Author Archives: Janet

Fairy Crown 16 – A Czech-German-All American Blackeyed Susan

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My 16th Fairy Crown for August 1st is a simple affair featuring just one plant:  Rudbeckia fulgida var. sullivantii ‘Goldsturm’.  If it looks a little lonely, it’s because its normal garden partners had either already been fairy crown ingredients (hello, purple coneflower) or weren’t quite in flower yet (liatris and perovskia).  But I think it gives a rather regal impression, as if a fairy queen had landed near a midwest cornfield and tried on the local wildflowers for size.

Speaking of American wildflowers, this particular blackeyed susan – or shining coneflower, as it is also known – is possibly the most widely-grown species of any North American taxon, given that it made its way back to our shores via the kind of circuitous route that features botanical discoveries, far-flung horticultural relationships, European plant propagation and the success of the American public relations machine.   

I don’t always look at nomenclature, but since my fairy crown only has one ingredient, let’s explore this one.  Rudbeckia.  Even though it is a North American genus in the Asteraceae family, Carl Linnaeus – who in 1753 in his Species Plantarum assigned binomial names to all known plants — knew of it from the earliest plant explorers to leave Europe and gather new world seeds, cuttings and herbarium specimens. He named the genus after his Swedish mentor and patron, Olof Rudbeck the Younger (1860-1740), professor of botany at Uppsala University whose children he had also tutored. 

In his dedication, Linnaeus wrote:  “So long as the earth shall survive and as each spring shall see it covered with flowers, the Rudbeckia will preserve your glorious name. I have chosen a noble plant in order to recall your merits and the services you have rendered, a tall one to give an idea of your stature, and I wanted it to be one which branched and which flowered and fruited freely, to show that you cultivated not only the sciences but also the humanities. Its rayed flowers will bear witness that you shone among savants like the sun among the stars; its perennial roots will remind us that each year sees you live again through new works. Pride of our gardens, the Rudbeckia will be cultivated throughout Europe and in distant lands where your revered name must long have been known. Accept this plant, not for what it is but for what it will become when it bears your name.”  The “type species” representing the genus is biennial blackeyed susan (Rudbeckia hirta), below, which I wrote about in my “songscape” blog Brown Eyed Girl(s), honouring Van Morrison.  The other two species named by Linnaeus are Rudbeckia laciniata and R. triloba. The remaining 22 species had other authors, with R. fulgida, i.e. orange coneflower being described by the Kew-based English botanist William Aiton (1731-1793).

But back to my crown now; the correct Latin name of the species is Rudbeckia fulgida var. sullivantii. Sullivant’s coneflower, native from New Jersey west to Illinois and south to North Carolina and Missouri.  The taxon rank “var.” indicates a variation of orange coneflower that was either described by or honoured Ohio-based botanist William S. Sullivant (1803-73), below.  He later became a renowned bryologist, or moss expert.  Another popular native variant of orange coneflower is R. fulgida var. deamii.

At some point, seed of Sullivant’s coneflower made its way to Europe and the botanical garden of Austria’s University Graz.  From there, it was distributed to Gebrueder Schütz who grew the plants at his nursery in the Czech Republic. In 1937, Heinrich Hagemann saw the “a glorious stand of the plants” there and brought them back to his boss, Karl Foerster, below, at his nursery in Potsdam, Germany. Foerster was so impressed with the plant’s floriferous nature that he gave it the cultivar name ‘Goldsturm’ (German for “gold storm”).  World War II delayed its introduction to commerce until 1949 and by the 1970s it was being grown widely in Europe and North America.

Erich Braun – Scan von einem Mittelformat-Negativ 6 x 6
Karl Foerster in his garden 28. September 1967

By the late 1970s, the German-born landscape architect Wolfgang Oehme and his partner James Van Sweden would use ‘Goldsturm’ along with ornamental grasses in large masses for their renowned “new American landscapes” inspired by the Great Plains.  It was pictured with them on the cover of their 1997 book, ‘Gardening with Nature’.

Its popularity with American garden centres would result in it being named the 1999 Perennial Plant of the Year by the Perennial Plant Association (PPA).   And many gardeners did what I have done, which is to mix it with purple coneflowers (Echinacea purpurea).

It is prominent in my front yard pollinator garden in Toronto…

…. where it is only moderately successful at attracting bees, including honey bees, because when echinacea is in flower, it plays second fiddle in the pollinator department.

Unlike biennial blackeyed susans (R. hirta) which flowers on single stems (and is in my next fairy crown!) the stems of  ‘Goldsturm’ clump together and function as a mass of flowers 36 inches (90 cm) in height and 24 inches (60 cm) in width.  It also likes richer soil and more moisture than than R. hirta.

In my garden it starts flowering soon after the echinacea begings to bloom and when the sedum ‘Autumn Joy’ is still green….

…… and continues flowering along with blue perovskia and other plants until the sedum turns red.  

May at Chanticleer-Part 2

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When we paused our tour of Chanticleer Garden outside Philadelphia in my previous blog, we were just leaving the shade-dappled woods and the creek garden.  Let’s keep going now toward the ponds, where I stood behind one of the garden’s many cypress trees with a view all the way up the hill to the house, which you can just see at the top.

May 23rd is early for aquatic plants, so not much was in bloom yet….

… but the big koi swam toward me, perhaps hoping for a little fish food. I loved seeing the copper iris (I.  fulva) at the shore, a native of southern swamps and wetlands.

Nearby was the carnivorous yellow pitcherplant (Sarracenia flava).

Yellow Thermopsis villosa was in bloom behind the big, bobbing heads of Allium giganteum.  By mid-summer, the ponds are filled with water lilies and lotuses.

But I am a flower-lover at heart, and the gorgeous cottage garden display in front of the Arbor was calling my name.

The pink-flowered plant is showy evening primrose (Oenothera speciosa), a perennial wildflower native to the rocky prairies, meadows and open woodlands of Missouri, Kansas, Nebraska and neighbouring states.

One of the horticultural surprises at Chanticleer is the inclusion of tender plants, such as bromeliads and succulents, in the garden beds. This striking combination of tender Agave parryi (in a pot), Clematis Abilene and pink showy evening primrose caught my eye.

And I had never seen hyacinth squill (Scilla hyacinthoides) used so effectively in a northeastern garden!

This sunny, textural area at Chanticleer adjacent to the ponds and arbor is called the Gravel Garden, and it is the domain of my friend, horticulturist Lisa Roper.  

One of the longest-serving employees, since 1990, she has been in charge of this particular garden and the neighbouring Ruin since 2013.  She also does much of the photography for Chanticleer.  We marked the occasion of my visit with a lovely photo, made by Chanticleer’s young Irish garden intern, Michael McGowan.    

I first met Lisa back in 2014, when I photographed her trying out a penstemon in the mix of plants in a bed in the Gravel Garden.  She works hard to get the mix of colours, textures and bloom times right.

And in 2018, she spoke at the Toronto Botanical Garden about this remarkable space at Chanticleer. 

Back to the Gravel Garden, by late May the tulips and daffodils had finished blooming but there were still interesting bulbs to carry the eye through the garden, like the fuchsia-pink Italian gladioli (Gladiolus italicus) to the left of the gently ascending stone steps….

…. with its beautiful markings,

….. as well as foxtail lilies (Eremurus robustus) just beginning to flower…..

….. and, of course, the hyacinth squill (Scilla hyacinthoides).

Although the site is gently sloped, there are flat places along the journey through the garden…..

… and even a comfy place to sit, if you fancy a rather firm (concrete) cushion! That’s false hydrangea-vine (Schizophragma hydrangeoides) passing itself off as a fluffy, green throw on the sofa.

The spicy scent of the Dianthus ‘Mountain Mist’ was divine on that warm May Day.  The orange flower is Papaver rupifragum with dark-purple columbines (Aquilegia vulgaris) to the left.

There are numerous stone troughs set along the path. This one contained Aloe maculata with ‘Elijah Blue’ fescue (Festuca glauca).

Century plant (Agave americana) was a strong focal point in a sea of self-seeding Orlaya grandiflora.  This lacy, white-flowered annual is used extensively at Chanticleer.

Old-fashioned Italian bugloss (Anchusa azurea ‘Dropmore Blue’) was adding a vivid blue touch.

Even though the lighting is harsh, I loved this contrast:  orange Spanish poppy (Papaver rupifragum) with Veronica austriaca ssp. teucrium ‘Royal Blue’ with purple and mauve columbines.

At the top of the Gravel Garden, we looked towards the wall of the Ruin Garden, which is also Lisa Roper’s responsibility. The salmon pink flowers are red valerian (Centranthus ruber ‘Coccineus’.) The shrub with white flowers at right is Chinese fringetree (Chionanthus retusus).

The Ruin is on the footprint of Adolph Rosengarten Jr’s (1905-90) former home, Minder House.  (I wrote about “Dolph” in my first blog on Chanticleer in 2014.)  With his sister Emily’s house serving as Chanticleer’s administration building and the main house in which Adolph Rosengarten Sr. and his wife Christine lived still standing, his house was deemed a better site for an evocative garden, so it was razed in 1999.  Landscape architect Mara Baird created three stone-walled garden rooms. Here we see the library, with its fireplace.

Here’s the view from inside the Ruin Garden.

The succulents in the wall pockets are Agave attenuata ‘Ray of Light’.  Climbing hydrangea (H. anomala subsp. petiolaris) is on the wall at left.

Although it was getting warm for the spring violas, I loved the tousled look of the floral mantel.  The tree at left is the snakebark maple Acer davidii.

I really liked this bluestone trough with its exquisite plants:  Agave mitis, Alluaudia procera, Aloe maculata, Echeveria ‘Perle Von Nurnberg’, Euphorbia characias ssp. wulfenii, Euphorbia tirucallii, Festuca glauca ‘Elijah Blue’ and Kalanchoe fedtschenkoi.   I learned that by looking up the Plant List for the Ruin Garden!

San Francisco sculptor Marcia Donahue created the floating faces in the “Pool Room”.

I would love to have had the time to explore the Minder Woods beyond these pond cypress trees (Taxodium distichum var. imbricatum) as well as the Asian Woods I’d explored years earlier, but time was fleeting and a long drive north to Corning NY lay ahead of us.

So we headed down the slope toward the Great Lawn past this ebullient display of Allium ‘Globemaster’, oxeye daisies (Leucanthemum vulgare) and meadow sage (Salvia nemorosa ‘Caradonna’). 

Further on, there was a chartreuse expanse of dyer’s woad (Isatis tinctoria)….

….. and the ice-blue amsonias that look so lovely in spring and again in autumn when the foliage turns golden-yellow.

In the wonderful  book “The Art of Gardening” (Timber Press 2015) written by director Bill Thomas and the gardeners of Chanticleer and photographed by my friend Rob Cardillo, it says: “Spouses dragged here by the family garden-lover find we aren’t stuffy, and it’s actually not a bad place for a walk.”  I would add that my husband Doug thought it was a great place to rest and enjoy the view after that walk!

Just beyond on the Great Lawn looking out over the Serpentine was another comfy chair in cool green.

Each year, the Serpentine features a different agricultural crop; this year it was red spring wheat (Triticum aestivum ‘MN-Torgy’).

Climbing the slope towards the house was a much more gentle and beautiful process than my last visit in 2014, with the new elevated walkway built the following year.  I could have spent hours meandering up this curved steel walkway with its fabulous plantings.

Have you ever seen so many columbines (Aquilegia canadensis)?  Here they’re interplanted with ferns and many other perennials.

On the left is the honeysuckle Lonicera sempervirens ‘Major Wheeler’, on the right yellow Lonicera reticulata ‘Kintzley’s Ghost’.

Part-way up the elevated walkway was the Apple House, which had once been used by the Rosengartens to store fruit from their orchard.

I was surprised to see crossvine (Bignonia capreolata) growing on the walkway. It would certainly not be hardy in Toronto but perhaps it overwinters safely in Philadelphia.

Clematis montana var. grandiflora grew in a pretty tumble near the top.

Marcia Donahue’s cheeky rooster sculptures greeted me as I headed towards the house.

As always, the main house terrace was beautiful with its repeated chartreuse foliage and accents in teal-blue and lemon.  The chairs were designed and built by Douglas Randolph.

As with all things Chanticleer, a visiting plant-lover could spend hours in each garden, just exploring the inspired plant choices. This is Japanese roof iris (I. tectorum); at rear is a pollarded Salix sachalinensis ‘Golden Sunshine’ with alliums, likely ‘Gladiator’ and Delphinium grandiflorum ‘Diamonds Blue’ peeking out from behind.

Behind the house is the swimming pool and pool house with plantings chosen to play off the colours of the water and copper roof. (In full sun at midday, this garden was hard to capture, but you can see the agaves, roses, etc. in my 2014 blog.)

As a meadow gardener, the Flowery Lawn is one of my favourite places, with its enchanting, ever-changing cast of floral characters. You can see the bulb foliage now ripening in the midst of the purple ‘Gladiator’ alliums and biennial dame’s rocket (Hesperis matronalis).  Here and there are scarlet ‘Beauty of Livermere’ Oriental poppies (Papaver orientale) and ‘Apricot Beauty’ foxgloves (Digitalis purpurea) with white orlaya and cow parsley (Anthriscus sylvestris). In summer, there’s anise hyssop and bachelor buttons here, part of a season-long parade of plants that enjoy this crowded scene.

Foxgloves and delphiniums (‘Magic Fountains Dark Blue Bee’) were at peak perfection in the east bed.  Note the fennel and yellow snapdragons planted for summer bloom.

As we walked toward the parking lot to resume our road trip, I spotted this arresting combination – one of thousands of brilliant, carefully-considered pairings at Chanticleer.  Look how the autumn fern (Dryopteris erythrosora) echoes the centre of the Itoh peony ‘Sequestered Sunshine’.  It was just the last of countless reminders of why Chanticleer remains my favourite garden in North America.

The Hummingbird Photo Studio

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Here’s a little story about hummingbird photography. You see, my deck pots at the cottage here on Lake Muskoka north of Toronto are not intended to be beautiful. If they were, I’d buy some of the spectacular hanging baskets that the garden centres sell, plop them in and just enjoy the colour and texture. That way, I’d have more time to swim, read, write and drink wine. No, instead I use my containers to lure hummingbirds in order to photograph them on favourite flowers for the stock photo library that is my business. That’s why I call the containers my “motley pots”. They don’t match – in fact they’re a bit ugly – but they do the job.

For many years, I’ve been buying “hummingbird groceries” in spring, i.e. food for the ruby-throated hummingbird. I don’t have a sugar feeder, but my lake neighbours do, so my groceries are plants. I’ve learned which species they like (purple lantana, cuphea), which they love (agastaches), and which they prefer above all others (most tender sages).

Their favourite would be Salvia guaranitica ‘Black & Blooms’ (or the similar ‘Black & Blue’). This tender sage is not easy to find in Toronto so I’ve been digging it up in autumn and taking it to the city, where it spends winter in pots in my basement laundry tubs under a window, dreaming of Argentina. I water it occasionally and it sends up growth all winter. In mid-spring, I cut it back to the new sprouts and bring it back to the cottage. Provided it gets watered and no frost occurs, it’s raring to go again by July.

Other hummingbird favourites in my pots this year are Cuphea Funny Face, below, and some Agastache aurantiaca cultivars in pink, apricot and yellow that I seeded myself in the city rather late in spring, so they’re still small but will be good by mid-August. I will leave these to drop seed, because they’re excellent self-seeders, even in pots. And when I was at the garden centre in May, I bought some red petunias (Supertunia Really Red). I didn’t think they’d be good for hummingbirds but as a plant photographer, a new plant purchase is never a waste for me. Surprisingly, the hummingbirds seem to appreciate them too!

And I tucked in a few plants of Verbena bonariensis Meteor Shower for their airy blossoms which the bumble bees adore, but it’s not a great hummingbird plant. Here it is with a compact form of S. guaranitica, Bodacious Rhythm & Blues that I bought this spring at the Toronto Botanical Garden’s plant sale.

But the big score this summer are my plants of the biennial standing cypress, Ipomopsis rubra (so-called because its ferny leaves resemble those of cypress trees). I had photographed this plant, a native of the U.S. in the alpine garden at the Montreal Botanical Garden, below, so I knew I could grow it.

But seed I’d purchased from a seedhouse did not germinate; it took fresh seed donated by my friend, seed maven Kristl Walek in Brockville, Ontario to do the trick. I sowed the seed in 2020, and last summer (2021) there were lots of little ferny rosettes here and there in my sandy, granitic soil. Kristl warned me they’re very hard to transplant when bigger, so I dug up a few of the small rosettes and carefully put them in 6-inch pots filled with gravelly soil, below. In late autumn before the ground froze, I dug a hole behind the cottage and placed the pots inside, surrounding them with pine needles and mulching the tops with pine needles, too. We had a cold, cold winter (it even killed the spongy/gypsy moth eggs) but lots of snow cover – perfect for insulating the plants.

This spring after the soil thawed, I dug up the pots and very carefully transplanted the little plants into my deck pots in soil amended with sand and gravel. I watered them in and away they went. This morning, the tallest is 54 inches high and 4 inches wide, much bigger than those in the dry meadows. I call them my Dr. Seuss plants. I even staked them so they wouldn’t break in our summer storms!

And the hummingbird loves them! Yesterday, I managed to do some still photos with my camera…..

….. but I wanted a little video too. After sitting for more than an hour and having the hummingbird fly in, spot me, then fly away, I decided to set up my camera on a tripod. Then I went in and made coffee. I went outside periodically and turned off the video and started a new one. Finally, five videos in, I spotted her from the kitchen. I went to the door with my cell phone to watch and after drinking her fill of Ipomopsis, she moved on to the red petunias and cuphea. I videotaped that part with my phone! (I’ll get closer with my zoom lens later this summer.)

The camera video of the standing cypress isn’t spectacular, but it will do. (I will increase the frames-per-second in the settings for future videos). I actually saved it first as a high-res movie, then as a smaller computer-resolution video. The original had the happy screams of the kids across the bay swimming and also a few wind gusts. In the second, I ditched the kids and the wind and added some music by TRG Banks. It’s not perfect — I’m a photographer, not a videographer — but it’s a good start!

All in all, a good morning in the hummingbird studio. Oh, and here’s an older video of my hummingbirds from previous years!

May at Chanticleer Garden-Part 1

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One of my great pleasures when travelling is to photograph gardens along the way, and no garden is more deserving of a stop than my favourite small garden in North America,  Chanticleer Garden in Wayne, PA. So when we were returning from New Jersey on May 23rd, I spent 3 hours touring and photographing, beginning in the fabulous Teacup Garden near the entrance.  Back in June 2014 when I wrote my 2-part blog on Chanticleer (see Part 1 and Part 2), this garden was completely different. Designed anew each year by horticulturist Dan Benarcik, on this May day it was a tropical extravaganza with the teacup fountain at its centre and four sturdy pillars creating a sense of enclosure.

It was lush and lovely with ‘Black Thai’ banana (Musa balbisiana), left; red-leaved Imperial bromeliad, (Alcantarea imperialis), centre; and broad-leaved lady palm (Rhapis excels), right.

I climbed the staircase with the dogwood-motif railing, fabricated by horticulturist Joe Henderson. Beside it grew tree philodendron (Thaumatophyllum bipinnatifidum).

It was a good vantage point to look back on the Teacup Garden from the start of the Upper Border….

….. with its long, flanked, mostly white flower beds.  Shade-dappled in the morning light and bisected by a simple mown path, it was illuminated with the fabulous annual Orlaya grandiflora.

Here and there, the orlaya was paired with bearded irises, including lovely ‘Aunt Mary’, below.

Through the border you can glimpse the pretty building that now contains Chanticleer’s administration offices and classrooms.  The estate itself dates from 1913, when it became the summer home of Adolph Rosengarten Sr., his wife Christine and their children Adolph Jr. and Emily. Like many wealthy Philadelphians, the area along the Main Line of the Pennsylvania Railroad became a sylvan retreat from the heat of the city.  The building below was erected in 1935 as a wedding gift for Emily.

Rosengarten & Sons was one of the oldest chemical manufacturers in the U.S. Established in 1822, it took over the plant and assets of a similar firm in 1904 to form Powers, Weightman, Rosengarten Co. In 1927 the company merged with financially-troubled Merck & Co. of Rahway, NJ, with George Merck as president and Frederic Rosengarten, Adolph’s brother, as chairman of the board. By then, Adolph Rosengarten Sr. – who became the largest Merck shareholder—and his family had converted Chanticleer to their principal home. In 1942, the fortunes of Merck & Co. – already a chemical powerhouse – would increase substantially with the first successful treatment of an American patient suffering from septicemia with the new drug penicillin. Discovered by Sir Alexander Fleming in 1928, it was “the marvellous mold that saves lives”, but it would take a huge effort by the major pharmaceuticals, including Merck, to develop it commercially.   

Back to the Upper Border, I also enjoyed seeing the spectacular Allium schubertii, here with Salvia ‘Summer Jewel White’.

In every garden throughout the 50-acre estate (of which 35 acres are open to the public), plant combinations are inspired, such as the white Allium stipitatum ‘Mount Everest’ with eastern columbine (Aquilegia canadensis), below.

Leaving the Upper Border and circling the corner of the administration building, I came upon a lush, textural shade garden composed of hostas and plants with exceptional foliage, like Japanese forest grass (Hakonechloa macra ‘Aureola’) and solomon’s seals (Polygonatum spp.)

Heading towards the lower level, I passed through plantings with sumptuous May peonies, amsonia and old-fashioned weigela.

And I passed a gazebo topped with a weathervane featuring one of the estate’s many “chanticleers”, i.e. rooster in French.  It was Adolph Rosengarten Sr. who named his home after Chanticlere, the estate in William Thackeray’s 1855 novel “The Newcomes”, a place that was “mortgaged up to the very castle windows” but “still the show of the county.”   Today, the 9-member board of Chanticleer Garden includes six Rosengarten relatives.

The stone “railings” of the staircase to the Tennis Garden feature drought-tolerant plantings of lantana and Sedum rupestre ‘Angelina’.  In the background is Calycanthus x raulstonii ‘Hartlage Wine’.

The Tennis Garden has had a revamp since I saw it in 2014. Now the beds are designed to look like the sweeps of a tennis racket, recalling the days when the Rosengartens played here.   

Heuchera ‘Caramel’ is used as edging along the path to draw the eye through this garden.

It was peony time on May 23rd so the Itoh Interspecific hybrid ‘Bartzella’ was looking luscious.

To one side of the Tennis Garden was the Long Border, which was using the cerise-pink perennial plume thistle (Cirsium rivulare ‘Atropurpureum’). Beside it was the catmint Nepeta ‘Hill Grounds’, with dame’s rocket (Hesperis matronalis) in the background.

What a great combination, the plume thistle with bachelor’s buttons (Centaurea cyanus).

Moving beyond, the Cutting Garden was filled with Allium ‘Purple Rain‘, just fading, and little clouds of dame’s rocket (Hesperis matronalis)…..

…. which looked lovely with peonies, like ‘Prairie Moon’, below.

There is an abundance of striking furniture at Chanticleer, including this bench under a giant katsura tree near the Cutting Garden. Note that the bench has a vegetable motif, with its beet and pumpkin back and carrot legs!

Speaking of edibles, the Vegetable Garden was at its sumptuous peak….

…. including oakleaf lettuce and lots of brassicas.

And though most of the strawberries were still green, I managed to spy a few that were almost ready for eating!

My favourite transition at Chanticleer is the Fallen Tree Bridge, fabricated by Przemek Walczak, who is also the horticulturist for Bell’s Woodland and the upper Creek Garden beyond. The bridge has been enveloped in greenery since the last time I saw it in 2014.

Isn’t this the coolest interior? It leads from the sunny, tended garden areas near the Cutting Garden into the cool, shady woodland where’s Bell’s Run Creek flows.  

A planter is inset into the strut at the shady end of the bridge, complete with a lots of ferns and sedges and a nesting house for leafcutter bees. These are the thoughtful details that make Chanticleer so special.

I knew which trees were overhead because of the beautiful blossoms of tuliptree (Liriodendron tulipifera) scattered on the ground.

I wish I’d had several more hours at Chanticleer to explore the plants of Bell’s Woodland carefully – what a treasure of natives, including….

….. large-flowered valerian (Valeriana pauciflora), below, with northern maidenhair fern (Adiantum pedatum).

Bell’s Woodland has a large collection of clematis vines, all arranged on rustic supports.

Bell’s Run Creek runs through the woods and features myriad marginal aquatic plants, including yellow flag (Iris pseudacorus) with native yellow pimpernel (Taenidia integerrima).

Just when I thought it might be nice to sit and rest my feet, a bench appeared beside a sparkling fountain. Surrounding me were ferns and carpets of candelabra primroses (Primula japonica).

A handsome bridge crossed Bell’s Creek.

Scattered amongst the primroses were moisture-loving perennials, including Siberian iris (I. sibirica ‘Here be Dragons’), below.

Chanticleer uses the fertile fronds of ostrich ferns (Matteucia struthiopteris) to mark the perimeters of certain plantings so gardeners mowing the turf paths don’t damage emerging plants like primroses (or, earlier in spring, camassias).

I don’t know of any other garden that pays so much attention to subtle ways to educate the public, like the plant lists that are available to peruse in each garden area. They can be purchased as paper copies, but are also published online each year.  The detailed plant lists obviate the need for plant labels.

The waterwheel is a relic from the Rosengartens’ time at Chanticleer. It was installed in the 1940s to lift water from the creek to the ornamental fountains on the house terraces.  Today, it merely pumps water to the little fountain in my photo above. Note the delightful iron fence with the ‘fern frond’ motif that echoes the waterwheel’s shape. This is the work of horticulturists Przemck Walczak and Joe Henderson, who crafted it in the garden’s metal shop.

Chanticleer is a master class in paving styles, including this path through the primroses. And I loved the split bamboo hoops inserted as edging.

What a tranquil feeling I had, walking through the Creek Garden woodland……

…. right to the little waterfall, below, leading into the Pond Garden. 

I’ll finish this first part of my blog with a small musical video I made of some of the water features I encountered on this lovely spring stroll through my favourite garden.

Fairy Crown #15-Echinacea & Clematis

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It’s summertime in the city! The days are warm and the garden is abuzz with insects. My 15th fairy crown for July 18th features the romantic hues of purple coneflower (Echinacea purpurea), Clematis viticella ‘Polish Spirit’, drumstick alliums (Allium sphaerocephalon), anise hyssop (Agastache foeniculum) and pink Veronica longifolia.

If you say you’re designing a garden for pollinators in the northeast and you haven’t included purple coneflower (Echinacea purpurea)….

….. your bees and butterflies are missing out on a lot of good pollen and nectar. Native to the mid-central United States, it is easily grown in well-drained, adequately moist soil in full sun.

The insects are attracted to the tiny, yellow disc flowers in the central cone, which open sequentially from outside in over a long period in July-August.

In my long career photographing flora, purple coneflower has always been dependable for capturing bumble bees, because they tend to move slowly across the cone. Bumble bees, honey bees and butterflies with long tongues are especially drawn to purple coneflower. Sometimes I’ll find two or three bumble bees sharing the cone, occasionally with a butterfly

In fact, my business card from the 1990s features Bombus impatiens, the common eastern bumble bee, patiently working the tiny flowers. But not all coneflowers are alike: those with doubled petals or hybrids with the less hardy, yellow-flowered E. paradoxa that produce the apricot, orange and red flowers are not nearly as attractive to pollinators. Stick with the straight species, or with older cultivars like ‘Magnus’ and ‘Rubinstern’ (Ruby Star), both 3-4 feet (90-120 cm) tall.

If purple coneflower likes your garden, it will spread easily… perhaps a little too easily, but seedlings are easy to remove.

You should know, however, that once the bees have finished pollinating the flowers, the nutritious seeds are food for hungry goldfinches in autumn. I have even filmed a downy woodpecker hammering on an echinacea to get at the seeds. That’s why I never cut down my purple coneflowers until late winter and little seedlings everywhere are the result. In my front garden, that hasn’t been a problem, since other perennials and shrubs are well-established, but thinning out the population periodically is necessary. 

Here’s a little video I made a few years ago, illustrating why it’s important not to deadhead your purple coneflowers.

I love anise hyssop (Agastache foeniculum) for its long-lasting, pale-lavender flower spikes….

…..and its superb appeal to butterflies and bees, especially bumble bees. Ultra-hardy and native to much of the north-central U.S. and southern Canada, it is a short-lived perennial but will usually self-seed.

Tucked into my crown are a few dark-mauve drumstick alliums (Allium sphaerocephalon). Native to the UK, southern Europe and north Africa, their egg-shaped inflorescences add a punctuation note to my July pollinator garden, where they attract butterflies and bees.

Over the decades, I’ve watched many clematis vines come and go in my garden, especially the large-flowered hybrids which can develop clematis wilt, leading to their demise. The plants I grow need to be fairly self-reliant and that isn’t always the case with clematis, which also have varied pruning needs according to their flowering type. But among the survivors is a favorite, Clematis viticella ‘Polish Spirit’. Bred in Warsaw in 1984 by the Jesuit priest Stefan Franczak, its name honors the resilient spirit of the Polish people following World War II. 

Masses of velvety, purple flowers appear on twining 8-foot (2.4 m) vines in July and August. My plant is trained on a metal obelisk and flowers appear all the way to the top, where they spill through a reproduction sphere armillary or astrolabe. Like all clematis that flower on new growth (Group C), Clematis viticella and its cultivars should be pruned back hard to just above the third set of plump buds in early spring.

With such a profusion, I never mind cutting a few clematis stems for small nosegays.

Although it doesn’t play a big role in my garden, there are always a few veronicas here and there. Drought-tolerant, low-maintenance and popular with bees, they are durable plants for early summer and make beautiful cut flowers. In my crown is a pale pink sport of V. longifolia ‘Eveline’ that seeded itself, but division of veronicas is a more reliable means of propagation.