A Visit to Longwood Gardens

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Last week, for four days – including the weekend that Tropical Storm Ophelia decided to make her wet and windy appearance – I visited “America’s Garden Capital”, gardens of the Philadelphia region, along with almost 100 fellow garden bloggers. We call this annual adventure the Garden Bloggers’ Fling and it is all that: tours, fun, friendship (and no classes). It began with a visit to fabulous Longwood Gardens in Kennett Square, PA, and a rare behind-the-scenes tour of the high-tech production facility, courtesy of Longwood’s Conservatory Manager – and the one-man organizing committee for this Fling – Karl Gercens III.  He shepherded us around a large greenhouse…..

….. showing us what seemed to be acres of chrysanthemums being readied for Longwood’s annual Chrysanthemum Festival, Sept. 30-Nov. 12 this year. Some of the rare cultivars originated in Japan 45 years ago and are propagated to keep them available for use each autumn.

Karl told us about the pruning and training techniques that prepare the mums for show-time….

…. and we watched a gardener patiently training mums into Christmas tree shapes.

These looked like octopuses to me, but I believe they’re called mum cascades and are ultimately suspended from above in the Conservatory. This greenhouse featured blinds that enable the gardeners to control the light/dark balance needed for the plants’ physiological photoperiod, in order to have them all bloom on time.

Michelle demonstrated the high-tech overhead trolley line that moves hanging baskets around the greenhouse to facilitate watering, fertilizing and correct light exposure.

Pierre du Pont was very fond of citrus trees and grew them in the Conservatory in a section then called the Orangery. So espaliered citrus trees have become part of Longwood’s tradition.

Then it was outside to a talk by the gardener of the aquatic plants occupying temporary pools while major construction takes place around their regular pools.  Prominent was Victoria amazonica with its platter-shaped leaves, the largest floating leaves in the plant kingdom, famous for supporting small children in Victorian-era conservatory photos. 

Native to the Amazon Basin, their vascular architecture creates a stiffness that enables the big leaves to float in large networks, maximizing photosynthesis. The spines deter hungry herbivores.

 Waterlilies had been assembled in pretty aquatic arrangements.

Then it was into the Visitor Center for a presentation on “Longwood Reimagined: A New Garden Experience”. It began with the garden’s mission statement….

…..the legacy of Pierre Samuel du Pont (1870-1954), great-great-grandson of the founder of the chemical company DuPont, who purchased what was then a 202-acre arboretum and farm from the Peirce family in 1906.  Today, Longwood ranges over 1,077 acres (436 hectares) and welcomes 1.6 million visitors yearly.

We saw artist renderings of the new football-field-sized greenhouse taking shape near the Conservatory. Opening in fall 2024, the $245 million 17-acre Reimagining project features, in Longwood’s words: “Stunning new buildings, wondrous new indoor and outdoor gardens, surprising new guest experiences, and much more await. We’re expanding our grounds, connecting them from east to west in a beautiful, unified journey of lush, formal gardens to open meadows to winding paths to breathtaking Brandywine Valley vistas.”

Next up was a visit to the beautiful Flower Garden, beginning with this lovely mauve-and-plum container design on a patio designed in the 1970s by the renowned California landscape architect Thomas Church.

The 600-foot-long Flower Garden walk is gorgeous in September, with annuals at their peak. It was Longwood’s very first garden, designed by Pierre S. du Pont who described it as “the old-fashioned plan of straight walks and box borders at the edge of the flower beds”, using colourful plants chosen with the help of his wife Alice, now memorialized in Mandevilla ‘Alice du Pont’.

Combinations are fine-tuned to hit just the right colour note, like this Persian shield (Strobilanthes dyerianus) surrounded by globe amaranath (Gomphrena globosa ‘Ping Pong Purple‘).

The fuzzy, pink flowers of Bolivian sage (Salvia oxyphora) were attracting lots of bees.

I loved this soft combination of peach zinnias and bronze carex grass.

Stairs led down to Pierre du Pont’s “Compartment Gardens”, including the 1908 Square Fountain surrounded by luscious coleus and begonia plants, among others.  The stunning chartreuse coleus is Flame Thrower™ Salsa Verde.

Though the peony garden was out-of-season, there were a few pretty combinations for late summer, like the pink Japanese anemone with Ageratum houstonianum, below.

Handsome aquamarine urns punctuated this long foliage border, backed by a tall arborvitae hedge.

I hurried up from the Flower Garden past the Peirce-DuPont House (1730) towards the Meadow, but stopped under a native franklinia tree (F. alatamaha) to admire the few remaining blossoms.  Many of Longwood’s towering trees are part of a rich arboretum, established in the late 18th century by the sons of William Peirce, who acquired 402 acres in 1700 from agents of William Penn (1644-1718). Penn was an English-born Quaker who made treaties with the region’s Lenape Native Americans in order to develop the property he acquired from King Charles II, eventually naming it Pennsylvania. In 1682, the first Pennsylvania General Assembly was held.  Penn would later found Philadelphia. As for franklinia, it was discovered growing on the Alatamaha River in 1765 by John and William Bartram; the latter collected seed a decade later and named the tree for his father’s friend, Benjamin Franklin.

Then it was down the gently curving boardwalk through Peirce’s Woods….

…. to the native plant meadow featuring late summer goldenrod, white snakeroot (Ageratina altissima), and asters, as well as the seedheads of wild beebalm and Joe Pye weed.  (I turned on my Merlin app here to identify the gray catbirds calling in the trees nearby).

In the shade, orange touch-me-not (Impatiens capensis) was attracting bumble bees.

Now it was time to visit the 4.5 acre (1.8 hectare) Conservatory (1919), with its fine collection of 4,600 tropicals, orchids, desert and Mediterranean plants and trees, featured in 17 theme gardens, many containing fountains or pools.  

I loved these Siam tulips (Curcuma alismatifolia)….

….. and this striking combination of Caladium ‘Carolyn Whorton’ with orange Bouvardia ternifolia.

Pink anthuriums (‘Anthewuch’) and variegated sansevierias were growing amongst cycads.

This pool featured a waterfall.

And this one had fountains seemingly emerging from ferns.

Potted tree ferns (Cyathea cooperi) occupy handsome Versailles tubs in the Fern Floor hall, all reflected in the shallow water. However, when events are held in this hall the water is drained.

Windowboxes containing Aechmea fasciata flank the Fern Floor.

The Acacia Passage, below, is such a perfect setting, I had to wait for a professional photographer to finish a shoot with an engaged couple. The trees forming the lacy arch are cinnamon wattle (Acacia leprosa).

A vast expanse of emerald-green lawn stretches across a large hall in the Conservatory.

Early-blooming cultivars of chrysanthemum were celebrating the onset of autumn here.

It’s always fun to find a handsome-looking bird-of-paradise (Strelitzia reginae) to photograph.

In the West Conservatory Complex, in what was originally a space to grow fruit trees and in the 1950s the Geographic Garden, California landscape architect Isabelle Greene created the Silver Garden in 1987, featuring plants from Mediterranean and desert climates. Its sinuous, curving lines were a departure from the formal, geometric style of the rest of the conservatory.

How soft and restful this garden is, and how evocative of a natural landscape.

Several Agave victoriae-reginae, the Queen Victoria agave, punctuate a silvery carpet.

Of all the agaves, Agave parryi is my favourite photo subject.

Karl said that this is not the best time of year for orchids, but the Orchid House was resplendent nonetheless.

Laeliocattleya Roitelet-‘Paradis’ is a 1949 introduction from the French orchid nursery Vacherot and Lecoufle. Isn’t she stunning?

Gombrassiltonia Mervyn Grant ‘Talisman Cove’ is a three-way cross between Gomesa x Brassia x Miltonia. Orchid hybrid names are a world unto themselves!

Our Longwood visit culminated with a spectacular Illuminated Fountain show.

Because it is very special to watch the fountains dance – as indeed it is very special to visit Longwood itself – I will leave you with this taste of the music of Prokofiev’s ‘Romeo and Juliet’ from my YouTube channel.

Sissinghurst in Vita’s ‘Sweet June’

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Of all the gardens I’ve visited that merit the phrase ‘world-class’, Sissinghurst is near the top, along with neighbouring Great Dixter which I wrote about in my last blog post.  It’s not vast in scope, like Philadelphia’s Chanticleer (which I’ve written about a few times), nor does it have the artistic allure of Monet’s garden at Giverny (my spring visit is here), but it has the cult of personality of its founders, the enigmatic author Vita Sackville-West, seen below in a 1918 painting by William Strang, and her diplomat husband Harold Nicolson.  In what has been called “an unconventional but harmonious marriage” during which they wrote a combined 70 books, they each had a series of same-sex affairs including Vita with fellow Bloomsbury Group writer Virginia Woolf, who in 1928 wrote Orlando: A Biography, inspired by her lover:  a time-travel, gender-bending novel that has been adapted as a film and stage play .

Harold and Vita were also parents of two sons, Nigel and Ben, though Nigel remembered his mother for her frequent abandonments to be with her lovers. In 1973, he would publish ‘Portrait of a Marriage’, incorporating a memoir he found after his mother’s death exploring what she called her “duality” and her relationships with women, along with his own observations of his parents’ loving marriage. But together, Vita and Harold were deeply committed to the garden they designed on the large, run-down property they purchased in 1930. Vita was the romantic plantswoman; Harold was in charge of structure. He created formal rooms hedged in yew; she filled them with old French roses, peonies, irises and spring bulbs.  Beyond her novels and books containing her epic poems ‘The Land’ (1926) and ‘The Garden’ (1946), she also penned a weekly  column titled In Your Garden in The Observer from 1946 to 1957, later published as a 4-book anthology, below, and still available online.    

Sissinghurst was the reason for my early June stay in Kent, courtesy of my London-based son Doug and his partner Tommy.  Since we arrived early from our lovely Airbnb in nearby Biddenden and the garden only opens at 11 am, we had lots of time to cool our heels, walking from the parking lot on a path between the timber fence where native red campion (Silene dioica) competed with stinging nettles (Urtica dioica).

We passed the plant shop, where visitors could buy roses….

…. or any number of perennials, below.

We took a moment to gaze across the green fields of Sissinghurst’s 460 acres on the Weald of Kent, of which 5 are intensively gardened and 180 acres are woodland.  Here, visitors can walk their dogs, bird-watch and hike to their heart’s content.  And thanks to writer Adam Nicolson, Vita and Harold’s grandson (and the husband of British garden maven Sarah Raven), we have a beautifully-written recollection of the farm fields that enlivened Sissinghurst and gave it real purpose when he was a boy – and his own quest to return the working farm to the estate. This is from the excerpted first chapter of his lyrical book Sissinghurst – A Castle’s Unfinished History (2010).

“Remembering what had been here, I came to realize what had gone: the sense that the landscape around the house and garden was itself a rich and living organism. By 2004, all that had been rubbed away. An efficiently driven tourist business, with an exquisite garden at its center, was now set in the frame of a rather toughened and empty landscape. It sometimes seemed as if Sissinghurst had become something like a Titian in a car park.”

We settled into the restaurant until opening time. One of the charms of Sissinghurst Castle Garden, which is run by the National Trust but relies heavily on volunteers, is that there are small touches like the pretty bouquets of flowers from the cutting garden.  This one features biennial dame’s rocket (Hesperis matronalis) and foxgloves (Digitalis purpurea) with annual cornflowers (Centaurea cyanus), golden alexanders (Smyrnium perfoliatum) and corn cockle (Agrostemma githago).

This posy featured many of the purples, blues and pinks that Vita adored.

There was a display of blue glass in one of the café windows, presumably part of Vita’s collection of coloured glass.

Attached to the Granary Restaurant are the oasthouse and rondels.  Built around 1880, they were still in use to dry and store hops for beer-brewing in 1966, a vital part of the hop-farming industry of Kent which continues to this day. Author George Orwell (1984, Animal Farm) picked hops in the region in the summer of 1931.  

Sissinghurst’s garden rooms are shown on the map below:

A – Priest’s House & White Garden; B – Delos; C – Top Courtyard, West Range and Purple Border; D – Entrance; E – Tower and Lower Courtyard; F – Yew Walk; G – Orchard; H – Rose Garden; I – South Cottage and Cottage Garden; J – Moat Walk and Azaleas; K – Nuttery; L – Herb Garden; M – Lime Walk 

I was first in line when the gates opened at 11 am, and as someone who has made “colour in the garden” a focus of my work, I wasted no time heading into one of the gardening world’s best-known meccas, the White Garden. Wrote Vita Sackville-West:  “I am trying to make a grey, green, and white garden. This is an experiment which I ardently hope may be successful, though I doubt it … All the same, I cannot help hoping that the great ghostly barn owl will sweep silently across a pale garden, next summer, in the twilight — the pale garden that I am now planting under the first flakes of snow. ”

June is the perfect time to see a White Garden, as I would also discover in the beautiful version designed by Mat Reese at Malverleys later in the week.  There are numerous white-flowered perennials, such as the bearded iris (possibly ‘White City’) and peony (likely ‘Festiva Maxima’), below…..

…. and lupines, softened by white-flowered umbellifers such as cow parsley (Anthriscus sylvestris) and annual Ammi majus.  

A statue stood in the shadow of a weeping silver pear tree (Pyrus salicifolia ‘Pendula).  Alas, a sunny June day in England and Sissinghurst’s late opening time meant bright contrast for photography, but we garden tourists take what we can get.

Minoan lace flower (Orlaya grandiflora) has become increasingly popular as a self-seeding annual in gardens.  White foxgloves and the white-flowered form of red valerian (Centranthus ruber ‘Albus’) add to the display, along with silvery artemisia.

Centaurea montana ‘Amethyst in Snow’ was introduced by my Facebook friend John Grimshaw of the Yorkshire Arboretum in 2000 and is now sold around the world, sometimes as ‘Purple Heart’. 

When I was walking out of the White Garden past the Priest’s House to head into the new Delos Garden, I spied this bellflower growing on the wall.  It is Dalmatian bellflower (Campanula portenschlagiana); perhaps unsurprisingly, it was once called C. muralis from the Latin ‘of walls’

Delos was a surprise. When we visited Sissinghurst for the first time more than 30 years ago, this part of the garden – originally inspired by a 1935 trip Vita and Harold made to the monument-rich Greek island – was not on view, or certainly unmemorable.  In 2018, Sissinghurst head gardener Troy Scott-Smith asked landscape designer Dan Pearson to re-invent the space. Dan wrote a beautiful essay for his newsletter Dig Delve about the process, including a childhood recollection by Adam Nicolson.   

An enthusiastic volunteer was on hand in the Delos Garden to help visitors with plant identification.

Wherever I went in England in June – including a visit to Dan Pearson’s garden the following week which I blogged about – I saw giant fennel. In Delos, Dan chose to use Ferula communis subsp. glauca.  As he wrote in an essay in Dig Delve, “This is the most elegant of all, in my opinion, for its slender limbs and burnished dark green leaf. I have planted it amongst the rockscape of the re-imagined Delos Garden I recently designed at Sissinghurst.”

Like all giant fennels, it has a bright, yellow inflorescence.

In the garden stand three Greek marble altars originally brought from Delos in the 1820s, as Adam Nicolson recounted in Dig Delve.  “There is one element that reaches further back into history than the dreams of the 1930s: three cylindrical Greek marble altars, originally carved in the 3rd or 4th century BC decorated around their waists with swags of grape, pomegranate and myrtle suspended between garlanded bull-heads – boukrania – which now stand at key intervals along the central street of the garden.”

Of their provenance, Adam wrote:  “Harold Nicolson’s great-grandfather was Commodore William Gawen Rowan Hamilton, a naval commander in the first years of the nineteenth century, a heroic and romantic figure and passionate Philhellene, who spent the years from 1820 onwards in the eastern Mediterranean, winning the title of ‘Liberator of Greece’ by protecting the Greek rebels against the Turks  From time to time during his cruises attacking pirates and fending off the Turk, he would land on an island or a piece of the Turkish-occupied mainland and quietly liberate an antiquity or two, sending them back to his liberal father-in-law in Ireland, Major-General Sir George Cockburn, a flamboyant antiquary who had made a collection of Greek statuary at Shanganagh, his castle outside Dublin.”  It was when the Irish castle was sold in 1936 that Harold Nicholson purchased the Delian altars and brought them to Sissinghurst.

As an aside, these days Delos is a UNESCO World Heritage Site, its monuments safe from pirates of all stripes.  When I visited in October 2011, below, it made me long to return in spring when the wildflowers were blooming.

Other Mediterranean flowers in the Delos garden include asphodels (Asphodeline lutea)….

…. pinks (Dianthus spp.)……

….. rock roses (Cistus) with happy hoverflies….

….. and the flamboyant red Paeonia perigrina with a visiting bumble bee.

Then it was out of the Delos Garden and off through the 16th century Tudor Tower that once held Vita’s writing room. Sissinghurst was owned by the Baker family from 1490. The first buildings were constructed around 1535 by Sir John Baker, Henry VIII’s Chancellor of the Exchequer.  Sir John’s daughter Cicely married Thomas Sackville, 1st Earl of Dorset – thus a connection to Vita Sackville-West four centuries later. The tower, octagonal turret and a large courtyard house were built by Sir John’s son Richard Baker between 1560-1574; Queen Elizabeth I enjoyed a stay here at that time.  The Baker family fortunes declined and two centuries later, the house and tower were requisitioned by the state to house 3,000 French prisoners-of-war during the Seven Years War 1756 -1763.  There is still graffiti in French from those prisoners on the walls of the tower. Later it became a parish poorhouse and farm, including hop-growing. Around 1800, the main house was demolished by its new owner. When Vita and Harold bought Sissinghurst in 1930, she refurbished the three-storey tower, adding a fireplace to the ground floor room and creating a writing space and library for herself upstairs. It has recently been renovated, complete with her pink walls. During World War II, the tower was used as an observation post since the English Channel was effectively controlled by the Germans whose shelling of the Kent coastline and its towns, according to the BBC, led to the county being called “hellfire corner” and “bomb alley”.  (Sissinghurst has a long history nicely encapsulated here by the National Trust who took over the property in 1967, five years after Vita’s death.)

I found this photo in a Heritage Records document for Sissinghurst.

Clambering up the back of the Tower was Lady Banks rose (Rosa banksiae ‘Lutea’) …..

….. with its clusters of pale yellow roses.

The courtyard adjacent to the Tower contains Vita’s Purple Border. When I visited, it was filled with Gladiolus byzantinus subsp. byzantinus, below, also beloved by Christopher Lloyd and Fergus Garrett for the meadows at Great Dixter which I blogged about recently.   

I loved the way the purple centres of Allium basalticum ‘Silver Spring’ echoed the colour of the gladioli.

There were so many lovely vignettes here, including the opium poppies (Papaver somniferum) with dame’s rocket (Hesperis matronalis), but time was a-marching.

Then it was into the Rose Garden, with its lush profusion of roses surrounded by early June flowers such as blue Italian alkanet (Anchusa azurea) with magenta foxgloves and euphorbia, below.

It was utterly magnificent – and a little heartbreaking for a photographer hoping for just one cloud to float by above to soften the shadows.

Vita loved her roses. This is ‘Fantin-Latour’, a Centifolia named for the Impressionist painter and introduced into the UK in 1945.  Pruning and training of roses is taken very seriously at Sissinghurst. According to Sarah Raven, wife of Vita’s grandson Adam Nicolson, “The big leggy shrubs, which put out great, pliable, triffid arms that are easy to tie down and train, are bent on to hazel hoops arranged around the skirts of the plant. Roses with this lax habit include ‘Constance Spry’, ‘Fantin-Latour’, ‘Zéphirine Drouhin’, ‘Madame Isaac Pereire’…”

Irises play a starring role in the Rose Garden in June. This is the bearded iris ‘Shannopin’, a 1940 American introduction grown by Vita that looked utterly lovely with the alliums just going over.

Siberian iris (Iris sibirica) grow in the mix in the Rose Garden, here with dame’s rocket (Hesperis matronalis) and red campion (Silene dioica).

Annual honeywort (Cerinthe major ‘Purpurascens’) with its sensuous blue bracts is used extensively at Sissinghurst, here with ranunculus.

Yellow lupines make an appearance in the Rose Garden as well.  (I’ve read the odd comment that yellow is discordant in this garden, but when you already have a Purple Border filled with purple, mauve, blue and pink flowers, it seems to me that the odd splash of yellow is perfectly fine.)

Moving out of the Rose Garden, I found the Lime Walk: an allée of pleached linden trees (Tilia platyphyllos ‘Rubra’). Unlike the rest of the gardens at Sissinghurst, this was all Harold Nicolson’s creation, not Vita’s – he called it “my life’s work”.  It is underplanted with masses of spring bulbs, making overplanting difficult, thus it looked a little bare in early June.

The statue at its terminus is a Bacchante commissioned by the National Trust from sculptor Simon Smith who carved it using Carrara marble from the Cava di Michelangelo and installed it in 2016.  On his page, the artist says: “The sculpture depicts a dancing girl, slightly drunk, who has suddenly noticed something in the distance”.   What could it be?

If he were a little closer, she might have noticed the young man below, standing in a shade-dappled carpet of ferns in The Nuttery.  In the spring of 1930, when Harold and Vita were considering whether to buy Sissinghurst with its ruined buildings, Harold wrote: ‘We come suddenly upon a nut walk and that settles it…’  The garden features 56 coppiced hazels (Corylus avellana) and a variety of woodland plants.

The Moat Walk features Wisteria floribunda ‘Alba’ espaliered on a brick wall facing an azalea bank across the lawn.

After the cool green of the Lime Walk and Nuttery, the South Cottage Garden — my final stop — was a burst of June sunshine with its warm palette of yellow, chartreuse, orange and red. I would have stayed here a long time if we hadn’t had to find lunch before visiting Great Dixter in the afternoon.

You can see a little of the South Cottage behind the geums and irises….

…. and the wallflowers. When Vita and Harold bought Sissinghurst in 1930, the cottage was a fragment of the ruins of the original 1570 house. They restored and extended it that decade and it became the intimate place where each had a bedroom and Harold had his office overlooking the garden.

The colours here seem to glow, including the lacy yellow fumitory (Corydalis lutea), hakonechloa grass and golden iris….

…. and the night-scented flowers of the unusual evening primrose Oenothera stricta ‘Sulphurea’.   

Corn poppies (Papaver rhoeas) were sprinkled about….

…. and it was a thrill, in my final moments at Sissinghurst, to glimpse the last of all tulips to flower, the tall, blazing-red Tulipa sprengeri.   What a joy this sunny June garden was, as were the pale flowers in the White Garden and the abundance of the Rose Garden.

I will leave the last words to Vita Sackville-West, from her poem The Garden (1945)

Sweet June. Is she of Summer or of Spring,
Of adolescence or of middle-age?
A girl first marvelling at touch of lovers
Or else a woman growing ripely sage?
Between the two she delicately hovers,
Neither too rakish nor, as yet, mature.
She’s not a matron yet, not fully sure;
Neither too sober nor elaborate;
Not come to her fat state.
She has the leap of youth, she has the wild
Surprising outburst of an earnest child.
Sweet June, dear month, while yet delay
Wistful reminders of a dearer May;
June, poised between, and not yet satiate.

BOLDLY GO: June Glory at Great Dixter

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My early June visit to Great Dixter, the renowned English garden of the late Christopher “Christo” Lloyd (1921-2006), now artfully and creatively managed by his dear friend, fellow iconoclast and head gardener Fergus Garrett, wasn’t on my original itinerary when my London-based eldest son Doug and his partner Tommy treated me to a weekend in Kent. Months earlier, I had asked them if it would be possible to visit Sissinghurst prior to my joining Portland-based Carex Tours the following week to visit gardens such as Dan Pearson’s Hillside, Malverleys, Yews Farm (you can click on the links to see my blogs on those lovely places), Oudolf Field and others.  We stayed in a lovely Airbnb in the pastoral countryside near Biddenden, enjoyed a wine-tasting of Kent’s sparkling white wines at Balfour Winery and zipped around the narrow, hedge-lined byways in our rental car. But on our Sissinghurst morning, I realized how close we’d be to Dixter (just 11 miles into neighbouring East Sussex) and asked if there might be time to squeeze in a late afternoon visit between lunch and our dinner reservation.  I had last visited Great Dixter 31 years earlier when Doug was studying at Cambridge but much had changed in that time.

So that is how on June 4th – without benefit of the highly recommended garden map, below…..

….or prior research, or even physical orientation on a frightfully sunny afternoon (the photographer’s curse, apologies in advance) – I found myself walking into the colourful profusion of the Barn Garden (the red arrow on the map above shows my entrance), with the 500-year old Great Barn directly ahead.  Restored in 2012, it is now used for ‘green’ woodworking, rural crafts, and to house the boiler that heats the manor house.  What I didn’t realize upon entering was that my view across to the Great Barn was actually over a lower central pool terrace with its own planting, called the Sunk Garden.  But up here, the effect was of a classic English cottage garden, all tumble and charm, yet very carefully managed and edited throughout the season.

As I turned right, I walked towards the White Barn (you can see the juxtaposition of the two barns on the map above) with its espaliered fig tree on the wall. Flanking the path and cascading over it were white cow parsley (Anthriscus sylvestris), mauve sweet rocket (Hesperis matronalis), magenta Byzantine gladiolus (G. communis subsp. byzantinus), buttercups, daisies, lupines, foxgloves, alliums and poppies. 

In the garden alongside the barn, I was treated to an eye-popping display of spring-blooming yellow alexanders (Smyrnium perfoliatum) punctuated with Byzantine gladiolus.  Yellow alexanders has become popular in recent years as a brilliant foil to late tulips and early summer perennials and bulbs; a monocarpic plant, it takes two or three years to flower, then dies.  At Dixter, its black seeds are carefully harvested as the finished plants are removed to be grown on as seedlings for the garden or to the nursery shop.

Further on, the scarlet ladybird poppies (Papaver commutatum) held their own nicely against the acid-chartreuse of the yellow alexanders.

This lovely poppy with its prominent black blotches seems to have more presence than its cousin, the corn poppy (Papaver rhoeas).  I have photographed it paired beautifully with Orlaya grandiflora in the Gravel Garden at Chanticleer.

Giant fennel (Ferula communis) grows in the Barn Garden, its towering scapes a blast of Mediterranean sunshine.  Fergus Garrett gifted some of his plants to Dan Pearson, whose Somerset garden Hillside I blogged about recently.

Mixed in are late spring garden favourites like peony.

I circled the Barn Garden until I was looking across the Sunk Garden at the White Barn through Ladybird poppies and yellow Baptisia. Here you can clearly see the arrangement of the garden, as well as the espaliered ‘Brunswick’ fig (Ficus carica) on the White Barn wall.  Wrote Christopher Lloyd: “The fig trees against the far barn wall were a Lutyens touch which you meet on other properties where he worked. They are there for foliage effect and he used the many-fingered Brunswick fig as being one of the most decorative.” Sir Edwin Luytens, of course, was the renowned architect who renovated Great Dixter and designed some of the gardens for Christopher’s father and mother Nathaniel and Daisy Lloyd when they purchased the property in 1910.

The Sunk Garden was originally a lawn; during the First World War, it was turned into a vegetable garden. After the war, this octagonal pool was created…..

… in which grew a pretty combination of Siberian iris (Iris sibirica) and calla lily (Zantedeschia aethiopica).

The stone ledges in the Sunk Garden, featuring tiny Mexican daisy (Erigeron karvinskianus), were as artfully wild as the plantings above.

Leaving the Barn Garden I entered the Wall Garden.  Here, hot oranges, golds and reds played off the colour of the bricks in the wall.

One of the horticultural legacies of Christopher Lloyd’s career is the introduction of a popular spurge called Euphorbia griffithii ‘Dixter’.  I’m not sure if this is that cultivar, but it’s a good orange touch.

It’s not all blazing colour in the gardens; there are wonderful, small vignettes in shade that offer a little visual stillness, like this one featuring striped lily-of-the-valley (Convallaria majalis ‘Albostriata’).

And some perennials stand aloof from the crowd, like Thalictrum aquilegolium.

As I left the Wall Garden, I got a little lost. The scene below with its pretty white partners – Allium stipitatum ‘Mount Everest’, Orlaya grandiflora and oxeye daisy – might have been in the Peacock Garden; then again, perhaps the Blue Garden.  With such a short time to visit, I just kept moving.

Here you see native cow parsley (Anthriscus sylvestris) rising above all. It was in bloom wherever we drove throughout the Kent and Sussex countryside and Fergus Garrett uses it judiciously in the gardens for its airy effect, being careful to pull it before it goes to seed.

Biennial dyer’s woad (Isatis tinctoria) — a plant Fergus Garrett calls “much underestimated” — is also used for its great cloud of sulphur-yellow flowers in late spring. Here it partners with blue false indigo (Baptisia australis) and oxeye daisies.

Finally I arrived at Great Dixter’s crown jewel, the Long Border. One of the original gardens conceived by Christopher Lloyd’s mother Daisy and maintained by her staff of 9 gardeners …..

…. there is a photo of her standing beside it in 1917 with her dog, below, four years before Christo’s birth, the youngest of her six children.  

Photo courtesy of the Great Dixter Charitable Trust

Fergus Garrett has described gardening at Dixter as “high octane”, and nowhere is that term more apt than in this border, which stretches 330 feet long (100 metres) and 15 feet deep (4.5 metres).  Here are many of the plants seen elsewhere in the garden, but somehow exhibiting a more formal presence when arrayed in front of the clipped hedges. Like all the gardens here, the Long Border uses succession planting, taking advantage of the students and international ‘scholars’ who launch their careers here, to lift plants that are past their season and replace them with annuals and biennials.  Or, as Fergus has said of this process, “high input, high output”.  Self-seeding is encouraged, but monitored closely.  

“Boldly go”. I borrowed this blog’s title from Star Trek but it applies equally to the colours at Great Dixter. Christopher Lloyd loved the bold and brash and was dismissive of the “good taste club”; I like that unafraid, idiosyncratic approach to gardening.   

He wrote about the ladybird poppy, Papaver commutatum, in his book “Color for Adventurous Gardeners”, which is on my bookshelf, recommending it be planted under the white burnet Sanguisorba tenuifolia ‘Alba’. I think he would be just as thrilled to see it consorting boldly with yellow alexanders, below.

The foxgloves, below, are Digitalis purpurea ‘Sutton’s Apricot’.  Seeds of this biennial are sold in glassine packages in Great Dixter’s shop.

I found a bit of shade in the Long Border and you can see how much better the plants look without the harsh contrast of full afternoon sun.

Yellow Jerusalem sage (Phlomis fruticosa) is used extensively in the Long Border, and plants are sold in the shop.  The white allium is A. nigrum.

There were textural bits of shade in the Long Border that caught my eye, like the sensitive fern (Onoclea sensibilis) and euphorbia, below.

I love these green vignettes, with little pinpricks of colour.

Then there are the meadows.  There is a striking contrast between the Arts and Crafts formality of the sculpted yews in the Topiary Lawn – once used as a practice golf-putting range by Nathaniel Lloyd – and the orchid-rich meadow in which they stand.   As noted in the book Meadows at Great Dixter and Beyond by Christopher Lloyd, re-issued in 2016 with an introduction by Fergus Garrett, the Topiary lawn is one of “a dozen different meadow habitats” at Dixter, providing a high degree of biodiversity.

It was Daisy Lloyd who introduced the first meadows to Great Dixter and to her youngest son Christopher, below, the only one of her six children who shared her passion for gardening.  He was a boy when the Lloyds took him to Munstead Wood to visit Gertrude Jekyll, who wrote later to say she hoped he’d grow up to be a great gardener. He was just 12 when his father died in 1933, at which time Daisy assumed management of the estate, in time helped by Christopher.  She died in 1972 at age 91.

Photo courtesy of the Great Dixter Charitable Trust

When I was in the Topiary Lawn in early June, there were oxeye daisies (Leucanthemum vulgare); buttercups (Ranunculus repens); clover; a yellow, dandelion-like composite (possibly Hypochaeris radicata); mauve-pink common spotted orchid (Dactylorhiza fuchsia); and yellow rattle (Rhinanthus minor).  Earlier in spring, the meadows feature various species narcissus, snakeshead fritillary and camassia.  Meadow-cutting is done in August and September, and the seed-rich hay is made available to locals to encourage them to reduce their lawns and embrace the great biodiversity of meadow gardening.  Fergus Garrett also gives lectures to help gardeners in the meadow-making process.and his good friend, designer and writer Dan Pearson has been gifted meadow sweepings in exchange for lecturing at Dixter in the hope of introducing orchids to the meadows at Hillside, his Somerset garden.

Common spotted orchid is one of four orchid species to thrive at Great Dixter.  The others are early purple (Orchis mascula), green-winged (Anacamptis morio) and twayblade (Neottia ovata).

Annual yellow rattle, aka hay rattle, is semi-parasitic to grasses, reducing their competition and enabling the orchids and other wildflowers to gain a stronger foothold.

Much has been written about the great biodiversity at Great Dixter.  As Fergus Garrett writes in this Gardens Illustrated article, “Archaeologists, naturalists, ecologists, botanists and entomologists were commissioned to carry out the survey dividing the Great Dixter Estate into different zones such as the woodlands, pasture and meadows, formal ornamental gardens, ponds, and the Plant Fair Field. Each zone was surveyed and the findings fed to one principal ecologist who analysed and pulled the information together in a report. The results were astonishing. As expected, the wider estate with its ancient woodlands, pastures and meadows, and ponds was extremely rich. But, surprisingly the richest part of all was the ornamental garden.”

In longer grass, meadow cranesbill (Geranium pretense) and Byzantine gladiolus (G. communis subsp. byzantinus) thrive.

Christopher Lloyd was very fond of this rich-magenta gladiolus (which is sadly often sold as the paler, shorter G. italicus) and wrote in his book Garden Flowers (2000): “The gladiolus which most endears itself to me is the prolific G. communis subsp. byzantinus, long known as G. byzantinus… It tucks into many border positions where it will not get in the way after flowering, for example up against a group of border phloxes . . . . Another use of it I fancy is in a meadow community, where it holds its own well.” 

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And that brings me to Christopher Lloyd. Gardens are about people, of course, and Great Dixter, like nearby Sissinghurst, is known for its larger-than-life founding personality. Though I was never introduced to Christo, I did sit beside him in October 1989 at the Third Great Gardening Conference at the Civic Garden Centre in Toronto (now the Toronto Botanical Garden). He was due to speak at the conference, along with his dear friend Beth Chatto, but jet lag being what it is he nodded off a few times and I gazed fondly at the top of his silvery head bent beside me.  Below is the advertisement for that event.  Three years later, I visited Great Dixter but he was away on that May 1992 day.

You get a good sense of his crusty personality in this lovely memorial video by Allan Titchmarsh, produced in 2006:

It was during a 2001 lecture tour to North America marking his 80th birthday that Christopher and Fergus were hosted in Toronto by my friends, Geoffrey and Susan Dyer, both passionate gardeners. At the time, Geoffrey was on the board of the Civic Garden Centre, soon to be the Toronto Botanical Garden, and it was in their home that the seed of a possible future for Great Dixter was sown. As Geoffrey recalls: “We were having a drink in the evening and I just asked them quite casually, what’s going to happen (to Dixter)? I didn’t know the particulars of the ownership arrangement… but I knew he didn’t have a spouse and he didn’t have heirs… and the consequence of inheritance tax in the UK and that kind of thing is something people have to plan for.” When Cristopher replied that his accountant had been pressing him about future plans, Geoffrey said: “I’m not qualified in the UK but I’ve worked around that area fairly extensively in my law practice, so if there’s anything I can try to help with, I’d be happy to do it.” In fact, Geoffrey’s Toronto-based law practice specializes in estate and taxation law so he was the perfect person to pose questions to his guests about succession. That summer, the Dyers were invited to stay at Great Dixter where the first meetings to establish the Great Dixter Charitable Trust (GDCT) took place.  Twenty-two years after that drink with Christopher Lloyd and Fergus Garrett, Geoffrey Dyer remains the Chairman of the GDCT, and writes the charity’s annual Review of the Year.

I last saw Fergus Garrett at an April 2018 lecture he gave to a packed house at the Toronto Botanical Garden, below.  Says Geoffrey Dyer: “The Christopher Lloyd legacy is alive and well, but Fergus is Dixter today. His energy, his charisma, his intelligence, his vision – it’s absolutely huge.” 

It was a pleasure to visit Great Dixter, to enjoy its bold plantings, and to reacquaint myself with the story of the people that have made it the great garden it remains today.

Yews Farm – A Brilliant Marriage…. of Boxwood and Beans

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In the village of Martock (pop. 4800) in Somerset, UK, is a garden that represents a marital meeting of the minds. Yews Farm, and its beautiful farmhouse…..

…. with its small, north-facing front garden of tidy lawn and narrow shady border….

…. featuring foliage plants in elegant combinations…

… and soft shield fern (Polystichum setiferum)….

… doesn’t really prepare you for what you are about to see when you turn the corner. Here, separated by a tall hedge from the back of the garden, is a gravel courtyard filled with a jungle of plants grown for their bold forms and interesting foliage. Giant fennel (Ferula communis) grows cheek-and-jowl beside …..

…. Chinese rice-paper plant (Tetrapanax papyrifer) ……

….. with little surprises such as dragon lily (Dracunculus vulgaris) peeking out along the path.

Walk through the opening in the hedge to the expansive garden at the rear and you’ve entered a lush, green topiary wonderland with spirals and jelly-moulds sculpted from boxwood (Buxus sempervirens).

Look up and there is a very perky topiary terrier named Toto leading a leafy parade atop a hedge.

And just by chance, at that very moment, crossing Yew Farm’s charming terrace with its attractive tables and chairs and potted pelargoniums is the family’s non-topiary doppelgänger, a perky terrier.

Yews Farm is a 27-year collaboration between Fergus and Louise Dowding. When they acquired the 1-acre property with its farm outbuildings in 1996, it was agreed that they’d each get half the garden in which to do what they loved. For Fergus, that meant food-growing. For Louise, who had trained in landscape design at college and worked two years with the famous garden writer/designer Penelope Hobhouse in her garden at Bettiscombe, it would be her own style of ornamental gardening. Not for her the wavy “hose-pipe” border surrounding a vast lawn favoured by the previous owner. She tore out everything except an old pear tree, divided the garden area into four equal spaces, claimed two for herself and gave two to Fergus. While he promptly began growing Savoy cabbages, broccoli, peas and heritage Martock beans, Louise went for structure. Her borders featured numerous tiny boxwood plants which ultimately became a kind of magical sculpture garden, the topiaries necessitating an intense shearing each June to maintain their shape.

Like an abstract geometric painting, the topiaries form the background to the terrace. This is where Louise’s pelargonium collection and other conservatory plants spend summer, this one on a pretty wirework table….

…. and the heritage variety ‘Appleblossom Rosebud’ on a table nearby.

Introduced in 1870, this beautiful double geranium was beloved by Queen Victoria – or so the story goes. And who could blame her?

Louise’s borders are generally quiet in colour so as not to compete with the topiaries — the blues and purples of cranesbills, clematis and alliums enlivened here by the brilliant bronze hues of autumn fern (Dryopteris erythrosora).

Linaria purpurea ‘Canon Went’ and opium poppies (Papaver somniferum) are allowed to self-seed.

For Fergus, vegetable gardening is the reason to garden yet his spaces are beautiful, too. Since our visit is in the first half of an extraordinarily cool June, the squash and artichokes are still filling out…..

….and peas are still finding their legs on the pretty pea sticks.

An espaliered fruit tree occupies a neighbouring wall, and it’s clear that Louise has sneaked some foxgloves and poppies into this productive space with its topiary snails in the background.

For a North American, “cleft chestnut fencing” sounds like a quaint way to separate the ornamental part of the garden with its peonies and irises from the legacy farmyard beyond it.

The view below is back into the ornamental garden. I love that Yews Farm remains so well-rounded with a thoughtful sense of place that melds the lush urban garden with the hard-working agricultural past.

There’s a wildish meadow in the farmyard with oxeye daisies, potentilla and other self-seeding native wildflowers.

Hens do their bit for ecology, eating the weeds while delivering a bounty of fresh eggs as well.

A pair of pigs makes short work of garden waste while creating raw material for the compost pile.

Fergus is an organic gardener, so the compost bins are well-tended.

The neighbour’s cows sidle up to the farmyard fence to check out the tour group.

Garlic is set out to dry in airy crates.

Circling back towards the ornamental garden, I walk beside more old farm buildings and a charming profusion of self-seeded flowers growing in gravelly soil, including white licorice root (Ligusticum lucidum), yellow wild parsnip (Pastinaca sativa) and blue love-in-a-mist (Nigella damascena). Though this looks naturally carefree, Louise manages the mix rigorously.

The ligusticum is an Ammi majus look-alike, but perennial and much tougher.

As we take our leave of this delightful garden, the newly-acquired ducks work up enough courage to draw close. As Louise wrote in an Instagram post: “Bought three enchanting White Campbell ducks to feast on the slugs and snails. They’ve done more damage than a 1000 Gastropods with their huge feet and bellies as wide as boats but a 1000 times more amusing“.

But the ducks, pigs and hens all find a home here in this charming Somerset landscape along with their owners, who have created an inspirational garden that celebrates all the gifts that nature offers to nourish both body and soul.

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I visited Yews Farm in June 2023 with Carolyn Mullet’s Carex Tours ‘New Gardens of England – Gardens of Resilience and Beauty’. You might also enjoy my blogs on Malverleys Garden and Dan Pearson’s wonderful Hillside.

Malverleys – A Garden of Rooms

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On my recent trip to England with Carolyn Mullet’s Carex Tours, one of the most beautiful gardens we saw was Malverleys, a private home in East Woodhay, Hampshire featuring an 1870s house on a 60-acre estate, of which 10 acres are intensively gardened, and the rest parkland or sheep pasture. We strolled in past the Topiary Meadow, formal yew topiaries in an ebullient meadow of wildflowers and grasses, reminiscent of the meadow at Great Dixter that I’d seen just days earlier. That isn’t surprising, perhaps, since Malverleys’ grounds manager is…..

……Mat Reese, who after training in horticulture at college, worked at Wisley, then Kew, before working with the late Christopher Lloyd at Dixter. Mat has become well-known in English gardening circles for his regular features in Gardens Illustrated that explore design principles he’s used at Malverleys. He makes a few introductory remarks, then leads us on our tour.

We begin in the Cloister Garden with its long rill and arching fountains leading from a statue of Neptune under a double allée of Japanese cherries.

The walls of the Cloister Garden are layered Cotswold stone topped with curved York stone slabs and adorned here and there with red valerian (Centranthus ruber). On our visit, the beautiful climbing rose ‘Meg’ was in full bloom.

‘Meg’ is a repeat-flowering, fragrant climber introduced in 1954 and still winning plaudits.

One of the notable features at Malverleys is that the gardens almost always frame the view from one garden into another . Here we see the neighbouring Hot Garden from the Cloister….

…… and the perfect frame of the statuary in the Cloister looking back from the Hot Garden.

Note the view from the sunken Hot Garden to the ornate chicken house/dovecote across the way. Though this garden was going through what the English call “the June gap” between the bulbs and early perennials of spring and the fulsome bloom of midsummer, it features a host of vibrantly-coloured trees, shrubs and herbaceous plants. The shrub rose at left, below,

…. is a dark-eyed cultivar called ‘For Your Eyes Only’, part of a trend in rose hybridization to use Rosa persica, which was once classified as Hulthemia persica but has now joined the Rosa genus.

The Hot Garden features strong colours of red, orange, pink and yellow with foliage extending from purple to chartreuse-gold. Aquilegia ‘Yellow Star’, Cotinus coggygria ‘Royal Purple’ and a lupine I believe is ‘Beefeater’.

Special plants are used here and in all the gardens. Below is Toona sinensis ‘Flamingo’ with its pink spring foliage that turns yellow before becoming green in summer.

I’m a great fan of lime and chartreuse foliage to liven the garden, and Cornus controversa ‘Aurea’, below, with its layered branching is one of the finest large shrubs.

At a different scale, but also bearing delightful gold leaves is the golden ghost bramble, Rubus cockburnianus ‘Goldenvale’.

The view, below, at the entrance into the Pond Garden from the Hot Garden is one of my favourite images from my stay in England.   The statue is framed by Magnolia ‘Susan’ and the cascading flowers of Wisteria x valderi ‘Burford’. To the right are the yellow umbel flowers of giant fennel, Ferula communis and at lower right, Phlomis fruticosa. The wisteria is a hybrid of W. brachybotrys x W. floribunda, by wisteria expert James Compton, formerly head gardener at Chelsea Physic Garden.

Though the pond is a formal rectangular shape, its plantings are naturalistic, evoking a pond in a wild setting. Once again, you also see the view right through to the chicken house.

Next up is the Cool Garden with its copper water basin and relaxed planting scheme of blues, lavenders, whites and mauves.

Here the formality of the statuary contrasts with the cottage garden ethos

There’s a meadow-like quality to combinations here, like the columbines, blue woodruff and pink chervil.

Annuals such as blue woodruff (Asperula orientalis), below, are used throughout Malverleys to lend colour thorughout the season.

I love the delicate pink flowers of hairy chervil (Chaerophyllum hirsutum ‘Roseum’), one of many perennial umbellifers used at Malverleys.

Another annual used extensively by Mat in several gardens is slender corn cockle, Agrostemma gracile ‘Pink’, native to Greece. Below we see it with creeping navelwort, Omphalodes verna.

The most intensively-gardened part of Malverleys is the area around the 1870s house – a parallel border along the terrace, the East Border separating it from the other gardens and the Wedding Ring Border leading from the entrance, where Mat Reese lost his ring many years ago. Here, a late lilac was in flower, Syringa x josiflexa ‘Bellicent’ bred in 1936 by the renowned Canadian hybridist Isabella Preston.

Colours in the house borders are rich and jewel-like, with lots of purple, blue, magenta and red.

The walls of the 1870 Victorian mansion are cloaked with climbers……

….including Rosa ‘Buff Beauty’ and the yellow form of Lady Banks’ rose, R. banksiae ‘Lutea’. Plants like santolina are allowed to spill across the paving.

In the Terrace Garden is a single hybrid tea whose interesting pedigree resonated with Mat Reese. For this particular rose, ‘Mrs. Oakley-Fisher’, from 1921, is a cutting that came from a rose at Great Dixter that was in turn grown as a cutting sent by Vita Sackville-West to Christopher Lloyd many decades ago.

Again, we see the beautiful Lupinus ‘Beefeater’ in the house border, paired with the lilac-purple Californian native lacy phacelia, Phacelia tanacetifolia.

The bright magenta Byzantine gladiolus, G. communis var. byzantinus, plays a starring role in the house border, along with various alliums, perennial geraniums, eryngium, honeywort (Cerinthe major ‘Purpurascens’) and tall mauve corn cockle (Agrostemma gracile ‘Pink’).

Here is a detail from this lovely purple-blue-magenta border: Eryngium x zabelii ‘Big Blue’ & Geranium ‘Dragon Heart’

And another pretty pairing with slender corn cockle, Agrostemma gracile ‘Pink’ and Geranium ‘Brookside’

Leaving the House Garden, we come to The Stumpery. Popular in the Victorian era, it is described on the Malverleys website as a “woodland folly constructed out of a collection of old tree stumps positioned at dramatic angles”. Irrigated via overhead misting, it creates moisture needed for tree ferns and other shade-lovers.

There is a slightly Jurassic Park feeling to this little garden.

Heading into the big Walled Garden, we come to a spectacular sight whose flowering was timed just perfectly for our visit: the magnificent laburnum arch (L. watereri var. vossii). I have visited the late Rosemary Verey’s famous laburnum arch at Barnsley House (and chatted with her in her dining room) and have strolled the lovely laburnum walk at Vancouver’s VanDusen Botanical Garden, but neither was as lusciously floriferous as Malverleys.

The Walled Garden is large and diverse. It features cutting gardens, a peony border, a tennis court (below)……

….. and ornate fruit cages.

I am delighted to see Malverleys’ fabulous specimen of the famous Rosa ‘Climbing Cecile Brunner’ at peak bloom. How lucky to be in England in a June when the roses here and in the Rose Garden at Kew, which I visited days earlier, are perfection. This rose was introduced in California in 1894 by the German-born breeder Franz B. Hosp, who noticed the long wands of flowers sporting on one of the Cecile Brunner polyantha sweetheart shrub roses he grew and selected it as a climber. Repeat-flowering, it will reach 6 m (20 ft) when happy.

The Kitchen Garden contains a profusion of leafy vegetables, many now destined to be featured in the brand-new…..

……Malverleys Farm & Dining  shop which just by chance happens to have its grand opening on the day of our visit. According to a December article in the Sunday Times, Emily von Opel, who with her husband Georg owns Malverley and loves walking the paths of the garden to “escape from the hustle and bustle of life”, decided to open the space to serve dishes made from the produce of the kitchen garden, provide a workshop venue and offer British-made homewares and plants for sale.

Doesn’t this bouquet say “June”, with all its romantic profusion?

Plants are offered for sale as well.

Finally…. I’ve saved the best for last, because Malverleys has justifiably become famous for its luscious White Garden. And having visited Sissinghurst’s renowned version just the week before, I would have to say that Mat Reese scores the grand prize for his interpretation, which is clearly at its peak in early June. Though most of the plants feature white flowers, there are a few, like the strongly-perfumed hybrid musk Rosa ‘Penelope’ with its pale peach-pink blossoms, included.

Peonies, white foxgloves, Eremurus ‘Joanna’, Lupinus ‘Noble Maiden’ and wisteria surround one of four formal raised pools in the White Garden.

And a final image from the White Garden of Papaver orientale ‘Royal Wedding’ and Lupinus ‘Polar Princess’. Thanks to Malverleys, for its horticultural excellence, beautiful design and generosity to the community.

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Like English gardens? Visit my blog on Dan Pearson & Huw Morgan’s ‘Hillside’ in Somerset.