A Tour of My Spring Garden

Posted on May 18, 2017 by Janet

Come along with me on a little tour of my garden in mid-May! I’ve meant to do this for several years, and this is the perfect week, since the cool weather up til today has kept everything looking good. Not just that, but I splurged last autumn and bought quite a few spring bulbs from my pal Caroline de Vries, who owns FlowerBulbsRUs in Mississauga, Ontario. And my pal Sara Katz planted most of them. But for some reason, loads of my old tulips seem to have multiplied this spring, adding to the party. Let’s start in my front garden. Isn’t this fun? Though I’ve picked a lot of pinks and oranges, that luscious, black ‘Queen of Night’ is absolutely essential to make this garden ‘zing’.

Here’s a closer look, with the creamy fothergilla shrub and dainty ‘Thalia’ daffodils.

Study the first two photos and you’ll see that my spring bulbs emerge in a sea of green foliage. While a front garden full of invasive, agressive lily-of-the-valley might provide a beautiful, fragrant background for all these bright hues, it’s definitely not recommended as a design tool. Nevertheless, if you happened to read last spring’s blog about how to make a fresh-picked lily-of-the-valley hat, you’ll know that I’ve done my best to come to terms with these perfumed thugs.

I love finding pretty groupings to photograph, like the one below. And that dusty-rose tulip is a bit of a mystery. It might have been mislabelled – I didn’t order it – but it looks like ‘Champagne Diamond’.

It’s pretty gorgeous, whatever it is…..

I have nine Fothergilla gardenii plants in amongst the spring bulbs. Their foliage turns spectacular colours in autumn.

Here are some of my favourite tulips. Let’s start with an oldie, ‘Perestroika’. This tall, late-flowered cottage tulip has multiplied over the years.

And ‘Carnaval de Nice’ has stuck around pretty well, too.

This is ‘Crispion Sweet’ – isn’t it lovely?

‘Rococo’ is a luscious parrot tulip – and parrots are usually divas when it comes to longevity. But I planted these several years ago.

Here’s the lovely, late tulip ‘Dordogne’, below right, with ‘Queen of Night’.

There are loads of daffodils in the front garden as well. I decided to stick with white to cool down this hot-coloured scheme, so there’s a combination of ‘Thalia’ with (below) pure white ‘Stainless’ and orange-centred, spicily-perfumed ‘Geranium’.

The Back Yard

I have more spring happening in the back garden, so let’s head there. It might be fun for you to see it from my bedroom window. That big cloud of white in the centre is Malus ‘Red Jade’, my lovely weeping crabapple planted over the little pond.

If we head down to the deck, you get the view below. That’s fragrant snowball viburnum (V. x carlcephalum) right in front of the deck, just about to open its incredibly-perfumed flower clusters. The garden was designed to flow from the deck to the dining patio, which makes summer entertaining fun.

This is a closer view of ‘Red Jade’. It’s an alternate-bearer, meaning every other year it puts on a great show like this, followed by masses of tiny red fruit. It flowers very sparsely in the ‘off’ years.

Here’s a view of the back of the house, from under the crabapple.

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I’ve had the pagoda lantern for a long time. Though this little garden isn’t classically Japanese, it had a bit of that feel, so I though the lantern worked with the pond.

I love this fresh combination in the lily pond garden, underplanted with self-seeded forget-me-nots (Myosotis sylvatica). Later, there is magenta phlox here.

The back garden is on the north side of the house, so it’s shadier. The tulips in my west border here tend to be surrounded by ostrich ferns, which would fill the entire garden if I let them.

This is ‘Mona Lisa’ – isn’t she lovely?

‘Ballade’ is one of my favourite tulips – a very good perennializer.

‘Texas Flame’ is no shrinking violet (!) and though I started with eight or so, I still have one or two that return each spring.

If I ever knew the name of the orange beauty below, I’ve forgotten it.

Same with this lovely, lily-flowered tulip…. maybe ‘Jacqueline’?

Native Virginia bluebells (Mertensia virginica) bloom in the ferns with the late tulips.

Where it’s sunnier, in the front as well as the back, there is elegant camassia (C. leichtlinii).

In my west side garden, Burkwood’s viburnum (V. x burkwoodii) is filled with fragrant blooms this year.

To access my east side garden, there’s a gate from the driveway fitted with a rusty, old heating grate. Have a peek down the path…..

Let’s go in and walk down it If you look back, you can see the gate. See the arched stems of Solomon’s seal (Polygonatum biflorum)? They’re one of my favourite natives and so easy to grow. That’s European ginger (Asarum europeaeum) at the base of the black walnut tree.

There are bleeding hearts in this pathway, too.

So that’s my garden in mid-May! I’ll leave you with this little video of my 2-year-old grandson Oliver, who enjoyed “tiptoeing through the tulips” in a thunderstorm a few days ago. Toddlers and tulips….. time is fleeting, and I’ve learned to enjoy them both for the short time they’re around!

Spring Lessons from Giverny

Posted on April 14, 2017 by Janet

Perhaps it’s folly to try to draw inspiration for our own gardens from one of the most famous gardens in the world – an enchanting 5 acres whose renown comes courtesy of its beloved former gardener and owner, Impressionist painter Claude Monet. The garden he made at Giverny is a short bus ride from the town of Vernon in Normandy, which is a 45-minute train ride from Paris’s Gare St. Lazare (direction Rouen). Now home to the Fondation Claude Monet Museum (Musée Claude Monet), the house and garden are visited by some 600,000 people annually.

When I was there a number of years ago, the Fondation allowed photographers and writers to apply in writing to visit on its closed day, Monday. I did so, and stayed in a bed & breakfast in the town of Giverny to be close enough to arrive early Monday morning and walk back to the b & b if it rained (which it did). However, they no longer close during the week and are open daily from late March through October 31^st, so everyone must line up for the 9:30 am opening (except those who buy their tickets ahead, allowing them to skip the line). In the summer months, the garden is often terribly crowded and difficult to get around, but on a morning or late afternoon in April, it can be quite delightful.

Interestingly, my photos come from a spring prior to British gardener James Priest’s tenure at Giverny, when the garden’s maintenance was still under the hand of head gardener Gilbert Vahé, who spent 34 years in the garden from 1977 (even before its reopening in 1980) to 2011. However, in 2017, with James Priest now gone, Vahé has come out of retirement to take over the reins once again, presumably to return the garden to some of its well-archived Monet-ness, i.e. “reproduction”, not “adaptation”.

Despite the fact that almost everyone who’s visited Monet’s garden has posted their photos or written a blog, and despite the fact that others think it’s just become too commercial or pretty, I believe that his garden offers some good lessons for all of us. Let’s explore a few.

1. DO NOT BE AFRAID OF COLOUR: My first lesson: Life is short, there are no rules, and a house can be pink stucco, with green shutters and veranda. Why not? Claude Monet, himself a master colourist, retained these colours for the house he first rented, then bought, living in it from 1883-1926. They were faithfully reapplied in 1980, when the house and garden were reopened after a restoration that brought it back to life after more than twenty years of abandonment following the bombing of Normandy during the Second World War. (And, honestly, I thought about working my Photoshop magic on the green paint of the veranda, below, but that’s what more than a half-million visitors will do to the stairs, and who am I to paint Monet’s house?)

2. BRING THE SAME COLOUR PALETTE INTO THE GARDEN: Given that your painted shutters and veranda are colourful, it follows that it’s a very good idea to extend that colour down to painted features in the garden like benches, fences and outbuildings. Not to be ‘matchy-matchy’, but so the eye moves easily from the house architecture right into the garden. This unified approach works whether you’re dealing with taupe or teal – or kelly green.

3. SPRING FOR SEASONAL BLOSSOMS FOR YOUR CONTAINERS: No, it doesn’t have to be a flowering crabapple tree and hothouse cinerarias in a ceramic Chinese pot, like Giverny, but do splurge on some pussy willows and daffodils and primulas to say farewell to winter and rejoice in spring.

4. TRY TONE-ON-TONE TULIPS: Let’s face it; this big bed would be truly boring if Giverny’s gardeners planted it with just one variety of tulip, so they don’t! They mix four cultivars, which the office could not identify for me, other than to say “four”. What that provides is a bit of pointillism that shimmers, rather than a block of colour. If you do this (and you should) make sure the tulips you choose are slightly different shades of a hue, but all the same class, whether it’s Darwin Hybrids, Triumphs or Late-Flowered tulips.

And be sure to remember the importance of humble, biennial forget-me-nots (Myosotis sylvatica) when you’re designing your tulip plantings. Such an easy, beautiful way to carpet bare spring ground.

5. USE PANSIES & VIOLAS: It takes some planning to produce the beautiful combination in the photo below, where purple pansies and violas are in full flower underneath the tulips as they come into bloom. In mild regions like Normandy, pansies have no problem overwintering. But in colder parts of North America, like Toronto (USDA Zone 5-Canadian Zone 6b), pansies should be planted the previous September so they have time to establish roots before winter. That actually coincides with bulb-planting time, so you can fine-tune your colour choices and positioning of the pansies as you tuck in the bulbs. It’s a good idea to add a mulch (use a layer of shredded, damp autumn leaves) once the ground freezes, and choose the hardiest pansies and violas you can find. Try Icicle Pansies which have been bred for cold winter regions. The Delta, Bingo and Maxim series are also reportedly hardy in the north.

6. FRAME A VIEW: There’s a Monet family story behind those big, old yews at the end of the 172-foot long Grande Allée, for they were once the final evergreens in a double line of conifers that hedged this path. They can be seen in one of the many paintings Monet made in his garden, Pathway in Monet’s Garden, 1900, below:

Monet, looking for more sunshine for the flower garden he was making in front of the house, cut all the path evergreens down except this last pair, which his wife Alice Hoschedé-Monet persuaded him to spare. Apart from the grandeur of the yews as a penultimate focal point before the house facade, look at the way the gardeners have used pink forget-me-nots edging that long path to draw your eye to the pink house, creating beauty out of geometry and symmetry.

7. COLOUR WITH PAINTBOXES: When Gérald Van der Kemp arrived in Giverny in 1977 to restore Monet’s abandoned house and property, there was precious little in the way of garden records. With his American wife Florence, he had earlier established the Versailles Foundation in New York, attracting wealthy American donors to fund the restoration of the palace and gardens at Versailles. And it was $2.5 million in further American funding that would pay for the refurbishment of Monet’s house and garden. For details on the garden in Monet’s time, Van der Kemp and gardener Gilbert Vahé sought the assistance of André De Villiers, assistant to Georges Truffaut, the French garden magazine publisher and nursery chain founder, who had visited the garden and Monet often (below).

As well, Alice Hoschedé-Monet’s great grandson, the late artist Jean-Marie Toulgouat still lived in Giverny and was able to provide Van der Kemp with family correspondence, journals and photos. There were also photos made by Claude Monet himself and visitors, as well as letters he had written or that others had sent to him that mentioned the garden.

As to the colour beds in the Clos Normand, we must imagine Monet playing with his paints, choosing felicitous combinations in the same way he might have combined pigments on his easel — which is why these beds have been described as paintboxes. Rather than a riot of colour, they are planted in discrete hues and kept separate from each other, below.

There are pinks….

….and mauves and lilacs….

…. and blues……

…. and yellows…..

….and reds that pair beautifully with the deep green leaves of emerging perennials…..

….and even the colour of the emerging peonies, here shown in the rings used to keep them upright in spring rains.

In Elizabeth Murray’s book Monet’s Passion: Ideas, Inspiration and Insights from the Painter’s Garden (1989, 2^nd edition 2010), she wrote: “To increase the various atmospheric effects of the garden, Monet planted rich orange, pink, gold and bronze wallflowers and tulips together on the west side of the flower garden to emphasize the effects of the setting sun.”

“Using blue with clear yellow was one of Monet’s favored color combinations…” wrote Elizabeth Murray, and this pretty pairing of Dutch irises with yellow wallflowers and tulips illustrates the wisdom of that choice.

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But it’s in the arrangement of the solid blocks of brilliantly-coloured tulips in the Grand Allée, looking under the rose arches towards the house…..

…..and to the bottom of the Clos Normand…..

….that we see the closest intimation of the paintings that Monet made in 1886 after visiting the bulb fields of Holland. Here is Tulip Fields With The Rijnsburg Windmill (1886)….

…and Tulip Fields at Sassenheim (1886).

It’s these powerful reminders of Monet’s art that makes the garden resonate for me.

8. PLANT FLOWERING TREES: Every garden needs trees with spring blossoms – Monet appreciated this, and painted the garden when his trees were in bloom, as in Springtime at Giverny (1886), below:

Whether ornamentals, like the many lovely Japanese cherries, including slender Prunus serrulata ‘Ama-no-gawa’, shown below in the Clos Normand……

….or edible fruit trees such as pears, plums and apples – like the beautiful espaliered apple trees trained as fencing around the lawn, below, spring-flowering trees play a structural role in Monet’s garden.

9. REMEMBER FRAGRANCE: It’s a simple lesson, but one that we often forget. Scented flowers should be planted where we can appreciate their fragrance. At Giverny, that means a row of Narcissus ‘Geranum’ edging the path…..

….. or a tumble of hyacinths planted where we can inhale their sweet perfume on the wind….

…… or a truss of fragrant snowball viburnum (V. x carlcephalum) at nose height as we pass by.

10. GARDEN THEMATICALLY: Claude Monet became passionate about Japanese arts and crafts. His large collection of woodblock prints by Hiroshige, Hokusai and Utamaro is still displayed on the walls of his house. And in the garden, he turned to the Japanese landscape school to inspire him in creating his famous lily pond. We see the Japanese influence especially in the presence of the bamboo…..

…daylilies……

….. ‘Kanzan’ flowering Japanese cherry, below, and other Japanese flora in the area…..

…including the brilliant azaleas and Japanese maples on its shore.

10. PLAY WITH A POND: For many visitors, the lily pond at Giverny offers the most intimate connection to Claude Monet, given that the wisteria over the Japanese bridge (like the waterlilies, not in bloom here) is the original vine and the bridge itself……

….still looks much as it did in Monet’s The Japanese Footbridge, painted in 1899.

And, of course, there were his many paintings of the famous nymphaea or water lilies, some of which I saw in 2016 in a magnificent show called Painting the Modern Garden: Monet to Matisse at London’s Royal Academy of Arts

But any pond needs context and perspective and a connection with the rest of the garden, and in this respect, Monet’s pond offers other good lessons. The edges are planted to offer foreground interest no matter where visitors stand…..

…. and the weeping willow lends an air of mystery, its long branches cascading to suggest a gauzy screen.

Standing beside the pond, it’s easy to imagine Monet here with his easel — something made easier considering there is video footage of him painting his famous water lilies here at the pond’s edge.

As we leave the pond and Giverny, it seems appropriate to conclude with one of Monet’s masterpieces, painted exactly 100 years ago, its genius that quixotic alchemy of sunlight, reflection, water and flora which, his vision failing, he strived to perfect for the last three decades of his life. I give you Water Lilies, 1917.

A November Wine Tasting

Posted on November 29, 2016 by Janet

This is my month to explore that dark, rich, full-bodied, dowager great-aunt of ‘red’ – otherwise known as ‘wine’. Or burgundy, if you like. Like its viticulture companion, a little wine in the garden goes a long way. Overdo it and you might not like the heavy feeling that results. But a little sip here and there adds depth and elegance to the garden. So let’s sample a few good vintages, shall we?

In my part of the world, spring wines are quite common, given that the Lenten roses or hellebores are flowering in profusion. This is Helleborus ‘Blue Lady’.

There are a few excellent wine-red tulips for later in spring, like the lovely lily-flowered tulip ‘Burgundy’, below.

And I loved this combination of the bicolour Triumph tulip ‘Gavota’ and dark ‘Queen of Night’ at the Toronto Botanical Garden.

I know I might have included the late-flowered tulip ‘Queen of Night’ in my blog on ‘black’ flowers, but it often shows with more red. This is that sensuous tulip spangled through an uncharacteristically wild bulb planting in the very formal Jardin des Tuileries in Paris. Notice how the repetition of the dark colour carries your eye up through the various beds, unifying them and lending them a somewhat ‘designed’ feeling in keeping with the place.

One of the more elegant little spring bulbs is snakeshead fritillary (Fritillaria meleagris). Apart from the checkered, wine-red species, there is a white form as well.

Of all the small trees for gardens, the biggest choice in red-leafed selections can be found in Japanese maples. This is the highly regarded Acer palmatum var. dissectum ‘Inaba-shidare’ at the Toronto Botanical Garden.

But the ubiquitous ‘Bloodgood’ Japanese maple (Acer palmatum) also puts on a beautiful wine-red show throughout summer, and colours beautifully to bright scarlet in fall. Here it is with the Triumph tulip ‘Boston’ in the Mary Fisher Spring Garden at the Toronto Botanical Garden.

One of the best shrubs for adding deep wine-red colour to an herbaceous border is purple smokebush. There are a few cultivars but the most common is Cotinus coggygria ‘Royal Purple’. The trick is to cut it back to the ground, i.e. ‘coppice’ it, in spring. Here is ‘Royal Purple just emerging with tulips.

Here is coppiced ‘Royal Purple’ a little later in the season with a lovely matching brushmark lily (possibly ‘Latvia’) in Bev Koppel’s wonderful garden at the Deep Cove Chalet Restaurant outside Victoria, B.C.

Here is coppiced Cotinus coggygria ‘Royal Purple’ with tropical Tibouchina urvilleana at the Conservatory Garden in New York’s Central Park.

And in Toronto horticulturist Frank Kershaw’s garden, there is an entire symphony of wine colour around Cotinus coggygria ‘Royal Purple’, including shutters, window awning and dwarf Japanese barberry.

Given all the hybridizing that’s occurred with heucheras over the past few decades, there are numerous selections with luscious leaves of burgundy and reddish-purple. At the Horticulture Centre of the Pacific outside Victoria, B.C., I adored this beautiful spring combination featuring Heuchera ‘Amethyst Mist’, Allium aflatunense ‘Purple Sensation’ and the dark-leafed ninebark Physocarpus ‘Diablo’ at rear.

Heuchera micrantha ‘Rachel’ is quite lovely.

And Heuchera ‘Pinot Noir’ has a name that fits our theme very nicely. It’s shown below frolicking with blue-flowered Gilia capitata.

One stunning peony is dark enough to be called ‘wine’, even if its actual name describes another favourite indulgence. Here is Paeonia ‘Chocolate Soldier’.

Though true-red irises have eluded hybridizers, there are many that come close to our November colour. Below is the heritage bearded iris ‘Col. Candelot’. Other deep-reds to check out are ‘Red at Night’, ‘Galactic Warrior’, ‘War Chief’, ‘Raptor Red’ and ‘Nebraska Big Red’, to name just a few.

And what about this gorgeous thing? Meet Iris spuria ‘Cinnabar Red’.

Though the mourning widow geranium (Geranum phaeum) is a little on the purplish side, I’ve included it here anyway. (And it’s a great bee flower!)

The breeders of the sweet William (Dianthus barbatus) below decided on a memorable name for their dark-flowered beauty. Meet ‘Heart Attack’, hanging out here with airy Allium schubertii at Wave Hill in the Bronx.

Early summer gives us masterworts (Astrantia major), and though many seem to be wishy-washy in their colouration, that’s not the case with ‘Hadspen Blood’, below, from Nori and Sandra Pope’s once glorious garden.

I simply adore Knautia macedonica with its dark-red button flowers that flower from spring well into autumn. It is the zingiest zing you can have in a border (or meadow), and all the bees love it, too.

Daylilies (Hemerocallis) aren’t really my thing anymore, other than the dear old orange tawny lily (H. fulva) that I have given up trying to annihilate in my garden. That being said, there are lots of wine-colored selections to choose from, including the lovelies below.

Clockwise from upper left: Strutter’s Ball, Round Midnight, Regal Finale, Tuscawilla Blackout, Black Ice, Jungle Beauty, Starman’s Quest, Jennifer Napier

Admittedly, Mexican hat (Ratibida columnifera) isn’t very showy, but it’s a fine choice for well-drained soil and a naturalistic garden.

Martagon lilies (Lilium martagon) are the epitome of elegance and will take light shade. Below is the fabulous ‘Sarcee’, named for a First Nation tribe in hybridizer Fred Tarlton’s province of Alberta. I photographed it in his astonishing collection at the Devonian Gardens near Edmonton.

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For tough, low-maintenance perennials with wine-red leaves, you simply can’t beat sedums. Below is my array of some notable selections. The bees will thank you!

We don’t always stop to observe the subtle colour changes that happen as flowers age beyond their prime. I loved this dreamy crimson-wine duo of Joe Pye weed (Eutrochium purpureum ssp. maculatum) and fountain grass (Pennisetum alopecuroides ‘Cassian’).

Japanese barberry (love it or hate it) occupies a special place in the world of wine foliage, and its response to trimming makes it especially appealing in formal gardens. Without a red barberry, how could you possibly achieve the beautiful creation below, in the Knot Garden at Filoli Garden near San Francisco? Along with the Berberis thunbergii ‘Crimson Pygmy’, we have dwarf lavender cotton (Santolina chamaecyparis ‘Nana’), germander (Teucrium chamaedrys) and dwarf myrtle (Myrtus communis ssp. tarentina ‘Compacta’).

Though not particularly showy, the pineapple-scented, deep-red flowers of Carolina allspice (Calycanthus floridus), below, are intriguing – and they fit my category!

What about trees with dark-red leaves? One that is deservedly popular – and much smaller than its parent, almost a tall shrub – is weeping copper beech (Fagus sylvatica ‘Purpurea’), below.

And I cannot go on without mentioning ‘Forest Pansy’ redbud (Cercis canadensis) – especially when it looks like this from underneath the canopy!

Now for some warm-weather wines: tender bulbs, tropicals and annuals.

A few of the pineapple lilies (Eucomis) are an interesting combination of olive and burgundy, like E. comosa ‘Oakhurst’, below. Look at that dark-red stem. (‘Sparkling Burgundy’ is another with similar colouration.)

Although they can look parkimental (park+regimental) grown in rows or Victorian-style bedding, many cannas have beautifully marked leaves and, in the right spot, add a luscious touch. Here is ‘African Sunset’ canna lily (Canna australis).

Speaking of the ‘right spot’, in Bev Koffel’s garden, a reddish canna and the deep-burgundy succulent Aeonium arborescens ‘Zwartkop’ add rich notes to an elegant urn.

Do you grow dahlias? If you like dark and dramatic, look no further than ‘Black Knight’.

Perhaps no species offers more possibilities in the wine spectrum than the foliage plant coleus (Plectranthus scutellarioides, formerly Solenostemon, formerly Coleus blumei). I was enchanted by the way the gardeners at Toronto’s Spadina House worked ‘Wizard Mix’ coleus into their late summer plantings.

Want to see a few more? Here is ‘Kong Red’…

… and ‘Dipt-in-Wine’…..

… and ‘Big Red Judy’.

Though it’s not hardy in my part of the world, Pennisetum setaceum ‘Fireworks’ is a fabulous, variegated, dark-red grass to add movement and colour to the summer garden.

I’m a frequent visitor to the Montreal Botanical Garden, and I loved seeing these burgundy-leaved tropicals against a yellow and gold three-panelled screen there a few years ago. From left rear are red spike (Amaranthus cruentus), rubber tree plant (Ficus elastica ‘Burgundy’), calico plant (Alternanthera dentata ‘Purple Knight’) and ‘Carmencita’ castor bean (Ricinus communis).

Here’s a look at the flowers of ‘Carmencita Bright Red’ castor bean (Ricinus communis). (Caveat emptor. Do be aware that this plant’s seeds contain one of the deadliest toxins known to man, ricin. Just a few salt-sized grains of purified ricin can kill an adult.)

When we visited Nancy Goodwin’s Montrose Garden in Hillsborough, NC, a few years ago, spectacular and unexpected colour combinations were everywhere. I did enjoy this red-leaf hibiscus (Hibiscus acetosella) with orange dahlias.

In my own garden, I experiment each year with the contents of the six containers on the lower landing of my sundeck. One summer, below, I tried ‘Sweet Caroline Red’ sweet potato vine (Ipomoea batatas) with Anagallis ‘Wildcat Orange’. (The truth is it looked better in June than it did in August, since the anagallis petered out and the chartreuse-leaf pelargoniums were underwhelming, but the sweet potato vine thrived.)

Speaking of pelargoniums, ‘Vancouver Centennial’ is a real winner, with its bronze-red foliage.

One of the best spiky ‘centrepiece’ annuals is Cordyline australis ‘Red Star’, seen here in a pot at the Toronto Botanical Garden. Just look how its deep tones are picked up in those colour splotches on the luscious ‘Indian Dunes’ pelargonium.

And hello ‘grains-as-ornamentals’! This was redspike (Amaranthus cruentus) with slender vervain (Verbena rigida) and ‘Lemon Gem’ marigolds (Tagetes tenuifolia) in a fabulous planting one year at Vancouver’s Van Dusen Botanical Garden.

Speaking of edibles, you can’t get find a more beautiful, wine-leafed edible than this beet: Beta vulgaris ‘Bull’s Blood’ with nasturtiums and chartreuse ‘Margarita’ sweet potato vine (Ipomoea batatas).

And my last sip for our November wine tasting is a fine, full-bodied claret – yes, ‘Claret’ sunflower (Helianthus annuus).

Whew! ‘Wine-ding’ down now, that takes me through eleven months in my 2016 paintbox. Stay tuned for December and some lovely silver ‘belles’.

Lilies in Meadows

Posted on October 11, 2016 by Janet

I spent an hour on Thanksgiving weekend planting a dozen Orienpet lily bulbs in my meadow gardens at the cottage on Lake Muskoka. A deservedly popular group resulting from complex hybridizing of Oriental and Trumpet lilies, they came from the Lily Nook in Neepawa, Manitoba, which has been in the lily-breeding business for more than 30 years. The Lily Nook also sells popular lilies outside their own registry, offering 150 varieties through their catalogue. I’ve always been impressed with their service and the quality of their bulbs.

When I say I planted the bulbs in “meadow gardens”, I mean either one of two small fields on either side of the cottage, below, but also in….

..garden beds that I originally intended to keep somewhat tame, which have now been invaded by their wild meadow brethren. This is ‘Conca d’Or’ – my favourite Orienpet, with blue Russian sage (Perovskia atriplicifolia) and ‘Gold Plate’ yarrow (Achillea filipenulina)….

Planting lilies is easy, and much like planting spring bulbs such as tulips or daffodils. The difference is that lilies can be planted in either fall or spring, unlike spring-flowering bulbs which must be planted in autumn. Fall planting works well when autumns are long and relatively mild, allowing the bulbs to root nicely before freeze-up. In my case, there is no beautiful, rich soil to work; it is truly a mess of wild grass and wildflower or perennial roots and granite bed rock. I shifted my spade around to find 10-12 inches of clear soil, then dug out any roots I could and sifted the soil a little with my hands. I had a very small amount of seed-starting mix that I added to the hole (I would recommend a better soil, if you have it, to give a good start), then plunked the fat, scaled lily bulb on top. Lilies prefer rich, free-draining but reasonably moist soil.

I gathered a pail of pine needles, and after backfilling the hole with the bulb, I mulched the soil with the needles and watered everything well. Experts recommend mulching Orienpets in cold regions, but apart from the pine needles, I’ve relied on our generally guaranteed deep snow cover to get them through winter. The pine needle mulch at least guarantees a short time for the bulb to emerge in spring without encroachment by other plants.

And when I say encroachment, in meadow gardening it’s a given that life is cheek-to-jowl and plants must be able to survive in those conditions. Here’s the Asiatic lily ‘Pearl Justien’ with wild sweet pea (Lathyrus latifolius).

This year, I bought 3 bulbs each of pink ‘Tabledance’ (who makes these names up?) and ‘Esta Bonita’, three of ‘Northern Delight’ (soft melon orange) and three more of my fave: pale-yellow ‘Conca d’Or’. The Lily Nook always adds a free bonus bulb, usually an Asiatic. While they are lovely in my city garden, they don’t seem to take as well to the meadows at the lake. The one below faded away after a few years of rough living.

Orienpets have inherited the spicy fragrance of their pink and white Oriental parents and the swoony scent of the orange and yellow Trumpets. So I’m careful to site my lilies where their exquisite perfume can be enjoyed up close. That means near a sitting area, as with ‘Conca d’Or’, below…

…. or along a grassy path where walkers can enjoy inhaling. That’s peachy ‘Visa-Versa’ at the front, and the orange Asiatic ‘Pearl Justien’ in the rear.

…. or beside the stairs to the dock….

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They are not immune to disease (especially after a rainy spring, when the stems and leaves can develop a blight) and certain little critters love them, especially red lily beetle (I don’t have many of these) and grasshoppers, like the ones below noshing on ‘Robina’ (I have thousands of these!)

This one reminded me of Dr. Strangelove riding the bomb.

Deer will take the odd chomp off the top – and that, of course means the end of the flower. But when they are happy(ish), they are my guilty pleasure – since everything else in my meadows is grown for wildlife and pollinator attraction. The liies are just for me, a little hit of luscious intermingled with the do-gooders. Let them keep company with the red ‘Lucifer’ crocosmia as it brings in the hummingbirds to sup….

…. and with the orange butterfly milkweed, as it attracts bumble bees and monarch butterflies.

Let them hang out with the bee-friendly veronica (V. spicata ‘Darwin’s Blue’)….

…. and the pink wild beebalm (Monarda fistulosa) with its hordes of bumble bees.

Here’s a tiny video of ‘Conca d’Or’, (above) playing partner to beebalm.

Yes, my meadows are big enough for a few pinup gals, like ‘Visa-Versa’, below.

And the garden beds look all the lovelier for a ravishing beauty among the humble blackeyed susans.

Black for Garden Drama

Posted on August 29, 2016 by Janet

Late August brings us into the dog days of summer, and there’s nothing that cures a dog day like a dose of drama. That’s why I reserved this month for BLACK! (And thanks to a little summer travel, I’m just getting in under the August wire.)

Of course, no plant leaf or flower is completely black. Inspected closely, there is always green (for photosynthesis) or dark red, purple or deep bronze underlying the apparent dark floral pigments. But there’s a rich roster of plants that can be called upon to inject a little black magic into the garden, whether it’s with dark-as-night foliage or betwitchingly black blossoms. And for my money, no one offers up the design potential of black like Vancouver’s Van Dusen Botanical Garden. Here’s their black and gold border, with barberries, colocasias, sedums, eucomis and black mondo grass, to name just a few. Isn’t it lovely? And doesn’t that dark foliage look spectacular paired with chartreuse?

Here’s a closer look at a portion of Van Dusen’s wonderful border, with a black taro, ‘Black Tropicanna’ (or perhaps ‘Australia) canna and ‘Brunette’ snakeroot (Actaea racemosa ‘Brunette’).

Mondo grass (Ophiopogon planiscapus ‘Nigrescens’) is one of the darkest ‘black’ leafed plants, and one of the most dramatic for pairing with bright colours. I love the way Victoria’s Horticulture Centre of the Pacific uses it in combination with Sedum ruprestre ‘Angelina’, seen below in spring when it’s still gold.

Here’s how it looks at HCP with golden oregano (Origanum vulgare ‘Aureum’).

At gorgeous Chanticleer Gardens in Wayne, Pennsylvania, the Japanese Garden employs Japanese black mondo grass as a dark edging under bamboo ‘fencing’.

Other dark, grass-like plants include fountain grass, particularly Pennisetum ‘Princess Caroline’ and ‘Vertigo’, below, shown with orange zinnias at New York’s Conservatory Garden in Central Park.

And here is Pennisetum ‘Princess Caroline’ doubling down on black with the ornamental pepper Capsicum annuum ‘Black Pearl’, a fabulous black annual.

Black and red look spectacular together, too, as demonstrated by Capsicum annuum ‘Black Pearl’ paired with annual red Salvia splendens.

The best spring bulb for injecting a little early-season black is Tulipa ‘Queen of Night’. I love this one, and use it liberally in my own spring garden. Here it is at Toronto’s Casa Loma bringing depth to citrus colours….

…. and at Toronto’s Spadina House as a pretty partner to pink….

…. and echoing the dark foliage of ‘Diabolo’ ninebark (Physocarpus opulifolius) at the Toronto Botanical Garden.

Shortly after the tulip season comes columbine season, and there’s nothing more dramatic than a black, pleated form of Aquilegia vulgaris.

One of my favourite dark-leafed shrubs is Black Lace elderberry (Sambucus nigra ‘Eva’), seen below with a pink Phlox paniculata at Northwest Garden Nursery in Eugene, Oregon.

For some reason, annual sweet potato vine (Ipomoea batatas) lends itself genetically to black colouration. Here is ‘Ace of Spades’ with yellow rieger begonias in Toronto gardener Shari Ezyk’s lovely urn.

And adding a dark carpet to sea oats (Chasmanthium latifolium) at the Conservatory Garden, in New York.

This is the fancy-leafed ‘Blackie’, with ‘Lemon Gem’ marigolds at Toronto Botanical.

Another species that has benefited ‘darkly’ from plant breeding is tropical taro or elephant ears (Colocasia esculenta). Here we see the big leaves of ‘Royal Hawaiian Black Coral’ exploding with a canna lily out of a sea of chartreuse foliage at Montreal Botanical Garden.

Black taros are also used beautifully with other tropicals at Nancy Goodwin’s Montrose Garden in Hillsborough, North Carolina.

There are some good black petunias, including yellow-striped ‘Phantom’.

Sometimes we forget that seedheads can have visual impact in a late-season garden, especially when they’re as dark as Rudbeckia maxima, shown in front of Calamagrostis acutiflora at Wave Hill in the Bronx.

Purple coneflower has dark seedheads, too. Here it is behind the golden fall foliage of Amsonia tabernaemontana in autumn.

And don’t forget the zingy seedhead possibilities of blackeyed susans!

We can also add black with furnishings, of course. Here’s a modern black steel fence I fell in love with at the Corning Museum of Glass in upstate New York.

And this black-stained garden arch is the height of design sophistication (as are black fences).

Black chairs? What about using some black stain and artistic flourish to turn a Muskoka (Adirondack) chair into a work of art, as my artist son Jon Davis did for me many years ago.

Even a simple black bistro chair can up the dark drama quotient, especially if it’s in renowned garden guru Tom Hobb’s former Vancouver garden.

In the black accessories department, you can’t go wrong with a simple black obelisk, especially when it chums with a pink daylily.

Moving to containers, black adds a dollop of sophistication via this beautiful trio of planters at Toronto Botanical Garden. No other colour would work as well with the flamenco-red flowers and foliage, all designed by horticulturist Paul Zammit.

I’ve written about Paul’s creative container designs before, but he does have a special skill for knowing just what to use, like these kitchen herbs (parsley, sage), grasses (carex, hakonechloa) and orange calibrachoas in a run of basic black iron window boxes.

I’ll finish my contemplation of black in the garden with containers from my favourite public garden, Chanticleer. Here’s a lovely black urn that repeats the black-red theme of some of the photos above, with red calibrachoa. Stunning, isn’t it?

And finally, a half-dozen statuesque black planters that are as much about defining space in this Chanticleer garden, as they are containing plants.

Janet Davis Explores Colour

In the garden & the world

Tag Archives: gardening

A Tour of My Spring Garden

Spring Lessons from Giverny

A November Wine Tasting

Lilies in Meadows

Black for Garden Drama

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