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An Illinois Flower Garden

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One of the joys of participating in the annual symposium of the Garden Writers Association (GWA) is the opportunity to tour local gardens. It’s especially fun to visit private gardens where the owner is clearly a long-time, passionate gardener – and the garden is big enough to accommodate a few busloads of visitors at a time. That was the case in August when we visited Susan Beard’s wonderful 3-1/2 acre garden in Oak Brook, Illinois, in Chicago’s western suburbs. Though the Beards have lived on the property for 37 years, the frame house is one they built in 1996.  And the welcome couldn’t have been more flowery!

Flanking the driveway was a sea of blackeyed susans (Rudbeckia hirta) – the old-fashioned biennials, not the fancy perennials.

The entrance to the back garden at the end of the driveway was announced by a bench, birdhouse and picket fence…..

…. and a planting of ‘Queen Lime’ and pink zinnias and butterfly bush (Buddleia davidii).

I loved this chartreuse and magenta combination!  And this was just the first of scores of birdhouses in Susan’s garden.

Inside the fence, the garden dips steeply to one side via flagstone steps.  On the stairs, ‘Margarita’ sweet potato vine (Ipomoea batatas) was deployed as a brilliant edging.

Down below I could see a lime-green Tiger Eye sumac (Rhus typhina ‘Bailtiger’) and a bridge over a damp part of the garden.

Here’s a closer look at the bridge.

There is dampness here…..

….. and Susan takes advantage of the moist soil with swamp hibiscus (H. moscheutos) doing its beautiful, late summer thing in shades of white….

….. and cranberry-red.

Back up near the house, zinnias are such cheerful flowers and Susan used them throughout the garden, including here as an edging.

The honey bees approved!

Around the corner flanking the house was another visually stunning edging of Japanese hakone grass (Hakonechloa macra ‘Aureola’) – another one of Susan’s mainstays.  And I liked the way the flagstone pavers are set flush into the soft lawn, rather than forming just another hard surface.

Ahead was Susan’s swimming pool, set on an interesting angle and framed by a stone sitting wall and a split-rail fence with the main garden behind.  Long ago, the pool was bright blue, but she had it painted it black so it wouldn’t be an eyesore.

There’s a good patch of lawn here, but the main show is from flowers grown in a lovely, informal, cottage garden style.

The view looking into the back garden was an August tapestry of hydrangeas, summer phlox and blackeyed susans……

……… with the occasional obelisk bearing purple clematis.

This was the swimming pool view towards the house.

The walls of the blood vessels become clogged with plaque deposits, lessening order cheap viagra why not try this out blood flow to body parts. Erectile dysfunction is also something which is hotly talked about today when it viagra in uk comes to male’s sexual health. Taking one of my hands in buying levitra in canada hers, the kissing continued. Stretching will promote healthy joints, muscles, prix viagra pfizer bones, connective tissues, and even generate new skin, etc. Susan Beard was standing near her kitchen to answer our questions. As well as being a former president of garden clubs and active with Chicago’s Morton Arboretum, she has made the garden available to charities, tours and artist groups for many years.

We were welcomed into her kitchen with homemadc cakes and cookies!

But there was still much to see and I returned to the garden. I passed another birdhouse and more waterfall-like hakonechloa.  Although flowers create colour throughout the growing season, Susan has included lots of conifers in the borders for bird habitat and visual interest and structure throughout Chicago’s long winter.

A birdbath sits amidst blackeyed susans.

Then it was into the woods: a mature forest containing oak, shagbark hickory, ash and hawthorn……

….. and some lovely pieces of metal sculpture.

Susan has cleared away some of the understory here to create a beautiful shade garden.

There are lots of native ferns and buckeyes…..

…… and piles of firewood left in place (which attract fireflies).

Another lovely fish sculpture graces the forest garden.

When Susan’s six grandchildren were young, they played hide-and-seek on the paths through the forest and gardens.  And I’ll bet they loved this garden house.

With so much shade here, hostas are used extensively (300 varieties!), along with native plants like Solomon’s seal.

The compost heaps and nursery plant area even have their own gated section!

New plantings here are carefully mulched…..

…. with the abundant leaves shed each year.

Though the woodland is predominantly green, garden art supplies a little brilliant colour.

According to a story in the Chicago Tribune, the forest garden owes much to Susan’s late father, a retired U.S. Air Force general from Santa Barbara who needed a project when he visited long ago, so used a chainsaw to begin the process of clearing the edges of the woodland. And it was from her father’s garden that Susan brought back the naked ladies or surprise lilies (Lycoris squamigera) that were just moving past their prime in the photo below.

Soon we were out of the forest and back into the garden via another stone path edged with invaluable hakone grass…..

….. and found our way to the comfy teak tables beside the pool where we relaxed until the call to load up the buses that would take us to the next stop on our tour of Chicago’s beautiful western suburbs.

A September Visit to Bellevue Botanical Garden

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On our brief stop in Seattle in September, we paid a visit to Bellevue Botanical Garden. I had been to the garden years earlier and it was still enchanting — if only the weather had cooperated (she says, with a wink). For unlike most people who revel in a warm late summer day without a cloud on the horizon, photographers tend to gaze skyward hopefully for the chance of overcast – even a light sprinkle – because midday sunshine creates difficult, contrasty light in a garden. Nevertheless, that’s what we had and I was resigned walking in that I would be focusing on shadier spots in the garden.

This is a map of the garden, which I modified to show both the small keys and actual sections in one image. From their website a bit of history:  “The Bellevue Botanical Garden Society (BBGS) was founded in 1984, by Iris and Bob Jewett, with the idea to build and support a free public botanical garden for their local community. It came to fruition when Harriet and Cal Shorts generously donated their home and 7.5 acres to develop the Bellevue Botanical Garden (BBG). The Society was then incorporated in January 1986, as a non-profit organization. Beginning in 1992, and in partnership with the City of Bellevue, more than 45 acres has since been added to the Garden. Today, the 53-acre Bellevue Botanical Garden is a world-renowned community treasure for everyone to enjoy”.  

The entrance walkway features a unique in-ground rock fountain which feeds a rill that flows along the pathway.

Beyond is an interesting slatted wall fountain.

If you have a cellphone, you can use the Tap or Scan app for the garden.

The Fuchsia Garden has been maintained by Seattle’s Eastside Fuchsia Society since 1992. I could have spent a long time here shooting macros, but we had a big driving day ahead, so I satisfied myself with….

…. just one or two close-ups. This lovely blossom is ‘Delta’s Sarah’.

Then we were approaching the famous NPA (Northwest Perennial Alliance).Perennial Border, which is actually a series of parallel borders arrayed on a slope.  Though this is an older article, I appreciated reading about the history of the border. 

There are attractive benches throughout the garden…..

….. and interesting stacked stone sculptures (these ones in goldenrod about to flower.)

I wish I could show you the border as it should be seen, but in the harsh light I took very few photos.  There was an ebullient display of Russian sage (Perovskia atriplicifolia), Verbena bonariensis and blue mist bush (Caryopteris x clandonensis).

And out of the sun, I liked the way V. bonariensis insinuated itself into this heavenly bamboo (Nandina domestica).

Verbena bonariensis always attracts bumble bees, and since I do a lot of photography of bumble bees and all kinds of other native bees and honey bees, I stopped for a moment to watch a yellow-faced bumble bee (Bombus vosnesenskii) nectaring on the tiny flowers.

Gaura (Oenothera gaura) was a cloud of tiny flowers.

The purplish-blue spikes of anise hyssop (Agastache foeniculum) made a pretty pairing with the gaura.

Rudbeckia subtomentosa ‘Henry Eilers’ is one of the late season charmers among the myriad yellow daisies.

I loved the way false hemp (Datisca cannabina) created a living arch on a path behind towering pink Joe Pye weed (Eutrochium maculatum ‘Gateway’).

Ornamental grasses are featured abundantly in the perennial border.

Bulbs are also used in the perennial border, like this tropical ginger lily (Hedychium coccineum ‘Tara’).

And the border features shrubs and small trees like crape myrtle (Lagerstroemia) ….

…. and hydrangeas, which were undergoing their beautiful late summer colour transformation.

Red-orange heleniums (H. autumnale) were attracting pollinators in one section of the border.


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In a shady section, below, I was charmed by this small vignette of hydrangea, brunnera and geranium……

…. and the azure-blue flowers of Gentiana asclepiadea cascaded over stairs between the parallel paths.

The cultivar name of this pure white toad lily (Tricyrtis hirta) is ‘Shirohohotogisu’, which means ‘white cuckoo’, a descriptive metaphor for the upswept petals.

On higher ground beside the lawn near the garden’s gift shop, I stood in the shade of the silk tree (Albizia julibrissin) and looked back at the borders below.

The silk tree was in full flower.

At the far end of the border, the Dahlia Display Garden maintained by the Puget Sound Dahlia Association was at its late summer best.

Who doesn’t love the brilliant colours of dahlias?

The bright sun on this dahlia suited the leafcutter bee just fine. (Bees love single-petalled dahlias!)

Even this southern green stink bug nymph looked fetching on an orange dahlia.

Since our schedule had us driving to the beaches of Oregon that day, we hurried out of the NPA Perennial Border area on a path through the forest. Here you’ll find the Native Discovery Garden. From the website: “The Native Discovery Garden, maintained by the East Lake Washington District of Garden Clubs and the Washington Native Plant Society, inspires visitors to look to the native plant palette when planning their home gardens. Adapted to the climate and conditions of the Pacific Northwest, native plants in urban landscapes can be ecologically sound, beautiful, and low maintenance. Adjacent to a natural wetland, this garden illustrates the many layers of plant life in the Northwest, from ground covers to trees. It serves as a transition from the gardens to the woodlands and forested lands to the south.” 

 

I stopped at a beautiful bench, sculpted from Washington state hexagonal columnar basalt by sculptor Barry Namm.

There were excited children watching the fish beneath the waterfall in the Shorts Groundcover Garden.

Water is used throughout Bellevue Botanical Garden, in inventive ways both natural and highly artificial.

I captured some of those water features in this short video.

To honor its ‘sister city’ relationship with Yao City near Osaka, Bellevue originally established the Yao Japanese Garden at Kelsey Creek Park.  In 1992, the garden was moved to the Bellevue Botanical Garden, where it opened two years later. This is the entrance gate.

Unlike many traditional Japanese gardens, there are lushly beautiful plantings here.

I loved this timber bridge.

But there are also the more traditional features of a Japanese garden.

We stopped briefly at the Tateuchi Viewing Pavilion, nestled under massive red cedars (Thuja plicata).  It was a gift from the Tateuchi Foundation, i.e. Atsuhiko Tateuchi and his wife, Ina Goodwin Tateuchi.

Then it was time to take the Tateuchi Loop Path to return to our car and drive south towards Oregon.

Flora & Friendship at Seattle’s Soest Garden

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What a pleasure it was for me to visit the University of Washington Botanic Garden’s (UWBG) Center for Urban Horticulture and the Soest Herbaceous Display Garden in Seattle earlier this month! Part of the fun was that I was meeting a little group of Facebook friends for a picnic – a bring-what-you-wish buffet among people who’ve “known” each other online for years, but answered my invite to meet “in the flesh” on the first leg of a 2-1/2 week circular driving vacation my husband and I embarked on from Vancouver throughout Washington and Oregon. (More on that later.)  But much of the pleasure came from exploring a garden where the fullness of late summer was on show everywhere, including these spectacular swamp hibiscus (Hibiscus moscheutos) adjacent to the parking area.

We wound our way past an impressive Hydrangea integrifolia (a new species for me) blanketing a building wall…..

…. down a path beside the library…..

…and arrived in a courtyard outside the NHS Hall. Here were colourful container displays of annuals and tropicals…..

…. and a lovely combination of ‘Rustic Orange’ coleus (Plectranthus scuttelarioides) with Begonia boliviensis.

I was drawn by the sound of water through the arches in the little Fragrance Garden (where we’d have our picnic later)…..

….toward the charming fountain at the center of the Soest Garden.

The Soest Garden is designed with eight beds radiating out from the central fountain and all divided by paths. This is what it looks like standing at the fountain and turning slowly to view the garden.

At the beginning of September, the garden was resplendent with ornamental grasses and late-flowering perennials. Here are some of the spectacular plants and combinations, beginning with beautiful ‘Sparkling Burgundy’ pineapple lily (Eucomis comosa) combined with Antonow’s honey bush (Melianthus major ‘Antonow’s Blue’).

The foliage on the honey bush is entrancing, isn’t it?

It was fun to see azure-blue Agapanthus inapertus.

I liked the dark-red colour echo going on with the Potentilla thurberi and the ‘Cheyenne’ switch grass (Panicum virgatum).

The beds have useful signs to identify some (not all) of the plants.

I don’t believe I’ve ever seen largest masterwort (Astrantia maxima) before.

Northern sea oats (Chasmanthium latifolium) was one of several native grasses putting on a late-summer show..

Japanese forest grass (Hakonechloa macra ‘Aureola’) is always among the most graceful of edgers in any design.

In a garden full of often-rare plants, there were some familiar favourites, like Rudbeckia fulgida ‘Goldsturm’.

Persicaria ‘Painter’s Palette’ was paired with Phlox paniculata ‘Nora Leigh’. 

Long-blooming Aster x frikartii ‘Mönch’ peeked out from a cloud of fall asters still in bud.

Here’s a fabulous Spanish grass I wish was hardy for us, giant feather grass (Stipa gigantea).

And here it is as background for hemp-agrimony (Eupatorium cannabinum) and the newish white-flowered coreopsis Star Cluster, at front.

I’ve always liked the romantic late-summer combination of pink-flowered border sedums like ‘Autumn Joy’ with the soft blue flowers of Russian sage (Perovskia atriplicifolia ‘Little Spire’).

The shape of this bed is enhanced by the chartreuse foliage of Sedum ruprestre ‘Angelina’, which is itself enhanced by the soft shield fern (Polystichum setiferum ‘Divisilobum’) behind it.


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At the opposite end of the garden to that which I entered is the public entrance from the parking lot. Here visitors can see the donors who made this wondrous garden possible, the late Orin Soest and his wife Althea Soest. As the obituary for Orin Soest stated: “In 1990, he began a relationship that continues in perpetuity with the University of Washington and the Center for Urban Horticulture. In 1998, The Orin and Althea Soest Herbaceous Garden was dedicated and has been a cherished gift to the University and the community of Seattle for its educational and healing purposes.”

And here we see the overall layout of the Center for Urban Horticulture and the context of the display garden within it.

Grasses like variegated purple moor grass (Molinia caerulea ‘Variegata’) are airy enough to act as scrims or screens for plants behind them. I liked how the little flame lilies (Hesperantha coccinea) sparkle behind the molinia.

Here’s the purple moor grass from the far side of the bed.

And this fabulous big shrub is Himalayan honeysuckle (Leycesteria formosa).

Although the flowers had withered, angel’s fishing rod (Dierama pulcherrimum) still created an interesting effect in this bed.

One of my favourite images of the Soest garden was this luscious pairing of globe thistle (Echinops ritro) and ‘Gateway’ Joe Pye Weed (Eutrochium maculatum). Even in the northeast, this is one combination we can carry off!

This is the view from the far end of the garden. What a lovely place for strolling slowly, absorbing the plant combinations and taking in details large and small.

I think this is a dry streambed in the South Slope below the garden, with a variety of heaths, heathers and drought-tolerant sedges like Carex buchananii.

The beautiful begonia (B. grandis ‘Heron’s Pirouette’) was collected in Japan in 1997 by Dan Hinkley (Heronswood) and is hardy to USDA Zone 6.

Circling around the garden, I came to some benches framed with ornamental grasses and containers of succulents.

I loved the way this tree aeonium (Aeonium arboreum var. atropurpureum) – in the container with blue chalk sticks (Senecio serpens) – echoed the flowers of the fountain grass (Pennisetum alopecuroides).  Behind is tall toe toe grass (Cortaderia richardii) and yellow-flowered shrubby hare’s ear (Bupleurum fruticosum).

Finally I came to a generous stand of Fuchsia magellanica …..

….being explored for nectar by a honey bee.  It seemed like the perfect time to stop for lunch.

***************

For it was now time to meet my friends: Seattle photographer-writer-philosopher David Perry and his partner, UW School of Medicine Administrator Mary Pyper, (me in the centre), the Center for Urban Horticulture Elisabeth C. Miller Library’s  librarian-poet Rebecca Alexander,  and Sue Nevler, who has been trustee or board member for some of Seattle’s finest gardens, including this one.

We tucked into our picnic, made special with freshly-smoked salmon and all the trimmings from David and Mary…..

…… and an apple cake made by Rebecca’s partner, Carlo, from their own Akane apples.

There was a gift of dahlias from Sue’s garden, with a special ‘pollinator nosegay’ to honour my love of bees.

We took our plates to the Fragrance Garden, where scented lilies…..

…. and white summer phlox (P. paniculata ‘David’)…..

… and English roses perfumed the air.

It was a day for exploring a most charming garden – and bringing friendships made in cyberspace down to fruitful, late-summer earth.

Ohinetahi – An Architectural Garden Masterpiece

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It was Day 15 of our American Horticultural Society “Gardens, Wine & Wilderness” tour of New Zealand and we had a wonderful day of garden visits ahead of us. We left our hotel in Christchurch early and drove south. As we came to the Port Hills, the view of   Lyttelton Harbour ahead was spectacular.  It would not be until I returned home and did some research that I would learn that we were actually on the rim of the collapsed Lyttelton Volcano, one of two shield volcanoes that make up the Banks Peninsula, the other being Akaroa (both active 11-8 million years ago). If you’ve read my blog on Yellowstone Park, you know how much I love volcanos, and this would be my third visit to one (Ngorngoro in Kenya was my first).  When Lyttelton’s southern volcanic rim eventually eroded, it was flooded by the sea, resulting in the pretty harbour we saw ahead of us.

Though the Māori have been in this area for hundreds of years, it was first seen by Europeans when Captain James Cook sailed past on February 17, 1770, giving the name Banks Island (for onboard botanist Joseph Banks, who featured in my Doubtful Sound blog) to the land along the curved shore, which appeared to his eyes separate from the mainland behind. It would later be renamed Banks Peninsula.  We would be visiting three gardens today, each occupying a scenic spot on the peninsula. Looking at the satellite map below (you can click to make it bigger), you’ll see that I’ve marked them as 1 (this garden), 2 and 3. You’ll also see my two earthquake notations (unrelated to the peninsula’s volcanic past). The one in the upper left shows the rough location of the Greendale-Rolleston Fault, a previously unknown slip-fault which caused the destructive September 3, 2010 earthquake.  That 7.1 magnitude quake, the strongest recorded in New Zealand was followed 5 months later by the deadlier 6.3 aftershock centred just west of Lyttelton, which killed 185 and injured more than 6,000 people in greater Christchurch. Both would have a direct impact on our first garden today and an indirect impact on our third garden in Akaroa.

We circled Lyttelton Harbour to our destination overlooking Governors Bay. It was the Māori Ngāi Tahu chief Manuhiri who called his pā (fortified village) overlooking this bay “Ōhinetahi” – The Place of One Daughter – in honour of his solitary daughter in a family of sons. And that became the name of this garden, now arguably Christchurch’s finest private garden.

We were met at the entrance by Ohinetahi’s principal gardener, Ross Booker, shown below at left, chatting with our tour guide, New Zealand born, Pennsylvania-based landscape architect Richard Lyon.

We walked through the gates and down the drive.

Perhaps if I’d seen this plan of the garden on our arrival, I would have had a better sense of how to approach exploring it in the short time we had. But I hadn’t yet grasped the formal, linear arrangement of the garden rooms on three levels….

….. nor paid attention to the intersecting axes I glimpsed soon after we entered. This was the peony garden, which of course was out of bloom in mid-summer. But what was the enticing glimpse of garden below this? In fact, that is the north-south axis that cuts through the various east-west garden rooms and leads directly to a suspension bridge  over the creek to arrive at a shady bush walk filled with New Zealand natives. But we’ll get there later.

At the bottom of the drive, we turned left to find ourselves gazing at a lovely house, below, whose walls were crafted of soft-peach sandstone block.This is where Sir Miles Warren lives, having retired in 1995 from a long architecture career that began in 1955 when he founded his own practice with the radical Dorset Street Flats, expanded it in 1958 with the formation of Warren and Mahoney with Maurice Mahoney, then spent almost four decades creating hundreds of buildings, including some of New Zealand’s most iconic, modernist structures. Those include College House – University of Canterbury (1966), the Christchurch Town Hall (1972), the New Zealand Embassy in Washington DC (1975), the Christchurch Central Library, the Hotel Grand Chancellor (1986) and Clarendon Tower (1986) not to mention housing complexes, apartments and government buildings and airports in Wellington, Auckland and elsewhere. The firm became renowned for its concrete-based “Christhchurch School” style, combining Brutalism with contemporary Scandinavian and Japanese design principles. Sadly, several of those buildings were no match for the earthquakes that would devastate Christchurch in 2010-11, with many sustaining enough structural damage that they were ordered demolished.

Today, Warren and Mahoney Architecture is a 300-employee practice but its original co-founder – retired since 1995 – lives here in this Victorian house.  It was built by British-born naturalist-botanist-entomologist Thomas Potts between 1863-67 and looked like this on New Year’s Eve 1867, in a photo by Daniel Mundy. below. That’s native “cabbage tree” (Cordyline australis) in the foreground.

Potts would go on to plant a number of trees which still stand at Ohinetahi, but the extensive gardens he designed and maintained with the help of six gardeners were completely overgrown in 1977 when Miles Warren, his artist sister Pauline Trengrove and her husband, the late architect John Trengrove, found the property. It consisted of a ramshackle house with a leaking roof (they nicknamed the place Miss Haversham from Great Expectations), a lawn and the small orchard that is still on the site.  But they knew in ten minutes that they would buy it and hired two carpenters who worked for 18 months repairing it, while they came out on weekends to do the “donkey work”.  The garden would take a decade to shape, with Pauline the expert gardener and her brother and husband the designers. As Sir Miles said in one interview, “We were amateurs practising an art rather than having to be professional architects. We could do what we damn well liked and make our own mistakes.”  The garden became a place to escape their desks. In another interview, he recalled, “That period, we were both very busy professionally, so it was great relief, moving bricks and removing trees, fighting our way through the jungle and so on. It was an ideal contrast to the working week.” When Pauline and John moved away in the late 1980s to make another garden, he was left as Ohinetahi’s sole owner and resident designer.

Gardens have always been important to Sir Miles Warren, a passion not always shared by members of the profession. I love this photo of him, below, taken mid-career at his then-Christchurch house by Matt Arnold. That long pool is the epitome of modernism, softened with lots of lovely water plants.

As we set out, I spied the owner, now 89, walking across the lawn. “May I take your photo?” I asked. “Oh, I break cameras,” he replied with a chuckle, but gamely posed for me.

He was very lucky to be standing on his lawn, for his close escape from the 2010 earthquake came in the pre-dawn darkness of September 3rd when the four stone gables toppled onto the tin roofs, the rock falling through into the library where books and grandfather clock crashed to the floor.  As he came down from his bedroom searching for a flashlight, he had no idea of the damage around him.  Friends, family and former tradespeople helped empty the house and begin repairs, removing the stone third storey. stabilizing the walls with concrete and steel bracing and helping the house survive the much closer, more violent February 2011 aftershock. Sir Miles designed further changes to reinforce and strengthen the house. Today Ohinetahi remains a Category 1-listed heritage house – and, personally, I think the scale is much better without all that top-heavy stone.

All that toppled stone would be put to creative use, as with this reinforced folly and observation tower leading to a new waterfront “park” that I’ll show you later.

THE GARDENS

When Sir Miles, Pauline and John Trengrove began planning the garden at Ohinetahi, they did what many serious designers do: they visited famous gardens. Thus the Red Border of Hidcote Manor Gardens in England’s Cotswolds became inspiration for the lovely Red Garden here. But I think this one is even better (having seen Lawrence Johnston’s version some 25 years ago….) because of its intimacy,……

…… formality and smaller scale, which helps visitors understand how to accomplish a “colour garden” themselves.  That centrepiece, below, is a deconsecrated stone baptismal font. The red parterre hedge is barberry; the green is boxwood. And the silver pear (Pyrus salicifolia) adds just the right touch at right.

Plus…. if you know that my great passion is colour in garden design, you’ll know that I think complementary contrasting red-and-green is one of the best ways to bring the drama of that brilliant colour to a garden.

Four Burbank plum trees planted by a previous owner are still producing fruit, and act as the forecourt to Ohinetahi’s spectacular Herbaceous Border.

I loved that someone had placed this fallen plum on the statuary leading into the border.

Isn’t this border enchanting?  Sir Miles designed the airy, octagonal gazebo with its ogee roof and curved arches to match the Victorian trim on the house.

The summer combinations were stunning, like this sundrops (Oenothera fruticosa) and Verbena bonariensis….

…. and this dark Teucrium hircanicum with a cranesbill (Geranium) and Japanese hakone grass (Hakonechloa macra ‘Aureola’).

…. and magenta summer phlox (Phlox paniculata) with agapanthus.

Bumble bees were happy foraging on the single red dahlias in the herbaceous border.

This is what the border looked like facing back to the house.

I went down into the Woodland Garden that runs along the edge of the property beneath mature trees, including oaks that are some 150 years old.. Here were native cabbage trees and tree ferns and a sculpture by Mark Whyte…..

….. and selections of New Zealand flax (Phormium tenax)….

…. and traditional shade garden ornamentals such as hosta, hellebore and astrantia….

Climbing back up, I walked past a wall inscribed in Latin by Mark Whyte, Conditor horti felicitatis auctor: “Whoever plants a garden, plants happiness”.

At this end of the garden was a suspended metal globe by Neil Dawson titled Ferns. His large works also adorn downtown Christchurch.

Here’s a closer look at Ferns. Neil Dawson’s work was also featured in the blog I wrote about the Connells Bay Sculpture Park on Waiheke Island near Auckland.


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And I found one of the old trees planted by Thomas Potts, a hoop pine (Araucaria cunninghamii).

It was comforting to see a handsome, well-used compost bin behind one of the hedges. (Ross Booker: “Four months turnaround from hoe-to-go“.) Maintenance is crucial here; the hedges alone take three months to trim.  At the moment, all the work is done by Ross and one other full-time gardener.

The pleached Hornbeam Walk is also modelled on England’s Hidcote; at its cross-axis is a copy of the urn designed for Alexander Pope’s garden at Twickenham.

I walked back towards the Lawn which is all that remains of Thomas Potts’s original garden.  Looking to my right I saw the pretty pool house and the pool wall hidden by a pyracantha hedge.

But when I climbed up to the pool level, I could look back at the lawn and the perfectly balanced scene opposite….

….of two chartreuse ‘Frisia’ locusts (Robinia pseudoacacia) and a Luytens bench flanked by two shiny granite columns. Behind were precisely-clipped macrocarpa hedges (Cupressus macrocarpa).

I walked to the Suspension Bridge over the creek….

…. with its artfully-adorned bridgehouse.

Here I could see the stream below wending its way south to the ocean through New Zealand “bush”…..

…. including lacy tree ferns.

Suspended elegantly in the lush native bush under Thomas Potts’s five old oaks was a stainless steel sculpture by Auckland artist Virginia King titled “Heart of Oak”, below.  Commissioned by Sir Miles in 2014, the artist – who saw the garden in winter – describes it on her website. “The circular mandala  form alludes to the longevity of trees, to changing seasons and the cycle of life and  to ancient mythologies about Oak trees in Roman, Greek, Celtic, and Teutonic cultures.”

The cycle of life was certainly evoked naturally in this lichen-covered tree trunk.

I loved that the blue base of this woodland sculpture emerged from a clump of New Zealand blueberry or turutu (Dianella nigra) with fruit exactly the same azure hue.

Approaching the outlook to Governors Bay, there was another evocative sculpture, this one by Andrew Drummond.

With our departure time approaching, I made a quick stop in Ohinetahi’s little art gallery, featuring works by renowned New Zealand artists.

Adjacent is a newer gallery containing 3D models and photographs of Warren & Mahoney projects….

…… including many destroyed by the earthquakes.

Back at house level, the Rose Garden beckoned, with its 12 rectangular, boxwood-edged beds marked by topiary spirals and boxwood chess pieces…..

……and filled with white, yellow and apricot roses to match the house.

I loved the ebullient fuchsia at the house entrance, and was intrigued with the number woven into the trim. Thomas Potts’s sandstone walls were quarried at Charteris Bay across Lyttelton Harbour.

The rose garden’s central path was on an axis with the Reflecting Pool across the lawn, its edges adorned with eight Coade stone flowers.

Now there was just enough time to dash around the house and head up past the Doug Neil-carved Oamaru stones “Canyon Suite”…

….. and Andrew Drummond’s “Astrolabe”, below, to visit the newest addition to Ohinetahi, an adjacent .75-hectare (1.85 acres) property overlooking Governors Bay purchased in 2008 and christened “the park”.

There are masses of natives here, like leatherleaf sedge (Carex buchananii)…..

…..and Corokia cotoneaster sheared into wedges, below.  Originally part of the Potts property, the park features the oaks he planted a century-and-a-half ago.

Large-scale modern art commands the hillside……

…… including pieces like ‘Phase’ by Graham Bennett.

And the new amphitheatre overlooking the water is a place where visitors can relax in a spectacular setting atop a turf bench supported by some of the 140 tonnes of sandstone block that fell from Sir Miles’s roof into his library, that terrible night in September 2010.

In 2012, after setting up the Ohinetahi Charitable Trust (the trustees include his sister Pauline and a niece) to oversee the necessary maintenance, insurance costs and continued development of the property, Sir Miles Warren donated it to New Zealand.  As he said to a reporter at the time, “So many gardens are made in New Zealand and the owners become elderly and the grounds fall into disrepair. It would seem a pity to spend 35 years making something and then walking away and letting it fall apart.”

The bus was leaving and I had just enough time to make one last photograph.   The bust, of course, was familiar, but I had to look up the inscription. Firmitas, Utilitas et Venustas.  Coined by the Roman architect Vitruvius, it dates from the 1st century B.C and means “Strength, Utility and Beauty.” It’s an age-old tenet of architecture but it seemed to me it described this garden, as well as the man who is now a tenant here.

We were heading south on the Banks Peninsula to see two other gardens made by brilliant, obsessive gardeners. It would be a garden touring day like no other (and I’ve been on many tours). But as to this part of Canterbury, I will let Sir Miles Warren have the last word. Filmed in 2016, it relates to the city he loves, a city whose architectural heritage owes much to the work of Warren and Mahoney Architects, a city working to recover. Be sure to watch until the end, when he asks the question I would also put to you.  And the answer: “If you haven’t yet, why not?”

https://www.youtube.com/watch?v=bh8YF5XluCw

Dunedin Botanic Garden

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After travelling on the 10th day of our American Horticultural Society “Gardens, Wine & Wilderness Tour” from Lake Manapouri and Doubtful Sound to Dunedin in Otago on the east coast of the South Island, a 3-1/2 hour journey of 291 kilometres (182 miles)……

…. we arrived in the city late in the afternoon. Our route took us past the Dunedin Railway Station. Built in the Edwardian Baroque style in 1906, it provided train service for a city that had been founded 58 years earlier by the Free Church of Scotland. In fact Dunedin is the old Gaelic name for Edinburgh, and it was the Scots who were the first colonists, though the Māori had already occupied the land for some 700 years. It was a big whaling port in its early days, then the Otago Gold Rush of the 1860s led to its rapid expansion.

Where we had slept in a stateroom aboard a boat on Doubtful Sound in Fiordland the night before, tonight we would be sleeping in a rather lovely room at the Distinction Dunedin Hotel. What made it extra-special was the fact that the room was equipped with a clothes washer and dryer. If you’ve travelled for any length of time on a bus tour, you’ll know how welcome that would be.

Feeling a little tired after the drive, we ordered up a light room-service dinner of cheese plate & salad, and cracked a bottle of Marlborough Chardonnay.

The next morning, we headed out to Dunedin Botanic Garden….

…..where we were met in the parking lot for an orientation by Alan Matchett (left), Garden Team Leader/Curator and Collection Curator, Dylan Norfield.

Opened in 1863, it is New Zealand’s first botanic garden. It occupies 30.4 hectares (75 acres) on a property that slopes from native Lovelock Bush, the New Zealand Native Plant Collection, Geographic Collection and Rhododendron Dell at the top down a hillside through the Southern African Garden and Mediterranean Terrace  and Rock Garden – all considered the Upper Garden – to the Lower Garden where you find Herbaceous Borders, a Knot Garden, Glasshouses, the Clive Lister Garden, the Rose Garden, Theme Borders and a Water Garden. The main gates open to an intersection of three of Dunedin’s main streets.

We set off behind Alan and Dylan for a tour that was sadly much too short to see all the features of this wonderful garden.

The Native Plant Collection is vast, and includes traditional borders…..

….. featuring grasses and shrubs and with some of the country’s native tree ferns, like Dicksonia fibrosa, with its persistent frond ‘skirts’. (For more on NZ ferns, have a look at my previous post.)

There were cultivars and hybrids of natives here, like silver-leafed Brachyglottis ‘Otari Cloud’….

….. and the lovely variegated Pittosporum tenuifolium ‘Irene Patterson’. Unlike the UK and the mild west coast, pittosporums are not much seen in northeast North America.  I wish I’d had time to search out many more.

In the shadier sections, the New Zealand rock lily or renga renga (Arthropodium cirratum) was in flower…….

…… and bush flax (Astelia fragrans) was already in fruit.

We toured a fascinating Alpine Scree.  On an island so dominated by the rugged Southern Alps (it is estimated that one-third of New Zealand’s flora exists in the alpine zone), it’s interesting to see plants adapted to the gravelly slopes of mountains…..

…..like giant Spaniard (Aciphylla scott-thomsonii), below. Though often called Spaniard grass or speargrass, the spiky Aciphyllas are actually umbellifers, members of Apiaceae that flower in November. The flowers in my closeup below have withered and blackened.

Here’s a vigorous clump of Marlborough rock daisy (Pachystegia insignis).

In the Geographic Collections, we noted South American plants like evergreen Luma apiculata from the Central Andes between Chile and Argentina…

….and Lomandra longifolia from Australia.

We made a brief stop at the Rhododendron Dell, which forms a large part of the 4-hectare (10-acre) Woodland Garden.  Naturally, as we visited in summer, nothing was in flower,  but I can only imagine what these massive ‘Halopeanum’ rhodos would have looked like in November.

Descending, we made our way through the large Southern African Garden.

There were beautiful king proteas here (P. cynaroides).

….. and masses of the dwarf Agapanthus ‘Streamline’.

How spectacular is this eye-popping planting of Crassula coccinea, native to the fynbos of the Western Cape?

With time running out, I raced through the Mediterranean Garden, with its formal pool…..

….. and balustrade overlook, with the hills of Dunedin in the distance.  But I knew I’d be coming back here today after another tour stop to spend lots of time retracing my steps to really explore the place!

In the Lower Garden, there was a Knot Garden patterned on the one in the Shakespeare Garden at Stratford-on-Avon.

And in classic public garden style, there was a stunning herbaceous border that I viewed from one end……

….. to the other.

Look at these lovely combinations:  alstroemerias and bright pink phlox with Salvia guaranitica ‘Black and Blue’…..
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….. and salmon achillea with old-fashioned Shasta daisies…..

….. and unusual (for me) Lobelia tupa with Phlox paniculata……

…… and soft pink achillea with chocolate cosmos (C. atrosanguineus). Isn’t this fabulous?

There were loads of bumble bees foraging on the alstroemerias……

….. and on the lovely blue bog sage (Salvia uliginosa).

And just to add a little design intelligence to all that floriferous brilliance, the garden also features a number of “colour borders”, including yellow…..

….. and red….

….. and violet, featuring Lythrum virgatum, Monarda fistulosa and Agastache foeniculum.

I was impressed by the massive size of this English oak (Quercus ruber) – aka the ‘Royal Oak’ – which was planted in 1863 to commemorate the marriage of the Prince of Wales and the Danish Princess Alexandra.  The children in the playground seemed unmoved that they were frolicking atop the roots of a piece of Dunedin’s colonial history.

For sheer elegance, I loved the Clive Lister Garden – and also the story behind it, below. What a wonderful way to enrich a public space, especially one that has meant much to you during your life.

Look at this view of grasses and many native plants from one side of the bridge in the Clive Lister Garden……

….. and the other side, featuring hostas, Japanese maples and other shade plants.

The garden is full of textural plants…..

….. and those with attractive, coloured foliage.

Flowering seems less important than good foliage in the Clive Lister Garden, but there were some lovely surprises, like this ligularia-montbretia combination.

This is the shimmering Astelia chathamica ‘Silver Spear’, which we’re starting to see in N. American gardens.

Alas, our time at the fabulous Dunedin Botanic Garden had drawn to an end without me seeing the glasshouses, water garden, theme gardens, rose gardens or fully exploring the native and geographic collections in the Upper Garden we’d walked through so quickly. So I trotted out to the bus reluctantly and vowed to come back by taxi later in the day.

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When I returned, clouds were gathering in the sky so I hurried to the Winter Garden Glasshouse. At its opening in 1908, it was said to be the first public conservatory in Australasia. It has three wings; the west wing contains a good cactus collection.

Tropicals find a warm, humid home in the central Tropical House.

And the east wing contains the sub-tropical collection, with plants like the lovely Vireya rhododendron, below.

It started to sprinkle as I left and eyed the Rose Garden – very nice, I’m sure, but I wanted to get back to the Upper Garden.

I decided to buy an ice cream in the visitor’s centre to see if the shower might abate, but it continued. So I headed quickly over Lindsay Creek to the Rock Garden…..

….. eyeing these spectacular red-hot pokers (Kniphofia sp.) as I walked. The climate here in Dunedin seems perfect for these South African natives.

The rock garden is stunning, and one could spend a half day just here examining all its lovelies, like…….

….. strange-looking Raoulia apicinigra, one of the “mat daisy” clan, …..

….. and Dierama pendulum, fairy bells.  But the rain had now intensified and having given my umbrella and raincoat to my husband to take back to the hotel (“Nah, I won’t need it.”), I found a plastic bag to partially cover my hat and tucked my phone under my shirt to keep it dry.  My cameras were now back in the camera bag as the heavens opened and the rain poured down.

One last shot, of a butterfly lily (Gladiolus papilio) that was as soaked as I was, and out I ran, down the steps and past the now deserted herbaceous borders to a bus shelter outside the gates, where I waited in the monsoon for 20 minutes to flag down a passing cab.

As sad as I was not to have had more time to spend at Dunedin Botanic Garden, I was so very grateful that I’d had the opportunity to see it at all.

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Love botanic gardens? You might be interested in my blogs on New York Botanical Garden, Idaho Botanical Garden, Marie Selby Botanical Gardens in Sarasota, UBC Botanical Garden and Toronto Botanical Garden’s fabulous containers and Piet Oudolf border. In South Africa, there is the mighty Kirstenbosch, the Harold Porter National Botanic Gardens and Durban Botanic Garden.  And outside London, Kew Gardens in autumn.