie’s review of Dan’s book ‘Windcliff’.
This area features a stand of hardy shade ginger (Cautleya spicata), a Himalayan native. Several cultivars have been introduced, including a selection called ‘Arun Flame’, which Dan and Bleddyn and Sue Wynn-Jones of Crug Farms in Wales discovered in eastern Nepal on a collecting trip with the American novelist Jamaica Kincaid. She wrote a 2005 memoir called “Among Flowers: A Walk in the Himalaya” of that taxing expedition.
A small gravel garden partly enclosed by bedrock sits outside the passage to the master bedroom at right.
I turn the corner of the house and walk along flagstones towards the bluff gardens on the south side. It’s a challenge to identify plants at Windcliff but I might venture a guess that the variegated shrub above my head is Stachyurus praecox ‘Oriental Sun’.
I’m moving so quickly that I capture the delicate shadow play near my feet but neglect to look up to see what is making these patterns – likely Schefflera taiwaniana. Schefflera is one of Dan’s favourite genera – growing up in northern Michigan, he had a schefflera as a houseplant – and this species is one of the hardiest for a shady spot. (You can hear him talk about it in this Fine Gardening video.)
Coming into the sunshine, I glimpse the bluff and the water beyond through the upswept, coppery limbs of an iconic plant for gardeners in the west, a handsome manzanita (Arctostaphylos). That pretty table was created some 25 years ago for Dan by Bainbridge Island artists George Little and David Lewis.
Nearby is a bog garden with different pitcher plant species (Sarracenia spp.)
Note that lovely Yucca rostrata behind the kniphofia in the background.
A drift of Ammi visnaga near the house reminds me of the Conservatory Garden at New York’s Central Park, where I last photographed this species. It was originally designed by Lynden Miller, one of Dan’s horticultural heroes. (This is my 2016 blog on that amazing garden.)
Standing now on the ‘bluff side’, I look back at the house through a planting of red-flowered Mexican bush lobelia (Lobelia laxiflora). I think the big, lush leaves are from Eucomis pallidiflora subsp. pole-evansii, a very tall pineapple lily species which seeds around this garden.
Dan is nearby so I tell him the story of asking to photograph him at Heronswood back in September 2005, when all he really wanted to do was get to his waiting birthday cake. He graces me with a big smile, but I’m also distracted by….
…. the giant hog fennel (Peucedanum verticillare) behind him!
As a lover of colour in the garden, I’m drawn towards the lower bluff where brilliant red and scarlet crocosmias are partnered with agapanthus and rich blue Salvia patens. If you squint, you can see the skyscrapers of Seattle in the distance. And on a clear day, the view of Mount Rainier is spectacular.
The vignette is enhanced by the eucomis foliage, which will mature to yield a pineapple lily that reaches 5-6 feet in height. When the previous owners were here, they had an expansive view of Puget Sound over their summer-brown lawn. In planning his own garden, Dan wanted the view not to be an open book dominated by sky and water, but to be glimpsed through an interesting array of plants of various sizes, habits, colours and textures.
As I stand quietly in this area, a female rufous hummingbird becomes brave enough to forage in the crocosmia flowers.
See how her head feathers are brushed with the golden pollen on the anthers, which she’ll carry with her as she flits from plant to plant, ensuring that seed forms in the beautiful fruits of crocosmia?
I see splashes of orange behind the agapanthus in this section, the spikes of red-hot poker (Kniphofia) and drifts of California poppy (Eschscholzia californica).
The sweet perfume of Spanish broom (Spartium junceum) is in the air here. It’s a little dèja vu moment for me because when we were in Tuscany visiting our youngest son and daughter-in-law in late May, this Mediterranean shrub, which they call “ginestre”, was in bloom throughout the hills. In fact there was a festival of flowers in Lucignano, the village where we stayed, called “Maggiolata” which uses the yellow blossoms of the shrub as its floral motif. At the edge of the bluff on the right, you can see the native madrona tree (Arbutus menziesii) whose shimmering, copper-bronze trunk and branches inspired the colour scheme of the house and its furnishings.
Close to the bluff edge is a circular stone fire pit called the council ring. Created by Portland mosaic artist Jeffrey Bale, it features an inset stone face by sculptor Marcia Donohue.
Walking back towards the house, I see purple Jerusalem sage (Phlomis purpurea), one of many Phlomis species here. (If I am wrong, I hope to be corrected in comments.)
Then a few plants I like to call “scrim plants”. Dan has said: “I was a dinosaur when it came to the use of grasses. I was the last person in North America to appreciate grasses, but Heronswood was not a grass sort of garden. That diaphanous quality and the movement they provide to the garden is so incredibly important.” Here he uses giant feather grass (Stipa gigantea/Celtica), one of the very best grasses to use as a screen through which to glimpse other plants, like the agapanthus.
Angel’s fishing rod (Dierama pulcherrimum) creates the same screen effect in front of white-flowered Olearia cheesmanii, a New Zealand bush daisy.
A lovely, single, orange dahlia pops up throughout the bluff garden.
There are a few gravel-mulched terraces leading up to the house level here. (And can I just say I LOVE airy bamboo fences…)
This one features Salvia ‘Amistad’ with a small kniphofia.
Steps up to the house are flanked by Yucca gloriosa with soft silver sage (Salvia argentea) and a white-flowered salvia (likely S. greggii) at the base.
The terraces include a large pond and waterfall. The pond once held a collection of koi, but the local river otter put an end to the fish.
Large stepping-stones cross the pond beside a waterlily.
On the other side of the steps, the pond continues below a deck with a little viewing overlook to gaze out on the garden.
One of the family dogs (Babu?) meets me near the deck but refuses to pose. He says he’s tired of paparazzi. Fine.
A line of clay-fibre planters sits facing south, all the better for the succulents, cacti and other sun-lovers planted in them.
When I reach the deck, Dan is there, gazing out at his garden. Beyond is a grove of Dustin Gimbel’s ‘Phlomis’ ceramic sculptures.
2024 started as a difficult year for gardeners in the Pacific Northwest, who lived through several consecutive January nights of deep-freeze temperatures – as low as 15F (-10C) on Jan. 12-13 in the Seattle area. That’s when many of those tender Mediterranean and South African plants curl up their toes and die. At Windcliff, much of the shrub framework was lost, including many plants that had never been affected by cold before. When he returned home from warmer climes in February, Dan called the garden a “mass murder crime scene investigation” and laid the blame on the Fraser Valley in British Columbia. (As a Canadian, I accept the blame on behalf of the Polar Vortex, even though I think Alaska might have had a hand in the dirty work too.) In late winter, he sowed a buckwheat cover crop to smother weeds and improve the soil’s tilth, then in late April he covered the entire space, 10,000 square feet, with a 10-mil sheet of white plastic to ‘solarize’ the seeds of weedy mulleins and exotic grasses. In late September when the autumn rains begin, he’ll plant bulbs along with native plants and grasses in a “low-mow meadow”. As he said on his Facebook page with an indefatigable air of optimism: “I could not bring myself to paint between the lines of those few things that survived, so nearly 25 years later, we begin again. What an adventure!!”
Parts of the bluff-side garden have been newly planted and mulched in gravel.
I love this Chilean annual, Nolana reichei, aka “flower of seven colors”. (I counted, it’s true.)
Our stay is coming to an end but I haven’t yet seen the vegetable garden or nursery, so I head off up the east side of the house towards the greenhouse. Fragrant lilies grow here, along with phlomis.
Robert Jones is manning the sales booth and my fellow travellers are in seventh heaven selecting rare plants….
…. of all kinds. Fortunately, our bus has capacious storage space below. (Windcliff does not do mail order, but plants are available for purchase on open days, and Monrovia has a Dan Hinkley Plant Collection too.)
As a Canadian, I’m not permitted to bring plants across the border without a phytosanitary certificate, so I content myself with window shopping.
Then I head to the agapanthus beds where I see some familiar names on the plant labels, like Portland gardener Nancy Goldman….
…. and my dear Seattle friend, Sue Nevler. Said Dan of a happy day now a decade ago: “Robert and I had at last the opportunity to become married and we had a lovely party of friends coming in from all parts of the country and Europe, and we gave all the women a label and they got to go out and celebrate their favourite agapanthus seedling, and then we’ve named it for them. So there will be a lot of feminine-sounding agapanthus being introduced into cultivation in the near future.”
The perfume of sweet peas is in the air here, and I’m charmed that this sophisticated garden has devoted so much space to growing this old-fashioned annual.
Who can resist burying their nose in fragrant sweet peas?
Nearby is the vegetable garden. Said Dan in his talk at New York Botanical Garden: “It was vegetable gardening that brought me into this whole world I feel so privileged to be a part of. As a young kid, I had the family vegetable garden responsibilities and it is still now the place you’re going to find me most often, in the potager that we put in at Windcliff….something we eat from every single day of the year. That is our reason for the garden, when it comes right down to it – this opportunity to have fresh vegetables that we know precisely where they came from, how they were treated, how they were loved.”
A clay pot is overflowing with spinach.
The greenhouse offers extra heat for tomatoes, which grow side-by-side with sarracenias.
While apples ripen on a tree nearby.
It’s time for us to head to Dan & Robert’s next-door neighbours, the Brindleys, for a group portrait, an annual event at the Fling. I have just enough time as I bid farewell to snap a photo of a Mark Bulwinkle rusty iron screen.
I thought it was appropriate to include this photo in the lovely Brindley garden overlooking Puget Sound, courtesy of Becca Mathias. I am slouched in the front row, second from left. If I look happy as a clam, it’s because I’ve just spent a few hours in what passes in gardening for heaven. Thanks, Dan and Robert!
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Are you tired of looking at garden photos yet? No? Well, I have been fortunate to visit and blog about a few other personal gardens designed by eminent plantsmen, including:
In the past decade, I’ve had the great joy of travelling in the United States — along with dozens of other garden writers and photographers from far and wide — to participate in an event called the Garden Fling. It’s allowed me to see the finest private and public gardens in Washington DC, Austin, Denver and Philadelphia. This year the Fling was centred in Washington State’s Puget Sound region, and was organized by Camille Paulsen, with help from a fine team of volunteers from Tacoma and Seattle and her own husband Dirk. So my first blog honours the gorgeous Paulsen garden in Puyallup, Washington overlooking the Orting Valley and lofty Mount Tahoma/Rainier. Let’s begin at the handsome entrance to the front door……
…… where you can already see Camille’s penchant for textural plant combinations, especially in shade.
The front garden also features a waterfall and tiny stream….
…. leading to a large, naturalistic pond stocked with koi. Dirk Paulsen, an airline captain, has done much of the hardscaping and woodworking in the garden.
Start walking the path through the side-yard to the right of the house and you come to a large, gnarled log that Camille found in her travels nearby and had delivered to the garden. (She uses driftwood, too.) In its hollow end is western maidenhair fern (Adiantum aleuticum).
Moss grows in nooks and crannies along the log and beneath it is are ferns, hostas and other plants – demonstrating Camille’s deft touch with texture.
I love this hollowed-out, hanging birch log planted with orchids and a staghorn fern.
Hardy impatiens (I. omeiana) is one of countless plants chosen for season-long foliage interest, even when out of flower.
I believe this is lovely Japanese maple is A. palmatum ‘Butterfly’.
Further along, keeping company with a rhododendron and ferns, is a variegated dove tree (Davidia involucrata ‘Lady Sunshine’).
Camille has shared online that her garden contains approximately one hundred Japanese maples and an equal number of conifers. That’s serious ‘collector’ level!
This basalt rock fountain is one of many water features in the Paulsen garden.
Rodgersia was bearing rosy-red seedheads.
Another gnarled stump offers a niche for ferns and succulents.
Camille had lots of pressure with two buses full of garden tourists, four days of carefully orchestrated scheduling and her own garden to prepare, but she handled it with aplomb – and a beautiful smile.
Tahoma or Mount Rainier is an active 14,411-foot (4,392 metre) stratovolcano and the highest peak in Washington State. The view from the Paulsen garden is spectacular – especially when Camille captures it on a clear day. (My so-so view was on a very hot day when there was haze above the snowy peak and the nearby Orting Valley). Though its last volcanic activity was in the 19th century, it has been called a “Decade Volcano”, one of 16 worldwide so named because of its potential destructive eruption capacity and its proximity to densely-populated regions. In fact, many of the surrounding communities are built atop old “lahars” from Rainier, i.e. volcanic mudflows triggered by melting of the mountain’s glacial ice. The most famous was the Osceola Mudflow some 5,000 years ago.
The closer view at this point, glimpsed through drifts of Mexican feathergrass and an iron sculpture, is a lower level swimming pool below the ferny, wine-red foliage of Albizia ‘Summer Chocolate’ .
Colourful dahlias in a raised bed light up the area behind the house.
Corten planters behind Camille’s greenhouse hold a mix of culinary herbs and flowers.
More pots feature tropicals and succulents.
It’s not surprising that in the land of renowned, Tacoma-born glass artist Dale Chihuly, colourful blown-glass ornaments play a role in many Puget Sound gardens, including these pendants hanging from a ‘Twisty Baby’ black locust (Robinia pseudoacacia).
Stone stairs lead to the swimming pool level – a journey past more maples, rhododendrons, ferns and shade plants.
I like the chunky bamboo railing leading to the lower level.
As I said, Camille’s garden is one of the finest examples I’ve seen of textural plant combinations, including white-flowered chameleon plant (Houttuynia cordata) and variegated Solomon’s seal (Polygonatum odoratum ‘Variegatum’) with ferns, hostas and tiny succulents.
One of my favourite vignettes features foliage of a variegated ginkgo (G. biloba ‘Variegata’).
The lower level features a naturalistic pond edged with mossy flagstones, overhung by trees with moss-covered branches. Bamboo makes interesting reflections in the water. (Sadly for the photographers but happily for everyone else, the sun shone bright in a blue sky for much of our Puget Sound visit).
Camille has collected delightful windchimes.
With so much water in the garden, engineering the journey over it is important, and this handsome stone slab does a beautiful job of moving people through.
Tucked into a garden on the swimming pool level are touches of blue and purple, including Clematis ‘Rooguchi’ and big-leaf hydrangea (H. macrophylla).
Azure-blue pots and hedging surround the swimming pool….
…. and the iron fence is cleverly disguised by a weeping blue Atlantic cedar (Cedrus atlantica ‘Glauca Pendula’) trained along it.
Even the garden furniture fits a pretty colour palette.
Colocasia and canna bring the tropics poolside, along with a dark-leaved begonia.
Abyssinian banana (Ensete ventricosum ‘Maurelii’) occupies another pot.
The pool fence has a raised planter shelf with pots of succulents.
On the other side of the house, geometric stone flags set into a corten-edged grit path create a sinuous walkway past still more shade-loving plants.
A luminous golden fullmoon maple (Acer shirasawanum ‘Aureum’) lights up the shadows here.
The stone flags give a Mondrian feeling to this path.
A stone face sculpture is nestled between a Fatsia japonica and a dark-leaved persicaria.
Coming back to the front garden, I sit and chat in a pergola with a friend from Maine, but my eye catches another of Camille’s sweet windchimes. It’s a garden I would dearly love to have spent many hours chronicling (without having to dodge a hundred fellow enthusiasts while shooting), but it has been a great delight to be here. Thank you, Camille and Dirk, for sharing it with us.
