The Joyous Alma VanDusen Garden

Posted on April 24, 2020 by Janet

This post has been almost 9 years in the making! It was August 29, 2011 and I was in Vancouver to visit my mother, who was living in a care home in the suburbs. As I have done every time I travel “home” to Vancouver from Toronto, I set aside several hours to walk through Van Dusen Botanical Garden, a place I know well and one for which my late mom and I shared a deep affection. As you can see from the map below, its 55 acres (22 hectares) make quite the journey.

That late summer day, just months before the formal opening of the new Visitors Centre, colour abounded throughout VanDusen. There was the most amazing planting of colourful annuals out by the entrance, below: a textural mixture of Salvia patens ‘Cambridge Blue’, Zinnia angustifolia ‘Profusion Orange’,yellow coreopsis, purple Verbena rigida and fuzzy bunny tails grass (Lagurus ovatus).

Inside the garden, I was happy to see the carnivorous pitcher plants (Sarracenia flava) thriving in their beautiful urn.

I sauntered slowly through the Fragrance Garden, sniffing the sweet peas, Auratum lilies and chocolate cosmos.

As always, the Black Border with its contrasts of dark and chartreuse foliage was simply sensational.

The Southern Hemisphere garden looked spectacular, with its Fuchsia magellanica, big-leaved Gunnera manicata and Nicotiana sylvestris.

The Perennial Garden featured bands of orange crocosmia, white echinacea and orange helenium.

I explored the big hydrangea collection, so lovely in late summer. This was Hydrangea macrophylla ‘Europa’, just changing colour sumptuously, as mophead hydrangeas do.

Hours after entering, my feet tired and ready to head to my car, I came to the very back of VanDusen, as far away from the entrance as you can get in this big garden. (See the red arrow in the map above.) I’m usually a spring visitor, when the rhododendrons, camellias and blue poppies are in flower (you’ll meet those in my next blog), so I was surprised and intrigued to see a mass of colourful flowers, all annuals, in a wildish, meadow-like garden. I waited a few minutes while a bride-to-be finished her wedding photos, then wandered in along the bark chip path. It was like walking into a Willie Wonka flower factory. Past the dark-leaved fountain grass entrance, there were sunflowers towering over my head; pink, white and mauve spider flowers; bronze canna leaves; gloriosa daisies; wine-red, feathery amaranth; and a bright edging of ‘Lemon Gem’ marigolds. All of these flowers are grown from seed!

But unlike many public gardens where they grow in soldierly rows, here they were grown more like a tapestry of perennials.

It wasn’t until I started gathering the images for this blog that I realized that almost all of these annuals are native to the Americas. For example, Amaranthus cruentus, below is a native of Mexico and thought to have been wild harvested before spreading to the southeast U.S.and domesticated for agriculture by Arizona’s indigenous Hopi people around 4000 B.C. They called it komo and used it not just as a grain for flour, but harvested the bracts of the feathery magenta flowers as “Hopi red dye” to colour the dough for their cornbread. Yellow signet marigold, i.e. Tagetes tenuifolia ‘Lemon Gem’, below, is native to Mexico, Central America and Peru and Argentina. It was used in traditional medicine and its flowers are edible and often used today as a salad garnish. Slender vervain (Verbena rigida), below, originates in Brazil and Argentina.

Spider flower (Cleome hassleriana), below, comes from South America.

I loved the combinations in the garden.

The native American sunflowers (Helianthus annuus), especially, were gorgeous in late August and seemed to have been grown from many seed strains.

Van Dusen Botanical Garden has beehives and the honey bees were all over the sunflowers…

…. enjoying gathering nectar from the tiny disk flowers in the centre. Did you know that there’s a honey in Burgundy, France made from sunflowers? It’s yellow and buttery and is called Miel Tournesol.

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The garden makes extensive use of gloriosa daisies, the tetraploid form of biennial black eyed susans (Rudbeckia hirta), another plant native to a wide swath of the Americas.

This one looked like the cultivar ‘Autumn Colors’.

As I came to the end of the path that day in 2011, I looked back and noticed castor-bean plant (Ricinus communis ‘Carmencita’), native to the Mediterranean basin, and the tall South American vervain (Verbena bonariensis). Everything here was at its peak, and I could see the foliage of delphiniums in the mix as well.

East of the flowery garden adjacent to the Maze was a border filled with brilliantly coloured perennials and annuals beneath bright-gold ‘Frisia’ black locust trees (Robinia pseudoacacia).

I couldn’t help but think of all the kids who would have been wowed by these giant sunflowers!

This was a fun combination: tall cup plants (Silphium perfoliatum), yellow Sinacalia tangutica, white Culver’s root (Veronicastrum virginicum) and blackeyed susan (Rudbeckia fulgida ‘Goldsturm’).

As I left VanDusen that August day in 2011, I asked a gardener in the Southern Hemisphere Garden who managed the colourful garden I’d just toured? “Oh, that would be Miguel,” he said. I wrote down the name somewhere and lost it. A few years later, when former VanDusen Garden Director Harry Jongerden became our Director at the Toronto Botanical Garden, I was asked to photograph him, below. When we were finished, I mentioned this amazing flower garden way at the back of VanDusen. “Oh, that would be Miguel Molina’s garden”, he said. This time I wrote his name down.

VanDusen Botanical Garden will be 45 years old this summer. Prior to becoming a garden, it was part of the old Shaughnessy Golf Course, leased in 1911 from Marathon Realty, at the time an arm of the Canadian Pacific Railway. And yes, that’s actor Clark Gable (‘Gone With the Wind’), below, smoking his pipe while playing in a foursome at the club in 1933.

When Shaughnessy’s lease was up in 1960, Marathon’s plan was to redevelop the entire property as housing, commercial and retail. But in 1966, a group of concerned citizens got together and formed a charitable organization called the Vancouver Botanical Gardens Association (VBGA). They worked with the City of Vancouver, the Province of British Columbia and the Vancouver Foundation to come up with the money to buy part of the old golf course to create a botanical garden. The Vancouver Foundation had been started as a perpetual legacy in 1944 by the lumber magnate and philanthropist Whitford Julian VanDusen (1888-1979) and is now one of the largest in North America, worth $1.2 billion. Within the fund were several VanDusen family funds, including the Alma VanDusen Garden Fund. W.J. VanDusen himself made a $1 million donation to the garden’s development. In thanks, the garden was named for him, one of the few public references to his generosity and he was invited to cut the ribbon at the official opening on August 30, 1975, below, flanked by Premier Dave Barrett, left, Alderman May Brown and Vancouver Mayor Art Phillips.

Late last September, my husband and I made a fast run through VanDusen on an overnight stop in Vancouver before flying in to Cougar Annie’s Garden in the rainforest outside Tofino. I wrote a two-part blog about that fantastic experience. As is my habit, I visited the flower garden, which I learned was named for W.J. VanDusen’s wife Alma VanDusen (1888-1969). The Alma VanDusen Garden is adjacent to the Alma VanDusen Meadow. According to a Vancouver Foundation report, “Although she had a spirit of adventure, Alma was outwardly a quiet, private person similar to her husband. She was an artistic soul who enjoyed music and painting. A lover of flowers, Alma grew magnificent orchids in her greenhouse and later tended beautiful gardens at their farm in Langley.”

Given that it was now early autumn, the fountain grass was in flower and those…..

… seedling delphiniums had started to bloom, too. I noticed zinnias were being used to fill in the spaces between the tall flowers.

As we walked on towards the parking lot, I spied a gardener digging in the vegetable garden nearby. “Are you Miguel Molina?” I asked. “Yes,” he answered. I asked if I could photograph him for my blog and he posed for me. Most importantly, at last I was able to thank the gardener who tends such a joyful, colourful garden of memory, dedicated to the generosity of two Vancouverites who helped to make this stellar botanical garden possible.

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I will be writing about VanDusen Garden in May in my next blog. If you want to read about another exceptional Vancouver garden, visit the blog I wrote on UBC’s David Lam Asian Garden.

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Other public gardens I’ve blogged about include Toronto Botanical Garden; Royal Botanical Gardens, Hamilton ON; Montreal Botanical Garden; New York Botanical Garden; Wave Hill, Bronx NY; New York’s Conservatory Garden in Central Park; New York’s High Line in May and in June; fabulous Chanticleer in Wayne, PA; the Ripley Garden in Washington DC; Chicago Botanic Garden; The Lurie Garden, Chicago; Lady Bird Johnson Wildflower Center, Austin TX; Denver Botanic Gardens; the Japanese Garden in Portland OR; the Bellevue Botanical Garden, Bellevue, WA; the Los Angeles County Arboretum; RBG Kew in London; Kirstenbosch, Cape Town; the Harold Porter National Botanical Gardens, South Africa; Durban Botanic Gardens; Otari-Wilton’s Bush, Wellington NZ; Dunedin Botanic Garden, NZ; Christchurch Botanic Gardens;

In Praise of the Little Bulbs

Posted on April 20, 2020 by Janet

After five long months of wintry weather in Toronto, there is nothing more uplifting than the first flowers of the small spring bulbs. Over many years, small bulbs and corms in my front garden have multiplied, their clumps becoming gradually bigger, or seeds have scattered about until there are pools of colour. My camera finger is always itchy after being out of service since the last of the fall colour dies down, so I head outdoors as often as I can. In this spring of self-isolation, that might be several times a day and I’m often greeted by neighbours stopping to see what’s in bloom. The cold March and April temperatures have made the flowering parade move as slowly as sap up a maple trunk, but every year starts the same – with the snowdrops (Galanthus nivalis). Because they can easily be moved in flower, I have been dividing this old snowdrop clump and digging sections into my front garden.

I’ve also made a habit through the years of cutting these tiny flowers and giving them the high-fashion studio treatment, like the snowdrops below in an antique shot glass.

Next to emerge is usually a tie between species crocuses and little Iris ‘Katharine Hodgkin’. I adore her. She was bred in 1955 in England by E. Bertram Anderson Her mother is pale yellow Iris winogradowii hailing from the Caucasus mountains. That gives her extreme cold hardiness and her tendency to shrug off snow.

Her father is pale purplish blue I. histrioides from Turkey, lending her the pretty pale blue hue. Her existence is the result of only 2 seeds produced in open pollination breeding work by Anderson, a founding member of the RHS Joint Rock Garden Plant Committee and president of the Alpine Garden Society from 1948-53. She flowered in 1960 and was named for the wife of Anderson’s friend Eliot Hodgkin

This year, my crocuses were wonderful, both the species “tommies” (Crocus tommasinanus) and the bigger, slightly later-flowering Dutch hybrids.

On the one warm day we experienced so far this April, I found honey bees foraging for pollen on the crocuses. I’ve always wondered who in my neighbourhood has beehives, since the property size requirements for beekeeping are fairly stringent in Toronto. Having done a little research, I think they likely originated in the hives on the roof of Sporting Life department store about a half-mile from my garden.

I often combine these early bloomers in a tiny bouquet. Even though they last only a few days, the joy they bring is in inverse proportion to their size.

Crocuses, of course, have their own chalice-like charm – even if they decline to stay open long once removed from sunshine.

My front garden in early spring is anything but neat, given that I mulch it with leaves in autumn and leave many cut perennial stems to biodegrade where they fall. I do lighten the leaf mulch in late winter a little, raking some off so the small bulbs don’t get lost in the duff. This is a side-by-side view of my front garden this spring on March 23^rd and April 13^th. Once the crocuses fade, the Siberian squill (Scilla siberica) starts to turn my entire garden azure-blue. Most springs, the native cellophane bee and bumble bees make great use of the scilla carpet, but this year’s temperatures have kept most bees in their nests.

My garden’s “blue period” also includes the amazing, rich-pink Corydalis solida ‘George Baker’.

I always love the combination below, ‘George Baker’ with glory-of-the-snow (Scilla forbesii, formerly Chionodoxa). A few weeks ago, I divided some of my corydalis clumps while in flower and spotted them throughout the garden. That deep cherry-pink is too good not to spread around!

And, of course, I’ve given George his own studio cameos in the past as well……

The glory-of-the-snow has been ready for its closeup….

…. as has the cultivar ‘Violet Beauty’.

Striped squill (Puschkinia scilloides) are ultra-hardy little bulbs featuring pale-blue flowers with a darker blue stripe.

Here’s a closer look of that sweet striped face.

Between the Siberian squill, the glory-of-the-snow and the striped squill, the colour theme of these chilly weeks of early spring is most definitely blue. And with most everyone in Toronto now into their second month of self-isolation, the neighbours have been telling me how much they’re enjoying watching my front garden change every week.

This was a little bouquet I made on April 6^th, happy that there were still a few orange crocuses to give it some zing.
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White Siberian squill (Scilla siberica ‘Alba’) come out a little later than the blue ones.

Photographing them in a tiny bouquet lets me appreciate details of their flowers that often go unnoticed when they flower en masse.

Among my favourite of the small spring flowers are Greek windflowers or wood anemones (Anemone blanda). These are tubers, rather than bulbs, and they need to be soaked for 24 hours prior to being planted in autumn. Their daisy-like flowers always cheer me up – though they only open wide when the sun is shining. This cultivar is ‘Blue Shades’.

Putting just one windflower in the tiniest vase reveals the beautiful contrast of the bright yellow stamens with the silky petals and fern-like leaves.

‘Pink Charmer’ is lovely, but tends to be mauve….

….. and finally there’s ‘White Splendor’.

My broad-leaved grape hyacinths (Muscari latifolium) have just emerged and are still tight. The light flowers at the top are sterile, while the deep-purple ones at the base are fertile.

Here they are, below, in a little salt shaker vase. Common grape hyacinths (Muscari armeniacum) emerge just a little bit later.

Along my sideyard path under a big black walnut tree is a colony of Corydalis solida that comes into bloom a little later than the pink ‘George Baker’ in my front garden. This species is very vigorous and will make its way around the garden and even pop up in the lawn. In fact some gardeners consider it a weed – but I adore it. And after it finishes flowering, its leaves turn yellow quickly in the thicket of Solomon’s seal just emerging, then it disappears until next year. You might also see it hybridizing with some of the colourful cultivars, if you can find them to order.

Like all these little spring treasures, it is such fun to snip a handful to bring indoors so they can be appreciated for their beauty up close.

Soon the forget-me-nots (Myosotis sylvatica) will be in flower. I have loads of these biennials throughout the garden and their season is very long. By the time my crabapple tree is in bloom along with later tulips and daffodils, they will be pale blue clouds underneath.

But for now, I enjoy adding the very first forget-me-not blossoms to the little bulb bouquets that now include common grape hyacinths (Muscari armeniacum)……

….. and the native Confederate violets (Viola sororia var. priceana).

All this early beauty of the little bulbs, this re-affirmation that spring brings colourful renewal – especially this year, when we need it so desperately – is one of the most beloved aspects of my own garden. I simply would not be without my snowdrops, crocuses, corydalis, puschkinia, scilla or grape hyacinths. And then, as if by magic, all these wondrous little chorines of the first act will quietly wither and disappear under the later weeks of tulips, daffodils, camassias and the emerging foliage of summer perennials, lying dormant below the soil surface so they can perform the same miracle early next spring. Needless to say, the foliage of all spring bulbs must be allowed to turn yellow and ripen in order for continued photosynthesis to nurture the bulbs as long as possible.

Meanwhile, my garden moves on through myriad subsequent scenes, not in the least hindered by all these tiny bulbs that helped me bid farewell to winter. Here is my front garden over the space of twelve months. This year I’m filled with anticipation – and nothing but time to enjoy it.

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I buy almost all of my spring bulbs from my friend Caroline deVries’ online retail store flowerbulbsrus. They are available at reduced prices until August 31^st and are excellent quality. A good selection of the small bulbs is also available at www.botanus.com in British Columbia; they ship throughout Canada. (I purchased my own cultivars of Corydalis solida in Canada from gardenimport, which sadly is no longer in business). In the U.S., small spring bulbs can be purchased from my friends Brent and Becky Heath at https://www.brentandbeckysbulbs.com/. They have discounts for ordering before July 1^st.

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If you love spring bulbs, you might want to read my blog on my favourite daffodils and one of tulip design in the spring garden courtesy of the Toronto Botanical Garden, or my visit to the spectacular Abbotsford Tulip Festival.

Reginald Farrer’s Lovely Viburnum

Posted on April 11, 2020 by Janet

On this Easter weekend of this exceedingly strange and sad spring, I give thanks for a joyous bouquet of pale pink outside my kitchen window and the comfort its dependable, early spring appearance offers. I first wrote about this shrub almost 30 years ago, in a column I had in a little community newspaper called Toronto Gardens. I later reprised it for my old website, but I decided it needed another nod of thanks here. Here is what I wrote in the early 1990s, after a mild winter, about Farrer’s viburnum (Viburnum farreri).

Record-breaking December and January temperatures in the northeast have resulted in one of my favourite shrubs putting on a winter flowering show. Not that Farrer’s viburnum (Viburnum farreri) ever waits beyond late March or early April to open its tight pink buds. But this winter, it broke dormancy well before Christmas and has been in bloom ever since, even with the mercury dipping to –16C (3F) one night. Prolonged frigid spells keep the pink buds just closed, but even one day of warm sunshine will nudge many into full flower. In fact, last week, I cut a few small branches and placed them in a bud vase so I could enjoy the sweet-scented flower clusters at my desk. But the warm indoor temperatures meant the blossoms lasted only a day or so before dropping, for this is one plant that truly thrives in the cold.

Given that I no longer “thrive in the cold” myself, it is such a treat to enjoy a shrub that does. This week, night temperatures are forecast to dip below freezing, but that won’t bother this shrub. Even on December 22nd, 2013, when I photographed the buds encased in ice that had fallen from the sky the night before, throwing Toronto into a multi-day power failure and bringing tree limbs crashing down all around the city, it still flowered months later.

Some years, it suffers snow just as its dark pink buds are plumping up, as happened below on March 9^th, 2012.

Truth be told, it’s not the most shapely of shrubs. This is how I found it at Mount Pleasant Cemetery on March 30, 2010, another early spring, just as the first inflorescences were opening on naked twigs.

But I can forgive its shape when it is literally covered with palest pink blossoms as the first leaves emerge, as it was here in my garden with forsythia in my neighbour’s garden behind it on May 7, 2019.

The history of Farrer’s viburnum is colourful. In 1914-15, British plant explorers Reginald Farrer, below, and William Purdom were prowling the foothills of the northern mountains separating China from the Mongolia border, collecting seeds of new species. Although the shrub was a favourite Chinese garden plant at the time, growing at very high altitudes, its “discovery” in the wild is credited to Farrer. Writes Alice Coats in her book Garden Shrubs and Their Histories. “He sent home abundant seed and would have sent more, but for an unfortunate falling-out with his Highness Yang Tusa, Prince of Jo-ni, who…in a fit of pique, set to and sedulously ate up all the Viburnum fruits in his palace garden, and threw away the seed.”

Originally called Viburnum fragrans to mark its sweet perfume, it was renamed in Farrer’s honour. Today, fragrant viburnum is considered a winter-flowering shrub in the Pacific Northwest and in Britain, where its flowers might open on a mild day in late autumn with flowering occurring sporadically until April. It likes full sun and reasonably good soil, but can’t be called a fussy shrub. Despite its tendency to early bloom, it is root-hardy only to USDA Zone 5a – Canadian Zone 6B, and benefits from some protection from harsh winds and winter sun. It reaches 2.5 – 3 metres (8 – 10 feet) at maturity with almost as large a spread. The flower clusters start out pale pink and fade to white and are quite modest in size — more like the Burkwood viburnum than the big snowball blossoms of the fragrant snowball Viburnum x carlcephalum. For small gardens or for low hedging, there’s a very good dwarf form called ‘Nanum’, which reaches about 1 metre (3 feet). There is also a white form, V. farreri ‘Album’, below.

Farrer’s viburnum was crossed with Viburnum grandiflorum at Bodnant Garden in Wales to give us Viburnum x bodnantense. This hybrid is usually seen as the cultivar ‘Dawn’, a lovely shrub whose flowers are rosier pink than Farrer’s.
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Both Farrer’s and Bodnant viburnums are favourites of pollinating insects, given how early they flower. One year I found a bumble bee queen taking nectar on ‘Dawn’, below.

But more often than not, it’s better insect-watching in my own garden with Viburnum farreri. Below is the mourning cloak butterfly, which overwinters in Toronto and needs nectar as early as possible. This was April 16, 2017.

That same week, I found a red admiral butterfly on the flowers. Obviously, it needs to be above a certain temperature for insects to thermo-regulate, and that has been difficult this cold spring.

In 2012, one of the earliest springs I can recall in Toronto, we had a celebratory dinner on our sundeck on March 19, 2012 with little sprigs of Farrer’s in a cylindrical vase.

But it’s the perfume of those humble flowers that I adore, and that doesn’t necessarily transfer to the Bodnant hybrid. I read the following paean to its fragrance on a website, attributed to British garden writer Mark Griffiths: “We mustn’t let the bodnantense hybrids supplant their parent; V. farreri is twiggier and more crabbed and its flowers are smaller tighter and paler, but there’s far greater poetry in its looks and purity in its fragrance. Its perfume, to my nose, is more hyacinths and almond essence than heliotrope. On a drab winter’s day, its effect is magical in the garden and even stronger in a room, whether from a few cut twigs or a pot-grown plant brought indoors for winter. This scent seems less like reckless extravagance thrown away on the chill, bee-free breeze once one realises that V. farreri doesn’t behave with us as it does in its native China. There, it holds back all through the months of harsh cold and drought, not blooming until spring, whereupon it faces stiff competition for pollinators from other blossoms. Its alluring fragrance is prudent, not prodigal. Our winters are mild and wet by comparison and this encourages it to flower in fits and flushes from late autumn onwards.”

Toronto winters are more like China than England, I expect, so I appreciated what Helen Van Pelt Wilson and Léonie Bell wrote about Farrer’s, which they called the fragrant guelder, Viburnum fragrans, in their 1967 classic The Fragrant Year: “The fragrant guelder…has long been a favorite shrub, its perfume mysteriously combining the scents of wisteria and clove in the manner of certain lilacs. Unlike the familiar V. carlesii , which gives at best only ten days of bloom, V. fragrans flowers modestly for weeks on end. Even after our harshest winters, all the rose-red buds open to rich pink flowers that grow paler with age.”

I shall leave you with a little Easter nosegay. It’s on my kitchen table now. A few wisteria-clove-hyacinth-almond-scented sprigs of Reginald Farrer’s lovely Chinese shrub, along with the little striped, ice-blue Puschkinia scilloides and Corydalis solida ‘George Baker’. Aren’t we lucky that his Highness Yang Tusa, Prince of Jo-ni didn’t eat ALL of the seeds?

Otari-Wilton’s Bush

Posted on April 1, 2020 by Janet

It’s been a while since I blogged about New Zealand and our 2018 trip, but I’ll correct that today, since there was one garden omitted – and it was my favourite. If you recall, in my last blog we were sailing back to the North Island from the South Island and settling ourselves into New Zealand’s beautiful capital city of Wellington for the final chapter of our trip. Today, I want to take you to what was my favourite public garden of our entire 3-week tour, Otari-Wilton’s Bush (whose proper name is Otari Native Botanic Garden and Wilton’s Bush Reserve, but I’ll call it OWB for short). Let’s walk from the car park through the main entrance gate or warahoa…..

….. past the Kauri Lawn and the familiar trunks of the kauri trees (Agathis australis) we’d fallen in love with a few weeks earlier on the Manginangina Kauri Walk in the Puketi Forest near Bay of Islands, on our Maori culture day.

The path leads past interesting New Zealand natives towards the information centre where we can……

….. find a map. This place is massive! There are ten kilometres of walking trails over 100 hectares (247 acres) of native podocarp-northern rata forest featuring 5 hectares of gardens containing half of New Zealand’s native plants. In total, there are.1200 species, hybrids and cultivars of indigenous plants, and we have such a short time to visit! On that note, I should add that there was a reason why it took me so long to get this blog together: the complexity of the garden and our speed rushing through it meant that I didn’t feel I could do it justice without researching it a little more than the other public gardens we’d visited, which were more straightforward…. rose garden, perennial border, etc. There is not that kind of typical botanical garden approach here at OWB. It’s all about native plants and their conservation! I could have spent two days there, easily

Because it’s difficult to read the map (click on it or download it for a better look), here is the legend:

1 –      Plants for the home garden
2 –      Brockie rock garden
3 –      Wellington coastal plants
4 –      Grass and sedge species
5 –      Threatened species
6 –      Hebe species
7 –      Rainshadow garden
8 –      Flax cultivars
9 –      Pittosporum species
10 –     Coprosma species
11 –     Olearia species
12 –     Northern collection
13 –     Divaricate collection
14 –     Gymnosperm (conifer) collection
15 –     Fernery
16 –     Alpine garden
17 –     Dracophyllum garden
18 –     38
19 –     Broom garden

The garden and surrounding bush has a complicated history, from the Maori first inhabitants – Taranaki tapū or sub-tribes – who migrated to the general area in 1821 from the Wellington region; to the arrival of European settlers in the 1840s; to the allocation of 500 acres to Maori tribes; to the 1860 purchase by Job Wilton of 108 acres for farming; to the leasing by one tribe of 200 acres to three settlers; and subsequent sales by other tribes to other settlers. By 1900, prominent citizens of Wellington began to realize that the natural land around the city was in demise. As another 134 acres of tribal land was being sold to settlers, Wellington City Council stepped in and purchased it. By 1918, Otari’s status was changed to a reserve “for Recreation purposes and for the preservation of Native Flora.” In 1926, the well-known botanist, plant explorer and ecologist Dr. Leonard Cocayne presented a proposal to create a collection of indigenous plants on the site: the Otario Native Plant Open Air Museum. He was named Honorary Botanist to the Wellington City Council and effectively Director of the Plant Museum. Over the next few years, he collected 300 native plants and published the guidelines for the development and arrangement of the museum. Upon his death in 1934, he was buried on the site.

Let’s head out over the canopy bridge spanning the ‘bush’ below.

Visitors gazing out over this scene can appreciate how this part of New Zealand looked before cities and highways were built and invasive plants outcompeted native flora.

The garden has done a good job of labelling native trees to inspire visitors to choose these for their own gardens. This is karaka (Corynocarpus laevigatus).

This is the tawa tree (Beilschmiedia tawa).

This is rewarewa (Knightia excelsa).

Looking down, you can see the exquisite structure of the silver ferns or pongas (Alsophila dealbata, formerly Cyathea).

It’s easy to see why this fern enjoys such an elevated position in New Zealand.

Interpretive signage is well done in the garden.

Though it is far away, I attempt a photo of New Zealand’s wood pigeon.

After the canopy walkway, I find myself in a section devoted to plants for the home gardener. Seven fingers or patē (Schefflera digitata) is a small, spreading tree fond of shade and damp places. It’s the only New Zealand species in the genus Schefflera.

The Three Kings kaikomako (Pennantia baylisiana) was down to a single extant plant in New Zealand when it was discovered on a scree slope on Three Kings Island in 1945 by Professor Geoff Baylis of Otago University. Seeds were harvested, allowing it to return from the brink of extinction.

Gold-variegated karaka (Corynocarpus laevigatus ‘Picturata’) is a colorful Otari-Wilton’s Bush introduction of the evergreen New Zealand laurel tree. Its Maori name “karaka” means orange, and is the colour of the tree’s fruit.

The Leonard Cockayne centre can be booked for small meetings, workshops and education sessions.

Our American Horticultural Society tour group listens to Otari Curator-Manager Rewi Elliot giving an overview on the garden. You can see the memorial plaque at the base of the large rock, the burial site for Leonard and Maude Cockayne.

In the adjacent Brockie Rock Garden, I find Chatham Island brass buttons (Leptinella potentillina) is a rhizomatous groundcover adapted to foot traffic.

Slender button daisy (Leptinella filiformis) is bearing its little white pompom flowers.

Purple bidibid or New Zealand burr (Acaena inermis) has become a popular groundcover plant in Northern hemisphere gardens.

Chatham Island geranium (G. traversii) has pretty pink flowers. Its easy-going nature recommends it as a good native for New Zealand gardeners.

Like a lot of shrubby veronicas, Veronica topiaria used to belong to the Hebe genus before DNA analysis. It has a compact, topiary-like nature and tiny white summer flowers.

Silver tussock grass (Poa cita) is a tough, drought-tolerant native adapted to the poorest soils.

This is a lovely view from the Cockayne Overlook.

Below, a path is flanked by some of the sedges (Carex sp.) for which New Zealand has become renowned throughout the gardening world.

We catch a glimpse of New Zealand flax (Phormium tenax) on the right along the path.

Castlepoint daisy (Brachyglottis compacta) is native to the limestone cliffs on the Wairarapa Coast of New Zealand’s North Island. Like many species here, it is considered at risk in the wild.

We had seen Marlborough rock daisy (Pachystegia insignis) at the Dunedin Botanical Garden earlier in the trip. It’s such a handsome plant.

A gardener trims the base of a sedge along the path. There are signs in the garden stating “Please do not pull out our ‘weeds’”, explaining that they may look like weeds but several are threatened endemics that are allowed to casually self-seed in the garden.

Orange tussock sedge (Carex secta), aka makuro or pukio. is common to wetlands throughout New Zealand.

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Gardeners are at work trimming the sedges with the podocarp-northern rata forest in the background.

The Wellington Coastal Garden, below, is home to native plants found on the rocky foreshores, sand dunes and scrub-coloured cliffs of Wellington. Many plants here have thick, fleshy leaves or waxy surfaces to cope with wind and salt spray.

The Rain Shadow Garden features plants native to Marlborough, Canterbury and Otago in the South Island, specifically to regions lying east of the Southern Alps where rainfall is scant. From Wikipedia: In the South Island of New Zealand is to be found one of the most remarkable rain shadows anywhere on Earth. The Southern Alps intercept moisture coming off the Tasman Sea, precipitating about 6,300 mm (250 in) to 8,900 mm (350 in) liquid water equivalent per year and creating large glaciers. To the east of the Southern Alps, scarcely 50 km (30 mi) from the snowy peaks, yearly rainfall drops to less than 760 mm (30 in) and some areas less than 380 mm (15 in). The tussock grasslands are common in New Zealand’s rain shadow.

To northern hemisphere eyes, New Zealand has a lot of strange plants, but none tickle our fancy more than toothed or fierce lancewood (Pseudopanax ferox). You’ll see its mature tree form a little further down in our tour of the garden but I love this photo illustrating the juvenile form, often described as Doctor Seussian or like a broken umbrella. It is now seen in gardens throughout the world, mostly owing to the 2004 Chelsea Flower Show where it starred in New Zealand’s gold-medal-winning garden exhibit.

This is my favourite image in the garden because it celebrates plants that typify the New Zealand native palette – the buff sedges and the wiry shrubs in ‘any-colour-but-green’. Save for the sword-like leaves of the cabbage palm (Cordyline australis) at the top of the picture, there is nothing ‘luxuriant’ about the plants in this garden. They evolved their sparse foliage to outsmart hungry predators or to protect themselves from wind, heat and salt.

As an illustration, here is Coprosma obconica, considered threatened in its native niche, with its “divaricating” growth habit (branching at sharp angles) when young. Note that its tender foliage is in the centre of this wiry sphere, thus protected from the nibbles of herbivores.

But then there are the big grasses and phormiums, which lend the opposite lush feeling. I love this garden, too, with its collection of flaxes, both the large New Zealand flax or harakeke (Phormium tenax) and the smaller mountain flax or wharariki (Phormium colensoi, formerly P. cookianum). In milder climates of North America, we see P. colensoi cultivars used extensively, e.g. ‘Maori Maiden’, ‘Black Adder’, ‘Sundowner’, etc. This is P. tenax ‘Goliath’.

A closer look at ‘Goliath’. The Māori grow harakeke plants especially for weaving and rope-making. Note the leaves of the Carex, illustrating the mnemonic “sedges have edges”.

At the base of the steps is a beautiful stand of South Island toetoe grass (Austroderia richardii, formerly Cortaderia). It is related to the South American pampas grass (Cortaderia selloana) which has become an invasive in New Zealand (and also coastal California).

Below we see the juvenile (right) and mature (left) forms of fierce lancewood (Pseudopanax ferox) growing side by side. Note the stout trunk and the different leaves on the adult tree. Botanists theorize that the tree evolved its narrow, young form with its hooked leaves to thwart herbivory by New Zealand’s flightless bird, the giant moa, which was hunted to extinction by Polynesian settlers five hundred years ago. Once the plant reaches a certain height – around 3 metres or 9 feet in 10-15 years – it gets on with the regular business of being a tree. The forms are so different that early taxonomists mistook them for different species.

Nearby is a garden labelled “the hybrid swarm”, featuring offspring of crossings of two other lancewood species, Pseudopanax crassifolius or horoeka and P. lessonii or houpara.

One of the tour members calls to me that she has heard the tui bird and I pass a stand of Richardson’s hibiscus (H. richardsonii)…..

…. as we go exploring into denser garden areas.

Sure enough, there it is – not the best photo, but it’s a treat to find it here. The Māori call this bird the ngā tūī, and this particular bird’s black-and-white colouration (its iridescence isn’t notable in this light) illustrates why the colonists called it the parson bird. It is one of two extant species of honeyeaters in New Zealand, the other being the bellbird. If you read my blog on Fisherman’s Bay Garden, you might have watched the YouTube video I made of that lovely garden with the entire soundtrack comprised of the bellbird’s song.

But time is fleeting and we still have the Fernery to visit. I stop for a moment to photograph Kirk’s daisy or kohurangi (Brachyglottis kirkii var. kirkii). It is in decline and classed as threatened, mostly due to predation from possums, deer and goats.

Common New Zealand broom (Carmichaelia australis) is not related to European broom (Cytisus scoparius), which is as invasive in New Zealand as it is throughout the temperate world.

Here is a large specimen of bog pine (Halocarpus bidwillii).

I pass a small water garden surrounded by rushes.

Crossing back over the canopy walkway, I come to the totara (Podocarpus totara) with its stringy, flaking bark. This specimen was planted in the 1930s and could live for more than 1,000 years. It is one of 5 tall trees in the Mixed Conifer-Broadleaf Forest type here; the others are kahikatea (Dacrycarpus dacrydioides), matai (Podocarpus taxifolia), rimu (Dacrydium cupressinum) and miro (Prumnopitys ferruginea). Totara wood is strong and resistant to rot; it was used traditionally by the Māori for carving and to make their waka or canoes. On trees 150 to 200 years old, an anti-microbial, anti-inflammatory medicinal product called totarol can be extracted from the heartwood on a regular basis. A dioecious species, female trees bear masses of fleshy, red, edible berries that the Māori collected in autumn by climbing the trees with baskets.

Now I’m on the boardwalk heading back through the Fernery to the parking lot and our bus. It was April 10, 1968 when Cyclone Giselle brought sudden winds of 275 kilometres per hour (171 mph) to Wellington, sinking the interisland ferry Wahine in sight of the harbour, with 53 lives lost of the 734 aboard. But the cyclone, the worst in New Zealand’s history, also knocked down trees throughout the country, including a swath cut through the forest at Otari-Wilton’s Bush. The opening created light favourable for the growing of ferns, and thus the fernery was launched late that year.

I see New Zealand’s iconic silver fern or ponga, which has had a botanical genus name change from Cyathea dealbata to Alsophila dealbata, courtesy of DNA sequencing. Look at the ferns colonizing its trunk.

Later, I get a closer look at the plants climbing another silver fern, which were identified for me by an Otari botanist for my 2018 blog New Zealand – The Fernery Nation. The climbing thread fern is Icarus filiformis (formerly Blechnum filiforme) or pānoko. The broadleaf plant is scarlet rātā vine or in Māori akatawhiwhi (Metrosideros fulgens).

I pause at a few low-growing ferns, including Cunningham’s maidenhair (Adiantum cunninghamii).

…… and the rhizomatous creeping fern Asplenium lamprophyllum.

But it’s the tree ferns that are most spectacular here. Milne’s tree fern (Alsophila milnei) has also had a genus name change from Cyathea. It is endemic to Raoul Island.

Kermadec tree fern (Alsophila kermadecensis) is also native to Raoul Island.

Mamaku or black tree fern has also been moved out of Cyathea; it is now called Sphaeropteris medullaris. It can grow very tall, up to 20 metres (60 feet).

I take a quick glimpse into the native bush, which encompasses 100 hectares here as our guide calls for me to hurry. I’m the last one on the bus!

Leaving the garden, I glance back at the beautiful pou whenua carved with the creatures of the forest. Given that “Otari” is a Māori word for “place of snares” recalling its heritage as a traditional place for bird-hunting, it is fitting that it is now celebrated as a place for watching birds and all manner of wildlife and plants.

As I run for the bus, I stop to take one last photo, of the unfurling crozier, or koru in Māori, of rough tree fern or whekī (Dicksonia squarrosa). Traditionally, the koru symbolizes perpetual movement, a return to the point of origin. It seems that the people of Wellington and those who fought to reclaim the bush for nature and education have done that here very well.

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If you enjoyed this blog, be sure to read my New Zealand series of blogs:

Janet Davis Explores Colour

In the garden & the world

Monthly Archives: April 2020

The Joyous Alma VanDusen Garden

In Praise of the Little Bulbs

Reginald Farrer’s Lovely Viburnum

Otari-Wilton’s Bush

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