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A Visit to Andrew Bunting’s Belvidere

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During my September Garden Bloggers’ Fling in the Philadelphia area, my favourite small garden was Andrew Bunting’s delightful property in Swarthmore. Perhaps that’s no surprise, given that the owner is the Vice-President of Horticulture with the Pennsylvania Horticultural Society. Founded in 1827, the PHS is the oldest horticultural society in the U.S., responsible for the annual Philadelphia Flower Show as well as a host of endeavors including 120 community gardens; maintenance of public landscapes in the city and suburbs including museums, the art gallery and public squares; street tree programs; the 28-acre estate garden at Meadowbrook Farm; Landcare, in which vacant city lots are turned from blighted properties to neighbourhood parks; pop-up ephemeral gardens; and a program to train former convicts to be gardeners.

Since buying the house on its one-third acre in 1999, this garden is where Andrew has experimented with an eclectic roster of plants and an evolving approach to design – in fact, five redesigns in his time there. I especially loved seeing his home through the tall, wispy wands of ‘Skyracer’ purple moor grass (Molinia caerulea subsp. arundinacea), a grass that shines in my own garden in autumn. Beyond is a gravel garden bisected by a broad flagstone walk with a small patch of lawn that creates a nice balance of negative space, as well as lavenders and verbascums and other drought-tolerant plants, many native. A stone trough acts as a birdbath and a terracotta urn features a chartreuse explosion of colocasia (likely ‘Maui Gold’).

Arkansas bluestar (Amsonia hubrichtii) with its needle-like leaves is prominent in the front garden; its blue flowers are attractive in spring but its brilliant gold fall color gives it long-season appeal. Barely visible in the foliage is a wooden chair.  Originally white, the front door and window shutters were painted gray, picking up the colors of the flagstone.

Behind the amsonia is Hydrangea paniculata ‘Limelight’ and, at left, willow-leaf spicebush (Lindera glauca var. salicifolia), which also has good autumn colour.

The vine around the door and on the house’s front wall is self-clinging Chinese silver-vein creeper (Parthenocissus henryana).  I love the mailbox and house numbers.

My colour-tuned eye picked up the echo between the red glasses indoors and the big caladium and chartreuse-and-red coleus in Andrew’s windowbox.

Our time was limited and there was so much to see, but I could have spent hours studying the gravel garden, including many native plants like giant coneflower (Rudbeckia maxima), below. Andrew’s influences around gravel include Beth Chatto’s garden in England, the Gravel Garden designed by Lisa Roper at Chanticleer (see my latest blog here) and Jeff Epping’s work at Olbrich Gardens in Madison, Wisconsin. The gravel is 1/2 inch granite but Andrew says it’s more like 1/4 inch.

Here is native wild quinine (Parthenium integrifolium).

And American beautyberry (Callicarpa americana) with its vibrant violet fruit.

Andrew removed much of the original driveway beside the house which was too narrow for cars and turned it into a shady sideyard garden with a path leading to the old garage – which became a charming summerhouse. Those little purple flowers are Vernonia lettermannii ‘Iron Butterfly’, a good fall bloomer and, incidentally, a Pennsylvania Horticultural Society 2023 Gold Medal Plant Winner!

Turning the corner at the back of the house, I saw more evidence of a plantsman’s wonderland with assorted tropicals in pots and a potting bench topped by colourful annuals.

Andrew was holding court in the back garden, so I asked him to pose. His own history in horticulture is very deep. Even at a young age, he knew a career in gardening was in his future – and it relates to the name of his own garden. As he has written in an essay about becoming a gardener, “My grandfather farmed in southeastern Nebraska, just outside a little town called Belvidere. I loved those couple of weeks on the farm every summer. Something about that agrarian lifestyle resonated with me then, and still does today. I loved the crops in the field, my grandmother’s vegetable garden, and the smell of hay.” He did internships at the Morton Arboretum, Fairchild Tropical Garden and the Scott Arboretum, where he worked in the late 1980s for three years.  In 1990 he visited more than a hundred gardens in England, meeting Rosemary Verey, Beth Chatto, Christopher Lloyd and working for a while at Penelope Hobhouse’s  Tintinhull. That autumn, he travelled to New Zealand and worked for a designer for 3 months. Returning to Pennsylvania, he got a part-time position at Chanticleer as it was becoming a public garden, working there for 18 months while starting his own landscape business on the side. In 1993, he became curator of the Scott arboretum at Swarthmore College and stayed there for 22 years, until becoming Assistant Director and Director of Plant Collections at Chicago Botanic Garden in 2015.  

I saw Andrew during a garden symposium in Chicago in 2018, below, when he spoke about how he directed the content and curation of CBG’s permanent plant collection. Next, a job offer at the Atlanta Botanic Garden arose and he became Vice-President of Horticulture and Plant Collections at Atlanta Botanic Garden, giving him the chance to grow broad-leaved plants. Then the opportunity at Pennsylvania Horticultural Society opened up and he returned to Swarthmore and the abundance of public gardens that make the Philadelphia area “America’s Garden Capital”.  

When Andrew bought the house in 1999 the back yard was filled with a jungle of pokeweed. With the help of his landscape crew and a bobcat, he installed a 35 x 12 foot patio spanning the back of the house.  It’s the perfect setting for a lush ‘garden room’ created with pots of banana, canna and palms.  These tropicals get carried down to the cool, damp, cellar-like basement for winter through the entrance partially shown at left.

There are potted plants everywhere, many on vintage tables…..

…. and étageres.

Textural foliage combinations caught my eye, like this chartreuse sweet potato vine (Ipomoea batatas) with Euphorbia x martinii ‘Ascot Rainbow’ euphorbia and a fancy-leaved pelargonium.

There are bromeliads here too, like Portea petropolitana.

Most chairs in the garden were built by Chanticleer’s Dan Benarcik – and can actually be ordered custom online as kits or fully assembled! Note that the granite gravel has been used here, which Andrew says is a less expensive solution than flagstone paving. At right, you can see the entrance to the covered part of the summerhouse, aka the old garage.

So many artful touches here, combining with the rich plant palette to create a beautiful outdoor living space.

Let’s take a peek into the summerhouse, where a comfy leather sofa awaits.  As Andrew once said in an online Masterclass chat with Noel Kingsbury and Annie Guilfoyle, many people in the Philadelphia area go to the New Jersey shore or the Poconos in summer, but he prefers his own garden – “less traffic and more access to gardening”.  And I can imagine sitting in here behind the screen doors during a summer thunderstorm, candles lit, perhaps with a little glass of something tasty.

The back of the summerhouse is more open to the elements and features the perfect stage set. I don’t know what the silvery Adonis mannequin was once wearing on his sculpted torso, but I’m willing to bet it was Ralph Lauren, now nicely accented with tillandsias and begonias.

Nearby are more colocasias and blue Salvia guaranitica.

I loved all the seating (still more Dan Benarcik chairs), this time on a shady patio with a dining table.

Sometimes the seating is more about atmosphere and lichen-rich patina than it is about an actual place to sit.

In a shady spot at the back of the garden is a naturalistic pond because… every garden needs a little water.

I was sad not to have time to take a peek behind the back fence into the neighbour’s yard, where there’s an Andrew-designed large, shared quadrangle vegetable garden, but it was late in the season for veggies anyway.  Mostly, I was happy that we were able to see this lovely garden in dry weather, since we were soon to find ourselves on the soaking end of Tropical Storm Ophelia.

Chanticleer Garden in Early Autumn – Part 1

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To visit my favourite garden in the entire world is always a special gift, so when I heard that my gang of garden bloggers had chosen Philadelphia to be the centre of our annual Garden Bloggers’ Fling in the last week of September, I was ecstatic.  Even if Chanticleer had been the only garden we saw, it would have been enough, in my view. But of course it wasn’t; we saw many beautiful gardens. But let’s start here with a map, to familiarize you with the various theme gardens on the 35-acre property.

The thing about Chanticleer is that you can visit at different times of the year and see a very different garden; there is never enough time. After visiting in June 2014, I wrote a 2-part blog filled with poppies, foxgloves, sages and alliums. In May 2022, I used my blog to trace the history of the Rosengarten family, who in 1913 made their summer home here on Philadelphia’s Main Line in the town of Wayne; a decade later it became their full-time residence.  There were peonies, columbine, wisteria and tuliptree in flower on that enchanting spring visit.  But no matter which season, I always begin in the Teacup Garden, named for its distinctive overflowing fountain.  This is like a tiny, perfect stage set filled each year with a new cast of characters, always with its own colour scheme.  Sometimes it’s a dry garden, often tropicals mix with annuals. This year, if asked to name it, and considering the silvery Senecio vira-vira and olive trees, I might offer “pewter perfection”.

The basin in front of the garden is resplendent with a day-blooming tropical waterlily.

The fountain originated with the Rosengarten family….

…..and is believed to have been purchased by them in Florence, Italy in the 1920s.  The pretty building adjacent to the Teacup Garden houses Chanticleer’s administrative offices. It was originally the home of Alfred Rosengarten’s daughter Emily, built for her on her wedding in 1935.  The Rosengarten family home itself is called Chanticleer House and has its own gardens.

The Teacup Garden features a number of urns and pots, like this glazed, teal-blue urn filled with a stunning, chartreuse jasmine called Fiona Sunrise (Jasminum officinale)….  

… and this one, draped with Pilea glauca ‘Aquamarine’.

This triangular container grouping contains several types of lavender and a tall marigold, Tagetes ‘Garland Orange’, among other plants.

Attention to detail is a hallmark of Chanticleer, as evidenced by the small, elegant touches like bouquets placed here and there, including in the Ladies’ Room adjacent to the Teacup Garden.

I took a quick look in the Upper Border characterized by its white flower palette and noted a handsome Texas Star hibiscus (H. coccineus ‘Albus’).  But there wasn’t enough time to tarry here, and having visited Chanticleer before, I knew how to budget the few hours I had.

So off I went to the Tennis Court Garden below, named for the Rosengarten era but now converted into a garden of sweeping borders with a viewing arbor to take it all in.  That yew on the left is Taxus ‘Beanpole’ – an apt name – and on the right, elegant ‘Honorine Jobert’ Japanese anemones.  The echinacea is ‘Green Jewel’.

The stairs to the garden are one of my favourite design touches, with their built in planters. This year they contain gorgeous white Symphyotrichum ericoides ‘Snow Flurry’, dawn redwood (Metasequoia glyptostroboides), Lantana camara ‘Samantha’ and Sedum rupestre ‘Angelina’.

Who would ever think about punctuating a linear planter with tiny dawn redwoods?   Or, put another way, why not use your nursery plants as decorative flourishes?

The old tennis court is planted with lush, curved borders.

Despite reading praises about this late-flowering perennial, I had never before seen it. Meet Letterman’s ironweed, Vernonia lettermanii ‘Iron Butterfly’.  The edging is Heuchera ‘Caramel’.

I loved this combination of lilac aster (not on the master list but likely Symphyotrichum laeve ‘Bluebird’) with Succisella inflexa ‘Frosted Pearls’, aka devil’s bit.

The bumble bees were enjoying the knautia-like heads of the flowers.

The nearby Cutting Garden is a place of chaotic loveliness in late September. Its central path covered with pinestraw leads to the fenced Vegetable Garden.

There are annuals, perennials, tender bulbs and even the odd staked cherry tomato in the Cutting Garden. Plus, of course, all the flowers used in Chanticleer’s season-long floral arrangements.  That dark-headed grass is Pennisetum glaucum ‘Jade Princess’.

The dark red plant near the cosmos and ageratum is cranberry hibiscus (Hibiscus acetosella). It makes a luscious foliage filler in floral arrangements.

That towering yellow daisy in the back is willowleaf sunflower (Helianthus salicifolius).

Have you ever seen a more beautiful dahlia?  It’s called ‘Harvey Koop’, and I spotted it later in a bouquet. 

One could spend hours in Bell’s Run exploring the woodland jewels, then strolling through the Creek Garden with its moisture-loving plants, but I wanted to focus on the flowering jewels of late summer, so after a quick walk along the lovely creek….

…. I came back to the light in the Ruin Garden’s sporobolus meadow (S. heterolepis) with its flanking hydrangeas (H. paniculata).   

On the way to the ponds, I stopped in at the Arbor and took a moment to appreciate gardener Dan Benarcik’s distinctive “Chanticleer chairs” and the lime-green Carex oshimensis ‘Evercolor Everillo’ in the pots.

Then I walked past the Silver Garden with its yellow Sternbergia lutea, one of the finest autumn-flowering bulbs backed by a white aster.

The ponds are always a favourite destination before climbing back up the hill at Chanticleer. This one features a ledge waterfall.  I believe the gold shrub is Chamaecyparis pisifera ‘Filifera Aurea Nana’.

This pond hosts the white water lily Nymphaea ‘Pöstlingberg’.

Marginal aquatic plants enjoy the edges of the ponds. The white-flowered plant below is Echinodorus bracteatus ‘Lantau Lady’, aka Amazon sword.

The big koi always look a little hungry, though they are certainly well-fed!  But a little begging can’t hurt, right?

But look what surprise awaited me at one of the ponds! This handsome great blue heron might have dreamt of koi but the most he managed to catch was a frog, or so I learned later.  And did you know there’s an aquatic version of rattlesnake master?  It’s marsh rattlesnake master Eryngium aquaticum, an American native whose habitat includes bogs, swamps and marshes. Another name is bitter snakeroot, reflecting its use by Native Americans to treat snakebites.  Its spiky inflorescences start out blue, then fade to whitish-gray.

The heron seemed relatively unafraid of the visitors and moved around the pond while posing nicely, so I gave it a little more than its 15 photographic minutes of fame.

The waterlily in the heron pond is Nymphaea ‘Texas Dawn’.

I climbed the hill toward the other gardens past the Rock Ledge – a garden that shines in late spring but looked relaxed and lovely in late summer. The Japanese maple is Acer palmatum ‘Osakazuki’.

My eye caught movement in the sumptuous, blue closed bottle gentians (Gentiana andrewsii) and I stopped to watch bumble bees working feverishly to access the nectar inside.

I was delighted to find Joe Henderson, the horticulturist in charge of Chanticleer’s ponds.  He’s a 25-year veteran of the garden, something so vital for continuity and creativity.  And I realized, while chatting with him, that I’d actually visited his personal garden on a tour long ago.  Since Chanticleer had rolled out the welcome mat for the Garden Bloggers Fling, with food stations, cocktails and even a musical tent with a great band, we were fortunate to meet many of the gardeners, who were there to greet us…..

…. sometimes even acting as bartenders, like Andrew Wiley, below, who benefited this year from The Chanticleer USA Christopher Lloyd Scholarship, an exchange conceived in order to provide a gardener from the United States with a year-long, practical education in the traditional style of ornamental gardening as practised at two of the world’s most respected gardens, Great Dixter in East Sussex, England, and Chanticleer. I visited Great Dixter in early June and blogged about that fabulous garden, but missed seeing Andrew.

I’m going to leave the Gravel Garden, my friend Lisa Roper’s horticultural hillside domain, until Part 2 of this blog, but let’s take a peek into the Ruin Garden at the top of hill beyond some of Lisa’s treasures. This intriguing garden was built on the foundation of Minder House (1925), originally next door to Chanticleer but acquired by Adolph Rosengarten, Sr. as a 1933 wedding gift for his son Adolph Rosengarten, Jr and his wife Janet.  Nine years after the death of Adolph Jr. in 1990, Minder House was razed and under Chanticleer’s former director, Chris Woods, it was rebuilt as an evocative ruin of three-stone-walled ‘rooms’ that capture its spirit.  The wall below is the entrance to the “library”.  

Moving around the corner of the Ruin, we see the lemon-yellow Mohr’s rosinweed (Silphium mohrii), a native that’s become very popular recently since it does not have the aggressive tendencies of its cousins.

Let’s go into the Pool Room – with its interesting pool and fountain.

Draw a little closer and you see California sculptor Marcia Donahue’s intriguing, floating faces and the pool’s stone wall decked with beautiful Parthenocissus henryana.

Then there’s the “pool table”….

…..its surface bearing just enough water to perfectly reflect the….

….five varieties of Tillandsia in the mantle arrangement.   

And with that, I will pause our tour until Part 2, featuring the Gravel Garden, Minder Woods and Chanticleer House with its flowery lawn. Stay tuned.

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More Chanticleer blogs:

Touring Chanticleer – June 2014 – Part 1 and Part 2

May at Chanticleer – May 2022 – Part 1 and Part 2

A Visit to Longwood Gardens

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Last week, for four days – including the weekend that Tropical Storm Ophelia decided to make her wet and windy appearance – I visited “America’s Garden Capital”, gardens of the Philadelphia region, along with almost 100 fellow garden bloggers. We call this annual adventure the Garden Bloggers’ Fling and it is all that: tours, fun, friendship (and no classes). It began with a visit to fabulous Longwood Gardens in Kennett Square, PA, and a rare behind-the-scenes tour of the high-tech production facility, courtesy of Longwood’s Conservatory Manager – and the one-man organizing committee for this Fling – Karl Gercens III.  He shepherded us around a large greenhouse…..

….. showing us what seemed to be acres of chrysanthemums being readied for Longwood’s annual Chrysanthemum Festival, Sept. 30-Nov. 12 this year. Some of the rare cultivars originated in Japan 45 years ago and are propagated to keep them available for use each autumn.

Karl told us about the pruning and training techniques that prepare the mums for show-time….

…. and we watched a gardener patiently training mums into Christmas tree shapes.

These looked like octopuses to me, but I believe they’re called mum cascades and are ultimately suspended from above in the Conservatory. This greenhouse featured blinds that enable the gardeners to control the light/dark balance needed for the plants’ physiological photoperiod, in order to have them all bloom on time.

Michelle demonstrated the high-tech overhead trolley line that moves hanging baskets around the greenhouse to facilitate watering, fertilizing and correct light exposure.

Pierre du Pont was very fond of citrus trees and grew them in the Conservatory in a section then called the Orangery. So espaliered citrus trees have become part of Longwood’s tradition.

Then it was outside to a talk by the gardener of the aquatic plants occupying temporary pools while major construction takes place around their regular pools.  Prominent was Victoria amazonica with its platter-shaped leaves, the largest floating leaves in the plant kingdom, famous for supporting small children in Victorian-era conservatory photos. 

Native to the Amazon Basin, their vascular architecture creates a stiffness that enables the big leaves to float in large networks, maximizing photosynthesis. The spines deter hungry herbivores.

 Waterlilies had been assembled in pretty aquatic arrangements.

Then it was into the Visitor Center for a presentation on “Longwood Reimagined: A New Garden Experience”. It began with the garden’s mission statement….

…..the legacy of Pierre Samuel du Pont (1870-1954), great-great-grandson of the founder of the chemical company DuPont, who purchased what was then a 202-acre arboretum and farm from the Peirce family in 1906.  Today, Longwood ranges over 1,077 acres (436 hectares) and welcomes 1.6 million visitors yearly.

We saw artist renderings of the new football-field-sized greenhouse taking shape near the Conservatory. Opening in fall 2024, the $245 million 17-acre Reimagining project features, in Longwood’s words: “Stunning new buildings, wondrous new indoor and outdoor gardens, surprising new guest experiences, and much more await. We’re expanding our grounds, connecting them from east to west in a beautiful, unified journey of lush, formal gardens to open meadows to winding paths to breathtaking Brandywine Valley vistas.”

Next up was a visit to the beautiful Flower Garden, beginning with this lovely mauve-and-plum container design on a patio designed in the 1970s by the renowned California landscape architect Thomas Church.

The 600-foot-long Flower Garden walk is gorgeous in September, with annuals at their peak. It was Longwood’s very first garden, designed by Pierre S. du Pont who described it as “the old-fashioned plan of straight walks and box borders at the edge of the flower beds”, using colourful plants chosen with the help of his wife Alice, now memorialized in Mandevilla ‘Alice du Pont’.

Combinations are fine-tuned to hit just the right colour note, like this Persian shield (Strobilanthes dyerianus) surrounded by globe amaranath (Gomphrena globosa ‘Ping Pong Purple‘).

The fuzzy, pink flowers of Bolivian sage (Salvia oxyphora) were attracting lots of bees.

I loved this soft combination of peach zinnias and bronze carex grass.

Stairs led down to Pierre du Pont’s “Compartment Gardens”, including the 1908 Square Fountain surrounded by luscious coleus and begonia plants, among others.  The stunning chartreuse coleus is Flame Thrower™ Salsa Verde.

Though the peony garden was out-of-season, there were a few pretty combinations for late summer, like the pink Japanese anemone with Ageratum houstonianum, below.

Handsome aquamarine urns punctuated this long foliage border, backed by a tall arborvitae hedge.

I hurried up from the Flower Garden past the Peirce-DuPont House (1730) towards the Meadow, but stopped under a native franklinia tree (F. alatamaha) to admire the few remaining blossoms.  Many of Longwood’s towering trees are part of a rich arboretum, established in the late 18th century by the sons of William Peirce, who acquired 402 acres in 1700 from agents of William Penn (1644-1718). Penn was an English-born Quaker who made treaties with the region’s Lenape Native Americans in order to develop the property he acquired from King Charles II, eventually naming it Pennsylvania. In 1682, the first Pennsylvania General Assembly was held.  Penn would later found Philadelphia. As for franklinia, it was discovered growing on the Alatamaha River in 1765 by John and William Bartram; the latter collected seed a decade later and named the tree for his father’s friend, Benjamin Franklin.

Then it was down the gently curving boardwalk through Peirce’s Woods….

…. to the native plant meadow featuring late summer goldenrod, white snakeroot (Ageratina altissima), and asters, as well as the seedheads of wild beebalm and Joe Pye weed.  (I turned on my Merlin app here to identify the gray catbirds calling in the trees nearby).

In the shade, orange touch-me-not (Impatiens capensis) was attracting bumble bees.

Now it was time to visit the 4.5 acre (1.8 hectare) Conservatory (1919), with its fine collection of 4,600 tropicals, orchids, desert and Mediterranean plants and trees, featured in 17 theme gardens, many containing fountains or pools.  

I loved these Siam tulips (Curcuma alismatifolia)….

….. and this striking combination of Caladium ‘Carolyn Whorton’ with orange Bouvardia ternifolia.

Pink anthuriums (‘Anthewuch’) and variegated sansevierias were growing amongst cycads.

This pool featured a waterfall.

And this one had fountains seemingly emerging from ferns.

Potted tree ferns (Cyathea cooperi) occupy handsome Versailles tubs in the Fern Floor hall, all reflected in the shallow water. However, when events are held in this hall the water is drained.

Windowboxes containing Aechmea fasciata flank the Fern Floor.

The Acacia Passage, below, is such a perfect setting, I had to wait for a professional photographer to finish a shoot with an engaged couple. The trees forming the lacy arch are cinnamon wattle (Acacia leprosa).

A vast expanse of emerald-green lawn stretches across a large hall in the Conservatory.

Early-blooming cultivars of chrysanthemum were celebrating the onset of autumn here.

It’s always fun to find a handsome-looking bird-of-paradise (Strelitzia reginae) to photograph.

In the West Conservatory Complex, in what was originally a space to grow fruit trees and in the 1950s the Geographic Garden, California landscape architect Isabelle Greene created the Silver Garden in 1987, featuring plants from Mediterranean and desert climates. Its sinuous, curving lines were a departure from the formal, geometric style of the rest of the conservatory.

How soft and restful this garden is, and how evocative of a natural landscape.

Several Agave victoriae-reginae, the Queen Victoria agave, punctuate a silvery carpet.

Of all the agaves, Agave parryi is my favourite photo subject.

Karl said that this is not the best time of year for orchids, but the Orchid House was resplendent nonetheless.

Laeliocattleya Roitelet-‘Paradis’ is a 1949 introduction from the French orchid nursery Vacherot and Lecoufle. Isn’t she stunning?

Gombrassiltonia Mervyn Grant ‘Talisman Cove’ is a three-way cross between Gomesa x Brassia x Miltonia. Orchid hybrid names are a world unto themselves!

Our Longwood visit culminated with a spectacular Illuminated Fountain show.

Because it is very special to watch the fountains dance – as indeed it is very special to visit Longwood itself – I will leave you with this taste of the music of Prokofiev’s ‘Romeo and Juliet’ from my YouTube channel.