Otari-Wilton’s Bush

It’s been a while since I blogged about New Zealand and our 2018 trip, but I’ll correct that today, since there was one garden omitted – and it was my favourite. If you recall, in my last blog we were sailing back to the North Island from the South Island and settling ourselves into New Zealand’s beautiful capital city of Wellington for the final chapter of our trip. Today, I want to take you to what was my favourite public garden of our entire 3-week tour, Otari-Wilton’s Bush (whose proper name is Otari Native Botanic Garden and Wilton’s Bush Reserve, but I’ll call it OWB for short). Let’s walk from the car park through the main entrance gate or warahoa…..

….. past the Kauri Lawn and the familiar trunks of the kauri trees (Agathis australis) we’d fallen in love with a few weeks earlier on the Manginangina Kauri Walk in the Puketi Forest near Bay of Islands, on our Maori culture day.

The path leads past interesting New Zealand natives towards the information centre where we can……

….. find a map. This place is massive! There are ten kilometres of walking trails over 100 hectares (247 acres) of native podocarp-northern rata forest featuring 5 hectares of gardens containing half of New Zealand’s native plants. In total, there are.1200 species, hybrids and cultivars of indigenous plants, and we have such a short time to visit!  On that note, I should add that there was a reason why it took me so long to get this blog together: the complexity of the garden and our speed rushing through it meant that I didn’t feel I could do it justice without researching it a little more than the other public gardens we’d visited, which were more straightforward…. rose garden, perennial border, etc. There is not that kind of typical botanical garden approach here at OWB. It’s all about native plants and their conservation!  I could have spent two days there, easily

Because it’s difficult to read the map (click on it or download it for a better look), here is the legend:

1 –      Plants for the home garden
2 –      Brockie rock garden
3 –      Wellington coastal plants
4 –      Grass and sedge species
5 –      Threatened species
6 –      Hebe species
7 –      Rainshadow garden
8 –      Flax cultivars
9 –      Pittosporum species
10 –     Coprosma species
11 –     Olearia species
12 –     Northern collection
13 –     Divaricate collection
14 –     Gymnosperm (conifer) collection
15 –     Fernery
16 –     Alpine garden
17 –     Dracophyllum garden
18 –     38
19 –     Broom garden

The garden and surrounding bush has a complicated history, from the Maori first inhabitants – Taranaki tapū or sub-tribes – who migrated to the general area in 1821 from the Wellington region; to the arrival of European settlers in the 1840s; to the allocation of 500 acres to Maori tribes; to the 1860 purchase by Job Wilton of 108 acres for farming; to the leasing by one tribe of 200 acres to three settlers; and subsequent sales by other tribes to other settlers. By 1900, prominent citizens of Wellington began to realize that the natural land around the city was in demise. As another 134 acres of tribal land was being sold to settlers, Wellington City Council stepped in and purchased it. By 1918, Otari’s status was changed to a reserve “for Recreation purposes and for the preservation of Native Flora.” In 1926, the well-known botanist, plant explorer and ecologist Dr. Leonard Cocayne presented a proposal to create a collection of indigenous plants on the site: the Otario Native Plant Open Air Museum. He was named Honorary Botanist to the Wellington City Council and effectively Director of the Plant Museum. Over the next few years, he collected 300 native plants and published the guidelines for the development and arrangement of the museum. Upon his death in 1934, he was buried on the site.

Let’s head out over the canopy bridge spanning the ‘bush’ below.

Visitors gazing out over this scene can appreciate how this part of New Zealand looked before cities and highways were built and invasive plants outcompeted native flora.

The garden has done a good job of labelling native trees to inspire visitors to choose these for their own gardens. This is karaka (Corynocarpus laevigatus).

This is the tawa tree (Beilschmiedia tawa).

This is rewarewa (Knightia excelsa).

Looking down, you can see the exquisite structure of the silver ferns or pongas (Alsophila dealbata, formerly Cyathea).

It’s easy to see why this fern enjoys such an elevated position in New Zealand.

Interpretive signage is well done in the garden.

Though it is far away, I attempt a photo of New Zealand’s wood pigeon.

After the canopy walkway, I find myself in a section devoted to plants for the home gardener. Seven fingers or patē  (Schefflera digitata) is a small, spreading tree fond of shade and damp places. It’s the only New Zealand species in the genus Schefflera.

The Three Kings kaikomako (Pennantia baylisiana) was down to a single extant plant in New Zealand when it was discovered on a scree slope on Three Kings Island in 1945 by Professor Geoff Baylis of Otago University. Seeds were harvested, allowing it to return from the brink of extinction.

Gold-variegated karaka (Corynocarpus laevigatus ‘Picturata’) is a colorful Otari-Wilton’s Bush introduction of the evergreen New Zealand laurel tree. Its Maori name “karaka” means orange, and is the colour of the tree’s fruit.

The Leonard Cockayne centre can be booked for small meetings, workshops and education sessions.

Our American Horticultural Society tour group listens to Otari Curator-Manager Rewi Elliot giving an overview on the garden.  You can see the memorial plaque at the base of the large rock, the burial site for Leonard and Maude Cockayne.

In the adjacent Brockie Rock Garden, I find Chatham Island brass buttons (Leptinella potentillina) is a rhizomatous groundcover adapted to foot traffic.

Slender button daisy (Leptinella filiformis) is bearing its little white pompom flowers.

Purple bidibid or New Zealand burr (Acaena inermis) has become a popular groundcover plant in Northern hemisphere gardens.

Chatham Island geranium (G. traversii) has pretty pink flowers. Its easy-going nature recommends it as a good native for New Zealand gardeners.

Like a lot of shrubby veronicas, Veronica topiaria used to belong to the Hebe genus before DNA analysis. It has a compact, topiary-like nature and tiny white summer flowers.

Silver tussock grass (Poa cita) is a tough, drought-tolerant native adapted to the poorest soils.

This is a lovely view from the Cockayne Overlook.

Below, a path is flanked by some of the sedges (Carex sp.) for which New Zealand has become renowned throughout the gardening world.

We catch a glimpse of New Zealand flax (Phormium tenax) on the right along the path.

Castlepoint daisy (Brachyglottis compacta) is native to the limestone cliffs on the Wairarapa Coast of New Zealand’s North Island. Like many species here, it is considered at risk in the wild.

We had seen Marlborough rock daisy (Pachystegia insignis) at the Dunedin Botanical Garden earlier in the trip. It’s such a handsome plant.

A gardener trims the base of a sedge along the path. There are signs in the garden stating “Please do not pull out our ‘weeds’”, explaining that they may look like weeds but several are threatened endemics that are allowed to casually self-seed in the garden.

Orange tussock sedge (Carex secta), aka makuro or pukio. is common to wetlands throughout New Zealand.


Male automatically assume they are useless and broken – it can be in a position to obtain the identical drugs dispensed inside the United States that happen to be manufactured through the cialis canadian prices review very same pharmaceutical businesses. Therefore if commander levitra http://djpaulkom.tv/spin-magazine-salutes-da-mafia-6ix-with-rap-song-of-the-week/ you have betrayed by impotency then you must be thinking that, cooking your fish well removes all harmful things (in layman’s words) and poisonous elements. The herbal pills viagra prescription for breast enlargement increase the flow of blood to the bosom areas and make it look bigger. One of the worst obstacles in men’s sexual life that cialis from india online include: Physical causes – These causes include bad postural habits, repetitive motions affecting the spine and acute trauma to the body.
Gardeners are at work trimming the sedges with the podocarp-northern rata forest in the background.

The Wellington Coastal Garden, below,  is home to native plants found on the rocky foreshores, sand dunes and scrub-coloured cliffs of Wellington. Many plants here have thick, fleshy leaves or waxy surfaces to cope with wind and salt spray.

The Rain Shadow Garden features plants native to Marlborough, Canterbury and Otago in the South Island, specifically to regions lying east of the Southern Alps where rainfall is scant. From Wikipedia:  In the South Island of New Zealand is to be found one of the most remarkable rain shadows anywhere on Earth. The Southern Alps intercept moisture coming off the Tasman Sea, precipitating about 6,300 mm (250 in) to 8,900 mm (350 in) liquid water equivalent per year and creating large glaciers. To the east of the Southern Alps, scarcely 50 km (30 mi) from the snowy peaks, yearly rainfall drops to less than 760 mm (30 in) and some areas less than 380 mm (15 in). The tussock grasslands are common in New Zealand’s rain shadow.

To northern hemisphere eyes, New Zealand has a lot of strange plants, but none tickle our fancy more than toothed or fierce lancewood (Pseudopanax ferox). You’ll see its mature tree form a little further down in our tour of the garden but I love this photo illustrating the juvenile form, often described as Doctor Seussian or like a broken umbrella.  It is now seen in gardens throughout the world, mostly owing to the 2004 Chelsea Flower Show where it starred in New Zealand’s gold-medal-winning garden exhibit.

This is my favourite image in the garden because it celebrates plants that typify the New Zealand native palette – the buff sedges and the wiry shrubs in ‘any-colour-but-green’. Save for the sword-like leaves of the cabbage palm (Cordyline australis) at the top of the picture, there is nothing ‘luxuriant’ about the plants in this garden. They evolved their sparse foliage to outsmart hungry predators or to protect themselves from wind, heat and salt.

As an illustration, here is Coprosma obconica, considered threatened in its native niche, with its “divaricating” growth habit (branching at sharp angles) when young. Note that its tender foliage is in the centre of this wiry sphere, thus protected from the nibbles of herbivores.

But then there are the big grasses and phormiums, which lend the opposite lush feeling. I love this garden, too, with its collection of flaxes, both the large New Zealand flax or harakeke (Phormium tenax) and the smaller mountain flax or wharariki (Phormium colensoi, formerly P. cookianum).  In milder climates of North America, we see P. colensoi cultivars used extensively, e.g. ‘Maori Maiden’, ‘Black Adder’, ‘Sundowner’, etc.  This is P. tenax ‘Goliath’.

A closer look at ‘Goliath’. The Māori grow harakeke plants especially for weaving and rope-making.  Note the leaves of the Carex, illustrating the mnemonic “sedges have edges”.

At the base of the steps is a beautiful stand of South Island toetoe grass (Austroderia richardii, formerly Cortaderia). It is related to the South American pampas grass (Cortaderia selloana) which has become an invasive in New Zealand (and also coastal California).

Below we see the juvenile (right) and mature (left) forms of fierce lancewood (Pseudopanax ferox) growing side by side. Note the stout trunk and the different leaves on the adult tree. Botanists theorize that the tree evolved its narrow, young form with its hooked leaves to thwart herbivory by New Zealand’s flightless bird, the giant moa, which was hunted to extinction by Polynesian settlers five hundred years ago. Once the plant reaches a certain height – around 3 metres or 9 feet in 10-15 years – it gets on with the regular business of being a tree.  The forms are so different that early taxonomists mistook them for different species.

Nearby is a garden labelled “the hybrid swarm”, featuring offspring of crossings of two other lancewood species, Pseudopanax crassifolius or horoeka and P. lessonii or houpara.

One of the tour members calls to me that she has heard the tui bird and I pass a stand of Richardson’s hibiscus (H. richardsonii)…..

…. as we go exploring into denser garden areas.

Sure enough, there it is – not the best photo, but it’s a treat to find it here. The Māori call this bird the ngā tūī, and this particular bird’s black-and-white colouration (its iridescence isn’t notable in this light) illustrates why the colonists called it the parson bird.  It is one of two extant species of honeyeaters in New Zealand, the other being the bellbird. If you read my blog on Fisherman’s Bay Garden, you might have watched the YouTube video I made of that lovely garden with the entire soundtrack comprised of the bellbird’s song.

But time is fleeting and we still have the Fernery to visit. I stop for a moment to photograph Kirk’s daisy or kohurangi (Brachyglottis kirkii var. kirkii).  It is in decline and classed as threatened, mostly due to predation from possums, deer and goats.

Common New Zealand broom (Carmichaelia australis) is not related to European broom (Cytisus scoparius), which is as invasive in New Zealand as it is throughout the temperate world.

Here is a large specimen of bog pine (Halocarpus bidwillii).

I pass a small water garden surrounded by rushes.

Crossing back over the canopy walkway, I come to the totara (Podocarpus totara) with its stringy, flaking bark. This specimen was planted in the 1930s and could live for more than 1,000 years. It is one of 5 tall trees in the Mixed Conifer-Broadleaf Forest type here; the others are kahikatea (Dacrycarpus dacrydioides), matai (Podocarpus taxifolia), rimu (Dacrydium cupressinum) and miro (Prumnopitys ferruginea).  Totara wood is strong and resistant to rot; it was used traditionally by the Māori for carving and to make their waka or canoes.  On trees 150 to 200 years old, an anti-microbial, anti-inflammatory medicinal product called totarol can be extracted from the heartwood on a regular basis. A dioecious species, female trees bear masses of fleshy, red, edible berries that the Māori collected in autumn by climbing the trees with baskets.

Now I’m on the boardwalk heading back through the Fernery to the parking lot and our bus. It was April 10, 1968 when Cyclone Giselle brought sudden winds of 275 kilometres per hour (171 mph) to Wellington, sinking the interisland ferry Wahine in sight of the harbour, with 53 lives lost of the 734 aboard. But the cyclone, the worst in New Zealand’s history, also knocked down trees throughout the country, including a swath cut through the forest at Otari-Wilton’s Bush. The opening created light favourable for the growing of ferns, and thus the fernery was launched late that year.

I see New Zealand’s iconic silver fern or ponga, which has had a botanical genus name change from Cyathea dealbata to Alsophila dealbata, courtesy of DNA sequencing.  Look at the ferns colonizing its trunk.

Later, I get a closer look at the plants climbing another silver fern, which were identified for me by an Otari botanist for my 2018 blog New Zealand – The Fernery Nation. The climbing thread fern is Icarus filiformis (formerly Blechnum filiforme) or pānoko. The broadleaf plant is scarlet rātā vine or in Māori akatawhiwhi (Metrosideros fulgens).

I pause at a few low-growing ferns, including Cunningham’s maidenhair (Adiantum cunninghamii).

…… and the rhizomatous creeping fern Asplenium lamprophyllum.

But it’s the tree ferns that are most spectacular here. Milne’s tree fern (Alsophila milnei) has also had a genus name change from Cyathea. It is endemic to Raoul Island.

Kermadec tree fern (Alsophila kermadecensis) is also native to Raoul Island.

Mamaku or black tree fern has also been moved out of Cyathea; it is now called Sphaeropteris medullaris. It can grow very tall, up to 20 metres (60 feet).

I take a quick glimpse into the native bush, which encompasses 100 hectares here as our guide calls for me to hurry. I’m the last one on the bus!

Leaving the garden, I glance back at the beautiful pou whenua carved with the creatures of the forest. Given that “Otari” is a Māori word for “place of snares” recalling its heritage as a traditional place for bird-hunting, it is fitting that it is now celebrated as a place for watching birds and all manner of wildlife and plants.

As I run for the bus, I stop to take one last photo, of the unfurling crozier, or koru in Māori, of rough tree fern or whekī (Dicksonia squarrosa).  Traditionally, the koru symbolizes perpetual movement, a return to the point of origin. It seems that the people of Wellington and those who fought to reclaim the bush for nature and education have done that here very well.

********

If you enjoyed this blog, be sure to read my New Zealand series of blogs:

  1. Totara Waters – A Tropical Treat
  2. Connells Bay Sculpture Park – Waiheke
  3. New Zealand – The Fernery Nation
  4. Finding Beauty and Tranquility at Omaio
  5. Bay of Islands – Māoris, Kauris and Kia Ora
  6. From Forage to Flora at The Paddocks
  7. Queenstown – Bungy-Jumping & Botanizing
  8. A Night on Doubtful Sound
  9. Dunedin Botanic Garden
  10. Oamaru Public Gardens
  11. A Lunch at Ostler Wine’s Vineyards
  12. Hiking Under Aoraki Mount Cook
  13. The Garden at Akaunui
  14. Christchurch Botanic Gardens
  15. Ohinetahi – An Architectural Garden Masterpiece
  16. Fishermans Bay Garden
  17. The Giants House – A Mosaic Master Class in Akaroa
  18. A Visit to Barewood Garden
  19. A Grand Vision at Paripuma
  20. A South Island Farewell at Upton Oaks
  21. We Sail to Wellington

 

From Forage to Flora at The Paddocks

On our sixth touring day with the American Horticultural Society in New Zealand, we visited Penny and Rowan Wiggins in their beautiful garden in Warkworth, 45 minutes north of Auckland. Apart from showing us the garden, they were also hosting us for lunch and the doors at the front were open to welcome us.

House front-Wiggins-The Paddocks

Penny and Rowan are gardeners’ gardeners, literally, since they met and worked together for many years at another famous Auckland area garden, Bev McConnell’s 50-acre Ayrlies.

Penny and Rowan Wiggins-The Paddocks-Warkworth-New Zealand

Back in 2006, when they bought their 2-acre property, it was a dairy farm or “paddock”, as they call such places in New Zealand. So they named it The Paddocks and began to transform it from forage to flowers. Twelve years later, The Paddocks is a New Zealand Garden of National Significance and the only animals roaming the range are the family’s black Labradors.

Dog-Wiggins-The Paddocks

Situated on a slope (as is much of hilly, mountainous, narrow New Zealand), it was necessary for Rowan to terrace, flatten and design drainage for the part of the property nearest their new home to enable them to have a usable back patio area.  Here they planted perennials and roses that one would see in a typical ‘English garden’. And since both Rowan and Penny were born in England, it was a style they loved.

Garden steps to potager-Wiggins-The Paddocks

But those steps from the back patio also led to some of their other horticultural interests, like vegetable gardening.

Potater Gate-Wiggins-The Paddocks

Check out the wonderful lichen on this potager gate made from totara (Podocarpus totara).

Lichen on totara timber gate-Wiggins-The Paddocks

The little potager was filled with vegetables, herbs and flowers for cutting……..

Agastache and zinnias-Potager-Wiggins-The Paddocks

… including anise hyssop (Agastache foeniculum)…..

Bumble bee on agastache

….. and annual zinnias. By the way, did you know that New Zealand has NO native bumble bees? I had seen so many, it seemed strange, but all four of the Bombus species (and honey bees too) were imported from England as early as 1885.

Bumble bee on zinnia

Don’t you love this painted pot? And notice the raised beds and gravel paths.

Pot-vegetable

I headed out the back gate of the potager and looked back at it from the orchard beyond. Look how neatly the hedge defines it.

Potager-from olive grove-Wiggins-The Paddocks

The hillside orchard contains all kinds of stone fruits, including apples…..

Orchard-Wiggins-The Paddocks

….and citrus…..

Orange tree-Wiggins-The Paddocks

…..and peaches which were nearly ripe and netted to keep away hungry birds.

Bird netting-peach tree

It was time for our picnic lunch at the house so the rest of the tour had to wait. While eating, it was fun to read how Rowan and Penny’s garden had been celebrated in the pages of New Zealand’s premier gardener’s magazine. (Penny is known for her foxgloves!)

NZ Gardener Magazine-Wiggins-The Paddocks

Then I headed up through a formal hedge angled away up the slope from the vegetable garden and orchard. In spring (November in New Zealand), those ‘Profusion’ crabapples arched over the bottom of the hedge would have looked gorgeous from the house.
For viagra levitra viagra many teen drivers and parents, however, taking one of my hands in hers, the kissing continued. There is a belief that it can also counteract the purchasing viagra effects of damage due to excessive alcohol consumption. As per the National Institute of Diabetes, Digestive, and Kidney Diseases, cheap cialis for sale the prevalence of impotence issue grow with age. Let us move further to know more and get the best form of the medicine and another best part of kamagra chewable tablets is generic cialis viagra find that pharmacy store you get discount for kamagra jelly.
Hedge-path to olive grove-Wiggins-The Paddocks

Now I was in the olive grove. In 2011, Penny and Rowan planted 75 olive trees which produce almost a ton of fruit per year.

Olive grove-Wiggins-The Paddocks

Harvest time involves lots of friends picking for the opportunity to share in the pressed oil.

Olives-Olea europaea

At the very top of the garden was a sweet little garden house…..

Garden house-Wiggins-The Paddocks

….. which I would die to have.  What a wonderful spot to escape weeding and chores.

Garden house room-Wiggins-The Paddocks

I wandered back down the slope and found a textural planting with grasses and South African restios, not to mention a good view of the neighbourhood.

Restios and grasses-Wiggins-The Paddocks

Then I came around the front and noticed that one of our tour members was taking advantage of that lovely view.

Garden visitor in restios-Wiggins-The Paddocks

Back at the house, I took more time to enjoy the border with its well-grown David Austin roses and…..

Roses in bed-Wiggins-The Paddocks

….. others being visited by honey bees. (Singles and semi-doubles often yield abundant pollen for bees.)

Honey bee on rose-Wiggins-The Paddocks

It was time to leave and head back to Auckland where we started our tour. Tomorrow we would be flying to Queenstown on the South Island. I enjoyed this border with its hydrangeas and tall Joe Pye weed (Eutrochium sp.) and its attractive fountain.

Fountain border-Wiggins-The Paddocks

A water feature like this makes so much sense and adds that lovely sound of splashing water (says the owner of a high-maintenance garden pond which she would love to trade….)

Fountain-Wiggins-The Paddocks

As we headed out of the garden, I spotted a native of New Zealand’s Antipodean neighbour, Australia: yellow kangaroo paw (Anizoganthos flavidus).

Anizoganthos flavidus-yellow kangaroo paw-Wiggins-The Paddocks

Finally, I had to take a little peek behind the fence on the far side of the house where it was good to find the nuts-and-bolts of the garden, a reminder that behind every beautiful garden are hard-working gardeners – like Rowan and Penny Wiggins.

Glasshouse-Wiggins-the Paddocks

Bay of Islands – Māoris, Kauris and Kia Ora

When we arrived in New Zealand in early January, my knowledge of the country extended to the Wikipedia entry I read on the flight from Los Angeles to Auckland, much of which was skewed to the back-and-forth of modern politics.  In other words, I didn’t know much at all – and in the post-Christmas rush to get away on a long trip, I thought that much research was fine. Fortunately, it would only be a matter of days before my understanding of the place began to expand.

Wiki-NZ

For the Māori, who were the first humans to inhabit the country when their forebears arrived from eastern Polynesia around 1280, a date determined by archaeologists from a 1964 dig on the Coromandel Peninsula near present-day Auckland, which revealed the fishing lure, below, made of a tropical black-lipped pearl shell from East Polynesia and brought here in a waka (canoe) during settlement……..

Pearl fish-lure-Polynesian-auckland Museum-archaeological dig

…..”New Zealand” isn’t the name they gave the country. Instead, they called it Aotearoa, “land of the long white cloud”. It is the name that I first saw in the exhibit below, at the Auckland Museum, on our first day of touring.

Auckland Museum-Being Chinese in Aotearoa

Interestingly, that exhibit of the Chinese immigrants who came to seek their fortune in the country beginning in the late 19th century featured a display case, below, devoted to the kauri gum industry, built on the exudate of the giant kauri trees (Agathis australis) that once formed large tracts of forest in New Zealand. A visit to one of those forests was on our itinerary on this fourth day of the American Horticultural Society’s “Gardens, Wine & Wilderness Tour” – and you will find it further down in this blog!

Kauri Gum-display-Auckland Museum

We were now in the Bay of Islands region of the North Island in the seaside town of Paihia. On the map below, you can see it in the upper right. This part of New Zealand is arguably the warmest, being closest to the equator. Over the next few weeks, we would travel to Fiordland in the far southwest of the South Island, which is closest to the Antarctic and therefore has the coldest winters.

Map-Bay of Islands-Paihia

On our arrival the afternoon before, we’d walked along the beach…..

Paihia-beach

….where many small offshore islands give the region its name……

Island-Paihia Bay

….on our way to take a short ferry trip to the town of Russell across the bay for dinner. On the pier, we watched as fishermen brought in a giant blue marlin, estimated to be 375 pounds (170 kg).

Blue marlin catch-Paihia-Bay of Islands

It was only when we returned after dinner that we noticed the big marlin sculpture at the ferry dock dedicated to the American novelist Zane Grey (1872-1939), who’d put Paihia on the world travel map for its abundant game fishing when he built the Zane Grey Sporting Club on nearby Urupukapuka Island in the Bay of Islands. He also penned a book called Tales of the Angler’s Eldorado, about fishing in New Zealand.

Paihia-Zane Grey Marlin Sculpture

Hongi Hika and the Missionaries

Today’s tour day began with lovely birdsong outside our window in the lush courtyard garden of the Scenic Hotel.

After breakfast we set off with our special guide for the day, Kena Alexander, our Māori culture specialist. He taught us the traditional greeting, “Kia ora”, which means roughly “be well”.  He also told us about the Māori alphabet, which contains 15 letters:  10 consonants (including 2 two-letter diagraphs) and 5 vowels. They are a, e, h, i, k, m, n, ng, o, p, r, t, u, w, wh.

Soon we arrived at Kororipo Heritage Park, the site of important 19th century interaction between northern Māoris and early European visitors.

Kororipo Pa-sign-Bay of Islands

By the time Captain James Cook visited the Bay of Islands on voyages in 1770 and 1777, Māori had been in the region for almost four centuries. But it was Hongi Hika (below middle), the fierce rangatira (chief) of the Kororipo Pā (a pā is a fortified village) in the Kerikeri Inlet who arranged for the protection of the pākehā (Europeans) who wanted to establish a mission here.  In 1814, along with another chief, his brother-in-law Waikato, below left, he accompanied English missionary Thomas Kendall, below right, to Sydney Australia.  Here, while studying agricultural methods and inviting Samuel Marsden to establish a mission at Pa Kororipo,  he would also buy the muskets and ammunition that would trigger the Musket Wars of the next three decades and cement his reputation as the most fierce of the Māori rangatiras. Six years later, he would travel to England, where King George IV would present him with mail that he later wore into battle.

Hongi Hika-Thomas Kendall-1814-James Barry

Hongi Hika liked to say he was born in 1772 (though later research proved him wrong by a few years), the same year that French Explorer Marion Du Fresne was killed and cannibalized, along with 26 of his men, in Te Hue Bay in the eastern part of Bay of Islands.  The French sailors’ crime in the eyes of the Ngāpuhi iwi (tribe), who were their hosts, was their insistence, despite being warned, on using large nets to fish a beach on which the bodies of tribal ancestors had once washed up, a beach their descendants considered sacred.  Three decades later, Hongi Hika used muskets to wage war against competing tribes in the area, after which they would follow the custom of eating their slain enemies, thus absorbing their manu or prestige, while the missionaries under his protection could only look on in disapproval. The practice was not new to the pākehā. In 1769 Captain James Cook and Joseph Banks aboard the Endeavor had witnessed it and Cook waxed philosophical on the topic in his journal. As the New Zealand government’s website notes:He is credited with showing forbearance, restraint and a depth of understanding (he had a more moderate view of cannibalism, for example, than most of his crew) that put initial relations between Māori and Europeans on a sound footing, despite episodes of bloodshed on the first and second voyages”.

Hongi Hika-Goodwin

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In January 1826, Hongi Hika was shot in battle on the banks of the Hokianga River. His injury meant he could no longer lead his iwi. In 1827, he was visited by Augustus Earle, who was the draughtsman aboard the HMS Beagle. Along with the young naturalist Charles Darwin, Earle was visiting the Bay of Islands, making beautiful paintings of the scenes he found, such as Hongi Hika, below, bedecked in white feathers and sitting with members of his tribe as he received the pākehā visitors.   He would die in March 1828.

Hongi Hika- 1827-Augustus Earle

Today, the Kerikeri Mission Station consists of two buildings. The first, Kemp House (below), is New Zealand’s oldest building, erected in 1822.

Kemp House-1822-Kerikeri

A large jacaranda tree was in full bloom beside the house…..

Jacaranda tree-Kerikeri Mission

…and on the other side was its historic garden, where we chatted with the volunteer working there.

Kemp House-Kerikeri Mission-Garden

The Stone Store, the country’s oldest stone building, was built in 1835.  Interestingly, it was once a kauri-gum trading post…..

Stone House-1835-Kerikeri

….. and it was now time to leave Kerikeri and head inland to see the iconic trees from which that gum was harvested.

In the Kauri Forest

Half an hour later, we arrived at the protected Puketi Forest to do the short Manginangina Kauri Walk.  The 20,000-hectare (49,420 acre) Puketi-Omahuta forest is one of the best examples of the sub-tropical rainforest of the North Island.

Manginangina-sign-Puketi Forest

Our guide Kena remained outside. He shared with us that his own family tribe had not been defeated in the New Zealand Wars (see the Waitangi treaty later in this blog) and had not ceded sovereignty over the lands in which the forest resides. Since they continue to be engaged in a legal action with the government, he does not enter the disputed land.

Kena Alexander-Culture North-Bay of Islands

Boardwalks threaded their way under the towering trees in this sub-tropical forest…..

Manginangina Walk-Puketi-Boardwalk

….. where tree ferns and nīkau palms share the understory.

Manginangina Walk-Boardwalk-Puketi Forest-Northland
Thus the way of the illness viagra online prices click content chooses which line of treatment you will get. This prescription ought to be brought just with plain water generic india levitra secretworldchronicle.com or milk for three to four months consistently to get rid of sexual weakness and boost sperm count. Tag along the levitra properien above healthy ways and take the help of efficient herbal supplements as the best treatment for Low Libido in Delhi with 100% results. When you choose to buy herbal erectile dysfunction supplements buy cheap levitra online, you should always look for products without any panic of suffering from any side effect.
Look at these wonderful trees! In perfect conditions, their ghostly, pale trunks can achieve a massive girth. New Zealand’s largest tree is the kauri known as Tāne Mahuta in the Waipoua Forest, estimated to be 1,250-2,500 years old. Although its height 45.2 m (148 ft) is fairly modest, its 15.4 m (50 ft) girth and massive volume makes it the third largest conifer on the planet, after California’s sequoiadendrons and sequoias.

Kauri-Pukati-Forest

The kauri (Agathis australis) is endemic to the northern part of the North Island, i.e. north of 38°S.  A conifer, it is in the Araucacieae family and distantly related to the Norfolk pine and monkey puzzle tree. Its straight bole made it valuable to the early Europeans as ship spars and masts, and it’s estimated that logging beginning in 1820 had by 1900 reduced the kauri population, originally 12,000 square kilometres, by 90-percent. Today, only 3-percent of the original forests remain. The government finally banned commerical kauri logging in 1985. As New Zealanders became aware of the great losses that had been inflicted, protected forests like Waipoua (1952) and Puketi were set aside, resulting in spectacular scenes like the one below, which I captured on our short visit to Puketi.

Among the many epiphytic plants is “perching lily” or kowharawhara (Astelia solandri) – the sole member of the genus that has this aerial habit.

Astelia solandri-Perching lily on kauri-Kowharawhara-Puketi-Manginangina

In this forest, fallen kauris become part of the undergrowth……

Fallen-kauri

…..however, there are kauri swamps in Northland where the anaerobic qualities of peat bogs and ancient salt marshes have preserved massive trunks that toppled eons ago – some carbon-dated to more than 50,000 years – often still bearing their attached green leaves.  Sometimes referred to as “sub-fossil” kauri, they generated a swamp-extraction kauri timber industry beginning in the 1980s, sometimes by unscrupulous players, that saw wood selling for up to $10,000 per cubic metre, mainly to China.  But these ancient kauris have also become a valuable aid to scientists, their annual growth rings a barcode of climate change over a vast number of years.

Apart from logging and swamp extraction, the kauri became most famous in colonial New Zealand for its gum, used and exported at the time for floor varnish and linoleum.  Though the kauri is evergreen, like all rainforest trees the leaves shed periodically, accumulating at the base of the tree and eventually forming some 2 metres (6 feet) of soil there. As the tree exudes sap, it crystallizes, slowly forms chunks, then falls to the ground, becoming buried in the soil.  As I mentioned at the top of this blog, gum harvesting generated a kind of boom that saw some 20,000 gum-diggers working the Northland forests and swamps by 1890: mostly Maori, Chinese, Malaysian and Yugoslav.  Climbing a kauri tree to cut it and cause the tree to exude the gum was a special skill.   And digging the swamps for fossilized gum was the worst kind of labour.

Kauri Gum-Diggers-Image from Alexander Turnbull Library

But it was lucrative: by 1918, the New Zealand kauri gum industry had exported product worth the staggering sum of £18,224,107.

Kauri Gum Industry-Gillespie & Sons-Auckland

In the Te Papa Museum in Wellington a few weeks later, I would see a spectacular sample of kauri gem embedded with insects. The oldest kauri gum, found in coal deposits, is some 50 million years old.

Kauri gum-with insect-Te Papa Museum-Wellington

Today, seeing sap dripping at the base of a kauri tree is often a sign of kauri dieback disease. Visitors to the protected forests are requested to stay on the walkways, since the villain is a soil-borne organism, an oomycete (Phytophthora agathidicida) that causes root rot, defoliation and death. There is no known control. I saw such a tree at Puketi, its lower trunk riddled with cankers dripping with sap.

Kauri dieback-Puketi Forest

Our short, lovely stop at Puketi over, we were soon back on the road with Kena to pay a visit  to his own tribe’s marae.

Visit to a  Māori Marae

As we drove, I noted out the bus window dairy cattle grazing where a native brown sedge (Carex sp.) had popped up in the green forage. It reminded me of what our horticulture tour guide Panayoti Kelaidis, outreach director at Denver Botanic Gardens, had said to us: “New Zealand’s hills should be brown, not green.”  Before cattle were imported for New Zealand’s thriving dairy industry, there were no green pastures; that changed with the concomitant use of green Eurasian grasses for animal forage.

Dairy cattle & carex-Northland-New Zealand

After arriving at Kena’s marae, a rectangular plot of cleared land that is traditionally a meeting place providing social or spiritual needs to the Māori, we were called inside the beautiful wharenui (communal house), below, to participate in a traditional greeting ceremony or pōwhiri.  We removed our shoes and entered, the women and men sitting in separate sections while we listened to the readings and to a speech from the elder. Photos were not permitted during the protocol, but it was a very moving ceremony, as we joined our Māori hosts in observing a silent remembrance of our own ancestors. At the culmination, Kena and his wife sang a song to us, and we in turn sang back to them (well, we had rehearsed  Home on the Range and sounded quite good, I thought.)

Wharenui-Bay of Islands

The official ceremony now over, Kena pointed out the features of the wharenui, which we were free to photograph. The building interior represents the bosom of a beloved ancestor or spiritual figure. The carved ceiling ridge-beam or tāhuhu represents the backbone, while the painted rafters or heke represent the ribs.

Tahuhu-ridge beam-Bay of Islands

The stunning designs on the heke, below, are traditional kōwhaiwhai. The symbolism is specific to each tribe’s environment, lineage and history, and might incorporate the koru (fern crozier), ngaru tai (ocean waves), fish or birds.

Kowhaiwhai-Heke-rafters-designs-Northland

Carved wood figures called poutokomanawa appear on supporting posts.  With their flashing eyes made of puau shell from sea snails, they represent tribal ancestors.

Poutokomanawa-Bay of Islands

Kena happily answered our questions after the ceremony, then it was time to head back to our hotel to rest up before our next Māori cultural experience later that day.

Kena Alexanders Warenui-Bay of Islands

As we drove, Kena pointed out a hilltop pā adjacent to the highway, one of many that can still be seen in Northland. So interesting to see these landforms and imagine how they functioned as self-contained villages hundreds of years ago.

Maori Hilltop Pa-Northland

An Evening at the Waitangi Treaty Grounds

On February 6, 1840, representatives of the British government and a group of northern Māori chieftains met at this lovely spot overlooking the Bay of Islands in Paihia…..

Bay of-Islands-from Waitangi Treaty Grounds

… to sign The Treaty of Waitangi. Copies of the treaty were then carried around New Zealand and ultimately signed by more than 500 chiefs, including 13 women.  The British wanted the opportunity to acquire land; the Māoris wanted protection from the French. As it says on Wikipedia:  “The text of the Treaty includes a preamble and three articles. It is bilingual, with the Māori text translated from the English. Article one of the English text cedes “all rights and powers of sovereignty” to the Crown. Article two establishes the continued ownership of the Māori over their lands, and establishes the exclusive right of pre-emption of the Crown. Article three gives Māori people full rights and protections as British subjects. However, the English text and the Māori text differ, particularly in relation to the meaning of having and ceding sovereignty. These discrepancies led to disagreements in the decades following the signing, eventually culminating in the New Zealand Wars.”

Reconstruction of the Treaty of Waitangi-Marcus King-Collections of Alexander Turnbull Library

Though the treaty was considered by many to be the founding document of New Zealand, it did not form part of the law until 1975, when the Treaty of Waitangi Act was signed, establishing a permanent Waitangi Tribunal to investigate breaches of the original treaty and make recommendations (without the power of enforcement) on claims brought by Māori.  In 1999, to speed up the process for negotiating settlements associated with breaches of the treaty, the government changed the process so claimants could go directly to the Office of Treaty Settlements without engaging in the tribunal process. (Wikipedia) Nonetheless, the treaty is still celebrated on February 6th which is the annual Waitangi Day holiday.

Since one of my long-time photographic projects has been creating a comprehensive collection of honey bee images, I was delighted to find a few manuka blossoms (Leptospermum scoparium) still hanging on at the treaty grounds. They turned out to be the only floweringn examples I found in all New Zealand of this famous shrub, which produces the most expensive honey in the world). And best of all, there were honey bees nectaring on the blooms.

Honey bee on manuka-Leptospsermum scoparium

There was also harakeke or New Zealand flax (Phormium tenax), which has a starring role in Māori ethnobotany, its fibres having been used in traditional kākahu (cloaks), kete (containers) and whāriki (mats). Not to mention, of course, the popularity of its vibrant hybrids as colourful foliage plants in warmer parts of the world.

Haraheke-Phormium tenax-Waitangi

But we were at the Treaty Grounds to participate in an evening of traditional Maori activities: the enactment of a wero or warrior challenge as part of the pōwhiri welcome, then a musical concert by the performance group, followed by a traditional hangi dinner. We watched as our meal was prepared in the modern version of a pit oven, which would traditionally have been dug in the ground using heated stones to cook, instead of gas..

Hangi-pit oven-Waitangi Treaty Grounds

Under banana leaves, there were layered meats and fish, as well as kumara (sweet potatoes) and more.  But it still had some cooking to do while we continued with our program….

Hangi-basket-Waitangi Treaty Grounds

…taking a walk through Waitangi’s beautiful bush to observe our own traditional ‘chieftain for a day’, Denver Botanic Garden’s Panayoti Kelaidis, engage in a traditional wero, or warrior challenge.

Another of our guests, Ciril, engaged in a further challenge in front of the Waitangi Treaty House. Fortunately, both Panayoti and Ciril passed the challenge and were welcomed; they then offered speeches of thanks to our Māori hosts.  (And even the fact that you know the performers do this several times a week for hundreds of tourists doesn’t diminish the solemnity or the significance of the reenactments).

Waitangi-Wero

Although I didn’t visit the actual Treaty House, which was home from 1833-40 to James Busby, the first representative of the British Crown, we were welcomed into Te Whare Rūnanga (the House of Assembly), which was opened on February 6, 1940 to celebrate the 100th anniversary of the treaty. Although similar in design to Kena Alexander’s wharenui, this building was intended to unite all Māori of Aotearoa and contains carvings and folklore from tribes throughout the country.

Te Whare Rūnanga-House of Assembly-Waitangi

Below is a photo of Sir Āpirana Ngata, a longtime Labour politician (then retired) and organizer of the 1940 centennial, leading a haka. (And if you are unfamiliar with the spine-tingling Māori haka, you must watch the New Zealand All Blacks performing a haka before their 2011 World Cup rugby final against the French national team.)

Sir Āpirana Ngata-Haka-1940 Treaty Centennial-Waitangi-Alexander Turnbull Library

Finally, it was time to enjoy a concert of traditional Māori music and dance, courtesy of the Te Pito Whenua performance group. What fun to have a front row seat to watch these talented artists with their beautiful tattoos….

Te Pito Whenua-Waitangi (1)

…..and wonderful routines….

Te Pito Whenua-Waitangi (2)

…. including the traditional Polynesian poi dance, featuring fancy acrobatic work with those poi balls.

Te Pito Whenua-Poi Dance-Waitangi

As we departed the concert to enjoy the hangi buffet, Doug and I posed for a fun moment with the performers. As ‘touristy’ as it was, it also made me feel that the entire day — from the shores of Kerikeri Inlet to the kauri forest to Kena’s marae to this light moment on these historic grounds — had immensely enriched my understanding of and affection for this beautiful country, Aotearoa. Kia ora.

Janet & Doug Davis-Waitangi Treaty Grounds

Finding Beauty & Tranquility at Omaio

While touring New Zealand this January with The American Horticultural Society’s Travel Study Program, we were privileged to visit both gardens with a high degree of human intervention and wild places where nature was the sole designer. But we also visited a garden where the owner had used her skill to meld subtle design with the natural environment in a way that complemented both.

Omaio-Garden Welcome-Sign

Omaio is a Māori word that means “peace, tranquility and happiness”. For Liz Morrow, her 18-acre (7 hectare) property on the Takatu Peninsula an hour north of Auckland is all of those things. What started out in 1980 as a log cabin seaside holiday house (what the Kiwis call a “bach”) became, in 2005, a full-time home.  Now it’s not just a ‘garden of national significance’ recognized by the New Zealand Gardens Trust, but also a Bed & Breakfast.  And it’s been the subject of magazine articles and a garden show.

Omaio-House front

But back to 2006, when Liz and her son Johny….

Omaio-Garden Sign

….. whose eponymous deck (aka ‘the gin deck’) is a comfortable spot to have a drink while gazing out at the ocean….

Johnny's Deck-the gin deck-Omaio

…. worked together to sculpt a garden out of native bush that features a  puriri tree (Vitex lucens) estimated to be 800-1000 years old, ancient kauri pines (Agathis australis), totaras (Podocarpus totara), silver ferns (Cyathea dealbata) and many other species. Crushed seashells from the beach, below, form the paths which circle through the bush……

Shell path through bush-Omaio

….. while fallen tree fern trunks delineate the edges in many places. Tree fern path edging-Omaio

Using borrowed garden hose to outline gently curving borders that echoed the curves and waves of Kawau Bay below, Liz cut into the former lawn, planting both exotics and natives that would complement, but not out-compete, the natural setting.

Lawn & sea view-Omaio

In the sunny garden surrounding the house…..

Omaio-House garden

….and in the dappled shade near the tennis court are plants like hydrangea that do very well here.

Tennis court-Omaio

We were all wowed by the luscious mophead Hydrangea macrophylla ‘Bloody Marvelous’.

Hydrangea macrophylla 'Bloody Marvelous

Though Liz’s massed clivias and bergenias would have flowered in New Zealand’s spring (our autumn), their foliage and fruit still offered interest in midsummer. This is the fruit of a yellow-flowered clivia.

Clivia fruit-Omaio

Liz was the perfect hostess, organizing an alfresco lunch…….

Liz Morrow-Omaio

….. in the shade behind the house where terraced gardens stretching up the slope offer what Liz calls “a soft palette that’s easy on the eyes”:  lots of green foliage with just a sprinkling of colour in a favourite yellow dahlia.

Terraced beds-Omaio

I loved this focal point crafted from a Scleranthus moss cushion…….

Scleranthus moss cushion-Omaio

……… and the real cushions on these comfy chairs under ferns.

Chairs & tree ferns-Omaio

Main function of heart is get viagra australia to regulate oxygen supply using blood flow to various parts of the body. It also releases L-dopa to suppress the effects of prolactin cheapest sildenafil 100mg and ensures harder erection to satisfy your female in bed. With the arrival of many online drug selling companies, you can now even cialis online consultation . cialis: Important Safety Information This pill can cause your blood pressure to drop suddenly to an unsafe level if it is taken with a high fat meal, the rate of absorption is reduced, with an average delay in the effectiveness of the medicine. tadalafil from india Johari Saad is the most experienced tester of Tongkat Ali. After lunch I wandered Omaio’s paths, past the sunny Koru Garden where vegetables grow in profusion in raised beds shaped like the koru or symbolism-laden fern crozier that I wrote about in my last post.  In the bright midday sunshine, it was difficult to do justice to this garden…..

Koru Vegetable Garden1-Omaio

…..that provides fresh produce throughout the year. Not visible in the background is a small fruit orchard.

Koru Vegetable Garden2-Omaio

In the mostly green bush landscape, the pohutakawa (Metrosideros excelsa) stood out like a glowing red bouquet.

Metrosideros excelsa 'Vibrance'

This was my favourite photo from Omaio, a shimmering kauri trunk set against the turquoise ocean. (Kauris will figure prominently in my next blog on Maori culture.)

Kauri trunk-Agathis australis-Omaio

The artwork chosen for Omaio is subtle and rustic, like this corrugated iron boat shed…..

Boat shed-Jeff Thomson-Omaio

….. and sphere, both by Jeff Thomson. (His “Cows Looking Out to Sea” were in my earlier blog video from Connell Bay Sculpture Park.)

Sphere-Jeff Thomson-Omaio

Grandchildren must love this swing under the trees.

Swing

In a nod to the North Island’s prehistoric past, a lifesize moa by Jack Marsden-Meyer made from driftwood and pururi boughs watches over the path from the bush.  The sculpture recalls the flightless bird – this one, the North Island giant moa (Dinornis novaezealandiae)  was estimated to stand at 3 metres (10 feet) – that was hunted to extinction by the Polynesians, the first humans to reach New Zealand in the 13th century.

Moa-sculpture-Jack Marsden-Meyer-Omaio

Her “eggs” sit in a nest nearby.

Moa sculpture eggs-Omaio

As I came back around the house, some of Liz’s family were returning from a fishing expedition on Kawau Bay with a bucket of ‘snapper’ (Pagrus auratus), aka pink seabream, for dinner.

Snapper-Pink seabream-Omaio

Rounding into the shade, a native New Zealand hens-and-chicks fern (Asplenium bulbiferum) caught my eye.  Note the tiny ferns arising from bulbils on the mature fronds.

Asplenium bulbiferum-Mother spleenwort-Hen-and-chicken fern

And I loved this little maidenhair fern in a pot……

Maidenhair fern-Omaio

…. and these nests from the birds that have called Omaio home over the years.

Nests-Omaio

A quick glass of water……

Water jug-Omaio

……then it was time to climb the path to the bus and head further north to the seaside town of Paihia in the Bay of Islands.

Connells Bay Sculpture Park – Waiheke

Our third New Zealand touring day began at the Auckland waterfront where we boarded a passenger ferry for the 40-minute ride through the Hauraki Gulf to Waiheke Island.

Auckland Ferry Harbour

From the upper deck…..

Waiheke-Ferry

…. the view of sailboats and little islands was a treat.

Sailboat

After docking in Waiheke’s small harbour, we drove to Cable Bay Vineyards (one of 30 boutique vineyards on the island) for a wine tasting and lunch.

Cable Bay Vineyard

Then we drove around the island, with its spectacular ocean views……

Waiheke Island

…. and pristine beaches (25 kilometres of them)….

Beach-Waiheke

….that seemed surprisingly empty in midsummer.

Sunbathers on beach-Waiheke

When we arrived at our garden destination, Connells Bay Sculpture Park, we were met by owners John and Jo Gow. For two decades, John was a principal investor in theatrical blockbusters such as Cats, The Phantom of the Opera, Miss Saigon and Les Miserables. The Gows are also ardent supporters of the arts in New Zealand. After buying the rolling, 60-acre property in 1993, they naturalized the former paddock by planting thousands of native trees and plants before turning it into a contemporary outdoor art gallery filled with site-specific works by some of New Zealand’s leading artists.

John and Jo Gow-Connells Bay Sculpture Park

Pointing to Rotoroa Island a short distance across the water from their own property, below, John related how for almost a hundred years the 200-acre Island was the site of a men’s addiction treatment centre run by the Salvation Army. When the centre closed in 2005, he and a philanthropic friend negotiated a 99-year lease with the “Sallies”, as he affectionately calls them, to set up a trust to turn Rotaroa into a conservation park while preserving it from development and providing ongoing benefit to the Salvation Army. As well as opening a visitors’ centre, they have launched an ambitious native plant re-vegetation project.

Connells Bay & Rotaroa-Waiheke

But we were there to see the sculptures, and John and Jo and one of their employees loaded us into vehicles to take turns transporting us down the steep driveway. With New Zealand being such a hilly country, especially near its coastline, most of the seaside gardens we would visit over the next few weeks shared this steep entrance.

John Gow-Connells Bay Sculpture Park

We began in the Gowshed, their small visitors’ centre, where Jo Gow toured us past maquettes of some of the works we would see on the property. This one is titled Tenantennae, a model of Phil Dadson’s massive sound sculpture.

Jo Gow-Tenantennae-Phil Dadson-Connells Bay Sculpture Park

Below is the maquette and audio-visual presentation for Vanish, Gregor Kregar’s ambitious work (which is shown on site in the video I’ve added, below).  On screen, we see the artist making one of the 160 glazed stoneware figures, left, each a mirror image of himself. In 16 sets of ten, each set painted with a different colour, they range from 140 cm (4-7 inches) to 30 cm (1 foot) and their diminishing height on the site is a great illustration of forced perspective in sculpture.  As well, the arrangement of the colours creates an almost Escher-like optical illusion, and depends on the visitor’s viewing point.

Vanish-maquette-Gregor Kregar-Connells Bay Sculpture Park

Before starting our walking tour, I excused myself to find the washroom. As I entered, I had a little shock — but it was merely Mangu (“black” in Māori), Michael Parekowhai’s artful security guard, keeping an eye on things. Patterned on the artist’s brother, the figure has been a familiar component in many of his works and is described by his gallery as a “stereotype of the Māori male (who) can be linked to after-dark bars, clubs and large events that need crowd control. In the gallery context this work suggests that Pakaka has the power to deny or offer protection… but against what and whom?”

Mangu-Michael Parekowhai-Connells Bay Sculpture Park

Continuing outdoors, we listened to John speak about Keelstone, a magnificent ‘gateway’ crafted from Brazilian azul marble and white Carrera marble by Denis O’Connor.

Keelstone-Denis O'Connor-Connells Bay Sculpture Park

Opening onto a path of native nīkau palms (Rhopalostylis sapida) and into the valley where the other artworks begin, the materials are a nod to the horizontal banding of sand and sea, while honouring the 19th-century marine history of Waiheke, when the island’s ancient kauri trees were being felled as masts for schooners. Inscribed onto the threshold is a poem titled The Ballad of Connells Bay:

Why bile moves into the cheapest cialis uk go to these guys stomach? If we understand that, it may explain the healing actions in the bile reflux. The system then sends signals to respective glands lowest price on cialis to either produce more or fewer amounts of imbalanced hormones. Some have biological problems and that levitra 20mg uk unica-web.com mars a healthy relationship. Ask a spokesperson for the pharmaceutical industry, cialis properien and this is the root of the problem. The serif is to an alphabet
what language is to a landscape
A keel is to a boat
what a valley is to a hillside
The open sea is to the shore
what surrender is to a gateway

We passed Phil Price’s kinetic sculpture The Dancer, which celebrates John Gow’s connection with musical theatre.  In springtime, daffodils grow here.

The Dancer-Phil Price-Connells Bay Sculpture Park

Cathryn Monro’s Rise in concrete and bronze gives both the illusion of cliffside waterfalls from Ancient Mayan ruins…..

Rise-Cathryn Monro-Connells Bay Sculpture Park

….and drainage of the beautiful pond just beyond ‘the rise’.

Pond-Connells Bay Sculpture Park

John explained the meaning of the bronze sculpture Between Two Islands by Paul Dibble – the islands being European and Māori culture.

Between Two Islands-Paul Dibble-Connells Bay Sculpture Park

I loved Virginia King’s Oioi Bridge, meant to echo in its form and subtle stripes and sound the banded stems of native aquatic jointed wire rush (Apodasmia similis).

Oioi bridge-Virginia King-Connells Bay Sculpture Park

We stood for a while beside the monumental Vanish, comparing Gregor Esgar’s finished sculpture…..

Vanish-Gregor Kregar-Connells Bay Sculpture Park

….. to the presentation inside the Gowshed earlier.

Vanish2-Grego Kregar-Connells Bay Sculpture Park

Tomo, by Peter Nicholls, below, is a sinuous ribbon of red in a manuka grove that honours four farming families who owned the Gows’ property (and whose names are inscribed in the sculpture). Hugging the slope, it also references the meaning of the Māori word ‘tomo’: a shaft in limestone or volcanic rock formed by the action of flowing water.

Tomo-Peter Nicholls-Connells Bay Sculpture Park

Neil Dawson’s towering Other People’s Houses references the jumbled 19th-century cottages on Connells Bay, but also asks why we complain about ‘other people’ marring the landscape, yet neglect our own impact on it.

Other People's Houses-Neil Dawson-Connells Bay Sculpture Park

Crossed Wires (2016) is by artist Sharonagh Montrose & composer Helen Bowater. According to the composer’s website, it “features a set of wooden structures (resembling the tops of buried telephone poles, suggesting string instrument bridges) with white wires running across them, from which sound emanates.”  You can hear a little of that – and the wind of Connells Bay – in my video below.

Crossed Wires-Montrose & Bowater-Connells Bay Sculpture Park

My favourite sculpture was the majestic Guardian of the Planting by Fatu Feu’u. Carved from a lightning-burned macrocarpa stump (Monterey cypress – Cupressus macrocarpa) and rooted, literally, on the property, it features two faces, one from Greek mythology, one from Māori culture.  I loved that this hulking remnant of a California native – criticially endangered on the Monterey peninsula where it’s endemic, but an opportunistic invasive in New Zealand – will eventually biodegrade into the native tree ferns that surround it.

Guardian of the Planting-Fatu Feu'u-Connells Bay Sculpture Park

With a nod to Waiheke’s grape-growing and wine-making industry, Chris Booth’s Kinetic Fungi Tower (2016) is sculpted from 16 cubic metres of grapevine trimmings and took three weeks and six volunteers helping the artist to assemble. Long after the Gows are gone – some 70 years from now, according to the artist – it will have decomposed into the property that surrounds it so picturesquely today.

Kinetic Fungi Tower-Chris Booth-Connells Bay Sculpture Park

Back at the Gowshed, we gathered around to thank the Gows and say farewell, our words pierced by the sharp electronic beeps of a cellphone tower disguised as a Monterey pine (Pinus radiata) tree in Dane Mitchell’s temporary installation Stealth Transmission Tower (2017,aka Hiding in Plain Sight), which you can hear at the end of my video. The sound seemed appropriately discordant in this beautiful place, as is the nod to a highly invasive North American “tree”, which is a species that the Gows – and New Zealand itself – are attempting to eradicate, both here on the property and throughout the country. The layered meaning fits perfectly with our ecological focus on parts of this garden tour, and is a suitable finale to our visit to the outdoor gallery of these lovers of art…. and nature.

https://www.youtube.com/watch?v=0xizzGjXosM&t=18s