Piet Oudolf: Meadow Maker – Part One

Posted on March 20, 2017 by Janet

It was early April 1999, and we were visiting Hummelo in the Netherlands so I could talk with Piet Oudolf and see his garden. I had read his books and followed his burgeoning design career with interest. Given my childhood love of wild places, I was always more interested in designers who embraced a naturalist ethos and synthesized that into their work, whether purely aesthetic or ecology-based. When we visited Hummelo, I had just finished an in-depth magazine profile on Michael Hough, a seminal member of the mid-20^th century ecological landscape movement. Scotland-born Michael had been a student of Ian McHarg (Design With Nature) at Edinburgh’s College of Art and later at the University of Pennsylvania, before founding the University of Toronto’s Undergraduate program in Landscape Architecture, then moving to York University to teach in their fledgling Environmental Studies program and publish his own book, Cities and Natural Process. Later on this trip, we would visit the botanical garden at Leiden and Ecolonia in Alphen aan den Rijn, below, an experimental housing development whose architecture, landscape, utilities and infrastructure had been built earlier that decade using principles of ecological design.

Hummelo

The Oudolfs were generous in greeting us. Anja still ran the nursery then, Kwekerij Oudolf with its goddess Flora…..

….. and retail customers were busy buying the plants that the Oudolfs raised to use in Piet’s designs. In time, other Dutch growers would become adventurous in their plant introductions; this fact, combined with the demands of Piet’s business and Anja’s busy schedule accommodating groups wanting to tour the garden eventually caused the Oudolfs to close the nursery and build a studio in its place.

We toured the garden; as it was early spring, not much was in bloom, but the hellebores and wild phlox were lovely.

The Stachys byzantina ellipses were still there, along with the famous yew towers and undulating yew hedges which would later be damaged by flooding. Both features were eventually removed and this garden was planted with sweeping perennials.

The trial beds were impressively ordered – and vital in teaching Piet how various perennials performed: their hardiness, floriferousness, optimal companions, seedhead properties, pollinator attraction, winter persistence, etc.

It was still very much a place where the Oudolfs worked as a team to expand and improve the palette of plants, but there were abundant touches of simple domesticity.

Piet graciously posed for my camera at a picnic table in a little enclosed garden surrounded by spring-flowering shrubs.

Then we said farewell and headed off to the nearby garden of Eugénie van Weede at Huis Bingerden, below. At the time of our visit, Eugénie been holding her International Specialist Nursery Days, a 3-day June plant fair attracting thousands of visitors, for four years. (In 2016, there were 37 exhibitors.) In turn, her inspiration came from Piet and Anja Oudolf, who had held their own annual Hummelo Open Days (later Grass Days) beginning in 1983. By the mid-1990s, visitors numbered in the thousands. Wrote Piet in his rich memoir Hummelo: A Journey Through a Plantsman’s Life, by Piet Oudolf and Noel Kingsbury (The Monacelli Press, 2015): “Our idea was to bring people together. Of course we wanted to create some income, but thought it would also be a good idea to bring a selection of growers who share the same interest in plants, as an advertisement for all of us.” It was Piet Oudolf, seedman Rob Leopold and Piet’s original partner, nurseryman Romke van de Kaa (formerly Christopher Lloyd’s head gardener in the 1970s) — the men she calls her three ‘godfathers’ — who advised Eugénie on the nurseries she should include in her Nursery Days.

Fast-forward 15 years to a lovely day in August 2014, and there I was photographing the Piet Oudolf-designed entry border at my own local Toronto Botanical Garden, as I’ve been doing regularly for more than a decade. Even though I recall my visit to Hummelo with pleasure, my relationship with the entry border feels less like a connection to the Netherlands than an arrow that points right back to my childhood. A childhood spent in a meadow.

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You Can Take the Child Out of the Meadow….

How does one become a meadow maker? Perhaps it might happen through sheer neglect: abandoning a plot of land to flowering weeds and long grasses which, through a stretch of imagination, might eventually approximate a reasonably attractive community of plants. Though leaving meadow-making to serendipity rarely achieves satisfactory results, it was nevertheless a meadow of happenstance that became my first intimate connection with nature and, by extension, with gardening. For it was an old field across the road from my childhood home in Victoria, B.C., the one just behind the trees at left that you can’t make out in this photo….

…. that taught me how Spanish bluebells and English daisies emerged in spring as grasses turn green; how California poppies preferred the stony ground to the rich, damp soil where western buttercups grew, the ones we held under our chins to see who liked butter best.

Oxeye daisies and horsetails, bindweed, tansy and purple clover: these were the meadow weeds I came to love. As little as I was, I felt at home in that chaotic wildness, the old field that promised adventure – even the spittle-bugs that brushed our cheeks as we crawled through the grasses on all fours playing hide-and-seek.

If, as landscape designer Julie Moir Messervy contends in her 1995 classic The Inward Garden, the joyful, treasured places of our childhood become the environments we yearn for as adults, my Victoria field was the idyll I tried to recreate a half-century later in the wild front garden of our Toronto home, below, …..

….. and in the meadows of our cottage at Lake Muskoka….

….. where bees and butterflies and birds are welcomed.

But meadow-making, for me, though it became somewhat more ‘designed’ and much more interesting than conventional gardening, never approached an art form. It was more about capturing a little corner of ‘wildness’ outside my door. Making a meadow that appears to be wild but is ‘enhanced nature’, that relies on deep knowledge for its plant palette and a wealth of experiment for its dynamic combinations: that is the work of a master. And that is how Piet Oudolf came to design the entry border at the Toronto Botanical Garden (TBG).

But first, let’s back up a little to 2006.

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Toronto Botanical Garden

In the early 2000’s, when Toronto’s Civic Garden Centre was being transformed from a small, horticulture-related institution to the Toronto Botanical Garden (TBG), a series of 17 themed gardens were designed to skirt around the new LEED building and extend out into the modest 4-acre property. . (You can see my seasonal galleries of all these gardens on the TBG’s website). Landscape architects for some of the gardens included PMA Landscape Architects Ltd. and Sparling Landscape Architects. For the prominent entry walk along the entrance driveway and the long south wall of the building, funding was provided by the Garden Club of Toronto to commission Toronto landscape architect Martin Wade of MWLA, below left, and Piet Oudolf, right, to collaborate on the hardscape and plant design.

Garden club member Nancy Laurie (who provided these photographs of the planting) was intimately involved with the beginning of the garden. As she recalls: “The club was asked to design and install a perennial garden that welcomed visitors into a botanical garden. The parameters of the garden area were predetermined by the TBG and the space was limited in height and width variations. It was surrounded by two parking lots, sidewalks and a building. It would most likely be viewed first by many from inside a moving car. In addition, the other gardens that would eventually make up the new Toronto Botanical Gardens would be of a more formal design. This garden had to stand out from the others. Be different. Announce this is as an avant botanical garden. Martin Wade proposed including the internationally acclaimed perennial designer Piet Oudolf to join the project as a consultant specifically for the planting design and selection of plants using his much admired naturalistic interpretation of a traditional perennial border garden.”

Apart from having read some of Piet’s books on plant design and hearing him speak at conferences, Nancy had also helped organize several two-day symposiums on the theme of the natural garden. “So I was personally very keen to make this ‘new’ garden paradigm a key element in our new entrance garden,” she recalls. “The garden world of the 1990’s and early 2000’s was embracing a more modern approach to the traditional formal English-style perennial garden. Piet Oudolf’s alternative style is characterized by naturalistic plantings, both in techniques and style, and using plant material that suited the terrain, climate and growing conditions already present in the site. He was recognized at the time as the master of the ‘new perspective of planting’ to paraphrase the title of one of his books. He was ‘The Man’.”

The plant design was complete and ready for reference.

With the hardscaping and rough grading having been done earlier that spring, the garden was ready for planting. But first there were some preliminary steps. The garden was divided into precise grids….

………which would facilitate transference of the design outlines onto the ground.

Once the grid was finished, the outline of the plant groupings themselves was sprayed onto the surface of the soil with a non-toxic paint…..

…..like a plant-by-number guide.

The Garden Club had teams of planting volunteers ready and they listened to words of wisdom from Piet before starting. Says Nancy Laurie: “The committee gained enormous experience working through this project. At its completion, I prepared a process paper on how to organize and use volunteers to help install a large garden project under the leadership of a landscape architect. Martin Wade used the suggestions to direct the volunteers at his installation of several new gardens at the Royal Botanical Garden the following year.”

Then it was out into the garden. Most of the plants were Heritage Perennials from the Ontario division of Valleybrook Gardens.

As Nancy recalls: “Martin Wade managed the process of planting the garden with the help of Garden Club volunteers. Piet was on site for the first planting day to offer suggestions and help. He conferred with Martin and often stepped into the garden with the volunteers to show them how to properly plant a specific variety.”

Nancy Laurie still recalls Piet’s planting lessons from that day.

When ready to plant, start at one end of the garden and move backwards so that the soil does not get compacted with foot traffic. Use planks of wood to walk on especially if the soil is wet so it does not compact.
Working in one grid area, dig all of the holes for one plant variety.
Loosen the soil around the planting hole several inches larger than the plant root system. Step back and look to see if the planting area is what it looks like on the plan. Adjust if needed before actually installing the plants.

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The entry walk was transformed that June into a fluttering, buzzing, verdant place of great beauty, different in all seasons, and indeed different from year to year, as the plants intermingled, possibly even more than their designer intended, and a few disappeared eventually, to be replaced by others. Let’s take a look at a small area, just in front of the glass screen dividing the border from the Floral Hall courtyard just to the north. Here it is on Piet’s plan.

Here’s the area as it looked in early spring 2006, with its new espaliered ‘Donald Wyman’ crabapples and coppery paperbark maples (Acer griseum).

Now look at it in May 2012, below. Seasonal spring bulbs are part of the changing display in the garden and, when carefully planted, they don’t affect the emergence of the perennials in Piet’s design.

Here it is in June 2011 with the Geranium psilostemon and Astrantia ‘Roma’ flowering amidst the lush green foliage of Deschampsia caespitosa.

I captured this autumn scene in October 2009, with the Deschampsia in flower and toad lilies (Tricyrtis formosa ‘Samurai’) blooming at left.

The genius of the entry garden, for me, especially in the early years when the perennials had not yet seeded about and intermingled, was that it transformed itself through the seasons — especially evident with the ornamental grasses.

Here’s my video of more of the seasonal changes in various parts of the garden.

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Before I move on to more seasonal scenes from the garden, I’d like to acknowledge the hard work of former head gardener Sandra Pella, her assistant gardeners and former TBG horticulturist Paul Zammit, who oversaw the demanding maintenance of the entry garden on a shoestring budget, and with great enthusiasm.

I was there to photograph it each spring….

……when the brilliance of the tulips, daffodils and small bulbs was especially welcome after the long winter we have in Toronto.

Families of donors to the garden help to plant new bulbs each autumn, changing the show annually. The emerging perennials are unaffected by the bulbs growing in their midst.

Late spring featured the big, purple heads of alliums…..

…… and lush peonies like ‘Krinkled White’, here with willow-leaf bluestar (Amsonia tabernaemontana var. salicifolia)…..

….. and ‘Bowl of Beauty’, with mauve Phlomis tuberosa ‘Amazone’, left and the white form of the mourning widow geranium (G. phaeum f. album) behind …..

…. and stunning red ‘Buckeye Belle’ with Salvia nemorosa ‘Caradonna’ in the background.

But the summer months are when the Oudolf garden hits its stride, as the lush, ornamental grasses begin to fountain around the stems of the flowering perennials. In early summer, deep-red Knautia macedonica pops out like dots in a pointillist painting.

I love knautia for its long flowering season and its attractiveness to all kinds of bees.

Here are three Oudolf favourites: from rear, mauve ‘Fascination’ Culver’s root (Veronicastrum virginicum), ‘Blue Fortune’ anise hyssop (Agastache foeniculum) and the lime-green, needled leaves of Arkansas bluestar (Amsonia hubrichtii), half-way between its pale-blue spring flowers and brilliant gold fall colour.

A little later comes the beautiful echinacea show, here with the salmon daylily Hemerocallis ‘Pardon Me’ and ‘Veitch’s Blue’ globe thistle (Echinops ritro), which is…..

….. another exceptional bee plant.

August is my favourite time in the garden, as the grasses reach their stately heights and the late-season perennials flower. Here’s a little vignette of what you see as you do the entry walk in early-mid August: violet spikes of blazing star (Liatris spicata); creamy-white rattlesnake master (Eryngium yuccifolium); the lush, burgundy flowers of the various Joe Pye weeds (Eutrochium sp.); the small, dark-red wands of burnet(Sanguisorba sp.); and echinaceas.

Below we have the self-seeding annual Verbena bonariensis, left, leadplant (Amorpha canescens) past its flowering, centre, and red-spiked ‘Firetail’ persicaria (P. amplexicaulis) at right.

By October, the Virginia creeper (Parthenocissus quinquefolia) on the stone wall of the Raymond Moriyama-designed Flower Hall has turned bright red and the seedheads and fall colour of the big grasses in the Oudolf border take centre stage, along with a few asters and goldenrods that have sneaked into the border from other parts of the botanical garden.

One year, aromatic aster Symphyotrichum oblongifolium ‘October Skies’, below, native to the central and eastern United States, looked stunning punctuated with echinacea seedheads. But this lovely aster, used by Piet at Lurie Garden in Chicago, seems to have diminished in subsequent years, part of the inevitable reality of plant experimentation, something to which Piet Oudolf has paid great attention over the decades.

Perennial seedheads are an important part of the seasonal show in the garden; these are the mocha-brown October seedheads of the yarrow Achillea millefolium ‘Walther Funcke’, with silvery Perovskia atriplicifolia ‘Little Spire’ at right and bronze Astilbe ‘Purpurlanze’ in the background.

And provided that repeated heavy, wet snowfalls do not knock down the plants and ruin the show, the entry garden demonstrates the beauty of the persistent seedheads and stems throughout winter. The grass at left is Korean feather grass (Calamagrostis brachytricha).

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Plants and Memories

Many of the plants in the entry garden are part of Piet Oudolf’s personal history: breeding successes of the German or Dutch plantsmen who were part of his circle – and horticultural education – since the beginning of his design career and life in Hummelo. People like Ernst Pagels (1913-2007), of Leer, himself a student of Karl Foerster, the iconic nurseryman who sheltered Jews in his nursery during the Second World War and whose name is memorialized in a well-known feather reed grass (Calamagrosis x acutiflora). As explained in Hummelo: A Journey Through a Plantsman’s Life, in the 1980s Piet Oudolf travelled often across the border into Germany to visit Pagels at his nursery where they would talk plants. “We went to get the newest plants, and to bring them home…. and we exchanged a lot.” Among the Ernst Pagels jewels that live in the TBG’s entry garden are Achillea ‘Walther Funcke’….

…. Astilbe chinensis var. tacquetii ‘Purpurlanze’ and Stachys officinalis ‘Hummelo’ …..

…. Phlomis tuberosa ‘Amazone’……

…. and Salvia nemorosa ‘Amethyst’, shown here with Allium cristophii.

Piet’s Dutch friend and fellow plantsman Coen Jansen is responsible for the tall meadowrue Thalictrum ‘Elin’.

And his German colleague Cassian Schmidt, director of the famous garden at Hermannshof, (thanks Tony Spencer for that great blog entry) has his own name memorialized in the beautiful, Kurt Bluemel-raised fountain grass Pennisetum alopecuroides ‘Cassian’, shown here with the statice Limonium latifolium…..

As for Piet Oudolf himself, long before he designed the planting of the TBG’s entry border, he was selecting his own plants and registering them. In 1998, the year before I visited him at Hummelo, he joined with two other growers to launch their company Future Plants, “to market their introductions and to protect their work through Plant Breeder’s Rights.” As explained in Hummelo: A Journey…, these plants were often put into production in the U.S. before Dutch nurseries had started to raise them. Among the Piet Oudolf-propagated plants in the entry garden are the pale-mauve hybrid monkshood Aconitum ‘Stainless Steel’….

……. Astrantia major ‘Roma’…..

….. Echinacea purpurea ‘Vintage Wine’, with its lovely dark stems….

….. Monarda ‘Scorpion’…..

….. Perovskia atriplicifolia ‘Little Spire’, a compact Russian sage shown below with Calamintha nepeta (a fabulous bee combo!)…..

….. Persicaria amplexicaulis ‘Firedance’…..

….. Salvia ‘Madeline’…..

….. Salvia verticillata ‘Purple Rain’ (this photo with Achillea ‘Anthea’ was made at the Royal Botanical Garden in Burlington, near Toronto) …..

…. and finally the spectacular Culver’s root Veronicastrum virginicum ‘Fascination’, given its tongue-in-cheek name by Piet Oudolf because of its genetic tendency to ‘fasciation’, a flattening of the flower spike.

That concludes the first part of my two-part blog on the entry garden at the Toronto Botanical Garden. In Part Two, I drill down into Piet Oudolf’s garden plan to show you some terrific plant combinations, and some of my favourite plants and why.

PS – if you’re a fan of New York’s High Line, I have photographed the Oudolf plantings there in three seasons, and blogged about a few of those visits as well. Here’s the High Line in early May and a two-part blog on the High Line in mid-June.

This summer, I’m looking forward to visiting Lurie Garden in Chicago’s Millennium Park.

Au Revoir, René Giguère!

Posted on February 22, 2017 by Janet

This is a little farewell blog to one of the loveliest men in Canadian horticulture: René Giguère, curator of the Alpinum at Montreal Botanical Garden. René is retiring in early March after a career of 40 years spent nurturing alpine plants from all over the globe. It’s a good time to take a rest – and he’ll be able to devote more time to the other love of his life, his beautiful wife Diane.

I’ve been visiting the Jardin Botanique de Montréal for 20 years. It’s one of my top 3 public botanical gardens in North America, both for its deep collections and its creative display gardens, and I’ve written blogs about their fabulous Shade Garden and their spectacular collection of yellow magnolias. I ventured into l’Alpinum or Rock Garden one August day in 2013 and soon found myself searching for a gardener to ask – in my fractured high school French – the name of a plant being buzzed by honey bees (a photography project I was working on at the time). René smiled and replied in excellent English (whew!) that he would have a look at the hidden tag. It was Staehelina uniflosculosa, a plant from the mountains of Greece and Albania.

René and I began to chat, and realized we had friends in common, including Ontario seed maven Kristl Walek and Quebec garden writer Larry Hodgson, who had introduced him to Diane. From then on, when I visited, I would search him out – and was always disappointed when he wasn’t there. As for the garden itself, though it was begun in 1937, World War One intervened and it was not fully finished until 1962. Forty years later, the first of two crevice gardens was installed, the design work of Czech botanist Josef Halda.

A second vertical crevice garden was installed in 2005 by Czech botanist Zdeněk Zvolánek.

You can read about the vertical crevice garden in René’s story for the North American Rock Garden Society’s Spring 2006 Quarterly (pages 94-114).

The Alpine Garden is roughly 10 acres and contains 4,900 taxa. It features plants from the Appalachians and the Rockies….

(including a very live fox!)…

….the Pyrenees…

….as well as the Balkans, the Carpathians, the Caucasus and various parts of Asia.

I thought it would be nice if some of René’s “children” could help say farewell to him on the occasion of his retirement. Here they are, some from May, July and August, arranged by botanical name. And I hope to have the opportunity to photograph many more of his children as the years pass. Felicitations, René! Thanks for making the Alpinum so special, and do enjoy the next chapter in your life.

Krylova’s monkshood (Aconitum krylovii) from Russia’s Altai Mountains, below.

Three-leaved ladybells (Adenophora triphylla) from mountain meadows in Siberia, Korea, Japan, China, Vietnam and Laos.

Licorice mint hyssop (Agastache rupestris) from the mountains of Arizona, New Mexico and Chihuaha state, Mexico. (Incidentally, this is one of the best hummingbird plants!)

Mountain deathcamas (Anticlea elegans, formerly Zigadenus) from alpine meadows in the Rocky Mountains.

Hardy Spanish snapdragon (Antirrhinum braun-blanquetii) from the mountains of Spain and Portugal.

Fan columbine (Aquilegia flabellata) from the mountains of northern Japan, Sakhalin and the Kuril Islands.

Juniper-leaved thrift (Armeria juniperifolia) from the mountainous regions of central Spain.

Orange-stalked bulbine (Bulbine frutescens) native to South Africa, Lesotho and Swaziland.

Lovely combination of (circumboreal) Olympic harebell (Campanula rotundifolia) and spotted beebalm (Monarda punctata), both native to North America.

Virgin’s bower (Clematis virginiana) native to the Piedmont Mountains of the U.S.

Dianthus nardiformis an endangered pink native to the mountains of Bulgaria and Romania.

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Nodding dragons-head (Dracocephalum nutans) from alpine slopes in Pakistan and Kashmir.

Tennessee coneflower (Echinacea tennesseensis), a federally endangered species from rocky cedar glades in the mountains of Tennessee.

Manescau’s erodium (Erodium manescavii) from the Pyrenees.

Azure-blue stemless or trumpet gentian (Gentiana acaulis) from the European Alps.

Gentiana septemfida ssp. grossheimii from the Caucasus Mountains.

Globe daisy (Globularia nudicaulis) from the mountains of Northern Spain, the Alps and the Pyrenees.

Gorgeous standing cypress (Ipomopsis rubra) from the Rocky Mountains through to Texas and Ontario. (Another good hummingbird plant!)

Crimean iris (Iris lutescens) from rocky hillsides of Italy, southern France and northeast Spain.

Lovely crested iris (Iris cristata) from the Great Smoky Mountains to the Ohio Valley.

A pretty combination of common grape hyacinth (Muscari armeniacum) from the Caucasus Mountains, Turkey and Greece and European pasque flower (Pulsatilla vulgaris) from calcareous slopes in Europe.

Coastal hogfennel (Peucedanum japonicum) from Japan and Korea.

Rock willow (Salix vestita) from the subalpine zones of mountains in eastern British Columbia, Alberta, north to Nunavut and central Siberia.

Japanese burnet (Sanguisorba obtusa) from the serpentine mountains of North Honshû, Japan.

Chinese or Baikal skullcap (Scutellaria baicalensis) from mountains of China, Russia, Mongolia, China and Korea.

Moon carrot (Seseli gummiferum) from limestone cliffs in Eastern Europe, the Aegean and Crimea.

Lakeside or Four-nerved daisy (Tetraneuris herbacea) from limestone alvars of the Great Lakes basin of North America.

Blue throatwort (Trachelium caeruleum) from rocky banks near the Mediterranean.

Horned garden tulip (Tulipa gesneriana ‘Cornuta’, often referred to as T. acuminata, invalid sp.) from Turkey.

Gentian speedwell (Veronica gentianoides) from the Carpathian Mountains of Eastern Europe.

Rocky Mountains zinnia, Plains zinnia (Zinnia grandiflora) from dry calcareous slopes and plains from Colorado to Arizona, Texas and Mexico.

Autumn in Mount Pleasant Cemetery

Posted on October 26, 2016 by Janet

I know I promised you the second half of my orange-for-October colour treatment, but I needed a little taste of fall today. I needed a vision of October red, orange and gold before the rain and wind sweep in tomorrow and turn the delicate, tree-borne flags of autumn into sodden layers on the ground. So I did what I’ve done for more than twenty years now: I drove to Mount Pleasant Cemetery, just ten minutes from my home, and parked my car. The cemetery’s 200 acres make it one of the biggest arboretums in Canada, and its roads criss-cross under a forest of stately trees, many with labels affixed to their trunks providing the botanical and common names. It is quiet, solemn, a place to reflect on life, death, and the seasons. I have spent hundreds of hours photographing these trees in spring, summer, autumn and winter; I know them well. Here are just a few that called out to me today.

Driving down Mount Pleasant, it was easy to pick out the neon-pink of the burning bushes (Euonymus alatus) outside the iron fence.

Just inside the gate was an Ohio buckeye (Aesculus glabra) turning golden-apricot.

There are massive sugar maples (Acer saccharum) near the entrance, and they’d begun their sunset colour transformation,too.

Many species of maples were turning colour. Below is red maple (Acer rubrum) – a variable autumn-colouring species, that can turn yellow, deep red, pale orange or mottled, like this tree.

Silver maple (Acer saccharinum) had become a pretty lemon-yellow.

This tall, old silver maple, below, (that is how it has been labelled) is very unusual in that its manifesting its colour change, with red and yellow pigments keeping their distance in the leaf. I think it’s highly likely there is some Acer rubrum in its DNA, making it an Acer x freemanii specimen……

The elegant fullmoon maple (Acer japonicum) always transfixes me, especially the fringed leaves of the cultivar ‘Aconitifolium’. Today, I stood underneath the tree to soak in the deep russet and scarlet tones.

There are several wonderful, big hickories at Mount Pleasant Cemetery, and this bitternut hickory (Carya cordiformis) stands like a stately sentinel beside the handsome mausoleum.

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I was mildly shocked that in all the years I’ve photographed in the cemetery, I somehow missed the seven-sons tree (Heptacodium miconoides). This is its colourful second act, after the September flowers fade and the calyces turn a pretty rose-pink.

The leathery, witch-hazel-like leaves of the parrotia (P. persica) had taken on their mottled red, pink and orange colours, before falling on the small tombstones beneath it.

All the birches had exposed the underlying carotene pigments that turned their elegant leaves bright yellow. This is European silver birch (Betula pendula)….

… and this is North American paper birch (Betula papyrifera).

Serviceberry (Amelanchier sp.) leaves were glowing red and orange, the third season of beauty for this native, following their delicate white May flowers and tasty June fruit.

Tulip poplar (Liriodendron tulipifera) leaves had taken on gold and bronze tones.

The wind was picking up and the air was cold as I headed to my car. I gazed up at one of the magnificent white oaks (Quercus alba) turning crimson and bronze, its massive branches held aloft. Many of Mount Pleasant’s white oaks were already mature trees when the cemetery opened on November 4, 1876. One hundred and forty years ago this week.

Wonderful Wave Hill

Posted on September 21, 2016 by Janet

One of my ‘must-do’ gardens when I have a few days in New York (apart from New York Botanical and the Conservatory Garden at Central Park and the High Line) is fabulous Wave Hill, in the Riverdale section of the Bronx. And so it was that in mid-August, I caught the Metro North ‘Hudson Line’ train at Grand Central Station and took my comfy window seat for the scenic ride along the Hudson River. (Excuse the dirty windows, please – not my fault!)

When you get off at Riverdale-Wave Hill, you really should wait for the shuttle, which meets northbound trains at 9:50am, 10:50am, 11:50am, 12:50pm, 1:50pm, 2:50pm and 3:50pm. (Return shuttles for southbound trains leave Wave Hill’s front gate at 20 minutes past the hour, from 12:20pm through 5:20pm). But I was feeling energetic – and had forgotten how steep the hill is and how long the walk from the station up towards the garden, set in a lovely, leafy Bronx neighbourhood. So I walked.

Wave Hill, overlooking the Hudson River and the towering Palisades on the New Jersey shore, was built by lawyer William Morris in 1843 to serve as his country home. It was enlarged by publishing scion William Appleton in the late 1800s, and played host to visiting notables such as Thomas Huxley. Teddy Roosevelt wasn’t yet in his teens when his parents rented the estate in the summers of 1870 and ’71, and likely helped to foster in him the love of nature that propelled him to protect America’s wild lands as national parks. Perhaps its most famous resident was Mark Twain (Samuel Clemens), who leased Wave Hill from 1901 to ’03, and entertained guests in a tree house on the back lawn. Later residents included conductor Arturo Toscanini (1942-45). In 1960, Wave Hill’s last private owners, the Perkins-Freeman family, deeded the estate to the city of New York and it was incorporated as a non-profit, one of 33 city-owned cultural institutions and specializing in programs of horticulture, environmental education, woodland management and presentations of the visual and performing arts. while seeking to “foster connections between people and nature”. (Sources: Wikipedia & Wave Hill) Wave Hill House underwent a two-year $9.8 million renovation and was reopened in 2013. When I visited the following June, I was impressed with the gleaming woodwork – not to mention the stunning bouquet of delphiniums in just the right shade of blue to enhance the walls.

As I headed into the garden this August, I was greeted by some lovely new touches to the Perennial Flower Garden, which I had last seen in 2014, including the beautiful, sky-blue tuteurs in each of the central four sections.

The flower garden, overseen by gardener Harneck Singh, consists of eight plots arranged in cruciform quadrants, each loosely colour-themed. And there’s always something big and beautiful from the greenhouses in the centre; this summer it was a luscious, variegated agave.

Those blue tuteurs add to the elegance quotient in the flower garden. Here’s how it looked in June 2014. below. Not nearly as dramatic.

There were a lot of silver-spotted skippers flying about, including this one on Clematis heracleifolia.

I enjoyed seeing Clematis crispa climbing the rose bower in the flower garden.

Speaking of rose bowers, I fondly recalled making former director of horticulture Marco Polo Stufano pose for me in one of the bowers, when I was there in 1994. Though it was terribly sunny and not great light for a portrait (especially with my limited photography skills more than 20 years ago), I do enjoy having this reminder of a very talented man who lent his expertise to the garden. Today, Louis Bauer is horticulture director and is putting his own creative mark on Wave Hill’s gardens.

My 1994 visit was seven years after Marco Polo Stufano was featured on the cover of the November 1987 issue of Horticulture magazine. (Photo by Allen Rokach) And yes, I am a packrat, and I really should clean out the mags in my office!

The story inside the magazine was about the flower garden, as redesigned by then curator of gardens John Nally. His name is now memorialized in Wave Hill’s practice of hiring interns – called Nallies – to work in the garden. I had a little chat with one of Wave Hill’s 2016 Nallies, Gabe Santoriello, who was carefully deadheading flowers in the red garden. He made me chuckle when I called out ‘Gabe’, to ask him about a plant. “You know, I had my earphones in,” he said, “but you sounded just like my mom when you called me.” (I’ve had some family experience calling out to young men!)

Being late summer, grasses were good-looking, like this Calamagrostis acutiflora with Helenium autumnale.

I loved the duo below in the red garden, when I visited in June 2014: ‘Heart Attack’ sweet william (Dianthus barbatus) and the airy seedheads of Allum schubertii. Isn’t this cool?

Walking into the entrance to the tropical and desert greenhouses, I saw that Marco Polo Stufano has also been honoured with his name on the conservatory, a gift of Frank and Anne Cabot, who also founded The Garden Conservancy. .

Lovers of tropical plants should be prepared to spend a lot of time exploring the jewels in the tropical house.

What a fascinating plant: Strophanthus preussii. I had a discussion with plant nerd friends on Facebook about the evolutionary significance of the long, red corolla threads. We couldn’t come to an agreement about why nature gave this African liana such decorative accents (but nature rarely creates adaptations for the fun of it).

I loved seeing this little arrangement of air plants (Tilliandsia ionantha).

This is what greeted me in the tropical house in June 2014: can you say Indian clock vine (Thunbergia mysorensis)?

Crossing into the desert house, I paused to take in the stunning variety of small succulents and cacti.

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Walking back into the garden through the blue conservatory doors (matching those tuteurs), I was reminded how effective a little paint is at drawing landscape elements together – and how complex the textural plantings in those containers just outside the doors were!

I never visit Wave Hill without heading down to the long pergola overlooking the Hudson River and the Palisades on the New Jersey shore. Apart from the stunning view, there are loads of wonderful plants displayed there!

Another section of the pergola.

And lookng towards Wave Hill House along the pergola.

That cascading, yellow-flowered vine intrigued me, but I had no idea what it was. So I cornered Wave Hill gardener Coralie Thomas who carefully dug out the label to show me: Petraeovitex bambusetorum, or Nong Noch vine, a Vietnam native. Thank you Coralie!

Then it was time to move on to some of the other wonderful gardens, but I stopped to take a quick shot of the happy confection of flowers (gomphrena ‘Fireworks’ & yellow strawflower) in the Paisley Garden across from the Visitor Centre.

Immediately behind the conservatory on a rise of land are two long gardens. The first is the Herb Garden…

…. with its late summer profusion of aromatic herbs.

The second is the Dry Garden.

There are always interesting surprises dotted about here and there, like this Boophane disticha on the steps. .

Behind these is a lovely display of bonsai plants.

Beyond is the Alpine House, which is not open to the public but easily observed through the glass.

Head back out to the path and circle around behind the Alpine House and you’ll come to the Wild Garden.

This is a tough theme to pull off without attracting loads of weeds, but the August display was beautiful – naturalistic, yet reasonably controlled.

I liked the contrast of the staghorn sumac (Rhus typhina) with the bronze colour of the upright spurge (Euphorbia stricta).

One of my favourite spots to spend a little time sitting is the Aquatic Garden. I loved how it had filled out from June….

….to August, when the big lotuses (Nelumbo nucifera) are at their sumptuous best.

Adjacent is the Monocot Garden, with its luscious grasses, lilies and bromeliads, among many other plants.

With a date on Manhattan’s High Line in late afternoon, it was time for me to pick up a lunch at Wave Hill’s lovely restaurant and make my way to the shuttle for the drive to the Riverdale train station. As I looked around at all the spectacular but residential-scale gardens here (there are others besides those I’ve written about), I thought of a sentence from that Horticulture magazine story 29 years ago, Though it described the redesign of the Perennial Flower Garden, it could be applied to all the gardens at Wave Hill: “…its style would be in keeping with Wave Hill’s history as a private estate.” Indeed, this garden is sheer inspiration for those who create modest gardens around their own homes. It is truly a garden for people. But as I walked down the path beside a scrambling maypop vine (Passiflora incarnata) and watched the carpenter bees and honey bees nectaring madly on the August blossoms, I was reminded that it’s also a garden that nourishes and sustains nature’s myriad other creatures.

A Visit (or Two) to New York Botanical Garden

Posted on September 2, 2016 by Janet

World-class is an overused term, but it is not an exaggeration when describing what I consider to be the finest public garden in the United States: New York Botanical Garden. In my two decades of visiting NYBG, I have seen it change its focus somewhat to become more ecologically attuned, as befits any modern botanical garden, but it has not lost its charm no matter what the season. And 2016 marks its 125th anniversary, a milestone to celebrate. So let’s celebrate with a photo tour of some of the gardens on its 250 acres (100 hectares). Whenever I visit (via the Metro North Railroad from Grand Central Station, Botanical Garden stop), I head immediately to the Seasonal Border, designed by Dutch plantsman Piet Oudolf. When i visited this August, I noticed a new sign dedicating the garden to Marjorie G. Rosen, who chairs the Horticulture Committee and is Vice-Chairman of the Board of Directors.

I love this border in all seasonal guises, for its inspiration for those thinking about making a naturalistic meadow-style planting. Here it is, below, in July 2011 with ‘Green Jewel’ coneflowers (Echinacea) front and centre.

I was especially fond of this combination of Lilium henryi and Scutellaria incana.

This is how it looked in spring 2012. The bulb plantings were designed by Jacqueline van der Kloet.

They’ve even gone to the trouble of making a sign showing Piet Oudolf’s hand-painted plan for the garden.

It’s a short walk from the Seasonal Border to the Jane Watson Irwin Perennial Garden. This is what it looked like in August.

I loved these combinations: Colocasia esculenta ‘Blue Hawaii’ with zingy Gomphrena globosa ‘Strawberry Fields’….

… and a more romantic look with Salvia guaranitica and a lovely pink rose.

I spent a lot of time watching butterflies and bees nectaring on Phlox paniculata ‘Jeana’, a late summer mainstay at NYBG.

This garden also offers lots of design ideas, whether you visit in spring (this was 2012)….

…. or summer (2011). If you sit on this bench with that gorgeous lily within sniff range, you’ll understand why designers recommend planting perfumed plants where you’re going to be walking or sitting.

I love the use of gold/chartreuse foliage in this part of the perennial garden.

The Jane Watson Irwin Perennial Garden and the adjacent Ladies’ Border were designed by New York’s champion of public gardens, the venerable Lynden Miller, below, right. When I was there in 2012, she and NYBG’s vice-president of outdoor gardens, Kristin Schleiter…..

…. conducted a tour of NYBG’s then brand-new Azalea Garden, below, with azalaes and rhododendrons arranged throughout the garden’s natural rock outcrops and underplanted with natives like white foamflower (Tiarella cordifolia). If you visit in late April or May, this part of the garden is a must-see!

I loved this spectacular pink cloud of azaleas!

Speaking of spring, it was sometime in the late 1990s when I visited New York in Japanese cherry season. At NYBG, that means a stroll to Cherry Hill, where you’ll see pink and white clouds of beautiful “sakura” trees. And there’s a daffodil festival bolstered this spring by a huge planting commemorating the 125th birthday.

But back to the perennial garden area. Adjoining it is the Nancy Bryan Luce Herb Garden, a formal knot garden. This year, the parterres were filled wtih artichokes….

…. but a few years ago, there was a charming planting of clary sage (Salvia horminum).

The perennial garden also sits in the shadow of the spectacular and historic Enid Haupt Conservatory.

Here is how that magnificent dome looks from the perennial garden.

I always make a point of visiting the conservatory in order to see the season’s themed show, as designed by Francisca Coelho (they run from mid-May to mid-September). This year, it was all about American Impressionism, and the long gallery in the conservatory featured plants that represented that art movement, such as Celia Thaxter’s Garden. Here’s what it looked like from the entrance….

…. and from the far end of the gallery.

I loved the 2014 show, which was titled “Groundbreakers: Great American Gardens and the Women Who Designed Them”. The conservatory show was titled ‘Mrs. Rockefeller’s Garden’, and was a nod to Eyrie, the Maine garden designed for Abby Aldrich Rockefeller in 1926 by Beatrix Farrand.

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But my favourite was 2008’s “Charles Darwin’s Garden”.

They even created a little study for him, complete with desk and rocking chair.

Adjoining glasshouses contain stunning displays of tropicals…..

…..and another has cacti and succulents.

Behind the conservatory is the wonderful courtyard pool.

Here you see sacred lotus (Nelumbo nucifera)….

…sometimes with resting dragonflies….

…and luscious waterlilies, like Nymphaea ‘Pink Grapefruit’, below.

Walking through the garden (or you can take a tram), you’ll come to one of my new favourite places: the Native Plant Garden. On August 16th, despite the lack of rain in the northeast this summer, the meadow portion was a symphony of prairie grasses, goldenrods and flowering spurge (Euphorbia corollata), among other late season plants….

….. and buzzing with pollinators, as promised in the interpretive signage for the garden.

Have you ever seen a glacial erratic? This is what happened in this very spot when the glaciers retreated from Manhattan thousands of years ago, leaving this massive boulder behind. Geologists identify these behemoths as erratics when they do not fit the mineral profile of the underlying rocks.

The meadows are beautiful, but the new native wetland is also a revelation. Imagine, coming down this boardwalk…..

….. and looking over the edge to see a huge collection of carnivorous pitcher plants (Sarracenia species and hybrids), along with orchids.

Keep walking and you’ll find a bench where you can contemplate the waterfall.

All around you are native plants that are fond of damp conditions, including cardinal flower (Lobelia cardinalis) and New York ironweed (Vernonia noveboracensis).

We’re not finished touring, so rest your legs until you’re ready to cast a glance over the rosy cloud of Joe Pye weed (Eutrochium) before heading back up the slope to the meadows.

Keep walking – you’re almost at the best place in New York to see roses: the Peggy Rockefeller Rose Garden. In June, there’s even a festival – and it’s worth the extra cost to add it to your general admission.

There are many other gardens, of course, including deep botanical collections of trees and shrubs. I usually pay a short visit to the Louise Loeb Vegetable Garden.

And I sometimes pop by the Pauline Gillespie Plant Trials Garden to see how the new plants are faring.

But I never visit New York without making my way to the front gate of the New York Botanical Garden! Happy 125th birthday, NYBG. Still humming along after all these years!

******

If you like the gardens of New York, please visit my blogs on Wave Hill in the Bronx, the Conservatory Garden in Central Park, and the High Line in spring, or in June (there are 2 parts to that one!) And you might also enjoy visiting fabulous Chanticleer Garden in Wayne, PA (another 2-parter)!

Janet Davis Explores Colour

In the garden & the world

Category Archives: Public Gardens

Piet Oudolf: Meadow Maker – Part One

Au Revoir, René Giguère!

Autumn in Mount Pleasant Cemetery

Wonderful Wave Hill

A Visit (or Two) to New York Botanical Garden

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