Bringing in the Honey at Lavender Hills Farm

For Tom Morrisey and Tina-May Luker, home is Lavender Hills Farm, a 25-acre property near Orillia in central Ontario, Canada.

Here, beautiful gardens….

….. and a custom-designed, bee-friendly, 2-acre tallgrass prairie meadow (seed-drilled ten years ago by their neighbors and friends Paul Jenkins and Miriam Goldberger of Wildflower Farm) supplement the natural softwood and hardwood forests and swamp that surround their farm.

Tom – who’s been a beekeeper for 40 years – tends 20 colonies at the farm, in addition to 110 colonies he manages in outyards in the region, for a total of 130 colonies.  He calls himself a “sideline beekeeper”, but, of course, at one time he was a novice. He started out four decades ago working as part of the interpretive staff at a provincial park where the focus was agriculture and apple orchards. There was also a beehive under glass at the park – an observation hive – but no one on staff knew anything about bees. So Tom took a 5-day course at the University of Guelph (Ontario’s agricultural college) in order to explain to visitors the fine points about apple pollination.  Later, he moved to the Orillia area and started working in adult education at a local college.

As he recalls now, he looked around at all the farms in the area and thought, “I don’t know anything about farming, but I know about beekeeping!” So he bought a couple of colonies and began keeping bees as a hobby. After working for a while in Ontario’s Ministry of Natural Resources, he went travelling internationally. When he returned to Canada, he met Tina-May Luker and told her he wanted a job where he could ride his bicycle to work. He knocked on the door of commercial beekeeper John Van Alten of Dutchman’s Gold Honey (and later president of the Ontario Beekeepers Association) and offered his services. Two days later, he was hired to help manage between 800-1200 hives.

When he and Tina-May moved back to the Orillia area seventeen years ago, they bought their farm and Tom began beekeeping in earnest, with 50 colonies the first year and another 50 a year later. His farm beeyard is adjacent to the tall-grass meadow and surrounded by electric fencing to deter black bears.

The remainder are situated in a half-dozen outyards within an hour’s drive, with between 10-30 hives at each location. The outyards include a commercial cranberry bog, below,……

…..and a wildflower farm.  His honey house at the farm is a converted double garage several hundred feet from the beeyard and close to the driveway so the honey supers can easily be unloaded from his pickup truck after a trip to the outyards.

That brings us to one of Tom’s favorite beekeeping gadgets, and one he devised himself.  “In my pickup I put a piece of plywood with a little bit of a rim around it, sort of like a picture frame, and put some loops of wire into that, and that allowed me to use straps to tie down all my frame. It’s terrific, and only cost fifty bucks for lumber.”

Tom has another favorite piece of equipment, his “Mr. Long Arm”. That’s an extendable painter’s pole at the end of which he has fashioned something like a butterfly net made of fence brace wire threaded through the seamed end of a heavy-duty plastic shopping bag. “When it’s extended its full length of twelve feet,” he says, “I can often retrieve swarms that have settled well above me in the branches near my beeyards. The bees can’t grip the smooth plastic so I just shake them out into a brood box on the ground. No more ladders for me!”

As for those swarms, he says: “You can use that whole impulse to swarm to make more colonies of bees, if you want them. If you don’t want them, then you’ve got to be very diligent to manage your colonies so they don’t get crowded.”

Tom started raising queens a few years ago and finds it an engrossing learning experience.  “It’s not something a beginner usually tackles, but at some point you get enough confidence to try it, and it’s very interesting.  The whole idea is to try to select bees that have the characteristics that I like working with and to give me a supply of queens early in the season when they’re very handy to have.”

In spring, his bees find willows and red maple in the plentiful swamps around one of the outyards, where thawing occurs earlier than other places. At the farm, local basswood trees (Tilia americana), below, provide a good flow and produce excellent honey about three out of five years.

Abundant staghorn sumac (Rhus typhina) feeds the bees and the red fruit clusters provide the fuel for Tom’s smoker.

There’s clover and alfalfa in neighboring farm fields and birdsfoot trefoil (Lotus corniculatus) and viper’s bugloss (Echium vulgare), below, growing wild along the country roads.

Tina-May’s borders and vegetable garden provide lots of nectar and pollen from plants like Oriental poppy  (Papaver orientale), butterfly milkweed (Asclepias tuberosa), lavender (Lavandula angustifolia)……

….. motherwort (Leonurus cardiaca), Russian sage (Perovskia atriplicifolia), below…..

……thyme (Thymus sp.)….

….. and asparagus that’s gone to flower with its bright orange pollen.

In the designed meadow, masses of coreopsis give way to purple coneflower (Echinacea purpurea), Culver’s root (Veronicastrum virginicum), blazing-star (Liatris pycnostachya and L. ligulistylis). The final act, lasting from August well into October, stars the goldenrods, and Tom and Tina-May grow four species including stiff goldenrod (Solidago rigida, syn. Oligoneuron rigidum), below,

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…. rough-leaved goldenrod (Solidago rugosa)….

…..and the very late-flowering showy goldenrod (Solidago speciosa), below.

Says Tom: “Goldenrod is a good honey, very dark and somewhat strong tasting.  The bees produce a bright yellow wax when they’re collecting goldenrod.”  But this late flowering of the goldenrods and native asters also helps the health of the hive, as Tom explains.  “There’s an expression that it’s really good to have ‘fat bees’ going into winter, meaning bees that are really well-fed. And being stimulated by a good flow of nectar and pollen allows them to make the physiological changes they need for winter. Bees in the summer, they’re flying around, they last six weeks, then they die. But in the winter, they have to sit in a hive, they don’t go out for six months, so their whole body, essentially, has to work in a different fashion.”

Most years, Tom’s colonies winter very well, with his survival rates matching or bettering the provincial average.  “I make sure the bees are well fed, because that stimulates them to keep brooding up later in the season. So I feed them in the fall. And I make sure the mites are under control.”  Here’s a little video* I made of Tom explaining how he checks for varroa mites. (*If you’re reading this on an android phone and cannot see the video, try switching from “mobile” to “desktop”. Not sure why that glitch occurs.)

Honey extraction begins in late July and extends well into October.

From time to time, Tom enlists the help of family members like brother-in-law Paul Campbell, seen assisting him below.

Here’s a video I made of Tom and Paul at this time in late summer moving the honey frames for extraction.

Over the years, Tom has automated his honey harvest to lighten the load, but it’s still hot, sticky, noisy work, with rock music blaring from speakers above the clatter of the hot knives of the decapping machine….

…..and the whirring of the horizontal extractor.

Here’s a video I made of the honey extraction process at Lavender Hills Farm. Because it’s hard to hear Tom over the machinery and the music, I put in a few subtitles.

Tom and Tina-May, below, are regulars at four farmers’ markets in the area….

….selling honey, mustard, honey butter, herbal soap, candles, and treats like honey straws that children love. “Farmers’ markets are a great place to get to know your customers and build a steady market for your product,” says Tom.  “People want to know that you’re the beekeeper, and they want to hear stories about keeping bees, just like I’m telling stories now.

It’s a demanding occupation with lots of tiring physical work and he gets stung “dozens of times a day, sometimes”. And the challenges are many now. “When I started,” he recalls, “There were no parasitic mites, viruses weren’t an issue, and agri-chemicals didn’t seem to be as big a factor. You could put a box of bees in the back of the farm, they’d winter all right, and you’d get a box of honey. It’s certainly changed in the past twenty years.”

One of the newest factors is small hive beetle, and though it’s been seen in the Niagara region, it hasn’t yet made it this far north.  However he’s heard talk of beekeepers arranging refrigerated storage for their honey frames

But Tom is still enthralled with the whole thing. “Keeping bees is a very elemental occupation. The bees are subject to all the natural forces around them, from the plants to the weather and all the variations in between. It’s one expression of nature that you can roll up your sleeves and get right into. And that’s very enjoyable, because every year is different.”

If there’s one piece of advice he’d give to a new beekeeper, it’s this: “Get two hives, not just one, because of the chance of you either making a mistake or nature dealing you a blow that might take one of your hives, but you’ll always have another one.”

And that could be the beginning of a very long love affair.

***********

This story is a much-expanded version of an article that appeared earlier this year in a beekeeping magazine.  It’s a joy to know both Tom Morrisey and Tina-May Luker, below, with me at the Gravenhurst Farmer’s Market on Lake Muskoka this summer.

Honey bees are favourite photography subjects of mine. To see a large album of my honey bees on flowers, have a look at my stock photo portfolio.

Early Spring Blossoms at the Toronto Botanical Garden

I popped by the Toronto Botanical Garden this morning for a quick look at what’s in bloom. It’s been such a long, cold winter and reluctant spring, an hour in the garden was just the therapy I needed. So what did I see?  Well, in all the years I’ve been photographing at the TBG, I’ve never spied the cornelian cherry (Cornus mas) in the hedge cages in flower. With the ‘marcescent’ foliage (persisting through winter) of the beeches (Fagus sylvatica), it made a unique and lovely entrance to the George and Kathy Dembroski Centre for Horticulture, the main building.

There were loads of hellebores doing their thing. Helleborus ‘Red Lady’ is a long-time performer and has multiplied beautifully beside the stone wall of the building. I loved the sober backdrop it made for flamboyant Narcissus ‘Tiritomba’.

I found a nice assortment of hellebores under the ‘Merrill’ magnolia just opening. This is Helleborus x ericsmithii HGC Merlin (‘Coseh 810’). Isn’t it lovely?

Helleborus x ballardiae HGC Cinnamon Snow (‘Coseh 700’) was spicing things up.

And Helleborus x ballardiae HGC Ice Breaker Prelude (‘Coseh 830’) was meltingly gorgeous.

In a protected corner of the Westview Terrace, Magnolia x loebneri ‘Leonard Messel’ was in full flower.

I could photograph magnolias all day.

Containers of spring bulbs brought a welcome note of colour.

Nearby was a little reticulated iris still in flower. Though it was labelled differently, I think its the McMurtrie cultivar Iris reticulata ‘Velvet Smile’.
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On the bank where donkey tail spurge (Euphorbia myrsinites) scrambles, the variegated Tulipa praestans ‘Unicum’ was in flower.

Incidentally, the tulip season at the Toronto Botanical Garden is very long and beautiful. I wrote a long blog last year about TBG’s tulip stunning combinations.

Hyacinths (Hyacinthus orientalis) just need a little warmth to emit their perfume……

….. and even graced the path to the TBG’s big compost piles, along with daffodils.

Speaking of daffodils, I thought this one in the Entrance Courtyard was pretty spectacular. Meet Narcissus ‘British Gamble’.

The small bulbs were mostly finished, but glory-of-the-snow Scillia luciliae ‘Pink Giant’ (formerly Chionodoxa) was fading but still beautiful.

As I walked along the Piet Oudolf-designed entry border toward my car, I saw a favourite tulip, T. kaufmanniana ‘Ice Stick’ looking slender and lovely beside emerging perennials that will soon fill the garden with blossoms that will charm visitors until autumn. And I thought how wonderful each and every spring seems, to the winter-weary gardener.

PS – I will very soon get back to New Zealand… and the Argentina part of our wine tour. Promise! (Unless spring keeps beguiling me……..)

 

A Night Sky Photography Lesson

I received a Christmas present from my three wonderful sons this week, something unexpected and so much fun!  It actually came in an envelope under the tree on Christmas morning, but it materialized in the form of a lovely 3 hours, some of it in total darkness, at the Torrance Barrens Dark Sky Preserve last weekend.   It was a private lesson in night sky photography with Wesley Liikane, aka Cowboy With a Camera. I’ve been following his work for several years, but the boys didn’t know that when they arranged the gift. And since I was at the cottage with my daughter and her young family and the Torrance Barrens is just 12 kilometres from the marina where we dock our boat, I invited Wes to come for dinner first. He accepted and after impressing my grandkids with his phone photos of wild animals, joined us on the screened porch for Saturday night dinner.

Then it was into the boat to the marina and Wes and I drove our cars separately to the Torrance Barrens. My friends know that I’ve been photographing at the Barrens for more than fifteen years in all seasons.  I even wandered into the edge of the 1905-hectare (4707-acre) reserve to photograph the full moon there one summer, batting away mosquitoes as I focused through the oaks.  There was not another soul there that night and it was a little scary to be alone. But on this evening in early August 2018, Wes and I were shocked by the number of people clogging the granite parking lot and parked along both sides of winding Southwood Road.  Admittedly, it was a holiday weekend and the sky was relatively clear with no moon, making it perfect for sky photography. But it was shocking to see all the people wandering through with coolers and supplies, to see all the tents set up (it’s crown land) and smell the smoke from campfires (in a week when fires had been banned for extreme dryness) and hear the sounds of voices, many of them from far-off lands, bouncing off the granite bedrock. Wes led the way along the familiar trail.

A sign at the entrance had announced that the bridge across the wetland was closed….

….but it wasn’t really closed – just in the same state of disrepair it had been the previous October…..

….. when my friends and I had hiked there on our annual hiking weekend, below.   For me (and for Wes, who manages the Torrance Barrens’ Facebook page), it’s a sad state of affairs when the trail maintenance is so shoddy in one of Ontario’s crown jewels.

But as always, it was lovely to stop for a moment and explore the flora in the marsh pond, including this sedge with water willow (Decodon verticillatus) and fragrant water lilies (Nymphaea odorata).

Wes set us up on bedrock in a flat area of the slope near the wetland. From here, we’d have a good view of the Milky Way, provided the night sky stayed clear.  In his lesson, he talked about the importance of hard ground as a base for your tripod for the long exposures needed for night photography.  Because my tripod adaptor was in Toronto, Wes loaned me his. He also brought along his portable SkyWatcher telescope, which can be adapted for star photography.

My camera (the Rebel 7Ti, which I bought for its 24.2 megapixel resolution and light weight, since I usually carry two cameras fitted with lenses for different purposes ) is less than ideal with its zoom 18-135mm lens, but that’s okay. It’s a DSLR, it’s the camera I’ve got – and we worked with it.

Wes, naturally, has a camera suited for night sky photography, the Sony A7S.

And his prime lens is a favourite of serious night sky aficionados, the Rokinon 1.5-35mm.  He eyed my UV lens filter and said it wasn’t usually recommended to photograph with that filter, but we left it on.

As the sky began to darken, we prepared my camera. My eyes tried not to glaze over and my non-math-brain worked very hard not to shut down as Wes explained the “500 Rule” for exposure with his smart phone calculator.  In a nutshell, it’s this:  500 divided by the focal length of your lens at its widest angle = the longest exposure in seconds before stars begin to ‘trail’.  Earth, as we know, is rotating on its axis at 1000 miles an hour while the night sky is filled with stars that are so far away, they seem fixed (but might be millions of light years away).  So in the course of seconds, the stars develop light trail blurs unless you time the exposure correctly. Wes’s full frame camera is 1:1 for focal length, while my Rebel has a 1.6 crop sensor factor. With my lens at its widest angle that means: 500/ (18×1.6) = 17.36 seconds.  (I think Wes was showing the calculation for a 35mm lens, below).  But we would experiment with exposure.

At 8:23 pm, the sky was developing a rosy glow in the west……

….. and I used my Samsung S8 to snap a sunset shot through the trees.

Wes explained the importance of letting your eyes adjust to darkness, and had me dim the LCD display on my camera as part of that adjustment.

Amazingly, people were still coming deep into the Barrens with flashlights and supplies. Above us nighthawks whirled and in the distance whippoorwills called.

Venus, the evening star, was now shining bright in the western sky and I used it to focus on “the smallest bright point”. As Wes explained, it’s important to use manual focus and turn the image stabilizer off.  Focusing on infinity doesn’t always work, so he taught me to zoom into Venus and focus on it in the middle of my view finder, moving the focusing ring until it is clear, which is when it’s at its smallest point of light.  Once focus is set, the stars and the Milky Way should be in focus, but it’s a good idea to recheck while shooting by zooming in to 100% to ensure there is no star trailing, since the slightest jar of the tripod could mess it up. Wes said that when he’s photographing the night sky with friends, they hang LED glow sticks from the base of their tripods to prevent an accidental jostling in the dark.

We set my camera for a preliminary 10-second exposure at 6400 ISO and continued to wait for full darkness.

As we waited, Wes gave me hints for understanding the best times for night sky photography. A moonless night is best, of course, and also the sky should have no cloud cover. (Tonight featured wispy, moving clouds and some smoke from the Parry Sound 33 forest fire an hour north of us, but the sky was clear for the most part.)   There’s a website you can visit (www.cleardarksky.com/csk/) to access the most precise forecast for night sky conditions. Wes explained it to me below.

He also talked about the Milky Way, which is our own constellation, a barred spiral galaxy and estimated to contain 10-100 billion planetary systems besides that of our own sun, which rests in the Orion Spur between the Perseus and Sagittarius Arms. (Click to enlarge the photo below, by NASA-Adler-U Chicago-Wesleyan-JPL-Caltech.)

Wes showed me the online location for determining the location of the Milky Way in the sky.

Kuchala clears your blood vessels and ensures cialis sales uk more blood flow to blood vessels done by PDE5 enzyme. This puts cialis tablets 20mg women at risk for female cancers, and, it is also known to grow breasts in males. This may sooner or later lead to mental breakdown. getting viagra prescription As mentioned earlier, nitric oxide is the part of a chemical chain reaction and it gets all sildenafil 100mg tab the blood pumped into the penis during erection). It still wasn’t completely dark so I asked Wes to scroll through some of his phone photos of many of his best images. The description “Cowboy with a Camera” is apt, since he started out on the rodeo circuit as a young man, hauling a trailer with his brother.  In those early years, he launched his next career by photographing friends on the circuit, like this young woman riding a bull.

But he’s known for his animal photography, especially in Algonquin Park, below. He now gives workshops there – one popular one features loons (his “loon-chick-on-mother’s back” percentage is 100%).

His sublime wolf shots have been used on commercial packaging.

A kayak sometimes forms his photo studio……

….. enabling good interactions with moose, like the one below in Algonquin.

But his great passion is the night sky, especially the Aurora Borealis or Northern Lights, like this Muskoka lake scene…..

….. and this spectacular photo made at the Algonquin Radio Observatory in the park….

….. where he’s also made stunning images of the Milky Way.

Chasing the Milky Way has taken him across North America, including the Dark Mesa Park in Kenton, Oklahoma….

….. and the mountains of Yellowstone Park.

It was finally dark enough to make some photos, and Wes checked out the display in my camera using his headlamp.

At 10:15 pm, we began.  Ten seconds at 6400 ISO was still too dark (though there is much more information in this photo than it appears to contain, and it would be usable  with some post-processing in a pinch.)

We increased the exposure to 15 seconds at 6400. Now the night sky is brighter and the stars visible. But there are a few problems.

In the next exposure, below, you can see that Mars is almost into the frame, but not quite.  And the horizon is tilted upward. And the campfire across the wetland with all those German campers in front of us is distracting to me – even though Wes thought the warmth might be a good foreground feature.   But most serious of all are the tiny scratches on my lens or polarizing filter. (I only found those later when I looked at the images on my computer).

Fortunately, Wes decided to put his lens on my camera back, which meant no more scratches. Now we’ve got Mars in the frame. The Milky Way itself is somewhat obscured and there are bits of cloud in the image.  Wes showed me how to find the horizon with my camera (I’ve never been good with all the settings) so that….

…. now I had a straight horizon and Mars was in the frame and a section of the Milky Way was there, though partly obscured.  This is the last image I made, at 10:28 pm, and one that I would consider a good result for my first real effort at night sky photography.

Wes suggested we find a new location near the parking lot, so we packed up our gear and made our way back over the creaky bridge (I only tripped once) and down the path towards the entrance. Amazingly people were still arriving at 10:30. One young woman walking up the road with her partner stopped us to ask if this was Torrance Barrens, and how big was it and were there washrooms?  “One Johnny-on-the-spot,” answered Wes.  I told her there were trails throughout but it wasn’t a park and it would be rough going if they didn’t know their way. Her partner, camera around his neck, nodded and off they went.   We gazed around and were hard-pressed to find a spot without people coming and going. I checked the time and told Wes that since I had a drive back to the marina where my husband would be picking me up, it was probably time to say good night. Indeed, I felt I’d had a really good introduction to capturing the night sky. We hugged farewell and went our separate ways, threading through the cars parked on either side of Southwood Road.

When I got back to the cottage, I downloaded my photos.  My last image was the one I was most pleased with, and even though I wasn’t shooting RAW (highly recommended for night photography), I decided to see what I could do in post-processing with the editing programs I have on the cottage computer. With Photoshop on my city computer at home, what I had was what came with Windows 10, including Paint.  I decided that what I wanted to remember of the night sky in the Torrance Barrens were not the German campers with their bright light, so I wanted to crop them out. And I wanted to emphasize the stars and Mars gainst the dark sky above the tree canopy that I know so well.  So my first edit was the horizontal (landscape) aspect ratio crop, below, but I decided it had too much dark forest and too little sky.

The next edit was a vertical (portrait) crop and I liked this one better.  (Notice how much light pollution is in the eastern sky – ambient light from Gravenhurst and Orillia.)  But there were still some little pockets of light glimmering in the forest and my bare-bones editing programs didn’t let me erase or darken them, as Photoshop does.

My final edit solved that by cropping out the lower forest and concentrating instead on the sky.  This is a perfect square and is a frameable memory I will keep of my first attempt at night sky photography in a place I have come to love.  Thank you, Wes Liikane.

November Work: Cutting Down the Meadows

Last week, I performed what has become for me a ‘rite of November’: cutting down the meadows at our cottage on Lake Muskoka, a few hours north of Toronto. I have to admit, it isn’t my favourite chore of the year, though I acknowledge I don’t actually have a lot of “chores” up there, given the naturalistic way I garden. But it’s definitely the most labour-intensive – amidst the least pleasant weather conditions of autumn, as it usually turns out. This year it was blowing a gale as I assembled my wardrobe and tools:  hedge shears, rake, cart, bundling cloth and ropes, rubber boots, extra layers under my waterproof jacket and fleece band to keep my ears warm. I started out with the big bluestem (Andropogon gerardii), the tallest of my prairie grasses, at 7 feet with its turkey-foot flowers. Considering it’s growing in shallow soil atop the ancient rock of the Canadian Precambrian shield, rather than the deep loam of the tallgrass prairie where its roots can extend far down, I think it’s rather happy at the cottage, and I took a selfie of us together before I chopped off its head!

Janet Davis-Lake Muskoka-Big bluestem in the meadow

Since my meadows and beds likely measure only about 1600 square feet or so, it’s not a lot to hand-cut with the hedge shears. People wonder why I don’t use a string trimmer, but I find that holding the weight of a trimmer just above ground is harder on my back than bending over and chopping the stems manually. I understand you can buy a harness for the trimmer, so that might be an improvement – but there’s something hypnotically satisfying about working with the shears.

Shears-cutting big bluestem-Lake Muskoka

As I work, I rake and pile the stems into windrows near the cart where I’ll eventually pack them up into bundles to carry by hand up the hill behind the cottage to a place out of sight where they can break down.  It’s important to leave some strong stems standing up to 12-18 inches (30-45 cm) so native ‘pith-nesting’ bees find them in order to lay their eggs.

Cottage meadow-Lake Muskoka-November 15

If I don’t cut the meadows, the heavy snows of winter will soon bend down the grasses and forb stems, but the thatch that accumulates makes it less attractive for self-seeding wildflowers and daffodils emerging in spring. So if I want the scene below in mid-summer, it pays to prepare for it by cutting old growth.

Cottage meadow-Lake Muskoka-July 31st

And if I leave the switch grass (Panicum virgatum) standing after it turns colour in fall….

Switch grass-October-Lake Muskoka-fall colour

…. it will look like this in May.

Switch grass-May 15-Lake Muskoka-uncut

So I remove all the above ground growth in November.

Switch grass-November 15-Lake Muskoka-after cutting

And if I’m travelling during this late autumn window (as we have on a few occasions), the daffodils will still come up in the meadow the following spring, but it’s a bit of a struggle.

May 15-Big bluestem-Lake Muskoka-uncut-daffodils

In short, if I want this…..

Cottage bed & Orienpet Lily-July 31-Lake Muskoka

…I have to do this.

Cottage bed-November 15-Lake Muskoka

And if I want this…..

View of path-Lake Muskoka-July 31

….I have to do this.

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I could hold off on the cutting until late winter or very early spring, when the ground is still frozen (as I do in my city meadow), but timing doesn’t always work that well up here and a fast thaw means I’m cutting on mucky soil. And since most of the seed-eating birds have flown south and those that remain seem adept at picking up seed from the ground, I’m happy to clear out this…..

Path through meadow-Lake Muskoka-November15

…. in order to enjoy this next summer.

Path through meadow-Lake Muskoka-July15

Beyond the chores of this month, I love the varied browns of November. I’ve even blogged about Beguiling Brown in the Garden. And I enjoy inspecting all the seedheads as the plants complete their life cycles. Plants like showy goldenrod (Solidago speciosa), its white panicled seedheads shown below alongside the charcoal autumn foliage of false indigo (Baptisia australis). (Incidentally, though these plants flower at the opposite ends of summer, they’re among the best for bumble bee foraging.)

Seedheads-Solidago speciosa & Baptisia australis-November

Here is the candelabra-like seedhead of culver’s root (Veronicastrum virginicum) with the ubiquitous button-like seedheads of wild beebalm (Monarda fistulosa).

Seedheads-Veronicastrum virginicum & Monarda fistulosa-November

Those seedheads above, of course, are proof that the attractive summer flowers, shown below, attracted the pollination services of the appropriate wild bees.

Flowers-Veronicastrum virginicum & Monarda fistulosa-summer

And the late summer-autumn season has also allowed the various grasses to shine, below, including – apart from the big bluestem – Indian grass (Sorghastrum nutans) and switch grass (Panicum virgatum).

Big Bluestem & Indian grass-Lake Muskoka

November is the perfect time for dormant seeding native wildflowers, so as I’m chopping the stems, I also do some fast sowing into the meadows, using my boot toe to kick little bare spots into the soil, then grinding some of the seeds just below the surface, while leaving others exposed. I do this with New York ironweed (Vernonia noveboracensis), below.

Fall seeding-New York Ironweed-Vernonia-Lake Muskoka

Chopping, raking, piling, carrying. Chopping, raking, piling, carrying. After a good day-and-a-half in blustery wind and intermittent cold rain, I manage to take 8 tied bundles of stems up the back hill to a spot on top of the pile of blast rock that was cleared when we built our home here on this waterbound peninsula 16 years ago. In time, the vegetation will decompose amidst the staghorn sumac pioneers and create a more complex meadow planting here.Compost pile-Lake Muskoka

Finally, as I finish washing out the cart, coiling the garden hoses, cleaning my tools, bringing everything indoors and preparing to drive back to the city in the waning light of the third day, I gather up a handful of the stems I’ve put aside in my cutting. Because apart from enjoying vases filled with summer flowers in July…..

Bouquet-July meadow flowers-Lake Muskoka

….. it feels virtuous, somehow, to accord these plants the same respect in November.

Bouquet-November meadow seedheads-Lake Muskoka

To capture a little of the atmosphere of what it’s like to perform this task in November, I’ve made a short video to enjoy here. (Please excuse the wind – it was impossible to find quiet moments.) The good news? My back and I are still on speaking terms!

 

Monkshood & Snakeroot for a Fall Finale

What a luscious October afternoon! I looked out my back window and was drawn, as I always am this time in autumn, to the furthest corner of the garden, where a little fall scene unfolds that I treasure more because it’s a secret. Want to see it?  Let’s take a little stroll past the messy pots on the deck with their various sedums and swishing sideoats grama (Bouteloua curtipendula) out into the garden past the table and chairs that haven’t been used since… when? August?

Janet Davis-garden-autumn

Keep going to where the lovely chartreuse Tiger Eyes sumac (Rhus typhina ‘Bailtiger’) is currently doing its Hollywood star thing in brilliant apricot…..

Tiger Eye Sumac-Rhus typhina 'Bailtiger'-fall color

But what’s this scene, just behind it?

Tiger Eye Sumac-snakeroot-monkshood-Janet Davis

Yes, two stalwarts of the autumn garden – and I mean autumn, fall, October!  Autumn monkshood (Aconitum carmichaelii ‘Arendsii’) and autumn snakeroot (Actaea simplex), aka fall bugbane. Each year, they flower at the same time, and enjoy identical conditions in my garden, i.e. the most moisture-retentive soil (lowest corner of the garden by a few inches), with reasonable midday sunshine but dappled shade a good portion of the day. The fragrance of the snakeroot is fabulous, something a little soft and incense-like, or reminiscent of talcum powder (in the nicest way).  Colour-wise, I love blue and white, from the earliest anemones-with-scilla in April to this shimmering, assertive finale.

Janet Davis-Actaea simplex & Aconitum carmichaelii 'Arendsii'

And did I mention pollinators? As in bumble bees of different species, honey bees……

Pollinators-autumn garden-fall snakeroot & monkshood-
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(WHO has the beehives near my house? I’d love to know)…..

Honey bees-Apis mellifera-Actaea simplex-fall snaekroot

……hover flies…..

Hover-fly on fall snakeroot-Actaea simplex

….and paper wasps, below, as well as ants and cucumber beetles.

Paper wasp on fall snakeroot-Actaea simplex

Monkshood is deadly poisonous, but its pollen seems to be an attraction for bumble bees and honey bees once the asters have finished up.

Bombus-Fall Monkshood-Aconitum carmichaelii 'Arendsii'

Finally, do note that the snakeroot is not any of those fancy-schmancy dark-leaved cultivars like ‘Brunette’, but the straight species with plain-Jane-green-foliage,. And that it used to be called Cimicifuga, but the gene sequencers have now moved it into Actaea.  It is a lovely plant and should be used much, much more.