Into the May Woods on Lake Muskoka

What a beautiful weekend I enjoyed recently. Not only was it Mother’s Day and I had my first-born, ‘two-days-before-Mother’s Day’ son nearby, but we enjoyed a walk up the dirt road behind neighbouring cottages on Lake Muskoka near Torrance, a few hours north of Toronto, and found a treasure trove of native spring wildflowers on both the lake side and the crown land side. The photo below is of the road from another May. This year, the sustained, cool weather meant leaves were just breaking on the trees and best of all the blackflies had not yet emerged!

Ecologically, the address of the dirt road near Bala marked with the red arrow, below, is (broadest to narrowest classification) Ontario Shield Ecozone, Georgian Bay Ecoregion 5E, Huntsville Ecodistrict 5E8.  According to the provincial classification: “The Huntsville Ecodistrict is an undulating to rolling landscape underlain by Precambrian bedrock. The terrain, particularly in the west, has been heavily influenced by glacial Lake Algonquin that inundated the area about 11,000 years ago. As the land emerged from underneath the ice, morainal material was deposited. The area was then submerged under the glacial lake, which removed or reworked much of the material through wave action and fluctuating lake levels. The western portion of the ecodistrict is characterized by a mosaic of bedrock ridges with a discontinuous, shallow layer of morainal material, bare bedrock, and pockets of deeper glaciolacustrine sediment.”  Most of our district is covered by deciduous and mixed forest, including northern red oak, red maple (sugar maples predominate in the east part of the ecodistrict), yellow birch, paper birch, American beech, basswood, eastern hophornbeam, eastern hemlock and eastern white pine.  

Though we’ve had our cottage for two decades, it was precisely the right moment to enjoy a bounty of spring wildflowers I’d never seen flowering all together, most of them dependent on the dappled light under deciduous trees before the leaves emerge to cast heavier shade. Plants like round-lobed hepatica, Anemone americana, both the white and purple forms.

Many gardeners think they need to do a clean-up in autumn or spring, removing every leaf to expose bare soil; indeed, I heard a leaf-blower droning away on a cottage property nearby. But nature is under no such misapprehension; the spring understory here on Lake Muskoka is thick with successive years of red oak and beech leaves, all contributing to the health of the soil and the richness of the forest. Hepatica has no trouble emerging through them, pushing fresh new leaves and fuzzy flower stems up through last year’s bronzed foliage which then withers away.

Like many plants, DNA sequencing has resulted in hepaticas undergoing a scientific name change. They’re now placed in the Anemone genus.

Carolina springbeauty (Claytonia caroliniana) was showing its mauve-striped face here and there too, the flowers so tiny they’re easy to overlook. It grows from a corm and is one of our spring ephemerals, plants that disappear and become dormant by summer.

I was struck by the proximity of the spring beauty and the decomposing stump bedecked by turkey tail fungus (Trametes versicolor)…..

….and another fungi-rich stump flanked by masses of red maple seedlings (Acer rubrum). The coming and the going, the cycle of decomposition and renewal in this mixed forest.

Birches (Betula spp.) are not long-lived compared to other deciduous trees, usually around 50-70 years in our northern climate. Sometimes decomposition begins when they’re still standing, like this trunk with tinder fungus (Fomes fomentarius) all the way up.  It’s called tinder fungus because it can be used to make a fire; in fact the Tyrolean Ice Man Ötzi, whose 5000-year-old corpse was revealed by melting glaciers near Bolzano, Italy in 1991, had a piece on a cord around his neck.  

When birches fall, it takes little time before moss spores find them and begin to spread their green tentacles.  Before long, the birch becomes part of the forest floor.

Though rare, a lightning strike can also kill a birch.  This one would have made a loud crack in one of our summer thunderstorms.

I found this juxtaposition poignant: a young American beech sapling (Fagus grandifolia) growing against the decaying trunk of a beech killed by beech-bark disease, a terrible insect-fungus plague taking a toll on our central Ontario forests, especially those where beeches grow with hemlocks. The vector is a beech-scale insect (Cryptococcus fagisuga) which, like many killers of our native species (e.g. Dutch elm disease) is an invasive from Europe. It admits a canker fungus called Neonectria faginata.

Groundcedar or fan club-moss, Diphastriastum digitatum is a lycopod, a throwback to the Carboniferous era (360-300 million years ago) when spore-forming plants like these formed forests of giant trees. Their decomposition and burial over millions of years gave the world its coal deposits.

In low-lying areas, we found another spring ephemeral: dogtooth violet or trout lily Erythronium americanum which is not a violet but is a member of the lily family, Liliaceae.  The “trout” part is because the mottled leaves resemble brook trout.

Although it looks like the flower has six yellow petals, in fact the reverse view shows the three brownish sepals. 

The ecology of dogtooth violet is fascinating. In some parts of these woods, it made up almost the entire ground layer, but only a few plants bore flowers, the rest just had leaves. In fact, Erythronium americanum takes 4-7 years to flower, and researchers have calculated that in any given population only 0.5% will bear flowers.

There’s a little wetland along the road that drains the forest from the west. It’s where spring peepers sing in April and mosquitoes gather when the weather warms.

I went down onto the boggy mosses to get closer to the hummocks of cinnamon fern (Osmundastrum cinnamomeum) which had just emerged….

….. with their croziers wrapped in gauzy hairs. Cinnamon and royal fern (Osmunda regalis) are the principal wetland ferns here.

In springtime and after heavy summer rains, ground water moves through this wetland, passes under the dirt road in a culvert and wends its way as a creek through our friends’ property before splashing down into Lake Muskoka as a small waterfall. I made the video below to show it.

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We found coltsfoot (Tussilago farfara) in flower at the edge of the road.

 Native to Europe, Asia and North Africa, coltsfoot was used as a medicinal by early settlers – its name comes from the Latin “tussis” for cough and “ago”, meaning to act upon – and seed has made its way to throughout the region.

Ferns unfurled their croziers from the moss in the low spots.

We noticed that several of the hemlocks and pines along the road had an orange-red flush to their bark, but only on the side exposed to the light. Some research revealed that this is a fairly recent condition called Red Bark Phenomenon or RBP, having been discovered and named about 10 years ago in New England. It is caused by a filamentous green algae (Chlorophyta) tentatively identified as Trentophilia whose cytoplasm contains an orange-red pigment.

Patrick leaned into a little thicket of chokecherry (Prunus virginiana)….

….. not quite in flower.  He detected a minty-basil fragrance, though the twigs are occasionally described as having an ‘almond’ aroma.

It was at this point that we left the road and walked towards a rocky outcrop about 30 feet away. Maintaining the overhead hydro line here requires tree and brush cutting that provides a little more light than normal……

……and this area was rich with loads of spring ephemeral Dutchman’s breeches (Dicentra cucullaria)….

…. and the occasional common blue violet (Viola sororia).  

I loved this exposed bit of rock, typical of the metamorphic banded gneiss on this part of the Canadian Shield, a remnant of the Grenville Orogeny and more than a billion years old. (If you want a lot more amateur geology, have a peek at my recent blog memoir, ‘My Jaded Past, My Rocky Present’).  

I spotted an unfamiliar shrub on the lake side of the road and wandered in to check it out. It was American fly honeysuckle (Lonicera canadensis) with its paired, pendant, pale-yellow flowers.

The shrubs grew on top of the outcrop nearby – not showy, but an integral part of the ecosystem.

Finally, as we got close to the back of the East Bay Landing property, there were trilliums (T. grandiflorum). Not the vast colonies we would see on rises along Highway 38 and 400 later, just a few here and there with lots more getting set to bloom.

It was the perfect way to end our walk into the May woods on Lake Muskoka.

Tulips as Metaphor

It was a March afternoon with the promise of spring in the air – which was good, because spring officially started on the calendar two days later. But we in the northeast know how cruelly the calendar can be tricked into saying things it doesn’t really mean, like “spring”. I was at the greengrocer a few blocks from my house to buy kale and strawberries, but I treated myself to two bunches of double tulips at the premium price of 2 for $13.99.  A mediocre wine can be had for that price, but it wouldn’t make me swoon like those goblets of yellow and suffused rose. 

I arranged them in a vase and placed them on a pretty trivet, a gift from my sister-in-law. It was made by her sister, who used the time spent recovering from an injury to learn a beautiful new craft. The tulips seemed honoured and bowed left and right as if in frilly crinolines.

I gazed at them through my glass of chardonnay until they hit the high-wine level where, magically, mysteriously, they and the lupine print and the kitchen window turned upside down in the refracted light. This is explained by the formula of Snell’s Law of Refraction, which I advise you to look up, since I am unable to explain it beyond this:  it is the bending of the path of a light wave as it passes across the boundary separating two media, and it’s caused by the change in speed of said wave when it changes its medium.

On Day 2, the tulips opened in the warmth of my kitchen. These two cultivars, yellow ‘Verona’ and bicoloured ‘Verona Sunrise’ are the work of Dutch tulip breeders and hundreds of years of hybridizing from their wild tulip progenitors in central Asia (Kyrgyzstan, Kazakhstan, Tajikistan, Turkmenistan, Afghanistan) and the Mediterranean. In formal tulip classification, my tulips are called “Double Early”.  They would have been grown hydroponically in a greenhouse in southern Ontario’s Niagara region and shipped to the grower’s stalls at Toronto’s wholesale Ontario Food Terminal where my greengrocer will have purchased the bunches in tight bud early in the morning.

Tulips are members of the Liliaceae family and Yellow ‘Verona’ has stamens with yellow pollen…..

….. while ‘Verona Sunrise’ has dramatic black pollen.

While many people would talk about colourful tulip “petals”, in botany they are referred to as “tepals” since tulips do not bear the sepals we see in many plant families and instead emerge directly at the top of strong stems.

By Day 3, my tulips had opened enough in the warmth of the kitchen that the adjective “blowsy” seemed to apply. But I looked up that word I’ve used to describe certain double peonies and perfumed roses to discover this etymology: Blowsy – “disheveled, unkempt,” 1778, from obsolete blouze “wench, beggar’s trull”. Hmmm, I felt I should have apologized to my tulips, which seemed to have let their morals slip in just two days.

Three days later, ‘Verona Sunrise’ had lost her will. She was on a downward slide….splayed and tired. Perhaps because of my own advancing years, it occurred to me that I should not toss the wilted blossoms into the recycling bin, but rejoice in their decline.

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Besides, my bouquet still had a relaxed integrity, though ‘Verona’ swooped towards the table with nothing to catch her except the rim of the vase.

Day 8 brought a kind of silken elegance to the tulip’s dénouement….

…. and the flowers seemed less like a bouquet and more like abstract still life, frozen in time.

But the virile, jet-black pollen still swirled around the stamens… a dark vestige of its place in nature, in the mysterious, ancient sex life of the tulip.

It was Sunday dinner; my son was arriving to share the table, so I invited the elderly tulips to be our guests.  And we decanted a hearty red wine to toast them.

On the 12th day, the tulips begged for mercy. It was almost time to say goodbye…. almost.

Finally, fifteen days after I brought them home, youthful and freshly budded, old age staked its claim. Black and yellow pollen showered the table amidst the faded tepals.

Dust unto dust, carbon unto carbon. To everything – and everyone – its season.

Remembering Penny

The end of the gardening season, the beginning of the festive season: this was always the time of year for the WWWG to get together for dinner. WWWG – the “Wonderful Women Who Garden”.  We addressed our emails that way, with great affection and without a trace of irony, honouring how we four had become friends through gardening. My earliest photo of us is from late August 2003, seven years after we collaborated on the series of garden books that had brought us together. We’re at my cottage on Lake Muskoka for a ‘slumber party’, the four musketeers: from left Liz Primeau, the founding editor of Canadian Gardening magazine; Wanda Nowakowska, then Associate Editorial Director at Toronto’s Madison Press; Penny Arthurs, garden designer and writer; and me. It was a rainy, stormy weekend but it didn’t matter at all; we cooked together, we drank wine, we sang songs from the 60s, we swam (well, Penny did) and we talked and talked and talked.

Penny was a woman of many talents. She designed gardens – classically beautiful, often formal gardens with the kind of lasting structure she believed every landscape needed. A 2012 article surveying top local designers in the Toronto Botanical Garden’s Trellis newsletter noted: “Many of her colleagues echoed the statement of Penny Arthurs (The Chelsea Gardener & Associates) that ‘good bones – quality paving, walls, fences, underpin plantings and endure through one’s worst gardening disasters’.”  Her friends knew her client list spanned the wealthy and politically powerful, but Penny never named names. She only wanted to give them beautiful gardens.  Speaking of “good bones” and the Trellis, the first time I saw Penny’s name in print was the 1992 cover, below, advertising her lecture on “The Garden in Winter”.  

She wrote regular design features for both of Canada’s main gardening magazines back then, including this Spring 1996 article in Gardening Life   ….

…. and Canadian Gardening, where the article below appeared. Liz Primeau has two memories of their relationship at the magazine when she was editor. “She’d used the phrase ‘have your cake and eat it, too’ in one of the design columns she wrote and I had changed it to ‘eat your cake and have it too,’ which seems far more logical and the right way to use the phrase. Penny phoned to ask why. A lively discussion ensued (Google it – we didn’t have that luxury then), and she let me have it my way. She won the other skirmish. She’d used ‘a myriad of…’ to describe something gardeny, and I edited it to’myriad’, having been corrected in my youth that the correct use of the word was as an adjective, not a noun.   We consulted various dictionaries and a thesaurus and I had to concede the word could be used either way.

Penny and I saw each other periodically in the 1990s at the Toronto Botanical Garden (then called The Civic Garden Centre), particularly at the weekend-long Great Gardening Conferences held biennially between 1985 and 1997. In fact, we were both on the planning committee for the seventh and last one titled ‘Connectedness from the Ground Up’ at which she was also Master of Ceremony. I photographed her own garden that autumn, a lovely, leafy sanctuary, below, that expressed many of the design principles she had honed in a career that took root in The English Gardening School at London’s Chelsea Physic Garden (thus her company name), was polished at the School of Landscape Architecture at Ryerson University, and practised over the decades in her design studio at home.

But it was with the Canadian Gardening book series published that same year that our friendship and that of Wanda Nowakowska and Liz Primeau, blossomed.  My title was Water in the Garden; Penny’s was Small Space Gardens, below, and it was filled with her design wisdom.

Penny floated effortlessly between the rarified world of landscape design and the quaint world of garden writing. In 2009, she beamed at a party with (from left), former Globe & Mail gardening columnist Marjorie Harris, garden writer Stephen Westcott-Gratton, former Toronto Star gardening columnist Sonia Day, Penny, landscape architect Martin Wade and me. Behind, left to right, were garden writer Lorraine Hunter, designer Sara Katz and horticulturist Paul Zammit.

In 2011, I hosted some of my garden-writing cohorts for a June weekend at the cottage. Though I made Penny pose for a portrait, as I did with all my friends …..

….. she was much happier at my barbecue, below. And what a great cook she was!  Liz Primeau recalls Penny’s offering that day: “How I remember her barbecued beef filet rolled in coriander seeds and served with roasted beets and homemade horseradish crème fraiche.

Aldona Satterthwaite, former editor of Canadian Gardening magazine and former Executive Director of the Toronto Botanical Garden, was there that Muskoka weekend, too. She and Penny, below, had known each other for more than two decades. As she recalls: “She was one of the rare people in my life with whom I felt an immediate connection, as though I’d known her forever. In the 1980s, we both studied landscape architecture at Ryerson—she was a class or two ahead of me and wildly talented (I realized early on that as a landscape designer, I was a decent writer). We both attended a multi-day workshop given by John Brookes at the TBG. And yet, I believe I knew her professional work as the Chelsea Gardener— elegant, well proportioned, unfussy—before I really got to know her.  Over time, as our paths continued to cross, we discovered that we had a great deal in common–including living in swinging London in the 1960s and being born in the same month of the same year–and became good friends. Penny was witty, warm-hearted, irreverent, pragmatic, smart as hell, fiercely stylish, and great fun.” 

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Marjorie Harris, below, was there that June weekend on Lake Muskoka.  She remembers Penny as “a wonderful garden designer who was inspiring to me when I was first starting out as a garden writer in the 1980s.  We used to go together to every garden tour we could find in the city and analyze them to a fare-thee-well.  She showed me that you can love garden design deeply and still be critical of it.  She had a sharp tongue and a wit to go with it.  I have missed her rare and fascinating temperament in recent years and probably always will.  She was unique.” 

Besides her close family and her garden friends, Penny was part of many social circles (dance, theatre and her husband Harry Arthurs’ career in academe, especially his tenure in the 80s and 90s as president of York University), but she always made us feel that she was our close ‘girlfriend’. When the WWWG got together for our annual dinner, we shared the latest about our own families; our children and their doings; later on, their partners and spouses; and finally, grandchildren, of whom Penny was always so proud, digging out her cell phone to show us the latest pictures.  This was us, below, in 2015 at the bistro at the Art Gallery of Ontario then called FRANK, after the architect Frank Gehry who designed the AGO’s extension. Wanda had spent eight years at the AGO, six of them editing the magazine Art Matters, and the bistro staff knew her well. It became our regular place to meet. If conversation lapsed, which it rarely did, I’d ask Penny to share again the story of how she was set up with the bachelor Canadian law professor Harry Arthurs all those years ago in England. “Oh Gawd!” she’d answer in her wonderful dulcet tones, rolling her eyes. Then she’d proceed to captivate us all once again with that romantic tale.

In September 2018, the WWWG convened to celebrate the opening of my autumn-themed photography show on Harbord Street.

As the years went on, we decided we needed to meet more than once a year, so we set up a spring lunch too. On June 6, 2019, it was Liz’s turn and we arrived in her beautiful garden to find bees buzzing on the alliums and cornflowers.

Nourished by a delicious lunch and conversation about spring plants and gardens, we posed for a happy group selfie, below. It was another visit long before that Liz recalled recently: “We were strolling through my intensely planted but rather muddled back garden and Penny gestured toward a sprawling bed of pink and purple bee balm, coneflower and blazing star left over from my try at a prairie garden. ‘That bed is working nicely, isn’t it?’ said Penny, and I glowed inside. Penny wasn’t one to lavish praise, and a word of it was precious.

 One of the advantages of archiving emails for two decades (okay, not throwing out emails) is that I can track our back-and-forth through decades of restaurant get-togethers, theatre plays and garden events. But it was Penny’s email of August 21, 2019 that shook our little group to the core, the one with the subject line “Penny’s Not So Great News”. In it she shared that she had been diagnosed with an incurable brain tumour, relating the strange way it had been discovered, which seemed almost as noteworthy to her as the grim diagnosis. We were devastated.  Over the next five months as she underwent chemo and radiation, we showered poor Harry with emails, sending our wishes to Penny and asking to see her.  He was gracious in his responses; along with Aldona, we were christened Penny’s ‘Sisters of the Soil’.

Fortune smiled on us one last time on February 5th, when we toasted our dear Penny with glasses of prosecco in our favourite bistro. She was sanguine about the cards that fate had cruelly dealt. “I’ve had a good life. I have no regrets.”  In retrospect, we felt so lucky to have had this last evening with our dear friend, given the way the entire world changed just weeks later. And we mused that perhaps that sense of feeling ourselves so much a part of nature’s cycles – as gardeners, as true sisters of the soil – gave us a more balanced view of our own place on the planet. 

Liz Primeau summed up Penny and their 30-year relationship perfectly. “Penny was a class act: fair, level-headed and down-to-earth; she was stylish, too. Her clothes and the way she put them together were unique. I never saw her in anything but sensible shoes, but she made them look like they belonged on a runway in Paris. Her house might have been featured in a Homes magazine. Penny, for (a) myriad (of) reasons we shall never forget you.”

Wanda Nowakowska said: “I’ve walked the streets and parks and ravines of the city for many years now, always with a quiet nod of thanks to Penny for teaching me to notice the “architecture” of nature — the shape of trees, even in winter; the play of light, shadow and colour in plantings; the texture of stone in walls and fountains.  She’ll be with me, in spirit and in gratitude, for many walks to come.”

As for me, I think of one line in Penny’s beautiful obituary, following her death on August 28th. “Born in Sheffield, and herself an only child without so much as a single cousin, Penny built her own family in Canada.”   I like to think we were her family, too…. her Wonderful Women Who Garden, her Sisters of the Soil. We will miss you so, dear Penny.

******

If you would like to leave your own memory of Penny Arthurs, please feel free to do so in the comments section.

Narcissus ‘Golden Echo’

Every now and then, I find a plant I adore and decide it needs a little homegrown public relations campaign. This long, cool spring with its attendant air of strange melancholy courtesy of Covid-19 was the backdrop for the month-long flowering of a little daffodil I originally saw at the Toronto Botanical Garden in 2012. This is Narcissus ‘Golden Echo’, paired with the lovely yellow-throated pink Triumph tulip ‘Tom Pouce’.

I made a note of how much I liked the daffodil and finally ordered 2 packages of 25 last summer from my friend Caroline deVries’s company FlowerBulbsRUs (she also has a wholesale business for designers and retail outlets). Come November, I wore my fancy, paint-splattered, rubber clogs and proceeded to dig my bulbs into my front yard meadow/pollinator garden.

This is what happens when your box of bulbs takes a photo of you in your 1980s car coat with the broken zipper that has stained more fences with you – and planted more tulips and daffodils – than you care to recall.

Fast forward to April 29th this spring and the bulbs in my little pollinator island.  This was a full month after the first species crocuses emerged on March 20th, followed by a blue sea of Siberian squill (Scilla siberica) and glory-of-the-snow (Scilla forbesii) in April. I wrote in praise of all the “little bulbs” in an earlier blog this spring. The following day, I made my first portrait of Narcissus ‘Golden Echo’.

The daffodil world has its own rules, traditions and famous breeder names, many of them in England and Ireland. But there are notable North American personalities who have produced the so-called American Hybrids. One of those was Oregon’s Grant Mitsch (1907-1989), who bred ‘Pipit’, ‘Accent’ and ‘Dicksissel’. But it was Brent C. Heath, below at his farm and business Brent & Becky’s Bulbs in Gloucester, VA, who crossed the European jonquil or rush daffodil (Narcissus jonquilla)  with an old Irish long-cupped daffodil ‘Ballygarvey’ (pre-1947) to come up with the sweet ‘Golden Echo’ daffodil I’ve fallen in love with this spring. It’s the one filling the rows in the thousands below. Though he had grown it for more than a decade, it was registered in 2014 and won the Wister Award the following year.  Brent is the third generation of mail-order bulb farmers at the farm his grandfather started in 1900; now his son has become the fourth generation. Becky is president of Heath Enterprises, Ltd. I’ve known them both since I joined Gardencomm (Formerly the Garden Writers Association) more than two decades ago.

On May 2nd  of this cool, long spring, the little Greek windflowers (Anemone blanda ‘Blue Shades’) were fully-open pools of lavender and the Tulipa praestans ‘Shogun’ had come into flower. Both complimented ‘Golden Echo’ beautifully.

When I decided to remove the old dwarf conifers that had grown too big for this island and replace them with a suite of perennials that would attract pollinators (here’s my video of a full year in the garden, made before planting ‘Shogun’ and ‘Golden Echo’)…..

…..adding lots of spring bulbs was just a seasonal bonus. (However, I did see honey bees gathering pollen from the crocuses early on and I’ve written about native cellophane bees on my Scilla siberica.)  But mostly it’s just to add preliminary colour to a garden I consider my gift to the neighbourhood.

In fact, that day I introduced myself to two women taking their daily walks at an appropriate, self-isolating distance from each other. As one snapped a few photos, they told me they loved seeing my garden change over the weeks since late March.

Here we see that fabulous apricot-gold ‘Shogun’ tulip with ‘Golden Echo’ and the purple-blue highlights of windflower and grape hyacinth.

Meanwhile in the main garden on the other side of the path, the big Fosteriana Tulipa ‘Orange Emperor’ was adding to the orange theme, just as the pink hyacinths were fading.

I made a lot of little nosegay bouquets this spring, including these ones on May 6th. ‘Golden Echo’ is in the one on the right, along with the pure white Narcissus ‘Stainless’ and the peach-trumpeted ‘Pink Accent’.  In the arrangement on the left are snakeshead fritillaries (Fritillaria meleagaris), Rhododendron ‘P.J.M.”, Siberian bugloss (Brunnera macrophylla) and the wonderful white Triandrus daffodil Narcissus ‘Thalia’.


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Meanwhile, in the main garden on May 6th, ‘Thalia’ was the star, along with the first flowers of the big Darwin Hybrid tulip ‘Pink Impression’.  And, of course, ‘Golden Echo’.

On May 7th, I zeroed in on this pretty pairing: ‘Golden Echo’ with the fascinating flowers of the broad-leaved grape hyacinth (Muscari latifolium) from the mountains of Turkey. The dark-blue flowers on the bottom are fertile; whereas the azure-blue flowers on the top are sterile.

May 13th saw me including ‘Golden Echo’ in a tiny bouquet along with the clove-scented Tazetta Narcissus ‘Geranium’, the lovely, orange-flowered lily tulip ‘Ballerina’ and the first blue forget-me-nots (Myosotis sylvatica). In the background are a few sprigs of forsythia. ‘Geranium’ is a personal favourite daffodil, one I included in a blog titled White Delight: Four Perfumed Daffodils to Tempt You.

By May 17th, you can see the green leaves of lily-of-the-valley (Convallaria majalis) – or, as I call it ‘guerilla-of-the-valley’ – at the bottom right of this photo. Indeed, it is hugely invasive in my garden, but I tolerate it creeping around everything since it doesn’t seem to affect the emergence of the summer perennials. And, of course, I did make good use of it the years I used it to decorate the hats I wore to our botanical garden’s spring party.

It’s funny;  I thought I wanted white daffodils exclusively in my garden, like ‘Accent’ in the foreground, but the soft yellow of ‘Golden Echo’ isn’t as obtrusive as the ballpark-yellow of some of the early daffodils like ‘King Alfred’ and ‘Carlton’. It fits into my multicoloured scheme very nicely, with forget-me-nots creating little clouds of pale-blue.

By May 22nd , my Fothergilla gardenii shrubs began to open their white, bottlebrush flowers.

Though the ‘Shogun’ tulips in the pollinator island were long gone by then and the flowerheads removed (I always leave the foliage to ripen and turn yellow in order to feed next year’s bulb), little ‘Golden Echo’ was still flowering bravely amidst the emerging leaves of echinacea, rudbeckia, salvia and sedum.

On May 23rd, I photographed it with the first flowers of Camassia leichtleinii ‘Caerulea’, a bulb that is as short-lived in flower as ‘Golden Echo’ is long-lived.

In fact, if the cool Covid spring of 2020 had not given way to sweltering temperatures this week, I believe sweet ‘Golden Echo’ might have flowered for another week or so, since the bulbs put up new flower stems that bloom sequentially, rather than all at once. Nevertheless, I was delighted on May 23rd to make my final bouquet featuring Brent Heath’s lovely little hybrid daffodil, along with lily-of-the-valley, common grape hyacinths (Muscari armeniacum), camassia and sweet-scented Burkwood’s viburnum (V. x burkwoodii).  By my count, that was almost four full weeks in bloom.

That night, it graced our outdoor table and the sixth take-out Covid meal we ordered from local restaurants to support them – and to give me a break from cooking. Hopefully, the restaurants will be back in business completely soon. I know that ‘Golden Echo’ will be back next spring, and the springs after that.

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To order Narcissus ‘Golden Echo’ in Canada, visit FlowerBulbsRUs. If you order before August 31, there’s a discount built into the price and free shipping for orders above $75.

To order it in the United States, visit Brent & Becky’s Bulbs.

That Morning Sun – Our Constant Star

I am posting this last (for now) musical blog in #mysongscapes of winter 2020 from my bed at home where my 2-day old bionic knee is being massaged by the ice machine.

I typed that first line last week so I’d have my blog all ready to post, before my eldest son in England convinced me to call the surgeon’s office Monday and cancel my St. Patrick’s day knee replacement, which was booked last autumn. “Why would you subject yourself to elective surgery, plus months of outside physiotherapy, with the increased risk of contagion? This thing is coming to the UK now and it’s coming to you.” So I did cancel my operation – at the same time as my provincial government asked hospitals to cancel non-essential surgeries. My non-bionic knee and I are together for a while longer. Sadly, I don’t have my dramatic first sentence anymore, but that’s perfectly okay.

This year, more than ever, I am so happy that spring is imminent, arriving at precisely 11:49:28 pm Eastern Daylight time tonight. At that moment, i.e. the vernal equinox – from the Latin aequinoctium or “equal night” – we reach the point in our year when earth experiences an equal number of hours of daylight and darkness (though apparently there is a teeny bit more daylight than dark at our latitude because of our atmosphere!) According to Wikipedia, “An equinox is commonly regarded as the instant of time when the plane (extended indefinitely in all directions) of earth‘s equator passes through the center of the sun.”  Intriguingly, this is also the earliest vernal equinox in 124 years.

I’m not an early morning person so I don’t photograph many sunrises, but this was a pretty one in Chicago a few years ago. That ball of yellow lighting up Lake Michigan is approximately 4.6 billion years old. The sun is not much older than earth, since our own planet is believed to have accreted 4.5 billion years ago from the solar nebula, i.e. the cloud of dust and gas that orbited the sun after its own formation.  It is a fiery ball of hydrogen and helium and though it looks massive to us (according to NASA, if the sun were hollow it would take 1.3 million earths to fill it up), it is a “yellow dwarf” or “G-type main-sequence star”.

The sun is our very own star, the centre of our solar system. It was rising over the savannah, below, when I was on safari in Kenya a few years ago. But our solar system is likely just one of billions of planetary systems in our own galaxy, the Milky Way, though only some 2,500 have been counted so far. And the Hubble explorer telescope has estimated some 100-200 billion galaxies in the universe, full of their own stars and planetary systems. The numbers boggle the mind.

In the southern hemisphere, the March equinox is the beginning of autumn. In the northern hemisphere winter is now officially over, even if it likes to hang around and harass spring with the occasional late snowfall – illustrating why glory-of-the-snow, below, is the perfect common name for Scilla forbesii, formerly Chionodoxa…..

…..and why crocuses have the good sense not to open wide until the snow melts and “that morning sun” shines down on them…..

…. and why Iris ‘Katharine Hodgkin’ (Iris winogradowii x Iris histrioides) is such a wonderful little trooper, given she seems to shrug off the most inclement weather….

…. then goes on to shine with her garden friends, the orange crocuses (C. x luteus ‘Golden Yellow’) a few days later!

In other words, in springtime in Canada, it pays not be the early bird – unless you’re a robin finding nesting material….

…. but wait until the spring sun teases open your shy flowers, like winter aconite (Eranthis hyemalis), below, which exhibits “thermonasty” in the presence of sunshine (i.e. it opens its tepals, which stay closed in cloudy, cool weather).

It has been quite a wild winter, hasn’t it? Not necessarily weather-wise, since we’ve had milder weather this year than many winters, as you can see from my highly unscientific snowdrop almanac below…..

…… but it was a life-altering kind of winter, with cataclysmic global shocks to which most of us are complete strangers. We like to think we are in control of our health. We trust our governments (mostly) to do the right thing. We take our creature comforts for granted. We think we need the company of other people. We engage in dark humour, then feel bad for trying to make light of a dire situation.  We worry – about our families, our friends, even people we don’t know who are going through trauma in these times of contagion. Our retirement funds are tanking. We are frightened, but try not to panic. And viruses aside, winter can be hard emotionally, the low light levels, the absence of green and living things, the constant cold. Seasonal affective order literally making us sad or depressed. So the coming of spring this year is more than welcome; it seems like a miracle of normalcy. That daffodils and hellebores will bloom once again….

….. and crocuses will spread their cheer.

The little spring bulbs always inspire me to create tiny bouquets…..

…. which generate an abundance of joy in inverse proportion to their size.

Witch hazels will unfurl their ribbon petals, if they haven’t already….

…. and the oft-unnoticed flowers of willows will attract native bees….

…. as will the intricate flowers of red maple (Acer rubrum).

Have you ever looked closely at maple flowers? They are tiny miracles of complexity. This is silver maple (Acer saccharinum).

It pays to peer closely at the little blossoms of cornelian cherry (Cornus mas) as they open. Aren’t they beautiful?

It doesn’t matter how many times I photograph ‘Leonard Messel’ magnolia (M. x loebneri); I am always bewitched by its grace and beauty.

Brassy forsythia isn’t on everyone’s favourite list for spring, and it’s easy to see why. But this enchanting combination of pale-yellow weeping forsythia (Forsythia suspensa) and Siberian squill (Scilla sibirica) at Toronto’s Spadina House always intrigues me. There’s just something about yellow and blue in springtime.

As the sun strengthens, buds will burst open on the trees, like this velvety parcel of shagbark hickory flowers (Carya ovata)….

…. and this exuberant explosion of flowers and leaves on Manchurian maple (Acer tegmentosum).

Leaves, of course, are the most important partners of our sun. It is leaves like the white oak leaves, below, that harvest the energy of the sun during photosynthesis…..

……absorbing carbon dioxide through the stomata and water from the roots to synthesize carbohydrates for the tree while releasing as a waste product the oxygen that permits the existence of life on earth. It is much more complicated than that, of course, with light cycles and dark cycles, but in essence this is the power of green leaves and that morning sun.

So as winter ends and spring begins, I’d like to offer a toast to the sun that will greet us tomorrow morning and every morning after that. Our constant star. And, of course, I have a song for that!

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The last song of #mysongscapes is one I heard for the first time only last year, by an artist I didn’t know at all before then.  Melody Gardot has quite a story herself, one that makes coronavirus look manageable. She started music lessons at the age of nine. By16 she was playing piano in Philadelphia bars on the weekends: the Mamas and the Papas, Radiohead, Duke Ellington. In 2004 at the age of 19, she was studying fashion when she was struck on her bike by an SUV making an illegal turn. She sustained a serious head injury as well as spinal and pelvic injuries. At first she couldn’t talk or move and suffered from memory loss. In a hospital bed for a year, she had to re-learn simple tasks. It would take her three years to speak properly.

Photo by Stefanie Meynberg

Music was the primary tool in helping her recover. As she said in an interview with The Brisbane Times: “Music is one of the only things that helps to reconnect neural pathways in our brain: listening, performing, singing, making a verbal attempt to sing along or hum. In my case this was why it was pointed out to me. First because I had some experience as a young person playing piano bars and so it was an innate ability but furthermore because of its ability to really help me progress when no other progress can be made.” Eventually, after much else failed, her doctor encouraged her to work with music so she began to hum, then sing into a tape recorder, then write her own jazz-inflected songs. She learned to play guitar lying on her back. Within a few years, her songs were being played on the radio in Philadelphia. She released an EP that met with success and was signed to a record label. She began touring, using a cane and wearing dark glasses to combat the acute sensitivity to light caused by the brain injury. In 2017, she moved to Paris. In the jazz world, she’s an enigmatic superstar.

In other words, Melody Gardot has seen the worst adversity life can deal and met it head on. Her song, the last in the #mysongscapes series of blogs, offers us that most elemental of comforts: optimism. That the sun will come out again in our hearts; that it will bathe us in its warmth; that it will be our light at the end of our tunnel. Spring is here, and that morning sun has come to greet us. Let me tell you, honey child.

THAT MORNING SUN (Melody Gardot, 2015)

There little babe, don’t you cry
We got that sunny morning waitin’ on us now
There’s a light at the end of the tunnel
We can be worry-free
Just take it from me
Honey child
Let me tell you now, child

That morning sun is here to greet us
With her loving light so warm
That morning sun is here to meet us
Waitin’ on the wakin’ up of everyone

She ain’t gonna quit ’till you’re smiling now
Lemme tell you, child
Lemme tell you, honey child

That morning sun
Has come to greet ya
She’s peekin’ round the corner
Just a-waitin’ just to meet ya
Shinin’ down on all your troubles
Lemme tell ya, child
Lemme tell ya, honey child

‘Cause this world was made for dreamin’
This world was made for you
This world made for believin’
In all the things you’re gonna do
Now, honey child
Lemme tell ya now, child

‘Cause this world was made for dreamin’
This world was made for you
This world made for believin’
In all the things you’re gonna do
Now, honey child
Lemme tell ya now, child

Ah, honey child,
Lemme tell ya, child
Ah… honey child
Lemme tell ya, child 

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This is the 21st and final blog in #mysongscapes series of winter 2020 that combine music I love with my photography. If you enjoyed reading it as much as I enjoyed writing it, have a look at the others.  And please leave a comment if you enjoyed any of them. I haven’t run out of songs, though, so I may throw in the odd new one over the months and seasons to come.

  1. Joni Mitchell’s ‘Night in the City’;
  2. Paul Simon’s ‘Kodachrome’ and my life in photography;
  3. Vietnam and Songs of Protest;
  4. Galway Bay and memories of my grandfather and Ireland;
  5. Simon and Garfunkel’s Parsley, Sage, Rosemary and Thyme;
  6. The John Denver lullaby I sang to my first grandchild, Today While the Blossoms Still Cling to the Vine.
  7. Gordon Lightfoot for a Snow Day
  8. Madame George by Van Morrison – my favourite song in the world
  9. Brown Eyed Girl(s) – Van Morrison’s classic and my black-eyed susans
  10. Raindrops – on flowers and in my gardens
  11. Miss Rumphius and the Lupines
  12. Bring me Little Water – on water in the garden
  13. Amsterdam… Spring Sunshine – a Dutch travelogue and a brilliant Broadway play
  14. Both Sides Now – a reflection on clouds and Joni Mitchell
  15. Crimson & Clover and Other Legumes – a love letter to the pea family, Fabaceae
  16. Mexico – James Taylor serenades in my travelogue of a decade of trips to Mexico
  17. Crystal Blue Persuasion – blue flowers in the garden
  18. My Bonny – remembering the late Laura Smith (and my dad)
  19. Up on the Roof – a Carole King love-in and a lot of green roofs
  20. Singing Malaika in the Serengeti