Orange: Three Fruits & a Fish – Part Two

Posted on October 29, 2016 by Janet

In my last colour blog Orange: Three Fruits & A Fish – Part One, we explored some beautiful orange-flowered perennials. Here I’ll offer up some hardy roses, shrubs and vines with orange blossoms or colourful orange fruit, then an assortment of orange-flowered annual and tropical flowers.

Shrubs & Vines

Flowering quince (Chaenomeles sp.) is one of those spring shrubs that appear in April or May, its salmon or tangerine blossoms emerging on spined branches to outshine even colourful tulips and daffodils, and attracting early bees to its pollen-rich stamens. Old-fashioned and much-planted in the 1950s, you don’t see flowering quince in many contemporary gardens today, which is a pity. The ones I’ve photographed have been in the cemetery, like this C. x speciosa at Mount Pleasant Cemetery…

…or in a botanical garden, like this exquisitely-pruned, little specimen nestled against a rock in the Japanese Garden at Montreal Botanical Garden.

Spring is also the season for wonderful rhododendrons, and we can find some good orange-flowered examples. For fifty years now (since 1957), the ‘Lights’ breeding program at the Agricultural Experiment Station of the University of Minnesota has produced some rugged, hardy azaleas (botanically rhododendrons) in a spectacular range of colours. ‘Spicy Lights’ was bred in 1987, and is a beautiful, rich salmon-orange with yellow blotches.

I love strolling along the Rhododendron Walk at Vancouver’s Van Dusen Gardens in May, when the Japanese azaleas are in bloom. Though it’s not hardy for us here in Toronto, Rhododendron molle. ssp. japonicum (USDA Zone 6) is one of my favourites there, especially with its contrasting groundcover of blue Spanish bluebells (Endymion hispanicus).

Honeysuckle vines are super-hardy, bring hummingbirds, and look fabulous with their orange & scarlet blossoms spangled over a wall or fence. This is Lonicera ‘Mandarin’, developed at the University of British Columbia.

And this is old-fashioned Lonicera x brownii ‘Dropmore Scarlet’, developed as a cross between L. sempervirens and L. hirsuta in the 1950s by the famous breeder Frank Skinner in Dropmore, Manitoba. It can grow to 12 feet (4 metres) when happy. Note the eye-pleasing effect of growing an orange-flowered vine on a brick wall – and orange brick is a subject all its own, a backdrop that can make or break a garden vignette.

One of the bigger North American native vines (to 30 feet or 10 metres) is trumpet creeper (Campsis radicans), but it must have a strong support. As its Wikipedia page says: “The vigor of the trumpet vine should not be underestimated. In warm weather, it puts out huge numbers of tendrils that grab onto every available surface, and eventually expand into heavy woody stems several centimeters in diameter. It grows well on arbors, fences, telephone poles, and trees, although it may dismember them in the process. Ruthless pruning is recommended.” Hummingbirds and bees love trumpet creeper flowers.

Roses

Not being a rosarian, I can only suggest a few orange roses that come recommended. One is ‘Westerland’, a large-flowered, repeat-blooming, upright shrub or climber that can reach 12 feet (4 metres). Its highly-fragrant flowers are produced continuously from June to frost. Bred by Kordes in 1969, it is the recipient of an AGM (Award of Garden Merit) from England’s Royal Horticultural Society. This is ‘Westerland’ at New York Botanical Garden’s fabulous Peggy Rockefeller Rose Garden.

Another tall, fragrant climber with pale, apricot-orange blossoms is ‘Alchymist’.

David Austin Roses has bred many lovely apricot- and peach-flowered shrub roses. Below is ‘Lady of Shalott’ (4-5 feet tall), an AGM winner and considered to be one of the hardiest and most disease-resistant of the English roses.

There are too many shrub roses and floribundas with orange flowers to mention, but I very much like the award-winning floribunda ‘Fellowship’.

Orange Fruit

Apart from the orange, bronze and apricot hues that many deciduous trees and shrubs take on in autumn (see my blog on orange fall colour here), there are many with jewelled orange fruits in late summer and fall, too. One of the prettiest is ‘Afterglow’ winterberry (Ilex verticillata), shown here with purple-fruited beautyberry (Callicarpa dichotoma ‘Early Amethyst’).

And I must mention firethorn (Pyracantha coccinea), which features a number of orange-fruited cultivars, including ‘Orange Glow’.

Annuals & Tropicals:

Now we get into the fun part of my orange treatment: the flowering annuals, tender bulbs and perennials, and tropical plants. Let’s start with the newish dark-leafed little Begonia ‘Sparks Will Fly’.

My pal and container whiz, Toronto Botanical Garden horticulturist Paul Zammit, worked this one into a spectacular urn creation, along with Begonia boliviensis and orange-toned cannas, lantanas and coleus.

And if you had a peek at that container blog, you’ll see that Paul does love a little orange, including the row of window boxes, below, featuring kitchen herbs parsley and sage with a mix of Calibrachoa MiniFamous iGeneration Orange and Can Can Terracotta with the grasses Hakonechloa ‘All Gold’ and Carex buchananii.

Hardworking calibrachoas (million bells or mini-petunias) have become mainstays of annual container design in the past decade or so. I loved this combination of Calibrachoa ‘Superbells Peach’ and ‘Superbells Blue’ with ‘Purple Wave’ petunias in a window-box in Niagara-on-the-Lake, Canada.

And can you say “coral” (i.e. salmon)? The fabulous duo shown below is Calibrachoa ‘Superbells Coral Punch’ and Verbena ‘Superbena Coral Red’.

I’ve been a fan of the ‘Profusion’ series of zinnias since their launch in the 1990s. I especially loved the way Vancouver’s Van Dusen Gardens scattered Zinnia ‘Profusion Orange’ through this intermingled planting with Salvia patens ‘Cambridge Blue’, bunny tail grass (Lagurus ovatus) and purple verbena (V. rigida).

I’ve included Zinnia ‘Profusion Orange’ in my own container on the deck at Lake Muskoka, below, along with yellow and apricot African daisies (Osteospermum ‘Symphony Series’) and orange nasturtiums (Tropaeolum majus).

African daisies or osteospermums come in a range of orange shades. When I was at wonderful Chanticleer Garden in Wayne, Pennsylvania, I was entranced by the combination below of apricot-flowered Osteospermum ‘Zion Orange’ with Diascia ‘Flirtation Orange’, caressed by the grassy, bronze-orange blades of Carex testacea.

Nasturtiums, of course, offer a serious orange jolt of their own. Here is Tropaeolum majus ‘Alaska’ with the signet marigold Tagetes tenuifolia ‘Tangerine Gem’. And guess what? Both are edible!

And there’s a plus to nasturtiums: hummingbirds love them.

Speaking of hummingbirds, you will almost certainly attract them to your containers if you include one of their favourite flowers, hummingbird mint or agastache. This is Agastache ‘Kudos Coral’, and it’s a good hummer lure.
Eat foods that are rich in Vitamins B6 and B12, and folic acid. levitra 20 mg Among the women who are past the stage of menopause, excessive bleeding may occur after they have been consumed. female viagra buy Avoid Penegra if you have cheapest cialis deeprootsmag.org recently taken nitrate drugs for heart problems. However erectile dysfunction relates buy vardenafil levitra to the state in 1976.

I also love the little Agastache ‘Apricot Sprite’ – it’s perfect for pots and hanging baskets, and I’ve even found that it reseeds in my USDA Zone 5 containers.

Back to marigolds, I’ve never been a fan of the big African numbers (Tagetes erecta), so stiff and regimented they seem to be suited only to park plantings. But I’d certainly love to try the willowy (18 inch – 45 cm) Tagetes ‘Burning Embers’, which I found in my friend Marnie White’s garden. Some seed sources refer to this as a selection of a species Tagetes linnaeus, (and say something about it being found in Linnaeus’s Uppsala garden) but that binomial doesn’t seem to be valid. I assume it’s simply a good form of Tagetes patula.

When I first saw orange petunias, I was taken aback as they’re a brave, new colour in those old-fashioned annuals. The one below is ‘Sun Spun Orange’ – what a fabulous container plant it would be!

Fuchsias can be orange, too, and are a good container solution for partly shaded spots. The creative combination, below, features Fuchsia ‘Gartenmeister’, Lantana ‘Landmark Sunrise’, and purple browallia, along with other annuals.

Lantanas come in many shades of peach, apricot and orange and, depending what else is in bloom, offer sweet foraging for butterflies.

Another edible flower that’s a fixture in kitchen gardens is pot marigold or Calendula officinalis. It comes in singles, doubles and shades of yellow, gold and orange. I liked this simple combo with chives (Allium schoenoprasum).

Speaking of kitchen gardens, have you noticed the great breeding work that’s being done with amaranths to take them out of the grain field and transform them into bold standouts in the ornamental border? This is Amaranthus ‘Golden Giant’.

And this is what it looks like backing up purple anise hyssop (Agastache foeniculum).

Gloriosa daisies are deservedly popular and add a little Hollywood pizzazz to common old blackeyed susans. Of the many variations in colour, likely the best selection for adding bronze-orange to the garden (there’s no pure orange) is Rudbeckia hirta ‘Cappucino’.

This is how ‘Cappucino’ looks with ‘Lemon Gem’ marigolds and purple Verbena rigida in a bed at Van Dusen Gardens. Pretty nice, right? And it’s easy to grow from seed.

Now, if you want a true-orange ‘daisy’ flower, you need only choose butterfly-friendly Mexican sunflower (Tithonia rotundifolia), either the straight species – which can grow 4-6 feet tall shown at left and middle, below, or a dwarf form such as ‘Fiesta del Sol’, shown at right with Salvia farinacea.

The most impressive ‘daisies’ of all are sunflowers (Helianthus annuus), and though none are pure orange, you can find some burnt-orange selections like ‘Evening Colors’, ‘Earthwalker’, ‘Crimson Queen’ and ‘Autumn Beauty’.

I won’t bore you with orange-flowered pelargoniums (border geraniums) because we’d be here all night, but just a mention of two with stunning foliage. The first is ‘Indian Dunes’, below, – and I do like those salmon-orange blooms.

The second is ‘Vancouver Centennial’ – invaluable for its wine-brown leaves and delicate orange flowers.

Tropical milkweed (Asclepias curassavica) has become popular to grow as annual flower in recent years as more gardeners look to attract monarch butterflies to their gardens. Like all milkweeds, its foliage is food for monarch caterpillars, and it does look pretty in combination with plants like annual Verbena bonariensis, below.

Zingy gomphrenas have seen their popularity surge – and they’re fabulous as cut flowers and dried flowers, too. If you want to try one in orange, search out Gomphrena ‘QIS Orange’, shown below with purple Ageratum houstonianum.

Ursinia anthemoides ‘Solar Fire’ veers a little from apricot-orange towards gold, but I’m including it here because I think it’s an annual that should be grown more. It looked lovely at the Montreal Botanical Garden with Echium vulgare ‘Blue Bedder’.

I’m finishing my book-length (!) dissertation on orange flowers with a handful of dahlias. Tender tubers, they are easily grown in warm soil in spring and must be stored indoors for winter. Goodness knows there are myriad dahlias of all shapes and sizes in orange, but the array below shows some of my favourites, including the aptly-named cactus dahlia ‘Bodacious’, top; and below, two more modestly-sized border varieties: the bee-friendly ‘Bishop of Oxford’ left, and ‘Pooh’, right.

Orange Flourishes

Woman does not live by Flora alone, of course. There are other ways to bring the colour orange into the garden without actually growing it. When I visited gardens in Portland, Oregon, I was delighted to see these whimsical orange accessories in Nancy Goldman’s funky backyard lair.

And do you agree with me that this Toronto garden just amped up the cool factor with bright orange chairs beside all those bobbing purple alliums?

But really, orange in the garden doesn’t have to be furniture, and it doesn’t have to be splashy. It can be as tiny and perfect as a fanciful glass bird sailing away on an ocean of frothy foliage. (Thank you Michael Renaud of Toronto’s Horticultural Design.)

And on that final “October is my Orange month” note, I will sail away into November, when we shall reconvene in The Paintbox Garden for a little “wine-tasting”. I’ll bring out some of my finest burgundies for you to sample.

Black for Garden Drama

Posted on August 29, 2016 by Janet

Late August brings us into the dog days of summer, and there’s nothing that cures a dog day like a dose of drama. That’s why I reserved this month for BLACK! (And thanks to a little summer travel, I’m just getting in under the August wire.)

Of course, no plant leaf or flower is completely black. Inspected closely, there is always green (for photosynthesis) or dark red, purple or deep bronze underlying the apparent dark floral pigments. But there’s a rich roster of plants that can be called upon to inject a little black magic into the garden, whether it’s with dark-as-night foliage or betwitchingly black blossoms. And for my money, no one offers up the design potential of black like Vancouver’s Van Dusen Botanical Garden. Here’s their black and gold border, with barberries, colocasias, sedums, eucomis and black mondo grass, to name just a few. Isn’t it lovely? And doesn’t that dark foliage look spectacular paired with chartreuse?

Here’s a closer look at a portion of Van Dusen’s wonderful border, with a black taro, ‘Black Tropicanna’ (or perhaps ‘Australia) canna and ‘Brunette’ snakeroot (Actaea racemosa ‘Brunette’).

Mondo grass (Ophiopogon planiscapus ‘Nigrescens’) is one of the darkest ‘black’ leafed plants, and one of the most dramatic for pairing with bright colours. I love the way Victoria’s Horticulture Centre of the Pacific uses it in combination with Sedum ruprestre ‘Angelina’, seen below in spring when it’s still gold.

Here’s how it looks at HCP with golden oregano (Origanum vulgare ‘Aureum’).

At gorgeous Chanticleer Gardens in Wayne, Pennsylvania, the Japanese Garden employs Japanese black mondo grass as a dark edging under bamboo ‘fencing’.

Other dark, grass-like plants include fountain grass, particularly Pennisetum ‘Princess Caroline’ and ‘Vertigo’, below, shown with orange zinnias at New York’s Conservatory Garden in Central Park.

And here is Pennisetum ‘Princess Caroline’ doubling down on black with the ornamental pepper Capsicum annuum ‘Black Pearl’, a fabulous black annual.

Black and red look spectacular together, too, as demonstrated by Capsicum annuum ‘Black Pearl’ paired with annual red Salvia splendens.

The best spring bulb for injecting a little early-season black is Tulipa ‘Queen of Night’. I love this one, and use it liberally in my own spring garden. Here it is at Toronto’s Casa Loma bringing depth to citrus colours….

…. and at Toronto’s Spadina House as a pretty partner to pink….

…. and echoing the dark foliage of ‘Diabolo’ ninebark (Physocarpus opulifolius) at the Toronto Botanical Garden.

Shortly after the tulip season comes columbine season, and there’s nothing more dramatic than a black, pleated form of Aquilegia vulgaris.

One of my favourite dark-leafed shrubs is Black Lace elderberry (Sambucus nigra ‘Eva’), seen below with a pink Phlox paniculata at Northwest Garden Nursery in Eugene, Oregon.

For some reason, annual sweet potato vine (Ipomoea batatas) lends itself genetically to black colouration. Here is ‘Ace of Spades’ with yellow rieger begonias in Toronto gardener Shari Ezyk’s lovely urn.

And adding a dark carpet to sea oats (Chasmanthium latifolium) at the Conservatory Garden, in New York.

This is the fancy-leafed ‘Blackie’, with ‘Lemon Gem’ marigolds at Toronto Botanical.

Another species that has benefited ‘darkly’ from plant breeding is tropical taro or elephant ears (Colocasia esculenta). Here we see the big leaves of ‘Royal Hawaiian Black Coral’ exploding with a canna lily out of a sea of chartreuse foliage at Montreal Botanical Garden.

Black taros are also used beautifully with other tropicals at Nancy Goodwin’s Montrose Garden in Hillsborough, North Carolina.

There are some good black petunias, including yellow-striped ‘Phantom’.

Sometimes we forget that seedheads can have visual impact in a late-season garden, especially when they’re as dark as Rudbeckia maxima, shown in front of Calamagrostis acutiflora at Wave Hill in the Bronx.

Purple coneflower has dark seedheads, too. Here it is behind the golden fall foliage of Amsonia tabernaemontana in autumn.

And don’t forget the zingy seedhead possibilities of blackeyed susans!

We can also add black with furnishings, of course. Here’s a modern black steel fence I fell in love with at the Corning Museum of Glass in upstate New York.

And this black-stained garden arch is the height of design sophistication (as are black fences).

Black chairs? What about using some black stain and artistic flourish to turn a Muskoka (Adirondack) chair into a work of art, as my artist son Jon Davis did for me many years ago.

Even a simple black bistro chair can up the dark drama quotient, especially if it’s in renowned garden guru Tom Hobb’s former Vancouver garden.

In the black accessories department, you can’t go wrong with a simple black obelisk, especially when it chums with a pink daylily.

Moving to containers, black adds a dollop of sophistication via this beautiful trio of planters at Toronto Botanical Garden. No other colour would work as well with the flamenco-red flowers and foliage, all designed by horticulturist Paul Zammit.

I’ve written about Paul’s creative container designs before, but he does have a special skill for knowing just what to use, like these kitchen herbs (parsley, sage), grasses (carex, hakonechloa) and orange calibrachoas in a run of basic black iron window boxes.

I’ll finish my contemplation of black in the garden with containers from my favourite public garden, Chanticleer. Here’s a lovely black urn that repeats the black-red theme of some of the photos above, with red calibrachoa. Stunning, isn’t it?

And finally, a half-dozen statuesque black planters that are as much about defining space in this Chanticleer garden, as they are containing plants.

June Purple at Spadina House

Posted on June 9, 2016 by Janet

There’s no better place to celebrate ‘purple’ – my featured colour for the month of June – than the lush, lupine-spangled, late-spring gardens in the ornamental potager behind Toronto’s historic Spadina House.

Now a city-owned museum, Spadina House was built in 1866 by Toronto’s James Austin (founder of Dominion Bank, later merged to become Toronto-Dominion Bank, then TD Bank). The property, at the time a 200-acre concession, had been settled originally in 1818 by Dr. William Baldwin, an Irish-born lawyer, doctor, schoolmaster and eventual two-term assemblyman in the town of York (later called Toronto) on land inherited by his wife Phoebe Willcocks and her sister Maria, from their father Joseph. Sitting at the crest of the hill that leads from midtown to downtown – in historical geologic terms, it’s the escarpment overlooking the sloping shoreline of Lake Ontario’s ice-age predecessor, Lake Iroquois – Dr. Baldwin mentioned the name for his new rural home in a letter to his family in Ireland. “I have a very commodious house in the country. I have called the place Spadina – the Indian word for Hill or Mont.” Baldwin’s name came from his hearing of the Ojibway word ishapadenah, which meant “hill” or “rise of land” (and its correct pronunciation for the house is Spa-DEE-na, not Spa-DYE-na). Using a width of two chains (132 feet), Dr. Baldwin also laid out Spadina Avenue itself from Queen Street north to Davenport, at the bottom of his hill. In 1837, Lieutenant-Governor Bond Head ordered the extension of the road further south, almost to the lake.

What is Purple?

Before we head to the back garden at Spadina House, let’s look for a moment at colour. Purple is not a spectral hue, like short-wavelength indigo and violet – the “I” and “V” in our old mnemonic ROYGBIV for the red-orange-yellow-green-blue-indigo-violet of the visible spectrum we see in a rainbow.

Rather “purple” is a word that people today use to describe various combinations of red and blue; it’s also sometimes used to describe colours that are really indigo or violet. It’s a muddy minefield of a colour word, its use open to broad interpretation and its misuse widespread (especially in plant catalogue descriptions!) But purple has an actual history, its etymological origins in the Greek word πορφύρα (porphura), the name given to an ancient pigment from the inky glandular secretions of a few species of spiny murex sea snails that have been harvested from the eastern Mediterranean, perhaps as early as 1500 B.C. In her fascinating book Color: A Natural History of the Palette, Victoria Finlay recounts how she visited the Lebanese city of Tyre, stayed in the Murex Hotel, and sneaked past guards to get to the ancient dye baths that gave rise to the colour Tyrian purple. When she finally found samples of cloth dyed with the colour in the National Museum in Beirut, Finlay was surprised and delighted. “Because it wasn’t purple at all: it was a lovely shade of fuchsia.” More like the hue Pliny wrote about in the first century A.D. “Next came the Tyrian dye, which could not be purchased for a thousand denarii a pound”, and “most appreciated when it is the color of clotted blood, dark by reflected and brilliant by transmitted light.” A colour, perhaps, like this web version of Tyrian purple, below, which looks like Finlay’s deep fuchsia-pink.

The august figure in the centre of my Tyrian purple sample is the Byzantine Emperor Justinian 1 (482-565). Note the “clotted blood” colour of his garments. Justinian was responsible for building the magnificent Hagia Sophia in Constantinople (now Istanbul) in 537, and there is a purple connection to that ancient structure. When I visited it a few years ago, I was struck by the crimson-red pillars; they are made of the mineral porphyry, a word which also traces its roots to the Greek word for purple.

If you were of high enough rank in the Byzantine Empire to warrant Tyrian purple robes, you were considered “born in the purple” and your honorific name very possibly reflected that fact, as with young Porphyrogenetos, below, (Latin, Porphyrogenitus, Greek Πορφυρογέννητο), son of the emperor.

But much earlier – 500 years earlier – Roman emperors had worn Tyrian purple, including the most famous of all, Julius Caesar (100-44 B.C.). In fact, unless you had the power and wealth to wear Tyrian purple robes, you were prohibited from wearing the colour, and could be executed for daring to do so. When Caesar visited Cleopatra in 49 B.C., her sofa coverlets were recorded as having been “long steeped in Tyrian dye”. And in the painting below by French artist Lionel Royer, “Vercingetorix throws down his arms at the feet of Julius Caesar” (1898), we see Caesar adorned in Tyrian purple robes.

Over the eons, I think it’s clear that we’ve come to view “purple” as less reddish (as in clotted blood) and more blue, a kind of deep, rich violet. So let’s head to the flowery back garden at Spadina House and see if we can visually puzzle out some other “purplish” hues.

Back to Spadina House

In the large ornamental potager behind Toronto’s historic Spadina House, the “cottage garden look” is very much in evidence. Within a formal structure of four even quadrants and intersecting cinder paths are rows of vegetables, strawberries and herbs surrounded by a billowing perimeter of herbaceous perennials, including plants like Virginia bluebell, lupine, peony, iris, anthemis, Shasta daisy, veronica, tradescantia, catmint, Japanese anemones and asters, among many others. Old-fashioned annuals grown in cold frames beside Spadina’s greenhouse are planted in the borders each spring. Behind a hedge to the north is an orchard of heritage fruit trees, and south of the house are lawns with old shade trees overlooking downtown Toronto and Spadina Road. And next door is famous (but much younger) Casa Loma.

But in early June, it’s all about lupines, irises, sweet rocket, baptisia and peonies, and there’s a decidedly PURPLE tinge to the garden.

Leaving aside Tyrian purple from ancient history, to my eye this is what purple should look like.

To see a contemporary emblem incorporating the colour purple, look no further than a U.S. military Purple Heart.

At Spadina House, purple is at its best in the deepest-colored flowers of the gorgeous Russell hybrid lupines. Purple lupines grow with lilac-purple chives (Allium schoeneprasum) ….

…and with mauve and white sweet rocket or dame’s rocket (Hesperis matronalis) and luscious violet-purple bearded irises….

Sometimes those purple lupine flowers have Tyrian purple markings (or what we might nowadays call fuchsia-pink) and attract the attention of bumble bees who are strong enough to force open the petals.

Some of Spadina’s beautiful Siberian irises (Iris sibirica) are also purple.

Now I’m going to move on to another ‘purplish’ colour, one that takes its name from the visible spectrum, but also gives its name to a large class of flowers, i.e. violets. In this case, I’ve added a little VIOLET poster girl to the colour swatch, our own native common blue violet Viola sororia. Notice that qualifier “blue”….. ?

Though colour terminology in flowers is very arbitrary, “violet” is also seen as purple by many, but it does have more blue than my purple swatch above. It is seen in many of Spadina’s lovely old bearded irises. Note the difference in hue from the lupines.

Bearded irises come in a rainbow of colours, but the duo below is the classic complementary contrast of yellow-violet from the artist’s colour wheel.

Valerian (Valeriana officinalis), below, is a pretty June companion for violet-purple bearded iris.

Columbines (Aquilegia vulgaris) are charming June bloomers and their colour can be violet-purple, as well as pink, white, yellow, red and much more.

Here with see violet columbines with a single orange poppy (Papaver rupifragum).

And here is columbine consorting nicely with yellow flag iris (Iris pseudacorus) in front of Spadina’s greenhouse.

There is an intense colour of violet with much more blue (yet still not completely in the blue camp) that can be described as BLUE-VIOLET, below.

At Spadina House, some of the Siberian irises have much more blue pigment in their petals and can be described as blue-violet.

Another purplish colour that borrows its name from the world of flora is LAVENDER. Although there are a number of plants we can call ‘lavender’, the one I think of as having flowers of this colour is English lavender, Lavandula angustifolia. That is the plant I’ve put in my lavender-purple swatch below. Less intense, more blue, but a sort of greyed blue.

At Spadina House, I do see English lavender in June, looking quite lovely with the miniature pink rose ‘The Fairy’.

And it’s also in the flowers of the herbaceous clematis, C. integrifolia, seen here with sweet rocket.

Blue false indigo (Baptisia australis) is a wonderful native northeast perennial, and though it doesn’t sit perfectly in my lavender-purple camp, being a little more intensely blue, it is quite close. And certainly not a true blue.

Here it is with the classic white peony ‘Festiva Maxima’. Isn’t this beautiful?

Now we move to yet another variation on blued purple that takes its name from flowers. I’m talking about LILAC. In my view, this one should look as much as possible like the flowers of common lilac (Syringa vulgaris), so that’s what you’ll find in my lilac colour swatch, below. In art terms, this one might be described as a tint, i.e. paler in intensity.

At Spadina, some of the columbines are soft lilac.

And some of the bearded irises, too, like the luscious heritage iris ‘Mme. Cherault’.

The next variation on purple moves further into the red family. Meet MAUVE, below. This color has its etymological roots in the French language, for the French word for the European wildflower common mallow (M. sylvestris) is la mauve. However, its language roots aren’t buried in ancient Greece, but in east end London in Victorian times. For it was here, in 1856, that Royal College of Chemistry student William Henry Perkin, while using coal tar in a quest to discover a synthetic alternative to malaria-curing quinine, came up with a solution with “a strangely beautiful color”. At first, according to Victoria Finley in her book, he called it Tyrian purple, but changed the name to a French flower (la mauve) “to attract buyers of high fashion”. It was a great hit. “By 1858 every lady in London, Paris and New York who could afford it was wearing ‘mauve’, and Perkin, who had opened a dye factory with his father and brother, was set to be a rich man before he reached his twenty-first birthday.”

Mauve’s affinity to red means that people will often say “mauve-pink”, rather than mauve-purple, but there are good reasons for including it in my discussion of purples, if only to differentiate it visually from the more blue hues. At Spadina House, we see mauve in many of the sweet rocket flowers (Hesperis matronalis).

It’s quite clear, when I contrast sweet rocket with some of the irises, that our lexicon for colour proves to be difficult and often ambiguous. Colour vision is a relationship, not an absolute, that depends on our own eyes and of course colour rendition in the medium for viewing, if not in ‘real life’, i.e. a phone or computer screen. What I see is a mauve sweet rocket flower beside a bearded iris with light violet standards and true purple splotches on the falls. But this is a tough one!

Finally, here is mauve sweet rocket with more of Spadina’s beautiful lupines. And what colour do you think those lupines are? I will leave that one with you to ponder.

Later in the month, I promise another look at purple — this time without quite so much colour terminology. Happy June!

Janet Davis Explores Colour

In the garden & the world

Tag Archives: design

Orange: Three Fruits & a Fish – Part Two

Black for Garden Drama

June Purple at Spadina House

Share this:

Share this:

Share this: