Complementary Contrast: Red and Green

While my earlier February post focused on some of my favourite red flowers for the garden, I want to spend just a little time talking about a principle of colour theory that, at least in the case of red, is a textbook example of visually pleasing complementary contrast.  You remember that from art theory, right? Colours that appear opposite each other on the artist’s colour wheel are said to be “complementary contrasts” and there is a harmony about them.  While not everyone might feel that way about orange & blue, the use of lots of restful green foliage to frame brilliant red blossoms seems like an obvious design approach.

Complementary Contrasts

Since a picture is worth a thousand words, let’s look at a few examples I’ve collected over the years.  How about these sweet red tulips popping up amidst fresh hosta foliage, at Toronto’s Casa Loma?  So much more lovely than emerging in bare spring soil.

Tulipa 'Pinocchio' & hosta leaves

And look how pretty this bright ‘Pacifica XP Really Red’ vinca (Catharanthus roseus) is when paired with the chartreuse-green groundcover creeping Jenny (Lysimachia nummularia ‘Goldilocks’) at Missouri Botanical Garden.

Lysimachia 'Goldilocks' & Red Catharanthus

The deservedly popular perennial stonecrop Sedum rupestre ‘Angelina’ makes a fabulous carpet for this annual red portulaca at the Royal Botanical Garden in Hamilton, Ontario.

Sedum 'Angelina' & red portulaca

How about some tropicals?  I was wowed by this juxtaposition of dumpy little red salvia (S. splendens) and Canna ‘Pretoria’ at Stanley Park, Vancouver, B.C.

Salvia splendens & Canna 'Pretoria'
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And I loved this combination of (very underused) Gomphrena globosa ‘Strawberry Fields’ with the taro Colocasia esculenta ‘Illustris’ at Sarah P. Duke Gardens in Durham, North Carolina.

Gomphrena 'Strawberry Fields' & Taro

This little ensemble of red coleus and honeybush (Melianthus major) with other tropical foliage plants took my eye at Chanticleer Garden in Wayne, PA many years ago.

Red coleus & Cerinthe major

Of course, you don’t have to think small when considering designing a garden using plants featuring red-and-green complementary contrast. Even a humble vegetable patch, like this one at Chateau Villandry, in France’s Loire Valley, illustrates my colour theory!

Chateau Villandry Potager

And the concept works with garden furnishings too, as you can see with the sweet little iron sculpture from Toronto’s Mark Clark, left, and the traditional torii gate leading into the Japanese Garden at Victoria’s Butchart Gardens, right.

Red Garden Art & Tori Gate

Be sure to come back in March, when I’ll explore that most important of garden hues: chlorophyll-green.

Garden Design Using White Flowers

I promised you WHITE for January, so on the heels of my White Flowers for Sweet Perfume post, here are some rather random, eclectic and highly subjective observations on effective use of white flowers in garden design.

White Flowers-ThePaintboxGarden

Personally, I’m not a big fan of monochrome gardens. All-white schemes, in particular, I find a little too sedate. But there is a place for them in a garden that 1) will be enjoyed in the evening, where the white flowers will pop out of the darkness; or 2) is a shady, mostly green area that will be enlivened by white flowers; or 3) features a large colour palette, but might benefit from a little corner of tranquility.

When white flowers are used almost exclusively, there should be a balancing framework of green foliage. And for green-and-white, no garden that I’ve seen does that crisp combination more beautifully than the elegant Beryl Ivey Knot Garden at the Toronto Botanical Garden. From spring through fall, the curving boxwood and yew parterres are filled with an assortment of white flowers. In spring, there’s a lovely mix of Anemone sylvestris ‘Snowdrop’, narcissus ‘Thalia’, and tall white tulips, including lily-flowered tulip ‘White Elegance’.

TBG-Beryl Ivey Knot Garden-Spring

Here’s a closeup of that combination.

TBG-Beryl Ivey Knot Garden-Anemone sylvestris & Tulipa 'White Elegance'

By June, the scene has changed and the main feature is the re-blooming white bearded iris ‘Immortality’.

TBG-Beryl Ivey Knot Garden-Irises

Early summer features gorgeous white sages, including white meadow sage (Salvia nemorosa ‘Snow Hill’), one year mixed with biennial white clary sage (Salvia sclarea var. turkestanica ‘Alba’).

TBG-Beryl Ivey Knot Garden-White Sages

Later still come the coneflowers, usually a mix of Echinacea ‘White Swan’ with the regular purple coneflowers, and combined with white perennials like obedient plant (Physostegia virginiana ‘Alba’).

TBG-Beryl Ivey-Physostegia & Echinacea-white flowers

One summer, the knot garden featured fragrant flowering tobacco (Nicotiana alata) combined with tall white gaura. Here is how it looked as I strolled through it.

Apart from the Beryl Ivey Knot Garden, the TBG has many other beautiful display gardens featuring white flowers. Here’s another spring bulb ensemble I loved, this one starring the shimmering lily tulip ‘White Triumphator’ paired with dark ‘Queen of Night’ and peachy ‘Menton’.

TBG-Spring Bulbs-Tulipa 'White Triumphator'

What about this little white TBG vignette, against a protected inner wall in the Westview Terrace? Fragrant Daphne x burkwoodii ‘Carol Mackie’ with Viburnum rhytidophyllum.

TBG-Viburnum & Daphne

And a little later in the season, this airy cloud of Bowman’s root (Porteranthus trifoliatus, formerly Gillenia trifoliata) is simply exquisite. What a great native plant!

TBG-Porteranthus trifoliata-Bowman's Root

I’m not fond of big blobs of white in a border – say, drifts of white phlox next to blobs of a contrasting-coloured perennial. I think it’s jarring. But I do love a subtle tracery of white etched along a border, so the eye is carried by its luminance right into the distance. The TBG’s Piet Oudolf-designed entry border features a clever repeat of white foxglove beardtongue (Penstemon digitalis), one of my very favourite penstemons. In this image, the brilliance is enhanced by the pale flowers of ‘Blue Angel’ hosta in the foreground, acting as an anchor. And isn’t it great with the zingy, wine-red knautias?

TBG-Penstemon digitalis in Oudolf border

Here’s a closer look at this bee-friendly penstemon and its companions.

TBG-Penstemon digitalis-Oudolf border

I love it so much (and it’s so easy), I’ve seeded it at my own cottage on Lake Muskoka, where it hangs out with yellow Coreopsis lanceolata and white (yes I know they’re exotic invasive) oxeye daisies (Leuchanthemum vulgare).

JD-Penstemon digitalis & Oxeye daisies

Back to the TBG now. Another great plant used in several places is the prairie native rattlesnake master (Eryngium yuccifolium). With its spiky, spherical, cream-white flowers, it adds a very interesting effect to a border. I love it with with Rudbeckia subtomentosa ‘Henry Eilers’ in the perennial border…..

TBG-Eryngium yuccifolium & Rudbeckia subtomentosa 'Henry Eilers'

….and with Russian sage (Perovskia atriplicifolia) and Astilbe tacquetii  ‘Purpurlanz’ in the Oudolf border.

TBG-Eryngium yuccifolum & Perovskia

Isn’t that blue-and-white combo gorgeous? In fact, I collect photos of that seersucker-like pairing whenever I see it done well. Here’s Russian sage with fabulous white calamint (Calamintha nepeta ssp. nepeta), also at the TBG. (Just wait for the bees to descend on this duo!)

TBG-Perovskia-&-Calamintha nepeta

By the by, calamint is a fabulous addition to a border and enhances almost anything it’s placed beside, including ornamental grasses, silvery cardoon leaves, and a strong vertical plant like blazing star (Liatris spicata), below.

TBG-Liatris spicata & Calamintha nepeta

And any number of lovely blue-and-white spring combinations can be dreamed up with forget-me-nots (Myosotis sylvatica), but no one does that better than Victoria’s Butchart Gardens, here topping it with a lovely creamy-white lily-flowered tulip.

Butcharts-Tulips & Forget-me-nots

There are myriad ways to marry blue and white, in fact. Below are twelve of them!

Blue and white flower combinations

Top row, left to right: white Anemone blanda with blue scilla (S. siberica); narcissus ‘Thalia’ with grape hyacinths (Muscari armeniacum); star-of-Bethlehem (Ornithogalum umbellatum) with forget-me-nots (Myosotis sylvatica); and bleeding heart (Dicentra spectabilis ‘Alba’) with forget-me-nots.
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Middle row: white ‘Festiva Maxima’ peony with false blue indigo (Baptisia australis); white blackeyed Susan vine (Thunbergia alata ‘Suzy White Black Eye’) with blue Convolvulus and white Nemesia; white spider flower (Cleome hassleriana ‘Sparkler White’ with blue mealycup sage (Salvia farinacea); and blue catmint (Nepeta racemosa) with white meadowsweet (Filipendula vulgaris).

Bottom row: Liatris spicata ‘Floristan White’ with Russian sage; white swamp hibiscus (Hibiscus moscheutos ‘Blue River II’ with a gorgeous blue shed door; white guara (Oenothera lindheimeri) dancing with Russian sage; and white autumn snakeroot (Actaea simplex) with ‘Arendsii’ autumn monkshood (Aconitum carmichaelii).

Another really versatile white-flowered perennial at the Toronto Botanical Garden is white Japanese burnet (Sanguisorba tenuifolia ‘Alba’). It’s difficult to explain how superb this tall perennial is at adding an interesting shape and texture to other late-season plants. The best way is to show you. Here it is with ‘Gateway” Joe Pye weed (Eupatorium maculatum) in the Oudolf border….

TBG-Sanguisorba tenuifolia 'Alba' & Eupatorium 'Gateway'

….and with equally quixotic (and long-blooming) Knautia macedonica

TBG-Sanguisorba tenuifolia 'Alba' & Knautia

…and finally, even as it loses its whiteness, it adds a lacy scrim to a brilliant fall ensemble of sneezeweed (Helenium autumnale) and goldenrod.

TBG-Sanguisorba tenuifolia 'Alba' & Helenium

Three more quick combos from the TBG that feature white flowers. Here’s a panicle hydrangea (H. paniculata ‘Little Lamb’), below, that can look a bit top-heavy, given its short stature and those big flowers. But put a chorus line of annual Brazilian verbenas (V. bonariensis) in front of them, and they look brilliant.

TBG-Hydrangea 'Little Lamb' & Verbena bonariensis

Even though I said I didn’t like “blobs” of white in the border, you can’t get more va-voom than the big white swamp hibiscus (H. moscheutos) ‘Blue River II’. I love this pairing with goldenrod – I think I’d even love 10 of each!

TBG-Hibiscus moscheutos & Solidago

Finally, a nice way to use a white astilbe such as A. ‘Diamond’, below, is to partner it with a good variegated hosta.

TBG-Astilbe 'Diamond' with variegated hosta

Speaking of variegated leaves, that’s the easiest way to add an elegant touch of white to the garden. Here is my own little deck garden in early June, a mass of the plain, old Hosta ‘Undulata’ with Azalea ‘White Cascade’.

JD-Azalea 'WhiteCascade' & Hosta 'Undulata'

A week or so later, the hostas switch partners (!!!) and cozy up to my rambling herbaceous Clematis recta ‘Purpurea’. I love this time in the garden, before the slugs get the hostas).

JD-Clematis recta & Hosta 'Undulata'

Toronto’s Spadina House Museum & Garden uses variegated hostas in an elegant pairing with white columbines (Aquilegia vulgaris) that I like very much.

Spadina-Hosta & white columbine

And while I’m on the beautiful gardens of Spadina House, here’s an attractive early summer duo: white meadow rue (Thalictrum aquilegifolium ‘Album’) with white snakeroot (Actaea racemosa).

Spadina-Actaea racemosa & Thalictrum

New York Botanical Garden’s Seasonal Border, another Piet Oudolf design, does a lovely repeat with white foxgloves (Digitalis purpurea ‘Alba’) in late spring.

New York Botanical-Four Seasons Border-Foxgloves

I liked this quiet NYBG combination of white violets (V. cornuta) with ‘Jack Frost’ variegated Siberian bugloss (Brunnera macrophylla).

NYBG-Brunnera Jack Frost & Violets

Further into the season, this is a classic white annual combination at NYBG: white Nicotiana sylvestris with white spider flower (Cleome hassleriana).

New York Botanical-Nicotiana sylvestris & Cleome

And I was completely wowed by this soft underplanting of native foamflower (Tiarella cordifolia) beneath magenta azaleas in NYBG’s fabulous Azalea Garden.

New York Botanical-Tiarella & Rhododendron

My favourite American public garden, Chanticleer,  has a sweet way of working white into its schemes. Here’s a mass planting of white astilbe lighting up the shady Bell’s Wood.

Chanticleer-Astilbe-Bell's Wood

And how wonderful is this, on Chanticleer’s Rocky Ledge? A rollicking carpet of annual white Orlaya grandiflora with red corn poppies (Papaver rhoeas) and ‘Caradonna’ meadow sage (Salvia nemorosa).

Chanticleer-Orlaya grandiflora-Gravel Garden

Walk down the hill from that rocky ledge and you’re in the most gorgeous series of water gardens, but if you love being “led”, this is what will catch your eye,  Once again, my favourite foxglove penstemon, P. digitalis, all along the left side of the path.

Chanticleer-Penstemon-Gravel Garden

My final combination using white flowers comes from the sensational perennial garden of Montreal Botanical Garden, better known in the city as the Jardin Botanique. Here, white Echinacea ‘Prima Donna‘ acts as a petticoat for tall orange Lilium henryi.

Montreal Botanical-Echinacea 'Primadonna White' & Lilium henryi

So that’s white for January, from me to you!  Stay tuned for February! RED, baby!

Not a Blog!

This is not a blog. I repeat: this is not a blog.  It is merely a taste of blogs to come this year. And they will be about COLOUR!  Or color (if you prefer it without extraneous British/Canadian vowels).

Flower Colour Array-ThePaintboxGarden

Yes, I thought it might be time for The Paintbox Garden to adhere to its stated theme. So each month of 2016 will be devoted to a different hue, beginning with JANUARY, which will be white as the driven (or walking) snow. White as in wonderland, appropriate to the season. White as an even paler shade of pale. And of course, white as in perfume – coming up soon.

White Flowers-ThePaintboxGarden

FEBRUARY will be red, as in better — than dead, paint the town —, roses are —,  and UB-40s favourite beverage.  And the longest, boldest wave length in Isaac Newton’s spectral light arsenal. Plus, of course, swamp hibiscus.

Red Flowers-ThePaintboxGarden

MARCH will be green (yes, I know, hackneyed Irish trope for St. Paddy’s). But it is the only really important colour in the garden paintbox, as all chlorophyll-lovers know.  Nevertheless, as Kermit is fond of saying, it ain’t easy being green.  My March blogs will help dispel that notion.

Green Leaves-ThePaintboxGarden

But being Kermit-green is definitely easier than being chartreuse, which is half-green and half-yellow. I will squeeze some limes… and chartreuses…into my March blogs as well.

Chatreuse Leaves-ThePaintboxGarden

Because it’s the cruellest month, as T.S. Eliot reminded us, APRIL will be blue. Actually, I chose blue for April because of all those lovely little azure bulbs that spring up from the snow. But there will be azure blues….

Blue Flowers-ThePaintboxGarden

….and lighter sky-blues for the entire gardening season, too.

Sky-Blue Flowers-ThePaintboxGarden

MAY will be pink, as in the darling buds. Think crabapples, weigelas, columbines, peonies, and phloxes and hydrangeas for later in the season. There will be lusty pinks…

Pink Flowers-ThePaintboxGarden

…and delicate, light pinks.

Light Pink Flowers-ThePaintboxGarden

I’ll skip magenta because I wrote a love letter to that neon hue in 2014.

JUNE will be purple. Riots often break out about what purple means (for the record it comes from the Greek word porphura, for little murex sea snails that bleed that dark crimson ‘purple’ dye). So let me say June will be about lilac-purple..

Lilac-Purple Flowers-ThePaintboxGarden

.. through lavender-purple…

Lavender-Purple Flowers-ThePaintboxGarden

… into violet-purple…

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… and finally rich, royal, Seagram’s Bag, Tyrian purple.

Purple Flowers-ThePaintboxGarden

JULY will be all sunshine: lots of yellow…

Yellow Flowers-ThePaintboxGarden

… and gold.

Gold Flowers-ThePaintboxGarden

AUGUST will be black(ish). And hopefully some good thunderstorms!

Black flowers & leaves-ThePaintboxGarden

SEPTEMBER will be every lovely shade of brown, as in grasses and seedheads.

Brown Flowers & Leaves-ThePaintboxGarden

OCTOBER will be jack-o-lanternly, clockworkly-orange.

Orange Flowers-ThePaintboxGarden

And I’ll throw in peach (even though it likes to party with pink, too)…

Peach Flowers-ThePaintboxGarden

…and apricot (even though it sometimes hangs out with the gold crowd)…

Apricot Flowers-ThePaintboxGarden

… and salmon for a well-rounded fruit & fish diet.

Salmon-Orange Flowers-ThePaintboxGarden

NOVEMBER will be wine or burgundy, because who doesn’t fancy a little vino in dreary November.

Wine Flowers & Leaves-ThePaintboxGarden

DECEMBER will be silver, as in bells, hi-ho, and Long John.

Silver Leaves-ThePaintboxGarden

And that’s a promise!

Anarchy and Colour in the Garden

I’ve never been very good at following trends, especially as they relate to fashion – whether couture, interior design or gardening. These seem like things we can figure out for ourselves, without needing a seal of approval from some corporate “trendsetter” (even if they happen to be a legitimate authority on colour chemistry and matchy-matchy). So I’m not a big fan of the Pantone Colour of the Year. “How did that even get to be a thing?”, you might ask (okay, I might ask).  It started in 1999, at the dawn of the new millennium, when Pantone forecasters predicted the Colour of the Year for 2000 as Cerulean Blue 15-4020. Pantone Color Institute’s Executive Director   Leatrice Eiseman waxed poetic in that first brave forecast: “Surrounding yourself with Cerulean blue could bring on a certain peace because it reminds you of time spent outdoors, on a beach, near the water – associations with restful, peaceful, relaxing times. In addition, it makes the unknown a little less frightening because the sky, which is a presence in our lives every day, is a constant and is always there.”

Pantone-2000-Cerulean Blue

As the years passed, we saw Fuchsia Rose (2001), True Red (2002) and Sand Dollar (2006, a serious beige downer labelled as “neutral” and presciently, as it turned out, worried about the economy!)

I liked the colour for 2009: Mimosa 14-0848, which was also designed to offer sunny comfort from the vagaries of the economy (and, of course, is a pretty swell brunch cocktail, which may be the same thing). But Eiseman was more philisophical: “The color yellow exemplifies the warmth and nurturing quality of the sun, properties we as humans are naturally drawn to for reassurance. Mimosa also speaks to enlightenment, as it is a hue that sparks imagination and innovation.”

Pantone-2009-Mimosa

Can you remember a time when every women’s wear store wasn’t filled with colour-coded fashion? Apart from black, there’s often one predominant hue that looks suspiciously Pantone-approved. I happened to be clothes-shopping in 2013, thus my Pantone Emerald Green lightweight hiking jacket came with me to the Arctic that summer. (And you can tell I’m drawn to complementary contrasts, with my fashion-forward scarlet fleece!)

Emerald-jacket-Pantone-2013

Pantone’s colour for 2014 was Radiant Orchid, but 2015 went seriously downhill with liver-hued Marsala (even though archaeologists and soil scientists adored it) and makeup giant Sephora rolled out a new Marsala line.  Partnership, of course, plays a huge role in this shtick and product promotion is the name of the game – Pantone still makes colour guides and expensive swatch libraries for designers.

Pantone Marsala

Colour trending as it relates to the garden, however, is a little trickier. If I were picking a garden colour of the year, I’d likely be boring and say… green! What’s not to love about chlorophyll? But let’s think about Pantone’s colours for 2016: Rose Quartz and Serenity (the first year for two colours!).

PANTONE-2016-Rose Quartz & Serenity

Gardeners I know have joked that this year’s Pantone pairing sounds like a flashback to the 1980s, when tasteful perennial borders featured a soothing mix of light blue or lavender, pale pink or mauve, and a sprinkling of silver. But, in fact, pink(ish) and blue(ish) have always married well, even if they lost ground over the years to all-white gardens or hot-colored confections.  There’s nothing wrong with a little romance! But I do like a little more guts in my plant combinations sometimes – intense cobalt-blue instead of “Serenity”, hot-pink instead of “Rose Quartz”.  So, in the spirit of colour harmony, here are 16 beautiful choices for combining pink and blue, arranged from early spring to autumn.

Two of the earliest flowering spring bulbs are glory-of-the-snow (Scilla forbesii, formerly Chionodoxa) and Corydalis solida ‘Beth Evans’.

01-Corydalis solida 'Beth Evans' & Scilla forbesii

Another early duo from Toronto’s Spadina House: pink false rockcress (Arabis caucasica ‘Rosea’) with grape hyacinth (Muscari armeniacum).

02-Arabis caucasica 'Rosea' & Muscari armeniacum

A lovely spring perennial pairing for part shade: pink barrenwort (Epimedium x rubrum) with Siberian bugloss (Brunnera macrophylla).

03-Brunnera macrophylla & Epimedium x rubrum

My own front garden was once a pink-and-blue confection in spring, when a variety of pink tulips flowered in a carpet of forget-me-nots (Myosotis sylvatica) under hardy ‘Olga Mezitt’ and ‘Aglo’ small-flowered rhododendrons.  In time, the rhodos sulked as summer-flowering prairie perennials emerged like giants around them, cutting off the sun and air circulation they needed. I kept the prairie….

04-Rhododendron 'Olga Mezitt' & Myosotis sylvatica

Forget-me-nots (Myosotis sylvatica), of course, can be paired effectively with all sorts of pink spring blossoms. Here’s a simple one for the herb garden, using bright pink ‘Forescate’ chives (Allium schoenoprasum).

05-Allium schoneprasum 'Forescate' & Myosotis sylvatica

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06-Clematis montana 'Tetrarose' & blue wall

Late spring at Van Dusen Gardens in Vancouver features a laburnum arch and this delightful underplanting of pink bistort (Persicaria bistorta ‘Superba’) with forget-me-nots and English bluebells (Hyacinthoides non-scripta) with ‘Purple Sensation’ alliums (A. hollandicum) thrown in as exclamation points.

07-Persicaria bistorta 'Superba'-Endymion hispanicus-Allium-Myosotis sylvatica

Perhaps the most classic early summer pairing of pink and blue is a pink rose like lovely ‘Bonica’ with a clear-blue delphinium, as in this pretty combination at the Toronto Botanical Garden.

08-Rosa 'Bonica' & Delphinium

Foxgloves (Digitalis purpurea) and delphiniums look sensational together, too – as evidenced by this vignette from Toronto’s Spadina House gardens.

09-Digitalis purpurea & Delphinium

You can conjure up loads of pink-and-blue combos with summer annuals, but this one caught my eye: rose mallow (Lavateria trimestris ‘Silver Cup’) with gentian sage (Salvia patens ‘Blue Angel’).

10-Lavatera trimestris 'Silver Cup' & Salvia patens 'Blue Angel'

A lovely duo for mid-summer from the Montreal Botanical Garden, purple coneflower (Echinacea purpurea ‘All That Jazz’) with globe thistle (Echinops bannaticus ‘Blue Pearl’).

11-Echinacea 'All That Jazz' & Echinops bannaticus 'Blue Pearl'

More eye candy from the Montreal Botanical Garden, just using a simple blue door – but how effective, when the plant in front is luscious pink ‘Sweet Caroline’ swamp mallow (Hibiscus moscheutos)!

12-Hibiscus moscheutos 'Sweet Caroline' & blue door

Perhaps the perennial closest to Pantone’s “Serenity” is wonderful Russian sage (Perovskia atriplicifolia). Because of its long bloom period in mid-to-late summer, it can be married to myriad pink beauties. Here are just three, beginning with this scene from the Piet Oudolf-designed entry border at the Toronto Botanical Garden, in which Russian sage’s companions are the stately astilbe A. tacquetii ‘Ostrich Plume’ with rattlesnake master (Eryngium yuccifolium).

13-Perovskia atriplicifola & Astilbe tacqueti 'Ostrich Plume'

A softer pairing perfectly echoing the pastel hues of Pantone’s 2016 twin stars is this late combination of Russian sage and the pink sedum Hylotelephium spectabile ‘Crystal Pink’.

14-Perovskia atriplicifolia & Sedum 'Crystal Pink'

And then there are the pink Japanese anemones for the final scene in Russian sage’s season, like Anemone x hybrida ‘Richard Ahrens’.

15-Perovskia atriplicifolia & Anemone x hybrida 'Richard Ahrens'

One last combination from my pink and blue arsenal features ‘Autumn Fire’ sedum (Hylotelphium spectabile) with the shrub blue mist bush or blue spirea (Caryopteris x clandonensis ‘Summer Sorbet’).

16-Caryopteris x clandonensis 'Summer Sorbet' & Sedum 'Autumn Fire'

Fall Foliage: Orange, Apricot & Bronze

What would autumn be in the northeast, without the blaze of sugar maples in our forests and gardens?

Acer saccharum-Sugar maple
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In Ontario such a thought is inconceivable, but they’re just one species of many whose foliage turns salmon, orange, apricot, peach or bronze, once chlorophyll disappears in autumn and exposes the secondary pigments, whose role it is to harvest sunlight to feed the plant. Now that I’ve escorted you through the red part of the hardy autumn trees & shrubs in my last blog, let’s have a look at some species that turn those spectacular orange shades.  Sugar maples (Acer saccharum), of course, are so predominant in northeast North America, they seem like the iconic poster child for colour change. Rarely, however, do they turn a solid orange like the tree below…..

Acer saccharum-sugar maple2

Instead, their leaves transform to yellow, orange and scarlet according to conditions of sun and shade, and also according to how much sugar has been metabolized to bring on the synthesis of anthocyanins seen in the colour change of many red maples (Acer rubrum).

Acer saccharum leaves-Sugar maple

A few of the Asian maples take on orange hues as well. Just outside my own Toronto living room window is my nearest and dearest connection with orange autumn foliage – a common Japanese maple (Acer palmatum) that has now been with me long enough for its branches to caress the 2nd floor guest room windows (much to my window-washer’s dismay), and to offer, absolutely free, the most beautiful fall colour show each October or early November.  This lovely tree has been growing against my old house’s front wall for more than 25 years, and is protected from fierce north winds while enjoying the warmth of the sun from the south.  That’s not to say it’s entirely happy; it always loses a few young boughs in an unusually cold winter, and freezing rain after a heavy snow has sheared off a big limb. But it’s this autumn transformation that makes it such a treat, with colours ranging from deep scarlet to the softest apricot.

Acer palmatum-Japanese maple

From inside the living room, it’s like looking through a tracery of amber lace, which is why I’ve never wanted drapery or blinds on my windows and instead decided on a fringe of blown-glass witches’ balls to catch and refract the sunlight.

Acer palmatum-Witches' Balls

There is nothing more beautiful than those delicate leaves – the subject of so many fine Japanese woodblock prints over the centuries.

Acer palmatum-Japanese maple leaves

Another beauty from Asia – this time from central China – is the elegant paperbark maple (Acer griseum) with its glossy, peeling, copper-toned bark, and its wonderful deep orange-scarlet autumn colour. I grow this species in my own garden, but this beautiful specimen is in Toronto’s Mount Pleasant Cemetery. It is simply one of the best trees for a small garden and, if possible, should be placed where its lovely bark can be seen in winter.

Acer griseum-Paperbark maple

There’s another little Asian maple that is rather rare in gardens in North America, but seems perfectly hardy and should be used more: ivy-leaved maple or vine-leafed maple (Acer cissifolium). Multi-stemmed and used as a small tree or large shrub, it’s especially beautiful in October when its foliage turns a gold-suffused-apricot.

Acer cissifolium-Ivyleaf maple

Then there is three-flower maple (Acer triflorum), yet another small, fine Asian maple that takes on soft orange-yellow tones in fall.  I am so fortunate to have these rarer maples in Mount Pleasant Cemetery.

From Korea comes a lovely shrub with waxy, fragrant, white spring flowers called Korean abelia (Abelia mosanensis). In autumn, the foliage turns a rich salmon-orange.

Abelia mosanensis-fall

Many Japanese cherries turn colour in autumn.  Sargent’s cherry (Prunus sargentii) often turns a spectacular mix of deep salmon and dusky rose-pink….

Prunus sargentii-Sargent's cherry

…while the hardy Japanese cherry hybrid ‘Accolade’, below (one of whose parents is Prunus sargentii), usually develops a good peachy-orange colour.

Prunus 'Accolade'-Japanese cherry

Even the hardiest and most common of the Japanese cherries, Prunus serrulata ‘Kanzan’ – shown here in Toronto’s Mount Pleasant Cemetery – puts on a pretty, soft-apricot show each autumn.

Prunus serrulata 'Kanzan'-Japanese cherry

What else comes from Asia and turns orange in fall? Korean mountain ash (Sorbus alnifolia), also called the alder-leafed whitebeam, is a small, hardy, underused tree with small red fruit and apricot-orange leaves.

Sorbus alnifolia-Korean mountain ash

European mountain ash (Sorbus aucuparia) also puts on a good orange show in fall, both the leaves and the fruit clusters (until the birds finish with them).

Sorbus aucuparia-Mountain ash

What about oaks? Though there is great variability in the colour of senescing fall leaves, a number of hardy oaks pass through spectacular shades of orange and copper. Perhaps the most dependable is pin oak (Quercus palustris), with its finely-cut, narrow leaves. To see this tree on a sunny October day is to celebrate the joys of autumn. Coupled with that, pin oak is fast-growing, easy to cultivate and pollution-tolerant.

Quercus palustris-Pin oak

Red oak (Quercus rubra) is a majestic tree that will infuse the forest canopy with honey-gold and russet-orange, sometimes with wine-red highlights. Indeed, all these colours can sometimes be found on a single red oak bough in autumn.

Quercus rubra-red oak

We scarcely need to look outside our native flora for oaks to use in our gardens, but there’s one half-native-half-exotic hybrid pyramidal oak that’s perfectly suited for very small gardens, given its narrow, columnar bearing.  It’s the Crimson Spire™ oak, (Quercus x bimundorum), a hybrid of English oak and white oak, which gives beautiful russet-orange autumn colour.

Quercus robu -'Fastigiata'-columnar English oak

Besides oaks, beeches are the quintessential stately autumn tree for bronze-gold-orange fall colour. That holds true for our native American beech (Fagus grandifolia), below, alas currently experiencing the deadly ravages of beech bark disease in my area…

Fagus grandifolia-American beech

…. or the European beech (Fagus sylvatica) and its various cultivars and forms, including copper beech.  I particularly love the fernleaf beech (F. sylvatica ‘Asplenifolia’), below, one of the most graceful of trees, with soft apricot fall color;

Fagus sylvatica 'Asplenifolia'-Fernleaf beech

And there are a few rare Asian beeches, like Fagus orientalis,below, with its rich fall colour.

Fagus orientalis-Oriental beech

Another beautiful, large tree is the Japanese zelkova (Zelkova serrata), which always turns colour in autumn, though it can be red, soft orange, as below, or yellow, depending on the tree and the exposure.

Zelkova serrata

Not all ash trees exhibit colour change in fall, but white ash (Fraxinus americana), below, can often be counted on to make a beautiful show.  (Sadly, the emerald ash borer is wreaking devastation on this genus in my part of North America and no one will be planting ashes for a long time.)

Fraxinus americana-White ash

What about a conifer that turns orange in autumn before shedding its needles? There are two, actually, but since bald cypress isn’t everyone’s cup of tea, let’s give a cheer for the lovely dawn redwood (Metasequoia glyptostroboides).

Metasequoia glyptostroboides-Dawn redwood

A small and rather rare tree that often inspires a curious double-take in autumn is the pillar crabapple or Chonosuki crabapple (Malus tschonoskii). Its fall hues are much more vibrant than most crabapples, a gorgeous mix of gold, apricot and salmon, on a tidy tree that should be grown much more often.

Malus tschonoskii-Pillar apple

From the forests of eastern North America come two smallish trees that turn apricot-gold in October. Both are members of the large birch (Betulaceae) family and much-loved for their hard wood – a  trait commemorated in their respective, and confusingly similar, common names.  Let’s start with American hophornbeam or ironwood (Ostrya virginiana). an understory component of forests from Nova Scotia to Texas. That genus name comes from the Greek word ostrua for “bone-like”, which gives a clue as to its hardness; traditional uses have included tool handles and fence posts.

Ostrya virginiana-Ironwood

The second small North American native is Carpinus caroliniana, also known by the similar common names of American hornbeam, ironwood, musclewood and blue-beech. I really love this tree, and if I were starting my garden from scratch, I’d make sure it included one. Look at the beautiful honeyed-apricot fall colour below….

Carpinus caroliniana-American hornbeam

I cannot talk about orange fall colour without mentioning smoke bush (Cotinus coggygria).  Some autumns, the leaves of this large, multi-stemmed shrub are almost a neon orange and are especially thrilling when backlit by the sun.  This is the wine-leafed cultivar ‘Purpureus’ – note the little wisp of left-over “smoke”.

Cotinus coggygria 'Royal-Purple'-Smoke bush

I mentioned fothergillas in my blog on red fall colour, but in fact they can also be among the best orange-leafed shrubs in autumn; it just depends on the season. And often, all colors are present in the shrub. In fact, I can promise you that if you plant one, you will be delighted with its foliage change in fall. Here is Fothergilla gardenii at the Toronto Botanical Garden.

Fothergilla-gardenii-(1)

Taking a page from its red-hued cousin, the burning bush, the common European spindle-tree (Euonymus europaeus) has excellent salmon-coral fall colour when grown in sufficient sun. The one below has decided to re-flower in autumn (something that happens in many plant families, given a long summer and enough time for a few of the current year’s growing buds to mature within a single season, rather than waiting for the following spring).

Euonymus europaeus-Spindle tree

And though I’ve mentioned the ‘Rosy Glow’ Japanese barberry in my discussion of red fall colour, common barberry (Berberis vulgaris) – despite its bad reputation for invasiveness and alternate-hosting of disease – is no slouch in the autumn fireworks department.

Berberis vulgaris-Common barberry

When I was designing gardens in the 1990s, I would often include Peking cotoneaster (C. acutifolius), a serviceable shrub for hedging or screening that was off the radar of most gardeners, but one I appreciated for its ease of cultivation in any soil and its beautiful mottled autumn leaf colour.

Cotoneaster acutifolius-Peking cotoneaster

Many spireas take on soft peach-apricot-gold tones in fall. Given their ubiquity –especially Van Houtte spirea (Spiraea x vanhouttei) hedges, below — it’s a good thing that they have something to offer long after their spring flowers fade.

Spiraea x vanhouttei

I have a soft spot for my final shrub, given that it grows in my back garden and its fall colour change is part of a dramatic duet with a stunning neighbouring perennial – a “twofer” (well threefer, if you count the white fall snakeroot, Actaea simplex) that extends the season well into November.

Rhus-typina-'Bailtiger'-Tiger Eyes sumac-my garden

Not that Tiger Eyes™ sumac (Rhus typhina ‘Bailtiger’) doesn’t hold its own through spring and summer: no, those ferny, chartreuse leaves add a luminous pool of light to a shady corner in my garden for months on end. But in October, when the autumn monkshood (Aconitum carmichaelii ‘Arendsii’) finally opens those cobalt-blue flowers atop tall, thick stems just in time for the sumac to transform itself into a lacy, apricot confection, it is simply my favourite moment in the garden.

Rhus-typina-'Bailtiger'2-Ti

My final plant for orange fall colour is a perennial grass, little bluestem (Schizachyrium scoparium), below.  In October, this wonderful, warm-season grass takes on soft-orange hues that speak of autumn on the prairie. And like all fall colour change, it signals a stirring last hurrah in the growing season, a time for cheering before the frosts of November subdue the garden palette and the snows of December finally subsume it. Until next year.

Schizachyrium scoparium-Little bluestem