The Rochester Lilac Festival

Earlier this month – on Friday, May 13th to be exact – my husband Doug & I began a 12-day road trip through the northeast U.S. to celebrate his university reunion in New Jersey and to tour as many public gardens as we could fit in along the way. On that first day, we drove from Toronto to Rochester, New York in order to enjoy the first of three May weekends at the Rochester Lilac Festival at Highland Park. It bills itself as the largest free festival in North America and given the already-filled parking lots and hordes of people milling in the park, I can believe it. Walking towards the lilac plantings, we passed booths with huge lilac bouquets….

….. and themed t-shirts….

….. and vendors of cut flowers that were NOT lilacs.

And, yes, there was cotton candy.  It’s a festival, after all.

Given the hot temperatures and sunny skies as we arrived at mid-day, photo conditions were terrible for photography – but oh-so-perfect for perfume, which wafted everywhere!

But I did manage to create some photos on the shady side of the shrubs, including one cultivar I later nominated as one of the top 3 lilacs of the (admittedly abbreviated) roster we viewed.  Meet Syringa vulgaris ‘Jessie Gardner’, a 1956 introduction by the Gardener Nursery in Wisconsin.

There are more than 500 varieties (species, cultivars, hybrids) of lilacs and more than 1,200 lilac shrubs arrayed on the gently sloped hillsides of Highland Park. Because they originate in extremely cold climates in Europe and Asia, lilacs have no problem surviving winter in upstate New York and southern Canada.  Other big collections are held at the University of Wisconsin Arboretum in Madison and the Katie Osborne Lilac Garden at Ontario’s Royal Botanical Garden. I have also photographed the lilac collection at the Montreal Botanical Garden and rare species lilacs such as Syringa sweginzowii from China in the David Lam Asian Garden at UBC Botanical Garden in Vancouver, below.

There are many lilac types that provide a long season of flowering, from April into June in certain climates. Flowers are officially assigned Roman numerals for colour: I-White, II-Violet, III-Bluish, IV-Lilac, V-Pinkish, VI-Magenta, VII–Purple. Interestingly, we often refer to certain flowers being “lilac coloured”, which according to its origin in the “IV-Lilac” hue of the common lilac Syringa vulgaris is neither the lavender-blue nor the mallow-mauve that people often mistake as “lilac”.  In doing my various explorations on colour, I’ve grouped true lilac-coloured flowers in this montage.

Part of the difficulty of assigning a colour to lilacs is that the flowers change colour as they age, which you can see below with S. vulgaris ‘Professor Sargent’, named in 1889 by German botanist and nurseryman Franz Späth for Charles Sprague Sargent (1841-1927), first director of Harvard University’s Arnold Arboretum.

I am very partial to the Hyacinthiflora Hybrids, aka the Early Hybrids, partly because I live in a place where winter lasts well into “spring” and these fragrant lilacs tend to flower a few weeks ahead of the common lilac and its cultivars, and partly because the Canadian breeder Dr. Frank Leith Skinner (1882-1967) of Manitoba had a major role in their development. They are hybrids of S. vulgaris and the broadleaf Korean lilac, S. oblata or S. oblata var. dilatata. So the second of my Top 3 lilacs at Rochester was Syringa x hyacinthiflora ‘Excel’, a 1935 Skinner introduction which performs exactly as its name suggests, with excellence!

Another beautiful Frank Skinner Hyacinthiflora Hybrid is pure white ‘Sister Justina’, below, introduced in 1956.

Nearby was a common lilac cultivar, Syringa vulgaris ‘Frederick Law Olmsted’, hybridized by Father John Fiala (1924-90) and named in 1987 for Olmsted, the man sometimes called the father of American landscape architecture, who with his partner Calvert Vaux designed many well-known landscapes including New York’s Central Park and Rochester’s own Highland Park, the site of the lilac festival!  Father Fiala was legendary in lilac circles for authoring the book “Lilacs: A Gardener’s Encyclopedia”.  

Father Fiala also bred this beauty, S. vulgaris ‘Albert F. Holden’, also in my ‘Top 3″, with its deep-violet, very perfumed flowers with a silver reverse (similar to ‘Sensation’, but not as crisply white-edged). It was named for the man who endowed the Holden Arboretum in Kirtland, Ohio.

Rochester features many of the so-called “French hybrids” bred by the nurseryman Victor Lemoine and his son Emile between 1870 and 1950.  Among them are S. vulgaris ‘Linné’ from 1890, sometimes called ‘Linnaeus’ – the ultimate tribute name in botany.

Syringa vulgaris ‘Leon Gambetta’ with its double flowers, below, was introduced by Lemoine in 1907, its name honouring the French lawyer and republican politician who proclaimed the French Third Republic in 1870 and played a prominent role in its early government.

‘Jules Ferry’, also introduced by Lemoine in 1907, was named for a former Prime Minister of France during the Third Republic.

‘Paul Thirion’ was introduced by Lemoine in 1915 and is a popular and fairly common lilac.  Lemoine named it for a horticulturist at Nancy Parks, France. It is classed as VI-Magenta in colour.

Syringa vulgaris ‘Frank’s Fancy’, bred in the 1970s by Edward Mezitt of Weston Nurseries in Massachusetts and named for his friend Frank Goodwin, looks very magenta to my eye but is classed as VII-Purple. Blame it on the light.

For me, this is a classic and beautiful lilac truss:  mauve buds opening to pinkish-lilac florets on S. vulgaris ‘Frau Wilhelm Pfitzer’ introduced by Germany’s Pfitzer Nursery in 1910.

Syringa vulgaris ‘Silver King’ was bred by Wisconsin’s Dr. A. H. Lemke in 1941; its flowers are classed as III-Bluish but they are as close to silver as you’ll see.

Another type of lilac flowering at this time is the hybrid Chinese lilac, Syringa x chinensis, sometimes called the Rouen lilac because it was discovered in 1777 flowering in Rouen, France.  It is a cross between common lilac, S. vulgaris and Persian lilac, S. persica, from Iran.

Then there is S. x chinensis ‘Bicolor’ with its purple eye on pale pinkish flowers.

Seed of this unusual lilac, Syringa ‘Rhodopea’ was collected by botanist Václav Stříbrný in 1900 in the Rhodope Mountains in Bulgaria and cultivated in the botanical garden in Prague.  It has a different bearing and, according to the International Lilac Register is “not a uniform clone”, which accounts for it not always being included in the S. vulgaris clan.  Speaking of the Register, it is an invaluable resource to those searching for information on lilac cultivars and can be accessed here as a .pdf file.

Finally, I had to commemorate our Rochester visit with a husband-and-wife selfie, because who wouldn’t want to remember what it was like to stand amidst these perfumed shrubs on a warm afternoon in May? 

As we packed up the crumbs from our picnic lunch (devilled egg sandwiches made in my Toronto kitchen at dawn!) and made our way back to the car to drive on to Utica for the night, I asked a young mother if I could take a farewell photo for my blog, which she happily agreed to. What lucky children to run amongst the lilacs.

******

LILAC PEOPLE

Speaking of selfies, what fun it was during my few hours at the Rochester Lilac Festival to run into someone I knew only as a Facebook friend.  Brian Morley of Kansas City, Missouri is a man of many talents. Not only does he co-own a fabulous business called Bergamot & Ivy Design with lush, innovative floral designs, he is also an accomplished lilac hybridizer and is on the Board of Directors of the International Lilac Society. It is a small world, but perhaps not so small when people who love lilacs gather in a famous spot devoted to the genus Syringa.  And we gave each other’s lilac wardrobe choices an approving nod!

During my freelance career, I have been fortunate to correspond with renowned lilac experts, including the late Freek Vrugtman, International Lilac Registrar and Curator Emeritus of Ontario’s Royal Botanical Gardens, which features a large collection of lilacs in its Katie Osborne Lilac Dell, below.

Freek Vrugtman proof-read my May 2008 story on Hyacinthiflora lilacs for Canadian Gardening magazine, below….

…… and we chatted by email when I had a question on lilacs.  After his death on March 3, 2022, the RBG published a memorial tribute which included the following passage:  “Working with RBG’s other staff, including Charles Holetich and Leslie Laking, Freek directed considerable attention to the collection and became the International Registrar for Lilacs in the Genus Syringa in 1976, as RBG became the International Cultivar Registration Authority, or ICRA, for Lilacs. Whenever a new cultivar was bred anywhere in the world the breeder would submit a request to Freek for its entry into the International Registry. Freek would review all such applications and guide the breeder through the process. As Registrar Freek became widely known as the international expert on Lilac cultivars.

When I had a lilac identification question Freek couldn’t answer, he passed it on to the RBG’s lilac specialist, Charles Holectich: “What do you think, Charlie?”  Way back in 1994, when I was writing my weekly newspaper garden column for the Toronto Sun, I interviewed Charles Holetich for some hints on caring for these lovely spring shrubs.  This is my column from May 22, 1994 – twenty-eight years ago!  Below that I’ve included the interview as a Q&A.

JD:  What’s the best location for lilacs?

CH:  Lilacs prefer open, sunny locations and neutral soil, though they will grow in slightly alkaline or slightly acid conditions and are found in both.

JD:  What about drainage? 

CH:  They dislike wet feet, so if planted in clay-type soil which has a tendency to retain moisture, you should make a hill about 2 feet high and 8-10 feet wide, so excess moisture seeps away.

JD:  If it’s located in full sun, does a lilac shrub need to be fertilized?  

CH:  If it has too much foliage and not enough bloom, that means it’s high in nitrogen.  In order to induce flower buds, you should feed it with a high phosphate (middle number) fertilizer like 4-12-8 or 5-45-15.  This should be done immediately after flowering because next year’s buds are being formed in June, July and August.

JD:  What about all those seedheads?  Must they be removed and how can you reach the top ones on a big shrub?   


CH:  When summer has adequate rainfall, then it doesn’t matter because there’s sufficient energy to bring enough nutrients from the soil to satisfy the formation of both seedheads and flowering buds.  But in drought summers, you should remove seedheads and water deeply, about 5-6 inches once a month. 

JD:  Pruning confuses a lot of lilac owners too. 

CH: I think the ideal for a multi-stemmed lilac is to have 9-15 stems of different thickness positioned so they don’t rub each other.  Once this is achieved, then every two years or so, you should remove one or two of the oldest stems at ground level, keeping up to 3 new shoots.  Then the next year, you can decide which of the three is the best to keep and remove the others.

JD:  How tall should a lilac be kept pruned?

CH:  I’m a strong believer that a lilac should be deliberately kept pruned at between 6-9 feet.  

********

To all the passionate lilac lovers, growers and breeders, I tip my fragrant hat, fashioned with trusses of my own Syringa pubescens ‘Palibin’ and lily-of-the-valley (or, as it’s accustomed to being addressed in my garden, “guerilla-of-the-valley”….)

********

Want to read more about spring shrubs?  Read my blogs on:
The David Lam Asian Garden at Vancouver’s UBC
Spring at Van Dusen Botanical Garden, Vancouver (2 parts)
Spring at Ontario’s Royal Botanical Garden
The Rosy Buds of May and Beyond
A Shade Garden Master Class (Montreal Botanical Garden)

Wonderful Wave Hill

One of my ‘must-do’ gardens when I have a few days in New York (apart from New York Botanical and the Conservatory Garden at Central Park and the High Line) is fabulous Wave Hill, in the Riverdale section of the Bronx. And so it was that in mid-August, I caught the Metro North ‘Hudson Line’ train at Grand Central Station and took my comfy window seat for the scenic ride along the Hudson River.  (Excuse the dirty windows, please – not my fault!)

hudson-river-metro-north-railroad

When you get off at Riverdale-Wave Hill, you really should wait for the shuttle, which meets northbound trains at 9:50am, 10:50am, 11:50am, 12:50pm, 1:50pm, 2:50pm and 3:50pm.  (Return shuttles for southbound trains leave Wave Hill’s front gate at 20 minutes past the hour, from 12:20pm through 5:20pm).  But I was feeling energetic – and had forgotten how steep the hill is and how long the walk from the station up towards the garden, set in a lovely, leafy Bronx neighbourhood. So I walked.

riverdale-metro-north-rr

Wave Hill, overlooking the Hudson River and the towering Palisades on the New Jersey shore, was built by lawyer William Morris in 1843 to serve as his country home. It was enlarged by publishing scion William Appleton in the late 1800s, and played host to visiting notables such as Thomas Huxley. Teddy Roosevelt wasn’t yet in his teens when his parents rented the estate in the summers of 1870 and ’71, and likely helped to foster in him the love of nature that propelled him to protect America’s wild lands as national parks. Perhaps its most famous resident was Mark Twain (Samuel Clemens), who leased Wave Hill from 1901 to ’03, and entertained guests in a tree house on the back lawn. Later residents included conductor Arturo Toscanini (1942-45).  In 1960, Wave Hill’s last private owners, the Perkins-Freeman family, deeded the estate to the city of New York and it was incorporated as a non-profit, one of 33 city-owned cultural institutions and specializing in programs of horticulture, environmental education, woodland management and presentations of the visual and performing arts. while seeking to “foster connections between people and nature”.  (Sources: Wikipedia & Wave Hill)  Wave Hill House underwent a two-year $9.8 million renovation and was reopened in 2013. When I visited the following June, I was impressed with the gleaming woodwork – not to mention the stunning bouquet of delphiniums in just the right shade of blue to enhance the walls.

wave-hill-delphinium-bouquet

As I headed into the garden this August, I was greeted by some lovely new touches to the Perennial Flower Garden, which I had last seen in 2014, including the beautiful, sky-blue tuteurs in each of the central four sections.

wave-hill-flowe-garden-entrance

The flower garden, overseen by gardener Harneck Singh, consists of eight plots arranged in cruciform quadrants, each loosely colour-themed. And there’s always something big and beautiful from the greenhouses in the centre; this summer it was a luscious, variegated agave.

wave-hill-flower-garden-august

Those blue tuteurs add to the elegance quotient in the flower garden. Here’s how it looked in June 2014. below.  Not nearly as dramatic.

wave-hill-flower-garden-june

There were a lot of silver-spotted skippers flying about, including this one on Clematis heracleifolia.

silver-spotted-skipper-epargyreus-clarus

I enjoyed seeing Clematis crispa climbing the rose bower in the flower garden.

clematis-crispa-on-arbor-wave-hill

Speaking of rose bowers, I fondly recalled making former director of horticulture Marco Polo Stufano pose for me in one of the bowers, when I was there in 1994.  Though it was terribly sunny and not great light for a portrait (especially with my limited photography skills more than 20 years ago), I do enjoy having this reminder of a very talented man who lent his expertise to the garden. Today, Louis Bauer is horticulture director and is putting his own creative mark on Wave Hill’s gardens.

marco-polo-stufano-wave-hill

My 1994 visit was seven years after Marco Polo Stufano was featured on the cover of the November 1987 issue of Horticulture magazine. (Photo by Allen Rokach)  And yes, I am a packrat, and I really should clean out the mags in my office!

horticulture-magazine-marco-polo-stufano-1987

The story inside the magazine was about the flower garden, as redesigned by then curator of gardens John Nally. His name is now memorialized in Wave Hill’s practice of hiring interns – called Nallies – to work in the garden. I had a little chat with one of Wave Hill’s 2016 Nallies, Gabe Santoriello, who was carefully deadheading flowers in the red garden. He made me chuckle when I called out ‘Gabe’, to ask him about a plant. “You know, I had my earphones in,” he said, “but you sounded just like my mom when you called me.” (I’ve had some family experience calling out to young men!)

gabe-santoriello-wave-hill

Being late summer, grasses were good-looking, like this Calamagrostis acutiflora with Helenium autumnale.

wave-hill-calamagrostis-helenium

I loved the duo below in the red garden, when I visited in June 2014:  ‘Heart Attack’ sweet william (Dianthus barbatus)  and the airy seedheads of Allum schubertii.  Isn’t this cool?

dianthus-barbatus-heart-atttack

Walking into the entrance to the tropical and desert greenhouses, I saw that Marco Polo Stufano has also been honoured with his name on the conservatory, a gift of Frank and Anne Cabot, who also founded The Garden Conservancy. .

dedication-marco-pole-stufano-conservatory-wave-hil

Lovers of tropical plants should be prepared to spend a lot of time exploring the jewels in the tropical house.

wave-hill-tropical-house

What a fascinating plant: Strophanthus preussii.  I had a discussion with plant nerd friends on Facebook about the evolutionary significance of the long, red corolla threads. We couldn’t come to an agreement about why nature gave this African liana such decorative accents (but nature rarely creates adaptations for the fun of it).

strophanthus-preussii-wave-hill

I loved seeing this little arrangement of air plants (Tilliandsia ionantha).

wave-hill-tillandsia-ionantha

This is what greeted me in the tropical house in June 2014: can you say Indian clock vine (Thunbergia mysorensis)?

wave-hill-marco-polo-stufano-conservatory-thunbergia-mysorensis

Crossing into the desert house, I paused to take in the stunning variety of small succulents and cacti.

wave-hill-cactus-succulent-garden
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Walking back into the garden through the blue conservatory doors (matching those tuteurs), I was reminded how effective a little paint is at drawing landscape elements together – and how complex the textural plantings in those containers just outside the doors were!

wave-hill-conservatory-doorway

I never visit Wave Hill without heading down to the long pergola overlooking the Hudson River and the Palisades on the New Jersey shore.  Apart from the stunning view, there are loads of wonderful plants displayed there!

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Another section of the pergola.

pergola-wave-hill-1

And lookng towards Wave Hill House along the pergola.

pergola-wave-hill-3

That cascading, yellow-flowered vine intrigued me, but I had no idea what it was. So I cornered Wave Hill gardener Coralie Thomas who carefully dug out the label to show me: Petraeovitex bambusetorum, or Nong Noch vine, a Vietnam native. Thank you Coralie!

coralie-thomas-wave-hill

Then it was time to move on to some of the other wonderful gardens, but I stopped to take a quick shot of the happy confection of flowers (gomphrena ‘Fireworks’ & yellow strawflower) in the Paisley Garden across from the Visitor Centre.

paisley-garden-perkins-visitor-center-wave-hill

Immediately behind the conservatory on a rise of land are two long gardens. The first is the Herb Garden…

herb-garden-wave-hill

…. with its late summer profusion of aromatic herbs.

herb-garden2-wave-hill

The second is the Dry Garden.

dry-garden-wave-hill

There are always interesting surprises dotted about here and there, like this Boophane disticha on the steps. boophane-disticha-wave-hill.

Behind these is a lovely display of bonsai plants.

bonsai-wave-hill

Beyond is the Alpine House, which is not open to the public but easily observed through the glass.

alpine-house-wave-hill

Head back out to the path and circle around behind the Alpine House and you’ll come to the Wild Garden.

wild-garden-wave-hill-august1

This is a tough theme to pull off without attracting loads of weeds, but the August display was beautiful – naturalistic, yet reasonably controlled.

wild-garden-wave-hill-august2

I liked the contrast of the staghorn sumac (Rhus typhina) with the bronze colour of the upright spurge (Euphorbia stricta).

wild-garden-wave-hill-august3

One of my favourite spots to spend a little time sitting is the Aquatic Garden. I loved how it had filled out from June….

aquatic-garden-june-wave-hill

….to August, when the big lotuses (Nelumbo nucifera) are at their sumptuous best.

aquatic-garden-wave-hill

Adjacent is the Monocot Garden, with its luscious grasses, lilies and bromeliads, among many other plants.

monocot-garden-wave-hill

With a date on Manhattan’s High Line in late afternoon, it was time for me to pick up a lunch at Wave Hill’s lovely restaurant and make my way to the shuttle for the drive to the Riverdale train station. As I looked around at all the spectacular but residential-scale gardens here (there are others besides those I’ve written about), I thought of a sentence from that Horticulture magazine story 29 years ago, Though it described the redesign of the Perennial Flower Garden, it could be applied to all the gardens at Wave Hill: “…its style would be in keeping with Wave Hill’s history as a private estate.”   Indeed, this garden is sheer inspiration for those who create modest gardens around their own homes. It is truly a garden for people.   But as I walked down the path beside a scrambling maypop vine (Passiflora incarnata) and watched the carpenter bees and honey bees nectaring madly on the August blossoms, I was reminded that it’s also a garden that nourishes and sustains nature’s myriad other creatures.

honey-bee-passiflora-incarnata-maypop

August in New York’s Conservatory Garden

It was a steaming hot August afternoon in New York City. I’d arrived just hours before from Toronto with three days of area garden viewing and photography on my agenda. I hadn’t made plans for today, but then I remembered a city garden I hadn’t visited for more than a decade. There were still hours of daylight, albeit crushingly humid hours with temperatures in the mid-90s. So I filled my water bottle, slung my camera bag over my shoulder and headed out of my hotel (Hotel Boutique at Grand Central), conveniently located near Grand Central Station and the 42nd Street Subway. The subway tunnel felt like a tropical jungle, but it was nothing compared to the inside of the subway car heading north, whose air-conditioning was broken. “59-68-77-86”, I counted down the stations, fanning myself madly and hoping I wouldn’t faint before arriving at my stop.  When I climbed the stairs to 96th Street (the dividing line between Manhattan’s Upper East Side to the south and Spanish Harlem to the north), the humidity was even higher. I’d only walked a block or two westward towards Central Park before the first fat raindrops fell. Fortunately, I’d tucked my umbrella into my bag and as the rain became a torrent, I pulled my camera bag closer to me and hurried on. By the time I’d crossed Fifth Avenue and walked north along the park to 105th, people were running out and taking shelter under trees or dashing along the sidewalk to their cars or buses. I, on the other hand, was heading into the park, and as I entered the Conservatory Garden through the Vanderbilt Gate, the rain magically abated and the lawns and hedges steamed in the late day heat. Ahead of me was the formal Italianate garden with its lush lawn and fountain.  In May, those crabapple trees on the sides are fluffy clouds of pink and the pergola in the distance is wreathed in wisteria.

Italianate Garden-Conservatory Garden-New York

I watched a young girl playing in the fountain’s cooling spray.

Fountain-Conservatory Garden-New York

The Italianate garden is in the middle, one of three sections that make up the 6-acre Conservatory Garden, which is named for the lavish greenhouse that occupied the site from 1899 to 1934, before it was officially opened as a garden in 1937. After the second world war, the garden was increasingly neglected; by the 1970s it was a derelict place  Under Central Park Administrator Elizabeth Barlow Rogers and renowned New York designer and public gardens champion Lynden Miller (who also did Bryant Park and numerous other urban spaces), the gardens were completely renovated and reopened in 1987.

At the north end is the French garden….

French Garden-Conservatory Garden

.. with its low broderie parterres….

French Garden Planting-Conservatory Garden

… and the Untermyer Fountain, “Three Dancing Maidens”, a 1947 donation to Central Park from the children of famed New York lawyer Samuel Untermyer, whose Yonkers estate is now a conservancy open to the public.

Untermyer Fountain-Conservatory Garden

But as a plant-lover, I was interested in revisiting the southernmost section, the English Garden. To get there I walked past the perimeter of the French garden, with its crabapple allées. A few visitors took shelter from the last raindrops under their umbrella.

Rainy Allee-Conservatory Garden

I passed a raised garden filled with a tapestry-like assortment of luscious tropicals.

Tropical plants-Conservatory Garden

Then I was walking into the English Garden under a magnificent sourwood tree (Oxydendrum arboreum), its tiny, pendulous, white blossoms alive with bumble bees. Trees, shrubs and various perennials act as leafy enclosure in the outer beds in the concentric arrangement of hedge-backed plantings in Lynden Miller’s original design. The current curator of the English garden is Diane Schaub, whose talent is very much on display here. (See note at bottom of my blog).

Conservatory garden-Sourwood tree

Below is one of Lynden Miller’s favourite shrubs: oak-leaf hydrangea (Hydrangea quercifolia), as the big panicles take on their tawny autumn hues.

Conservatory Garden-Oakleaf Hydrangea

The outer bed below features Japanese anemones (Anemone x hybrida), an August mainstay, with cascading Japanese forest grass (Hakonechloa macra ‘Aureola’) in the foreground.  Mid-border is another Lynden Miller trademark: a clipped purple barberry globe (Berberis thunbergii), adding a sculpted architectural note.  (One of my favourite photos from a visit here in the 1990s was one of these globes graced with deep-violet Clematis durandii.)

Conservatory Garden-Borders1

Here is a closeup of Japanese anemone with the delicate flowers of Thalictrum rochebrunianum.

Conservatory Garden-Thalictrum & Anemone

White coneflowers (Echinacea) brighten the shade-dappled outer bed under the trees. There’s a lovely colour echo of the cones with the dark foliage of the black bugbane beside it (Actaea racemosa Atropurpurea Group).

Conservatory Garden-Echinacea & Hostas

Post-rain, the subtle baby-powder fragrance of summer phlox (Phlox paniculata) and  the perfume of hosta flowers wafted in the enclosed spaces in the garden.

Conservatory Garden-Phlox & Hosta

But as lovely as the mixed perennial-shrub beds were in the outer rings, it was the inner hedged beds in the English Garden that beckoned me. They offered a master class in the use of annuals and tropicals to create exquisite designs that can be changed every year.  But these aren’t your grandma’s annuals; there are no impatiens, geraniums or petunias in the garden. Instead, you see statuesque plants in lovely colour combinations that rival any perennial border. The bed below offered fabulous ideas for combining chartreuse foliage with oranges and bronzes.

Conservatory Garden-Red flowers

Here’s a closer look at the inspired pairing of Cuphea ‘David Verity’ — one of many ‘zing’ plants — with a charteuse colocasia.

Conservatory Garden-Colocasia & Cuphea 'David Verity'

Who could dislike stiff, old canna lilies when they do THIS in the late afternoon sun? (Especially when paired with bronze fennel flowers and a luscious azure-blue Salvia guaranitica.)

Conservatory Garden-Canna
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Tender grasses add a punch of colour, too. Below is Pennisetum setaceum ‘Fireworks’.  Conservatory Garden-Pennisetum 'Fireworks'

Hedges of Japanese holly (Ilex crenata) and euonymus act as a permanent framework in the inner rings, and both sides are planted with annuals in classic colour combinations. The bed below…….

Conservatory Garden-Verbena-Coleus

…..featured a lovely pairing of chartreuse ‘Gay’s Delight’ coleus (Plectranthus scutellarioides) and purple Verbena bonariensis — another good ‘zing’ plant.

Conservatory Garden-Coleus 'Gay's Delight'

Deep burgundy-blacks — like Dahlia ‘Mystic Illusion’, front, and the grass Pennisetum ‘Vertigo’, below —  added depth to a dark-foliage border.

Conservatory Garden-Dark Foliage

Exploring all the inner beds was a challenge. Just when I thought I’d seen them all, I’d turn a corner and spot something entirely new!  I loved the way this heuchera (maybe ‘Black Taffeta’?) anchored the design below.

Conservatory Garden-Black Heuchera

In some hands, pink flowers can be just too cotton-candy sweet. But Diane Schaub used a deft touch, below, to incorporate the pink spires of Agastache cana ‘Heather Queen’ and the zingy pom-poms of Gomphrena ‘Fireworks’ and purple Verbena bonariensis into a pale-green matrix of tropical plants, including variegated Furcraea foetida ‘Mediopicta’, centre, and variegated plectranthus (P. forsteri ‘Green on Green’), right.

Conservatory Garden-Pink scheme

Stronger pinks like the verbena, below, were partnered with darker greens, like Colocasia esculenta ‘Blue Hawaii’.

Conservatory Garden-Colocasia

I loved the combination, below, of Gomphrena ‘Fireworks’ and blue pitcher sage (Salvia azurea). Such good clear colours.

Gomphrena 'Fireworks' & Salvia azurea

Sometimes horns would honk nearby and I would be reminded that I was in a leafy enclave a stone’s throw from one of the most famous streets in the world: Fifth Avenue!

Conservatory Garden-Fifth Avenue Building

Unusual annual pairings were everywhere. Below is Perilla frutescens with airy Ammi visnaga ‘Green Mist’.

Conservatory Garden-Coleus & Ammi

And I adored this vignette of magenta-pink Gomphrena ‘Fireworks’ with lacy centaurea, a deep-red salvia and coleus.

Conservatory Garden-Gomphrena-Centaurea-Salvia-Coleus

I was very impressed with the way tropical shrub Tibouchina urvilleana, below, was used in the purple border. It looked perfectly at home with magenta Gomphrena globosa and dark pink zinnias.

Conservatory Garden-Tibouchina

Finally, that concentric maze of flowery beds led me to the intimate centre of the English Garden, with its enclosing borders and a pink-flowered crepe myrtle (Lagerstromeia indica). Benches were arranged so visitors could…….

Conservatory Garden-Crape Myrtle

…. relax and enjoy an intimate view of the Burnett Memorial Fountain, the centrepiece of the English Garden. Sculpted in 1936-7 by Bessie Vonnoh (1872-1955), it honours children’s book author Frances Eliza Hodgson Burnett (1849-1924) and depicts the children Mary and Dickons from her classic Secret Garden.

Conservatory Garden-Burnett Fountain-Bessie Potter Vonnoh

I paused for a moment in the secret garden, but towering storm clouds were building in the sky to the west and it was time to head back to my hotel.

Conservatory Garden-Stormy Sky

I bade farewell to this lovely secret garden and strolled out to catch a southbound bus to midtown. What a lovely first evening for my short New York stay.

Conservatory Garden-Red Hydrangea flowers

** Thanks to my online friend Marie Viljoen (66 Square Feet) for her 2015 Gardenista article on the English Garden, which provided a few of the plant names for my photos above.

The High Line in June – Part 2

Continuing our visit from Part One, on a hot June Saturday in New York, the High Line becomes a mecca for people of all ages.  There were families and tons of tourists, judging from the accents I heard all around me.  After all, what’s not to love about a linear park filled with singing birds and buzzing bees perched above the hustle-and-bustle and honking cabs of lower Manhattan?  If you could catch a bit of shade beside the taller buildings, it was cool enough for a photo shoot.

High Line photo shoot

There was even a wandering June bride, her photographer looking for the best funky opportunities.

High Line bride & groom

Some people have wondered about the bits of lawn designed into this very flowery park.  On a hot day, you definitely see the attraction – cartwheeling kids……

Kids on the High Line lawn

…..Or people getting off their feet for a few minutes on a patch of soft green turf.

High Line lawn

And the benches come in handy too, if only to check on emails and Facebook while catching some early summer rays.

High Line sunbather

But the bees loved the sunshine, which warms the flower nectar and allows them to forage continuously.  Here a honey bee seeks out food on Tradescantia ohiensis ‘Mrs. Loewer’. (All spiderworts are very attractive to bees.)

Bee on Tradescantia ohiensis 'Mrs. Loewer'

Red feather clover (Trifolium rubens) is a Piet Oudolf border staple, and the bumble bees love it.  But the florets are too long for honey bees or small native bees.

Bumble bee on Trifolium rubens

The Siberian catmint (Nepeta siberica) was attracting the attention of big, lumbering carpenter bees.

Carpenter bee & Nepeta sibirica
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Butterfly Milkweed-Asclepias-tuberosa

I’ve been working on a list of design pairings showing superb placement of plants against lime-gold backgrounds, and this one made my list.  Don’t you agree that Helenium autumnale ‘Rubinzwerg’ looks lovely against the foliage of Amsonia hubrichtii?

Helenium 'Rubinzwerg' & Amsonia hubrichtii

The High Line gets top marks for showing off rare magnolias – for New York City – in bloom long after the spring rush of the more common magnolias is over.  Sweetbay (Magnolia virginiana) seemed very happy far from its old Virginia home.

Sweet Bay- Magnolia virginiana

And Ashe’s magnolia (M. macrophylla var. ashei), with its big leaves and massive blossoms, looked like something dropped in from a sultry, Alabama or Louisiana forest.  Which is where they come from, but are seemingly thriving here in protected parts of the High Line between big building walls.

Magnolia macrophylla ssp. ashei

At West 30th Street, the new section of the High Line (called the Spur) stretches before me.  There are lots of plans afoot for this newest addition to the park, and the plants are already being placed.

High Line Extension

Finally, having walked and photographed my way along 16 elevated High Line blocks on this hot summer afternoon, I took my parched and weary self down the stairs at 30th Street in search of a long, tall drink!

P.S.  To see an album of my photos of the High Line in spring 2012, check out my public Facebook album. (The album begins with a few pictures of a ceremony honouring the late Frank Cabot, founder of the Garden Conservancy).

And to get a flavour of what the High Line offers in mid-summer, have a look at this public Facebook album of my July 30, 2011 visit.

Can you tell l’m a big High Line fan?

 

May Day on the High Line

It’s May Day, tra-la-tra-la. The birds are singing, the blossoms perfuming the air. Well, not exactly. Harrummph!  I just had a look at the forecast and it’s rain, more or less, for the first four days of May. So I’m heading west on the weekend to find some spring colour and sunshine. In the meantime, here’s a little tour of the High Line in New York City, memories of a rainy May Day morning two years ago.

Early roses

I was with my good friend and photographer sidekick, Ginny Weiler, from North Carolina. She was a more purposeful walker than me.

Tracks, then and now

It’s difficult to imagine what this elevated green park looked like in the 1930s. Fortunately, there are historic photos on the site.

Gehry's InterActive Corp. Building

It has a great view of new and old buildings, including Frank Gehry’s curvilinear InterActive Corp. building.

High Line under The Standard Hotel

The High Line passes under the Standard Hotel.

27-Salvia-&-Amsonia

Ornamental sage and amsonias are among the first perennials to emerge.

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Shooting-star-Horsetails-Foamflower

Fresh spring flowers: shooting star (Dodecatheon media), horsetails (Equisetum hyemale) and foamflower (Tiarella media).

Art Installation

The High Line features regular art installations throughout the year.

Horses and Heucheras

It had its heyday, before it was planted to heucheras.

A Track Went Through It

I love this view of the old freight entrance into the building.

 

Acer triflorum Grove

The three-flower maple grove (Acer triflorum).  It was rainy that May Day, too, but it was New York City rain. There’s a difference……