Tag Archives: American Horticultural Society

We Sail to Wellington

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In my last few blogs on our 2018 American Horticultural Society tour of the beautiful designed landscapes and natural areas of New Zealand, I wrote about the gardens of the Marlborough region on the South Island.  With just a few days left on the tour, we were ready to sail back to the North Island where we had begun more than two weeks earlier. As we waited for the Interislander Ferry to load, we wandered around and window-shopped in the small, picturesque town of Picton. You can see the previous ferry heading out into the Marlborough Sounds.

On board, we sailed out through the tops of green hills which form the fingers of land and islands that are the Marlborough Sounds.  If you read my blog on our spectacular overnight stay in Doubtful Sound at the southeast tip of the South Island, you’ll see the difference between these hillsides, which are often cloaked in invasive conifers referred to as ‘wilding pines’, and those on Doubtful Sound, which were cloaked in a variety of native tree ferns and evergreen trees and shrubs.

The Marlborough Sounds are known in geology as drowned river valleys. Eighty-five million years ago, New Zealand broke away from the supercontinent Gondwana, which also included Africa, India, South America, Antarctica and Australia.  This drifting body of land about the size of half of Australia, called Zealandia, subsided almost entirely into the Pacific Ocean. Thirty-five million years ago, Zealandia was less than one-third the size of modern New Zealand and occurred as an archipelago of islands, then was uplifted by volcanic activity at the junction of the Pacific and Australian plates.  These collisions raised up the hills on the east side of the north island and the mountainous backbone of most of the south island, i.e. the Southern Alps including Mount Cook, which we had hiked under four days prior.  New Zealand’s oldest rocks, from Gondwana, are sedimentary in nature and dated at 510-360 million years old. Its Greenland Group rocks are similar to those found in eastern Australia and Antarctica.

Looking down from space over the Space Shuttle Challenger you can see the Marlborough Sounds and the cloud-shrouded Cook Strait, on the shores of which lay the wonderful Paripuma garden we’d visited hours earlier.  Cook Strait connects the Tasman Sea on the east in the upper left and the Pacific Ocean to the west.

Our route this afternoon and early evening would take us down Queen Charlotte Sound and into Cook Strait…..

…..then into the protected harbour at the bottom of the North Island where the city of Wellington lies.

We passed a variety of holiday houses clinging to the slopes of Queen Charlotte Sound…..

…… and of course all the wilding pines.  I wrote about New Zealand’s effort to eradicate these trees in my earlier blog on Queenstown.

Courtesy of our knowledgeable, New Zealand-born tour host Richard Lyons, I enjoyed a Speight’s beer as the ferry sailed down the sound.  The wind was constant and in places buffeted so much that others went inside, but I decided it was too beautiful to leave.

I used my zoom lens to check out details on the shore of Queen Charlotte Sound, like these mussel lines.

The Picton-bound Interislander passed us on starboard.

As we passed Arapawa Island on our left, I could make out tiny sheep on the hills. In fact, Arapawa has a specific breed of sheep. Island ecology!

As Cook Strait came into view, the wind became relentless.

I photographed some of my tour pals being blown about as they compared images. Though Cook Strait is renowned for its rough waters…..

…… it was not terribly rough on this day, and before long we were sailing towards the sunset over the North Island.

Finally, the lights of Wellington came into view.

Not long after docking, we were comfortably ensconced in the Copthorne Hotel Oriental Bay, looking out over the boats moored in the harbour.

The next morning, the view across the bay was much brighter……

…. and we headed out for our Wellington tour. Our first stop was Government House, the home of New Zealand’s Governor-General.  Because of the nature of our tour, we were taken around the gardens, which have been named one of the Gardens of National Significance.

In 1990, they redesigned the grounds to focus on native plants like New Zealand flax (Phormium tenax) and fierce lancewood (Pseudopanax ferox) with their Dr. Seuss-like shapes.

Borders featured native grasses like toetoe (Cortaderia richardsonii) mixed with ornamentals such as hydrangea….

….. and a reflecting pool created a beautiful focal point.

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At the rear was a vast lawn for use in official ceremonies. It had a colourful border where…..

…. monarch butterflies were foraging on single dahlias.  (New Zealand’s monarch butterfly population does not migrate.)

We walked down the hillside behind Government House where a magnificent collection of colourful conifers was arrayed like a tapestry.

Our tour continued inside the building where we heard the history of the British colonial role in New Zealand, which is an independent constitutional monarchy.

I loved these official dining chairs, which featured the crests – and often the plants – of the country’s various regions.

Then it was time to head to lunch at an appropriately-named restaurant on Lyall Bay.

Afterwards, I walked across the road to get a closer look at the brand-new Lyall Bay Surf Life Saving Club, which replaced the old 1950s club.

Then we were dropped off at the stunning Te Papa Tongarewa Museum of New Zealand on the edge of Lambton Harbour, fairly close to our hotel.

Our first stop was a tour of the native garden behind the museum, where various nature programs occur.

I could have spent a long time photographing in this garden, but……

…… there was so much to see inside the museum!

I loved the ecology displays, naturally.

And I could have used this display in a lot of places in the previous few weeks.

If you read my post called Bay of Islands – Māoris, Kauris and Kia Ora, you might remember the magnificent protected Kauri forest we visited. This is a piece of fossilized kauri gum (Agathis australis) with a trapped insect.

When we left to head back to our hotel, we walked between the museum and the harbour where there was a very cool native landscape…..

…. that was designed by the firm Boffa Miskell.

After walking along the ocean for a while, we came to a pretty view of Oriental Bay and our hotel at the base of the hill. At the top is St. Gerard’s Church and Monastery.

We finally arrived back at our hotel. On our last day, we’d have time to walk down Oriental Parade, the road flanking the bay. The beach here is extremely popular with fit, active Wellingtonians, including these participants in a swim race.

Putting our feet up at the hotel, we sampled a glass of the wine from the renowned vineyard that Doug did not get to visit in Marlborough…..

….. then headed out to Whitebait Restaurant on the pier across the road. It was exquisite.  This was just one dish: smoked Mount Cook alpine salmon cured in sauvignon blanc, dill and oyster cream with dilled carrots.

Then it was time to head to bed. Tomorrow we had three gardens to visit in Wellington!

*******

I will complete the last few entries in my NZ trip journal as soon as I return from Chile and Argentina in late March. Ciao!

A South Island Farewell at Upton Oaks

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Having travelled through the gardens of New Zealand’s North Island for 6 days, followed by 11 days on the South Island, we were about to visit our last South Island garden before taking the inter-island ferry from Picton to Wellington for our final 3 days. After the morning spent at Marlborough’s Barewood Garden followed by Paripuma on the shores of Cook Strait, we pulled up to a welcoming sign that gave a hint at the formal bones of this garden in the village of Rapaura just northwest of Blenheim……

….. and peeked over the fence at a charming 1911 house framed by foliage.

Owner Sue Monahan was waiting to greet us all and explain a little about her garden, which she has designed as a series of hedge-enclosed ‘rooms’,…..

….. then we were free to wander. I walked in front of the house, with its ‘Burgundy Iceberg’ roses and Auratum lilies wafting perfume….

…..near the welcoming front veranda.

Nearby was the first section of Sue’s formal garden where we walked among four hedged parterres…..

…… each segmented into either square or diamond patterns. (As with all our Marlborough gardens on this day, the bright sun created too much contrast for good photography, but I tried my best.)

Sue had organized the sections loosely by colour, including reds….

….. and whites. I like this mid-summer (January in New Zealand) combination of dahlia and phlox.

Sue used loads of dahlias in lovely colours in these beds….

…. and the singles were attracting bees.

Dahlias are such good workhorses when they’re grown well, and Sue had paired this luscious deep-pink…..

….. with thalictrum, one of the best see-through plants.

Adding its own purple punch was cardoon (Cynara cardunculus).

The adjacent garden room featured lawn and four flower beds with a central formal pool.  The shade beds contained hydrangeas and agapanthus….

…. and the circular pool featured water lilies and a fountain.

I loved this impressive spiral topiary.


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It was a hot afternoon, and Sue had set chairs out in the shade.

I could only imagine how welcoming this swimming pool would be in New Zealand’s warm summers…..

….. or the hammocks hanging in the leafy shade of the olive grove.

There was even a dovecote with a flock of white pigeons!

At the back of the property was a lovely little garden…..

….. that belonged to Upton Oak’s guest cottage……

…….named Laurella, after the Monahans’ daughters. There is a wonderful story about how this cottage, which can be rented as a Bed-and-Breakfast with a minimum 2-night stay, came to be moved to Upton Oaks, where Dave Monahan, a well-known woodworker, refurbished it.

This is the wedding gazebo in front of Laurella….

…. and when we were there, Dave was building a new cottage on the site….

…. which will complement Laurella.

On the way to the dining terrace for lunch, I walked through a little orchard and passed a brick wall espaliered with fruit trees.

Nearby was a potager bursting with edibles.

Before sitting down to lunch, I visited the washroom, where Sue had made a lovely bouquet of flowers from her abundant garden.

Then it was time to find a seat on the terrace…..

….. and enjoy our catered lunch. It reminded me that we had been so privileged to dine al fresco in some of the most outstanding gardens in New Zealand during our tour thus far – a great testament to our NZ-born, Pennsylvania-based tour leader Richard Lyon’s expansive network of gardeners.

We bade farewell to Sue and Dave Monahan…….

……then proceeded towards the little town of Picton and the Interislander ferry terminal for our afternoon sail to Wellington and the North Island.

A Visit to Barewood Garden

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It’s a year since we did our New Zealand garden tour with the American Horticultural Society, and though I almost completed blogging about the beautiful gardens last winter, I didn’t quite finish before spring gardening began and more travel to Denver and Texas interrupted my focus. So today’s blog takes us back to the Marlborough region on the South Island. Pretend you just finished reading my last NZ blog, mosaic artist Josie Martin’s fabulous Giant’s House Garden at Akaroa, on the tip of the Banks Peninsula south of Christchurch.  Now we’re going to head north via an overnight in Christchurch into Marlborough’s Awatere Valley south of Blenheim to Joe and Carolyn Ferraby’s beautiful Barewood Garden Farm, their 690 hectare (1705 acre) property.  We gathered together at the bottom of a hill to watch a shepherd…..

….. guide his sheep dogs as they herded a large flock.

Then we went inside the shearing shed, where we watched the shepherd shear a big ewe……

….. after which the wool from this Merino cross…..

…. was heaped upon a table, where it would be braided and taken to auction.  Ten percent of the farm’s production is wool; the remainder is from lamb export sales.

I made a short video that shows the shepherd’s skill at herding the sheep and also shearing them. As Joe says in the video, the farm has a number of shearers who would normally do this work, leaving the shepherd to handle the flock outdoors.

Then it was time to see the garden. Alas, sometimes it’s necessary to visit beautiful gardens in brilliant midday sun, which creates very difficult light conditions and extreme contrast, so I didn’t do a lot of photography in Carolyn’s beautiful, colour-themed borders. (Added to which, I somehow had my new phone stuck on square format…..)  But let’s take a little tour anyway. In this climate, one of the best defences from the heat is a shady pergola, and this was a lovely one, wreathed in white roses.

It’s where Carolyn served us lemonade……

….. and a delicious cake with cherries from the garden. We were so lucky to dine and snack in most of the gardens on this fantastic tour.

I noticed that the garden featured lovely summerhouses and patios for lounging with a book ……

….. or al fresco dining……

….. or simply sitting in a kiwi-green chair to relax.

But it was time to leave the shade of the wrap-around verandah, where Carolyn’s background as a florist is in beautiful evidence……

….. and walk down the sunny lawn…..

…. where we found a long, cool allée, the hawthorn walk………

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…. and hedge-enclosed borders, which featured perennials and perfumed roses….

…. and tall, fragrant lilies.

There was a blue, yellow and white border. Oh, what I would have given to be there in early morning or on an overcast day to see all these treasures…..

…. like the azure agapanathus.

Speaking of agapanthus, Carolyn grew a paler variety overlooking the pond…..

…. and beside the fenced orchard….

…. where apples and peaches were ripening in mid-summer.  This fruitful part of the country, after all, is where most of New Zealand’s wine industry is located.

A cobble path led through the enclosed potager, which featured Tuscan kale……

…. and lavender, and lots of unusual edibles….

…. like New Zealand cranberries (Ugni molinae).

Beside the wall of the house was a pretty blue-and-purple garden, with cranesbills (Geranium ‘Rozanne’), plumbago and more agapanthus. You can see below what a difference a little shade makes in photography.

Then we had just enough time to greet Joe and Carolyn Ferraby outside their….

….little gift shop, where we shopped for souvenirs. Among the many lovely items, we found sheep-themed tea-towels and…..

….. bars of fragrant New Zealand floral soap.   Then it was time to say farewell, and head out on the road in Marlborough.

The Giant’s House – A Mosaic Master Class in Akaroa

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Our third Banks Peninsula garden was certainly the most unusual. While Sir Miles Warren’s Ohinetahi was a classical, architectural achievement and Jill Simpson’s Fishermans Bay Garden was rich in a layered horticulture/conservation sense, Josie Martin’s The Giant’s House was the most zany, idiosyncratic, colourful, free-spirited, artistic garden of our entire tour.  After walking up a steep road, Rue Balguerie (yes, it was a small French settlement in the 19th century, though the English had claimed it first) lined with “New Zealand dandelions”, i.e. agapanthus…..

…. we passed a flowery bench and entered a mosaic wonderland that would be right at home in Ravenna.

The Italianate house known as Linton was designed by Christchurch architect A.W. Simpson and built in 1881 from native New Zealand totara and kauri timber for Akaroa’s first bank manager, Arthur Henry Westenra, who, according to his obituary, “had a love of horticulture in all its branches”.  But for 25 years, The Giants House has been the horticultural and artistic playground of painter/sculptor Josie Martin.

It’s a beautiful building, the central mahogany staircase imported from France, the ceilings high, the walls of the bed-and-breakfast bedrooms decorated with Josie’s colourful paintings, the doorway decked in bougainvillea and roses.

There is so much tongue-in-cheek fun and clever allusion in the gardens here, it’s at first difficult to grasp the level of artistry and commitment that was needed to transform this large, hillside property into a master class in mosaics. As I strolled in front of the house on a turquoise tile walkway, I heard the sound of Edith Piaf nearby.

And there, arrayed on a lawn just inside the entranceway, with the rolling hills of Akaroa as background, was Josie Martin’s mosaic orchestra.

The funky quartet went by the name Kitty Catch-me and the Rolling Dice…..

….. and the bench offered a comfy place to listen to the music.

The grand piano, Sweet Patooti…..

…… had keys fashioned from black and white mosaic tiles…..

…… and was filled with echeverias.  As I gazed beyond, the steep grade change behind the house up to the back of the property was evident. But climbing that hill was going to be great fun!

I climbed the flower steps out of the French music room….

……..and began my magical mystery tour, past the curving rainbow bench……

….. and the good ship Isola Bella, passing swimmers circling…. Lake Maggiore?…..

…. while staring awestruck at the hillside behind the house.

That this is all the creation of one determined woman is mind-boggling. So let me get you a glass of mint lemonade….

….. from the Artist’s  Palate cafe….

…..and introduce you to Josie Martin, below. That she is as eccentrically artful and beautiful as her house and garden is not unexpected.  An accomplished painter & sculptor, she has exhibited in 29 solo shows and had residencies and workshops around the world. Many of her paintings feature here in a gallery at the top of the garden, designed incidentally by Ohinetahi’s Sir Miles Warren. Online, she’s been described as “Akaroa’s answer to Salvador Dalí, bringing the don’t-take-it-all-so-seriously message to those who listen and many who won’t” (NatGeo). An Australian visitor described her as “Antoni Gaudi, Joan Miro, Salvador Dali and Dr Seuss, with a blast of New Orleans mardi gras.”

She made her first mosaics from some pieces of broken china she found as she was clearing out the overgrown property some 20 years ago.

One thing led to another. She embarked on more complex installations, designing the forms, then having local craftsmen build them from concrete and reinforced steel, before colouring and applying the mosaics herself.  Begun as the engineering remedy for a rain-triggered mudslide and bank collapse,  the “Place des Amis”, below, took her three years to complete…..

….. with Jimmy, Rosa, Henrietta and others sitting around the ballerina tutu table in a fanciful town square.

That’s Ruby Delicious with the bouquet, below.

A little further into the garden were Adam & Eve……

…..and of course, the serpent.

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I walked beside the bird-topped wall,which fulfils a retaining wall function in the most whimsical way possible.

Then I passed the mosaic butterflies……

…… and climbed the blue stairs….

…… to look back down on the house.  Like the vast majority of gardens we’d visited in New Zealand, Josie’s property is on a steep slope. If you recall from my blog on Ohinetahi, the Banks Peninsula is essentially two spent volcanoes – Lyttelton (11-10 million years ago) and Akaroa (8-9 million years).  Akaroa Bay, glimpsed through the trees to the right of the house, is recent (only about 6,000 years ago) and like Lyttelton Bay is the result of the ocean flooding Akaroa’s crater.  But it was the Christchurch-area earthquakes of 2010-11 that seriously damaged the major port at Lyttelton that have indirectly led to a huge increase in cruise ship traffic to Akaroa bay and the little town (population 624 in 2013) – and, of course, to Josie’s garden, where tours arrive regularly when the big ships are in town.  (That succulent-topped column below is called Bluebell).

Along this terrace were flying acrobats — oh, and box-edged parterres with herbs and veggies!  That pale-pink building with the yellow entrance awning is Josie’s art gallery.

Up the stairs to the next terrace between hedges of brilliant breath-of-heaven (Coleonema pulchrum) were the Magician and Angel, with Marcel Marceau looking on.

Check out those ‘Zwartkop’ aeoniums!  Akaroa’s climate is mild which has enabled not just the mosaic artistry, but the planting choices.

What imagination!

The Bonbon Palace is the faux entrance to a playhouse. Well, the entire garden is a playhouse, let’s face it! In fact,The Giant’s House got its name from the words of a child who looked at it looming up the hill and decided a giant must certainly live there.

I walked along this path and spotted those intriguing yellow arms above…….

…. and climbed up to discover a menagerie guarding a peacock throne — but one quite unlike the royal seat of a Mughal emperor.

And yes, the yellow arms seemed very happy.

Look at the beautiful tile work on the floor here…..

….. and on the walls.

I loved all Josie’s insects…….

….. and birds, including the iconic New Zealand kiwi, which…….

…..adorned the wall of the steps leading to…….

….. a magical flower grotto.

I think this was my favourite piece, and I looked at it from a mirrored arch in front.  Spiral aloes, too!!

Nearby were roses and ripening pears. They reminded me that The Giants House is very much the domain of a skilled gardener.

Though I could have spent hours more here, it was time to head down yet another set of mosaic steps…..

….. past a line of whimsical columns, towards the exit.

I’ve seen 1st century BC mosaic floors on the island of Delos in Greece and 12th century mosaica in the Basilica di San Marco in Venice and 15th century çini mosaics in Istanbul’s Topkapi.  But Josie White’s floriferous, fantastical, surrealist mosaic hillside in Akaroa is the most fun I’ve had in a garden in years.

Fishermans Bay Garden

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Looking at a Google Maps satellite view of the Banks Peninsula is one thing, but driving the hilly landscape from garden to garden is quite another.  We were now heading from Sir Miles Warren’s garden at Ohinetahi on Governors Bay (#1 below) to the “eastern bays” of the peninsula to visit Jill & Richard Simpson’s Fishermans Bay Garden (#2) and enjoy lunch there before ending our afternoon at The Giant’s House in Akaraoa (#3).  (Click to enlarge the map.)

The drive to Fishermans Bay took us an hour and forty minutes and encompassed some of the most beautiful scenery we’d seen in New Zealand. A quarter-of-an-hour past Governors Bay, we drove past roadside stock pens and wild phormiums (P. tenax or harakeke).

We passed rocky outcrops at Gebbies Pass, below, that geologists call the “Gebbies Rhyolite”. It’s what’s left of volcanoes that occurred in the Late Cretaceous, around 81 million years ago. (And thank you to Dr. Greg Browne of GNS Science, New Zealand, for identifying the rock type for me.)

We climbed the hillside around Duvauchelle, from which some of the finest New Zealand woolens are exported around the world.

We passed olive groves near Robinsons Bay, home of a tasty, extra-virgin oil.

Then we came to our first sighting of the “eastern bays” — also known as the Wildside —  a series of headlands and inlets jutting out from the peninsula into the Pacific.  And I would be lying if I didn’t admit that this part of the trip was a little white-knuckle in a large bus, but we were soon…..

….. slowing down on a long access road, past the neighbouring farmer’s sheep running away…..

….. and beehives buzzing….

….. to park beside a rustic old shed framed in agapanthus and wildflowers…..

….. and be welcomed with a sign that we’d arrived.

We walked towards a pretty house with a little entrance garden featuring roses, Spanish lavender and an olive tree.

The owners of Fishermans Bay Garden, Jill and Richard Simpson, greeted us and gave a little introduction to the garden, which she later described to me as a “love story”. (You can hear her tell this story in the video at the end of this blog.)  Jill was working as a landscape designer in Christchurch when they met and fell in love. A dairy farmer, Richard already owned the property – all 300 hectares (790 acres) of it, as well as a dairy farm in Springston west of Christchurch. They would bring their family of six children (three each) to the property for holidays. Once Jill’s children were old enough, they renovated the house and moved to the peninsula. That was 12 years ago, and Jill has been making gardens there ever since.

We began in the long double herbaceous border…….

……. with beautiful  combinations of perennials and lots of fragrant lilies…..

….. and this spectacular rose, below, ‘Eyes for You’. It represents a remarkable and complex breeding achievement by Peter James, stemming  from the dark-splotched Persian rose, Rosa persica – or, as some refer to it, Hulthemia persica. (In fact, the latest taxonomy places the parent in the rose Subgenus Hulthemia, so technically it’s correct to refer to the Persian rose as both names.) A straggly, yellow flowered rose native to dry areas in Iran and Afghanistan, it was that attractive blotch that captivated rose breeders. Some 40 years after they started working with it, there is a growing roster of roses with dark eyes and the Middle Eastern hulthemia in their bloodlines.

Jill collects hebes – more than 150 species and cultivars – and in fact has an entire garden of them, on the slope towards the ocean, but these two made attractive companions at the end of the border.

Fruit trees were integrated into the garden, including apples,…..

….. pears…

….. and plums (that were clearly providing nesting material for leaf-cutting bees)….

A vegetable garden was nearby, and this was one was designed for productivity….

…. rather than ornament.

There were some vestiges of the old holiday house that had once been here, like this sweet little patio.

I walked past an informal cottage garden with dahlias and roses towards a small forest of hulking Monterey cypress trees (Cupressus macrocarpa) – that exotic evergreen considered a pest in New Zealand and paradoxically in danger of extinction on California’s Monterey Peninsula, where it’s endemic.

There were interesting succulent plantings at the top of the hill here, with rusty old farm implements as decor……

…..and a fun planting of shaggy Acacia cognata ‘Limelight’.

I started down the path to find that this marked just the beginning of ……

……Jill’s newest garden, an ambitious hillside planted with an ebullient, Piet Oudolf-inspired tapestry of perennials.

Jill terraced this slope with two truckloads of railway ties, carted and placed one at a time. Let’s walk down through the garden together.

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I could have spent hours exploring the plant combinations here. But it wasn’t simply a naturalistic meadow made by throwing all kinds of colourful perennials together; look at the way those carefully-placed canna lilies draw your eye through the planting here.

At the edges near the Monterey cypresses, conditions are favourable for native ferns and other shade-loving plants.

Moving further down, I saw a bench made from those very same cypress trees.

Further down the hill. Such an amazing profusion of flowers and foliage.

I arrived at a little terrace on the hillside, where there was a stunning piece of statuary conceived as an airy steel wire sculpture by Hawarden sculptor Sharon Earl, titled ‘Ecosphere’, from which to appreciate the amazing view.

And what a view it is.


Let’s keep going down this flowery path, because there’s something very different at the bottom. (And I don’t mean the bellowing bull our tour members are photographing.)

This is from the same position, but looking back up the hill.

At the base of the hillside border, I looked back up. That fluffy waving flag of native New Zealand toetoe (Cortaderia richardsonii) on the right, below, represents a frontier on this property, and a shift from the ornamental plants grown all the way up the slope, …..

….. because although there was still a sinuous stream of traditional perennials extending towards the ocean,……

….. which culminated in a bee-friendly planting of Fuller’s teasel (Dipsacum fullonum)

….. and annual opium poppies (Papaver somniferum) adjacent to……

……the paddock with the very noisy bull,…..

…… we had now arrived in Jill Simpson’s next gardening chapter. Here is where her love of plants meets her ecological sensibility. After buying this property two decades ago, the Simpsons protected about one-third of it via covenanting, and much of the native ‘bush’ on their property has regenerated since then. (The Simpsons are founder members of the Banks Peninsula Conservation Trust). But New Zealand natives are also beautiful garden plants (as the international horticultural community has discovered), so Jill has begun to use natives and cultivars of native plants in her designs here near the Pacific, like the brown New Zealand flax (Phormium tenax) below.

But there are many pure natives here, like the totoe, below, with Chionochloa in front……

….. and the lovely cotton daisy (Celmisia spectabilis).

As I headed back towards the house along a track mown through meadows…

….. I gazed down at the ocean 150 metres (492 feet) below.  Though I didn’t ask the Simpsons, I imagine that the bay is a popular fishing location. The southeastern bays are known for blue cod, sea perch, tarakihi and trumpeter fish.

I’m not sure what fish this was, adorning the entrance to Jill’s hebe collection. Rockfish?

I passed Herbina, the corrugated cow resting in the meadow grasses. I read that although Richard Simpson has had a long relationship with dairy cattle on his farms, he and Jill now have a sharemilker on their other property near Christchurch. (Sharemilking is often used in New Zealand to provide income to farmers who have given up their herds, while providing an opportunity to younger farmers with cattle, but no land). And their young next-door neighbour and his wife manage this property for them, leaving them free to garden and pursue new opportunities, such as their recent purchase of the old (1907) Madeira Hotel in Akaroa.

It was time to enjoy the lovely lunch, set out on the various patios and decks.

I loved the bouquets that Jill had made…

….. from her abundance of flowers.

Look at this view from my lunch spot! That phormium is ‘Jester’, and beyond are astelias and native cabbage trees (Cordyline australis).

These alfresco lunches in the special gardens on the tour were a chance for us to relax and get to know one another better. And it was fun for my husband, Doug, left, to get to know “my” friends from the gardening world, like North Carolina’s Cyndy Cromwell and Denver Botanic Garden’s Panayoti Kelaidis.

Jill Simpson was sitting with us on the deck, and someone asked her how this all got started. Her answer was candid and interesting — including the direction she hopes to take integrating native plants here at Fishermans Bay.

With less than a half-hour remaining before we had to depart for Akaroa, I finished my lunch and rushed back out to this amazing garden to see what I might have missed. It was then that I heard the mellifluous song of the New Zealand bellbird (Anthornis melanura), and I had an idea. What if I retraced my steps through as much of the property as I could, filming the beautiful garden while the bellbird sang in the background. Could I do it?  Would the little yellow bird sing on cue? Have a listen and see what happened.